Updates from the world's leading classical music label
Conductor Adam Fischer and the Danish Chamber Orchestra have already persuaded audiences to absorb the symphonies of Brahms and Beethoven through their distinctive lens. Now they’re midway through a series of recordings of Haydn’s great late symphonies. Raymond Bisha’s conversation with Fischer draws the curtain on just how he fathoms Haydn’s essence: “He’s hiding his Read More …
Six centuries. Ten composers. One text. This week’s blog is a journey that savours the flavours of settings of Gloria in excelsis Deo (Glory to God in the highest), the opening text of the Gloria section of music that has been written for use during the celebration of the Mass in churches down the ages. Read More …
For some woodwind instruments, their close cousins sound markedly different. Take the closing bars of Beethoven’s Egmont Overture, for example. When the shrill piccolo slices through the texture, there’s no way you would mistake it for the sound of an homogenous flute. And when the bulky contrabassoon enters in Ravel’s Mother Goose Suite, it’s a Read More …
One of the Naxos label’s distinguishing features is the sustained effort it applies to promoting the music of lesser-known composers, those who are undisputed craftsmen, but have been sadly overshadowed by greater names in the course of music history. Spare a thought, then, for such a composer who was born on the same date as Read More …
It took me a while to figure out exactly to what or to whom Charles Dickens was referring when talking of the Allongers and Marchongers in his novel Little Dorrit. The story opens in Marseilles c. 1826; the penny eventually dropped that the terms were describing soldiers singing Allons! and Marchons! in full voice; and Read More …
With temperatures shifting unpredictably, the hibernating bee must occasionally get confused about when it’s time to rise from slumber and resume its pollinating routine. In many parts of the world, however, they’ll have long been about their business. This week’s blog gives a nod to that vital work they do, and a mention of some Read More …
Although Haydn’s operas are little-performed today, many of them were immensely popular during his lifetime and were staged far beyond the wealthy Esterhàzy court for which they were written. With subject matter ranging from very dramatic to very funny, Haydn sets the atmosphere for each of his stage works (including those for marionettes) with an Read More …