Updates from the world's leading classical music label
Brazilian composer Heitor Villa-Lobos was also an accomplished guitarist and cellist, and his wonderful music for the latter instrument takes full advantage of the lyrical and dramatic capabilities of the instrument. In this podcast, Raymond Bisha explores a new recording of his two Cello Concertos, together with his Fantasia for Cello and Orchestra, that features Read More …
It’s maybe too convenient to restrict references to war to big anniversary dates, so this blog presents a small selection of musical works that paint the subject of conflict in tuneful reminders of how wearisome and worthless the daily pursuit is. There’s no place like home, as they say, so I’m going to start with Read More …
I’ve always found it intriguing how a quality composition is seemingly indestructible when it’s pressed into new clothes by skilled arrangers. (Whingers, by the way, is simply an anagram of Gershwin to reflect that notion). My first taste of the industry as a youngster was on hearing the Swingle Singers elevate J. S. Bach’s instrumental Read More …
Raymond Bisha prefaces his latest podcast with this introduction: “Heitor Villa-Lobos, the prolific Brazilian composer of some 2,000 works, conductor, cellist, guitarist and music educationalist, wrote his three violin sonatas between 1912 and 1920. When he wrote the first sonata, he was still a struggling young composer trying to make a name for himself, while Read More …
Raymond Bisha introduces a new album of choral transcriptions by Brazilian composer Heitor Villa-Lobos (1887-1959) that forms part of Naxos’ Music of Brazil series. The programme represents part of Villa-Lobos’ efforts to create a body of music education resources, following his invitation in 1932 to set up an ambitious programme in the public school system Read More …
This latest release in Naxos’ ongoing series The Music of Brazil features chamber works and concertos by Heitor Villa-Lobos, one of Brazil’s best known and most prolific composers. He wrote more than two thousand pieces and was a major figure in the development of classical music in Brazil. Raymond Bisha introduces a colourful programme that Read More …
I’ve been thinking about trains these past few weeks for three reasons. First, it’s the anniversary of the linkage of three important London transport facilities 111 years ago, on 22 June 1907, namely the connection of the London Underground with Charing Cross and Euston Stations; second, the surfacing of my childhood memories of the unforgettable Read More …
Borrowing other people’s music and weaving it into your own composition is far from uncommon. We’re not talking plagiarism here i.e. passing other people’s music off as your own, which seems to happen far more regularly in pop music than in classical. A composer might borrow from himself, which explains why you might get a Read More …
Heitor Villa-Lobos is probably the best known of all South American composers. His contribution to Brazilian music—in education, in community projects, in the concert hall—was all-pervasive. Raymond Bisha drops in on Naxos’ ongoing project to record all his symphonies in a new edition that was launched in 2011 by the São Paulo Symphony Orchestra’s publishing Read More …
The Day after Christmas Day, Boxing Day, St Stephen’s Day, the Day of the Wren. Wherever you are, and whatever event you may yourself celebrate on 26 December each year, I personally always try to spare a thought for the discarded and dispossessed. I’m thinking, for a change, not of the unfortunate condition of swathes Read More …
