Updates from the world's leading classical music label
Ravel’s opera L’heure espagnole combines an improbable plot with impeccable melodic charm and orchestral transparency. Raymond Bisha introduces this month’s new recording from Leonard Slatkin and the Orchestre National de Lyon, which is coupled with the last work Ravel composed, the song cycle Don Quichotte à Dulcinée. View album details of Maurice Ravel’s L’Heure espagnole Read More …
Papa Haydn’s morning routine probably wasn’t quite so bothersome as for many of us today. No dithering over which tie to match with which shirt, shoes, suit, and the rest. His obligatory Esterházy Court livery decided itself. Bad hair days must also have been less of an issue with courtly wigs at his disposal. But Read More …
Surprising Sedaka…energised Emerson…distinctive Duke…great Gershwin. Manhattan Intermezzo is a musical melting pot of a CD. Join Raymond Bisha in his podcast of discovery. View album details of Manhattan Intermezzo – Piano and Orchestral Works by Neil Sedaka, Keith Emerson, Duke Ellington and George Gershwin at naxos.com Catalogue No.: 8.573490
Music must be the leader among the arts when it comes to what one might call high-quality spin-offs. By that I mean many compositions exist not only in their original version, but also in what might be called…well, what does one call them? We have different words for our industry of remoulding originals—transcriptions, orchestrations, paraphrases, Read More …
This month sees the latest Naxos release of music by Roberto Sierra. A native of Puerto Rico, Sierra’s compositional style marries his cultural heritage with a contemporary idiom. In this podcast, Raymond Bisha showcases the infectious rhythms and colourful orchestrations that pervade the composer’s award-winning Sinfonía No. 3 ‘La Salsa’, throwing into relief the captivating Read More …
New Year in the Gregorian Calendar has become a point in time for both public celebrations and private moments of reflection and resolution. These days we don’t associate New Year festivities and music so much with churchgoing, but in 18th-century Leipzig it was very much part of the Christmas cycle of celebratory services which ran Read More …
Raymond Bisha presents a new recording of two works written only three years apart at the very end of the 19th century: Albéric Magnard’s Chant funèbre (Funeral Song) and Richard Strauss’ Ein Heldenleben (A Hero’s Life). The former may have been unduly neglected, but the latter is testament to the enduring popularity of Strauss’ tone Read More …
I’ve just finished reading Dan Brown’s novel Inferno. It’s another gripper from the American author, involving ancient symbology revolving around Dante Alighieri’s 14th-century epic poem The Divine Comedy. The last word of that title signals that it ends happily, not tragically; there’s nothing comedic about the work. It describes Dante’s tripartite journey across the nine Read More …
Being a contemporary of Mozart, Haydn and Beethoven was both a blessing and a curse for Simon Mayr: while he was able to deftly assimilate and rival the triumvirate’s output, he became overshadowed by them in posterity. Raymond Bisha presents the world première recording of Mayr’s Requiem in G minor, a stunning blend of Germanic Read More …
I had supper recently in a restaurant named after the American novelist Ernest Hemingway (1899–1961). His life was every bit as colourful as his literary works, as were the restaurant’s table mats. They carried a collection of his quotations. My dining companion and I happened to get the same one: “I didn’t want to kiss Read More …