Updates from the world's leading classical music label
Raymond Bisha’s latest podcast focuses on two works by William Bolcom that have been recently recorded for the Naxos American Classics Series. The emotional spectrum of his “Canciones de Lorca” and “Prometheus” is reflected in colourful orchestrations and a mix of musical styles that swing between intense drama and surreal humour. View album details of Read More …
In 1951, Arnold Schoenberg died. And I was born. Which hardly constituted a fair exchange on the Muses’ creativity balance sheet. But the year itself has always intrigued me by its habit of popping up in history’s list of milestones, as it did recently, when I tuned into a BBC World documentary. It took as Read More …
Known principally for his prodigious output of concertos, Antonio Vivaldi was also a prolific composer of operas, so it’s perhaps no surprise that an engaging and demanding operatic vocal style also permeates Vivaldi’s sacred music. Raymond Bisha introduces both the music and the performers on this fourth volume of Naxos’ survey of Vivaldi’s catalogue of Read More …
Fantasy, fairy tales and Maurice Ravel’s flair for orchestral colour are all to the fore in this new release of two examples of the composer’s music for the stage—the scores for his opera L’Enfant et les sortilèges and his ballet Ma mère l’Oye. This highly imaginative music, projected through a childlike lens, is instantly attractive Read More …
Imagine a bygone era when an existence without religion and superstition would be unthinkable, in which the souls of the departed were believed to exist among the living as a matter of course. In our lives today, surrounded by technology and cosseted by commerce, such powerfully held beliefs exist only in barely acknowledged vestiges of Read More …
Icelandic composer Jón Leifs (1899–1968) made a big noise, literally, at one of this year’s BBC Promenade Concerts. How so? With a rare performance of his Organ Concerto Op. 7. Completed in 1930 after a 13-year gestation, the work was premièred in Germany in 1941 by the Berlin Philharmonic with Leifs himself as the soloist. Read More …
It was the great virtuoso Wanda Landowska who spearheaded a revival of interest in the dormant harpsichord at the turn of the 20th century. Working closely with Pleyel of Paris, the instrument manufacturer, she helped develop and promote a sturdier and more sonorous instrument than was hitherto the case. Composers of the time weren’t slow Read More …
October features in a number of classical works, and not only in response to its seasonal characteristics. To take an example, it’s nearly a hundred years since that seismic event known as the Russian October Revolution took place, one which was to receive significant attention from the pen of Dimitry Shostakovich. But we’ll come to Read More …
2015 marks milestone anniversaries for a number of significant classical composers, including Sibelius, Bartók, Glazunov, Franck and Arvo Pärt. Today, however, we consider a trio of other composers who were born on today’s date: 25 September. If you’re an organist, the name of the first composer will be well-known to you, even if only by Read More …
Two disparate experiences in sound occupy this month’s new CD of works by American composer Christopher Rouse. From the schizophrenic to the sublime, ‘Seeing’ and ‘Kabir Padavali’ are scored respectively for piano soloist and soprano soloist, plus orchestra. Ranging from notions of insanity to the exquisite beauty of 15th-century Indian poetry, Rouse explores the striking Read More …