The long reed

For some woodwind instruments, their close cousins sound markedly different. Take the closing bars of Beethoven’s Egmont Overture, for example. When the shrill piccolo slices through the texture, there’s no way you would mistake it for the sound of an homogenous flute. And when the bulky contrabassoon enters in Ravel’s Mother Goose Suite, it’s a Read More …

April playbill

We’re well into April, the name derived from the Latin word aperit which means ‘opening’. Flowers and trees in the northern hemisphere do indeed begin to bloom at this time, but April can be a most confusing, if not frustrating month: drearily wet one day, promisingly warm the next, armed with surprises and contradictions, daisies Read More …