Updates from the world's leading classical music label
American composer Kenneth Fuchs discusses the programmes of his two most recent albums in conversation with Raymond Bisha; both recordings feature the Sinfonia of London and soloists under conductor John Wilson. Fuchs describes the unusual conception of his Concerto for Bass Trombone (a commissioning consortium of 21 bass trombonists was involved!) and the formative inspiration Read More …
This podcast from the Sounds Interesting series takes a musical week, a day at a time. Links to the music featured in this podcast: George Bogatko In a Monday Mood (8.572835) Richard Danielpour Mardi Gras (8.559669) Edmund Rubbra Judas mercator pessimus (8.555255) Kenneth Fuchs Holy Thursday (8.559753) Benjamin Britten Fishing song (8.553183) Aaron Read More …
If there’s a man for all seasons, is there a music for all days? The answer seems to be ‘yes’, so off we go. Our wake-up call comes from one of Naxos’ major artists, conductor Marin Alsop, who puts us In a Monday Mood with my first item. It’s by George Bogatko, who describes the Read More …
Considering the size of the wind band industry in the United States, the occasion of an established classical composer writing for the medium comes as a rare but highly welcome treat. Raymond Bisha introduces a programme of wind band music by Kenneth Fuchs, during which the American composer describes the progression of his experience and Read More …
Kenneth Fuchs celebrates a 15-year association with conductor JoAnn Falletta and the London Symphony Orchestra upon the release of these world premiere recordings of three concertos (respectively for piano, electric guitar and alto saxophone) and a song cycle for countertenor and orchestra. Variety is the hallmark of the works’ scoring, while an easy-sounding mastery is Read More …