Updates from the world's leading classical music label
If you think of British music in the late 19th and early 20th centuries, then the name most likely to spring to mind is Sir Edward Elgar (1857–1934). Not for the first time in history, other significant composers of the generation regrettably became overshadowed. One such was Sir Charles Villiers Stanford (1852–1924), though his music Read More …
Michael Daugherty is considered among the Top 10 most performed American composers of concert music today. This podcast details three of his orchestral works that cement this status. Each was inspired by a larger-than-life American cultural figure—the author Ernest Hemingway, the artist Grant Wood and Randolph Hearst, who headed an extensive journalistic empire in the Read More …
Nadia Boulanger was born in 1887 on the date of today’s post, 16 September; she died in 1979 at the age of 92. She was a French pianist/organist and the first woman to conduct leading orchestras in Europe and America; she also composed. But she’s remembered chiefly as a teacher, who was responsible for the Read More …
Raymond Bisha presents two ballet scores by Aaron Copland: one woefully little known; one a beloved staple of dance companies. The jazz-influenced Hear Ye! Hear Ye! (1934) narrates the scenario of a nightclub murder and the ensuing trial in a Chicago courtroom. Highlighting life at the violent edge of American society, the work’s original choreography Read More …
Having grown up a student in the northern hemisphere, September was never a favourite month of mine since it primarily marked the start of a new academic year. This mild dread was exacerbated by all the jolly ‘Back to School’ advertisements, since the experience itself never seemed particularly jolly to me. Knowing that Naxos will Read More …
Kevin Puts is one of today’s leading American composers. His persuasive music, colourfully orchestrated and emotionally charged, is well showcased on this month’s new release of three of his highly engaging symphonic works. Raymond Bisha guides us from the adventurous harmonic combinations of River’s Rush to the elegant transparency of the Flute Concerto and the Read More …
The week ahead moves between the Zodiac signs of Leo (ends August 22) and Virgo (starts August 23). No doubt there’s a gradual astrological change of character traits between people born under the respective signs, but this particular week of 19-25 August marks the anniversaries of the births of four people who all bear a Read More …
The pianist and composer John Field certainly didn’t let the grass grow under his feet. He was born in Dublin, spent time in Bath and London, performed before Haydn, sustained a long European association with Clementi, then took Russian residency for a quarter of a century before spending his final years battling the illness that Read More …
August 5 marks the opening of this year’s Edinburgh International Festival [EIF]. Together with the Fringe Festival’s cladding of some three thousand satellite events, EIF’s exhaustive programme of theatre, music, dance and opera runs until August 29. In the words of The Spectator: “… you can sleep in September.” Founded in 1947, EIF has developed Read More …
Alan Fletcher is the president and CEO of the Aspen Music Festival, one of America’s leading classical music events. He has every reason to be proud of the festival’s history and achievements; but he’s less enamoured of his country’s track record in promoting the works of certain 20th-century American symphonists. Last month he elaborated on Read More …