Updates from the world's leading classical music label
If you’ve already made your will, maybe you’ve also stipulated the music you would like to be played at the assembly for your funeral service. After a lifetime in music, and not once having been able to nominate a favourite piece, I’ve recently opted for a quiet cremation and a silent scattering of ashes. Stirred Read More …
This podcast from the Naxos Sounds Interesting series focuses on a selection of concertos written not for household-name soloists, but for the collective virtuosity of an orchestra’s serried ranks. Links to the music featured in this podcast: Bartók, Concerto for Orchestra (8.571201) Malipiero, Concerto for Orchestra (8.573291) Joan Tower, Concerto Read More …
I recently registered with my local library and duly received a plastic card that gives me borrowing rights. Covering the front of the card is a quotation: “The only thing that you absolutely have to know is the location of a library.” Albert Einstein I wondered how many ‘books/livres/Bücher’ I could locate in my own Read More …
In some respects you might say that all orchestral works – symphonies, overtures, tone poems — are showcases of collective talent displaying expertise in coordination, balance and deft execution of the notes. But the notion of a concerto for orchestra implies that the composer is shining an even more intense spotlight on rank-and-file players or Read More …
When is a concerto not a concerto? We’re all familiar with the term when it implies a soloist in a tug-of-tunes display, riding atop a generally subservient orchestra; and works such as the Brahms Double Concerto and the Beethoven Triple are a self-explanatory extension of that arrangement. The Baroque concerto grosso also neatly reflects the Read More …