Updates from the world's leading classical music label
I’ve been thinking about trains these past few weeks for three reasons. First, it’s the anniversary of the linkage of three important London transport facilities 111 years ago, on 22 June 1907, namely the connection of the London Underground with Charing Cross and Euston Stations; second, the surfacing of my childhood memories of the unforgettable Read More …
Raymond Bisha introduces a new release of three American orchestral triumphs in stunning performances by the youthful ranks of the National Orchestral Institute Philharmonic under GRAMMY Award-winning conductor David Alan Miller. Carl Ruggles’ Sun-treader, Steven Stucky’s Concerto for Orchestra No. 2 and John Harbison’s Symphony No. 4 constitute the programme’s towering trio of symphonic masterpieces. Read More …
This week’s blog marks the anniversary of the birth of the Jewish Czech composer Erwin Schulhoff, on 8 June 1894. His artistic abilities soon became apparent, and a musical career was decided on following a recommendation from no less a figure than Antonín Dvořák. Schulhoff studied at the Prague Conservatory from 1904, followed by piano Read More …
The composer Mario Castelnuovo-Tedesco moved from Italy to the US during the turmoil of the Second World War. That he should have been immediately befriended by such musical giants as violinist Jascha Heifetz and cellist Gregor Piatigorsky speaks reams about the respect the Italian engendered. His Cello Concerto was commissioned by Piatigorsky, who premiered the Read More …
It’s been on my conscience for a while now that in a previous blog I was ungracious enough to use a clutch of jokes at the expense of viola players to spice up the narrative. Although such witticisms will no doubt remain in the profession’s repartee for some time yet, I thought I would try Read More …
Raymond Bisha helps turn the pages of Rachmaninov’s Third Piano Concerto, following the release of Boris Giltburg’s fine performance of the work with the Royal Scottish National Orchestra and conductor Carlos Miguel Prieto. Noted for its length and technical difficulty, ‘Rach 3’ (its popular moniker) is reckoned to have more notes than all of Mozart’s Read More …
May’s music. From Theresa May to Frederick May, the dawn of The First of May to the dusk of May Nights—we can view the month through a variety of musical optics which we’ve assembled for this week’s blog. Our earliest example comes from 16th-century England in a ballet by Thomas Morley (1557–1602), but that’s not Read More …
Although storm clouds were starting to gather over Robert Schumann’s mental health in the years 1849–50, it proved a remarkably fertile period for his musical output, not least as reflected in works featuring the cello. The majority of the pieces on this new release were composed during that period, some with the instrumentation as originally Read More …
It’s worth pausing today to remember four notable musicians, the anniversaries of whose deaths all fall on 27 April. Sigismond Thalberg (1812–1871) was a virtuoso pianist considered by some of his contemporaries as a rival to Franz Liszt. Although his death in Italy on 27 April 1871 is clearly documented, details of his birth and Read More …
The combined gifts of the extraordinary Brasil Guitar Duo and two eminent Latin American composers produce a depth of experience and rare musical beauty in two concertos for guitar duo. Cuban composer Leo Brouwer has written ten concertos for guitar, but The Book of Signs is his first for guitar duo. Paulo Bellinati’s Concerto Caboclo Read More …