Podcast: From elegance to wild abandon. Corelli & Co.

Raymond Bisha introduces a new release of Baroque violin sonatas by 18th-century Italian violinists trained in the tradition of Arcangelo Corelli, spreading his elegant, expressive and virtuosic style on their travels throughout Europe. Giovanni Mossi’s sonatas retain Corelli’s dramatic contrasts and structure, while Giovanni Stefano Carbonelli also incorporates features found in music by Vivaldi. Both Read More …

Dancing to the music of their time.

During the Baroque period (c. 1600-1750) suites of instrumental music with each movement based on the characteristics of a particular dance were popular. The considerations for composers would include: how many beats in a bar? what speed? any notable rhythms? — elements that gave each dance its individual flavour. It’s difficult to imagine more recent Read More …

Podcast: New medium. Same magic. Bach’s cello suites transcribed.

                Raymond Bisha introduces recordings of J. S. Bach’s cello suites, transcribed for guitar and performed by Jeffrey McFadden. Bach himself made arrangements of other composers’ works, as well his own, recycling them for new uses, a practice that continues with these two new volumes. Pablo Casals (1876–1973), Read More …

Podcast: Found in Translation.

Latvian composer Ēriks Ešenvalds (b. 1977) has demonstrated his versatility by writing in a variety of genres, from orchestral and film scores to electronic and multi-media works. Choral music, however, features in much of what he does. The richness of texture and variety of colour in his music for choirs reflects his practice of dividing Read More …

Podcast: Music by Hans Rott (1858-1884). A legacy of powerful potential.

No lover of classical music from the Romantic period should miss an opportunity to become acquainted with the music of Hans Rott, a little known composer (even in his day), but one who made a significant impact before his untimely death at the age of 25. Improbable though it may seem, it’s likely that not Read More …

Hearing it in black and white.

A bifocal blog this week that steers from a lust for colour in music to a quick dig in the catalogue for works presented on a monochrome platform, either black or white. My first pick is Peter Maxwell Davies’ Black Pentecost, the catalyst for which was provided by the threat of uranium mining in the Read More …

Podcast: Peter Breiner’s Slovak Dances, Naughty and Sad

Peter Breiner is one of the world’s most performed composer/arranger/conductors with record sales in the millions and over 200 CD titles to his credit. Slovak Dances, Naughty and Sad, the latest of his many releases for Naxos, consolidates his outstanding reputation as an arranger. It features Breiner’s typically colourful orchestrations that include a wide variety Read More …

Podcast: Music for wind band by Kenneth Fuchs.

Considering the size of the wind band industry in the United States, the occasion of an established classical composer writing for the medium comes as a rare but highly welcome treat. Raymond Bisha introduces a programme of wind band music by Kenneth Fuchs, during which the American composer describes the progression of his experience and Read More …

Podcast: Kastalsky’s Requiem for Fallen Brothers receives a poignant Resurrection.

Alexander Kastalsky’s Requiem for Fallen Brothers was written between 1914 and 1917, during World War I, a conflict that killed more than 20 million people and injured even more. Kastalsky achieved poignancy in his memorial by using melodies and texts from many of the countries involved in the war — Russia, Serbia, Italy, England, Japan, Read More …