Updates from the world's leading classical music label
Raymond Bisha discusses a release of music by the American composer Bernard Herrmann with Joseph Horowitz, co-founder of PostClassical Ensemble, a group dedicated to stepping across normal repertoire boundaries. The album’s programme showcases Herrmann’s talents not only as a composer of film scores, but also as a consummate provider of music for the forgotten genre Read More …
It will soon be the season of Christmas carol services, managed somehow or other this year by technical wizardry in defiance of Covid-19. It set me thinking not only about the traditional carols I grew up with, but also the plentiful variety of alternative music that has been written over the centuries to mark the Read More …
George Frideric Handel: impresario, performer, composer. The Great Bear, as he was referred to in his time, remains an Ursa Major of the musical firmament to this day. Raymond Bisha illustrates Handel’s creative genius with Vol. 2 in pianist Philip Edward Fisher’s recordings of his Keyboard Suites, released in April 2015. View album details Catalogue Read More …
This week we take a look at four works that were all premiered on 20 November, the same date as the posting of this blog, respectively in 1889, 1911, 1945 and 1964. Usually an occasion of great positivity, the first performances of these particular compositions all carried some heavy baggage. I refer to Mahler’s First Read More …
Once in a while you hear such incredibly beautiful music for the first time that you just can’t understand why it has remained under wraps for so long. The Violin Concertos Nos. 1 and 2 by the Italian-born composer Mario Castelnuovo-Tedesco are a case in point. Originally championed in the 1920s and 30s by no less Read More …
This month, JoAnn Falletta and the Buffalo Philharmonic celebrate their 21-year association with Naxos as they release their 26th recording on the label — a second album of music by the French composer Florent Schmitt (1870-1958). Peter Hall talks with the orchestra’s music director about that sustained collaboration, reviewing the musical development she has achieved Read More …
Richard Kennedy presents an overview of the life, times and music of Czech composer Bohuslav Martinů, whose free spirit ranged both musically and geographically during the first half of the 20th century.
Raymond Bisha introduces a new release of Baroque violin sonatas by 18th-century Italian violinists trained in the tradition of Arcangelo Corelli, spreading his elegant, expressive and virtuosic style on their travels throughout Europe. Giovanni Mossi’s sonatas retain Corelli’s dramatic contrasts and structure, while Giovanni Stefano Carbonelli also incorporates features found in music by Vivaldi. Both Read More …
During the Baroque period (c. 1600-1750) suites of instrumental music with each movement based on the characteristics of a particular dance were popular. The considerations for composers would include: how many beats in a bar? what speed? any notable rhythms? — elements that gave each dance its individual flavour. It’s difficult to imagine more recent Read More …
Raymond Bisha introduces recordings of J. S. Bach’s cello suites, transcribed for guitar and performed by Jeffrey McFadden. Bach himself made arrangements of other composers’ works, as well his own, recycling them for new uses, a practice that continues with these two new volumes. Pablo Casals (1876–1973), Read More …