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As a youngster, one knew that the first requirement for playing the piano was to be able to find Middle C. So, I got to wondering if the first requirement for composers was to be able to write a Symphony in C. After all, I thought, Beethoven went on to produce nine symphonies, but his Read More …
If you’ve already made your will, maybe you’ve also stipulated the music you would like to be played at the assembly for your funeral service. After a lifetime in music, and not once having been able to nominate a favourite piece, I’ve recently opted for a quiet cremation and a silent scattering of ashes. Stirred Read More …
I’ve always found it intriguing how a quality composition is seemingly indestructible when it’s pressed into new clothes by skilled arrangers. (Whingers, by the way, is simply an anagram of Gershwin to reflect that notion). My first taste of the industry as a youngster was on hearing the Swingle Singers elevate J. S. Bach’s instrumental Read More …
I don’t watch much television, and what I tune into most are news channels that give me quick updates on the often dire state of the world, and the even direr state of the art of the news anchor. I may be a cantankerous old beezer, but I do get so irritated by announcers who Read More …
This week’s blog marks the anniversary of the birth of the Jewish Czech composer Erwin Schulhoff, on 8 June 1894. His artistic abilities soon became apparent, and a musical career was decided on following a recommendation from no less a figure than Antonín Dvořák. Schulhoff studied at the Prague Conservatory from 1904, followed by piano Read More …
Ralph van Raat performs fiendishly difficult transcriptions for solo piano of two of the most important orchestral works of the early 20th century: Debussy’s symphonic sketches La mer, and Stravinsky’s score for the ballet The Rite of Spring. Raymond Bisha guides us through the transformation of these works from orchestral complexity to pianistic élan. Read More …
Quirky, catchy and disturbing, Stravinsky’s The Soldier’s Tale is also one of his most immediately engaging works. Conceived as a rich procession of narration, acting, dancing and instrumental interludes, the work leaves the listener ruminating on its message long after the final shot from the percussion. Raymond Bisha introduces the work, from its individual parts Read More …
I had supper recently in a restaurant named after the American novelist Ernest Hemingway (1899–1961). His life was every bit as colourful as his literary works, as were the restaurant’s table mats. They carried a collection of his quotations. My dining companion and I happened to get the same one: “I didn’t want to kiss Read More …
The ease of global communication nowadays brings home the frequency of natural disasters and their tragic consequences. The only positive offshoot of such terrible occurrences seems to lie in the artistic reflections that composers have made in trying to capture these events, born of the less comforting side of Mother Nature. Picking through the catalogue Read More …
