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When a composer’s work is marked as his or her Opus 100, it surely marks a milestone in their development. Some composers didn’t make it that far, of course, leaving us wondering what might have been, had they lived long enough or enjoyed circumstances that better facilitated a freedom to compose. Chopin falls into another Read More …
September’s list of new releases again boasts a wide spectrum, from big-hitting orchestral performances to intimate solo recitals. I’ve taken a small-is-beautiful focus for the overview of this month’s line-up, highlighting solo performances, works for chamber ensembles and music for chamber orchestra. And I’m going to start with a large-scale work for chorus and orchestra Read More …
This week’s blog marks the anniversary of the birth of the Jewish Czech composer Erwin Schulhoff, on 8 June 1894. His artistic abilities soon became apparent, and a musical career was decided on following a recommendation from no less a figure than Antonín Dvořák. Schulhoff studied at the Prague Conservatory from 1904, followed by piano Read More …
Music must be the leader among the arts when it comes to what one might call high-quality spin-offs. By that I mean many compositions exist not only in their original version, but also in what might be called…well, what does one call them? We have different words for our industry of remoulding originals—transcriptions, orchestrations, paraphrases, Read More …
New Year in the Gregorian Calendar has become a point in time for both public celebrations and private moments of reflection and resolution. These days we don’t associate New Year festivities and music so much with churchgoing, but in 18th-century Leipzig it was very much part of the Christmas cycle of celebratory services which ran Read More …
‘New music’ doesn’t have to mean cacophonous ‘modern’ music: it can of course just be music we haven’t heard before. Nor does ‘modern’ music have to be particularly new. Even though we’ve had over 80 years to get used to Anton Webern’s Concerto for Nine Instruments, Op. 24 (1934), it can still seem like the Read More …
