A hum of harmoniums?

I’m not sure what the collective noun for a group of harmoniums might be (or should that be harmonia?), but this blog will take singular appearances by the instrument in some of the repertoire housed in the Naxos group’s catalogues. Maybe you’ve come across a hand-pumped version of the instrument whilst dining to live music Read More …

Podcast: Camille Saint-Saëns. A symphonic collection.

French composer Camille Saint-Saëns (1835-1921) is remembered as someone who could spin melodies as easily as he breathed. Naxos is marking the centenary of his death with a 3-CD box set that comprises all his symphonies and a sequence of atmospheric and dramatic symphonic poems, including Phaéton and the ever-popular Danse macabre. Raymond Bisha presents Read More …

A centenary’s outs and ins

Following the 2020 global Beethoven birthday bash, I’m going to run the risk of anniversary fatigue by dwelling on what comes in its wake: 2021 and a collection of milestones marking the centenaries of either the births or deaths of a number of composers and artists. In true Naxos style, the survey will include both Read More …

Podcast: A final flourish.

The new Naxos edition of Saint-Saëns’ works for piano and orchestra reaches its final volume with a recording of the composer’s Piano Concertos Nos. 4 and 5, works described by soloist Romain Descharmes as “brilliant music that opens doors to a new world”. The Fourth Concerto showcases virtuosic music written by one of history’s most Read More …

Podcast: Imposing imagery: Saint-Saëns’ symphonic poems.

Camille Saint-Saëns’ life stretched from 1835 to 1921, book-ended by Mendelssohn and Stravinsky, a witness to global conflict, and underscored by a unerring belief in the importance of melody and form, possibly out of fashion, but in the vanguard of impeccable craftsmanship. The composer’s symphonic poems are dizzying in their orchestral colour and imagery. Raymond Read More …

Podcast: Saint-Saëns’ works for cello and orchestra

French composer Camille Saint-Saëns, one of the most extraordinary musical prodigies in the history of western music, was born in 1835 (when Mendelssohn was still in full compositional flow) and died in 1921 (the best part of a decade after Stravinsky’s Rite of Spring had delivered its shock waves). Amid all this change, Saint-Saëns retained Read More …

A ram sang?

Here’s one for crossword buffs who enjoy massaging anagrams, to which the title of this week’s post alludes. We’ll outline a work for you, throwing in some audio clips, giving an anagrammatical clue as to the composer’s name, and then the challenge to also name the work. Check out your responses with the answers listed Read More …

Podcast: Saint-Saëns. The piano concertos. A new cycle launches.

Camille Saint-Saëns was arguably the greatest child prodigy ever. His Piano Concerto No. 1, considered the first by a major French composer, was written in 1858. The second, one of his most frequently performed works, followed ten years later. Both concertos are showcased in this latest podcast hosted by Raymond Bisha. The recording is the Read More …

25/9

2015 marks milestone anniversaries for a number of significant classical composers, including Sibelius, Bartók, Glazunov, Franck and Arvo Pärt. Today, however, we consider a trio of other composers who were born on today’s date: 25 September. If you’re an organist, the name of the first composer will be well-known to you, even if only by Read More …

Podcast: Saint-Saëns and the King of Instruments

This month’s new Naxos High Definition Audio Disc features the recently-restored Cavaillé-Coll organ which is now housed in the Lyon Auditorium. It’s played here by Vincent Warnier in an all-Saint-Saëns programme. Dating back to 1878, this huge instrument was relocated, re-built and then lovingly restored to its original glory in 2013. Saint-Saëns enjoyed a long Read More …