Updates from the world's leading classical music label
This is the period known in many parts of the world as the silly season, the time when news agencies struggle to post engaging headlines of serious news items during the peak holiday period. So, I thought this blog could follow suit by reminding everyone that 20 August each year marks World Mosquito Day. Actually, Read More …
If you’ve already made your will, maybe you’ve also stipulated the music you would like to be played at the assembly for your funeral service. After a lifetime in music, and not once having been able to nominate a favourite piece, I’ve recently opted for a quiet cremation and a silent scattering of ashes. Stirred Read More …
Labelling Beethoven’s Für Elise a mere trifle might appear insulting to such a household name and piano solo favourite. But that’s exactly what his Bagatelle No. 25 in A minor is, ’une bagatelle’ translating from the French as ’a trifling matter’. This blog examines the recipes composers have used for a selection of bagatelles over Read More …
This podcast from the Naxos Sounds Interesting series focuses on a selection of concertos written not for household-name soloists, but for the collective virtuosity of an orchestra’s serried ranks. Links to the music featured in this podcast: Bartók, Concerto for Orchestra (8.571201) Malipiero, Concerto for Orchestra (8.573291) Joan Tower, Concerto Read More …
Here are the openings of 20 well-known works, or of movements within those works. Can you name the composer and the title of the work? Scroll down the page to check your answers. Question 1 Question 2 Question 3 Question 4 Question 5 Question 6 Question 7 Question Read More …
In some respects you might say that all orchestral works – symphonies, overtures, tone poems — are showcases of collective talent displaying expertise in coordination, balance and deft execution of the notes. But the notion of a concerto for orchestra implies that the composer is shining an even more intense spotlight on rank-and-file players or Read More …
This week’s blog marks the anniversary of the birth of the Jewish Czech composer Erwin Schulhoff, on 8 June 1894. His artistic abilities soon became apparent, and a musical career was decided on following a recommendation from no less a figure than Antonín Dvořák. Schulhoff studied at the Prague Conservatory from 1904, followed by piano Read More …
It’s been on my conscience for a while now that in a previous blog I was ungracious enough to use a clutch of jokes at the expense of viola players to spice up the narrative. Although such witticisms will no doubt remain in the profession’s repartee for some time yet, I thought I would try Read More …
Borrowing other people’s music and weaving it into your own composition is far from uncommon. We’re not talking plagiarism here i.e. passing other people’s music off as your own, which seems to happen far more regularly in pop music than in classical. A composer might borrow from himself, which explains why you might get a Read More …
The ten years I spent as a newspaper arts reporter carry many happy memories of interviewing world-leading artists and academics. My recollections of their contributions to classical music brim with unforgettable anecdotes, both heart-warming and disturbing. Being based in south east Asia, the latter usually referenced the dark days of China’s Cultural Revolution; the former Read More …
