Updates from the world's leading classical music label
Beethoven certainly has the wind in his sails with this tremendous release of music for wind ensemble, a genre that formed a regular part of entertainment in the composer’s day. Included on the recording, for example, is his Sextet for winds in E flat major that was well received by a critic at the time Read More …
If playlists had been available in the 18th century, Magna Sequentia II would undoubtedly have enjoyed an enthusiastic reception, with its varied track list embodying a theme of music by association. In her second of three Magna Sequentias, pianist Sonia Rubinsky leads with J. S. Bach’s Overture in the French Style and follows by building Read More …
The internationally respected artists on this release are well known to Naxos followers: pianist Boris Giltburg (whose recordings of Beethoven, Liszt, Schumann and Rachmaninov have been universally acclaimed); and conductor Vasily Petrenko (whose edition of the complete Shostakovich symphonies has been recognised as a historic recording milestone). They come together now in Beethoven’s first two Read More …
Raymond Bisha introduces a new recording of music by Austrian composer Hanns Eisler who, in his late years, concentrated increasingly on adapting his film scores for the concert hall. He also began his Leipzig Symphony during this period, but it was left unfinished at the time of his death. Thilo Medek, a young composer at Read More …
This podcast introduces Vol. 2 in our ground-breaking The Music of Brazil series, a five-year project to record around 100 mostly orchestral works by 19th and 20th-century Brazilian composers, many in world premiere recordings. Released in February, Vol. 1 (8.574067) featured works by Alberto Nepomuceno. Gramophone declared it “urgently recommended”. We follow up with chamber Read More …
This podcast from the Naxos Sounds Interesting series aims to create a bit of a buzz by putting a few musical bees in your bonnet, specially hived off from the Naxos catalogue. The presenter is Richard Kennedy.
The Creatures of Prometheus was Beethoven’s only full-length ballet score. The work premiered in March 1801 and the composer’s own version for piano solo was published later the same year. The work relates the story from Greek mythology of Prometheus, a lofty spirit who endeavoured to lift human beings from a state of ignorance into Read More …
Raymond Bisha and composer Derek Bermel discuss the latter’s Migrations, a 3-work programme that observes the universal phenomenon of human transit through an eclectic mix of styles: Migration series depicts the movement of African Americans from the south to the north of the United States in search of a better life during the first half of the 20th Read More …
As Naxos reaches Vol. 19 of its 23-volume edition of the music of John Philip Sousa, Raymond Bisha talks with the musical director of the project, Keith Brion, a world authority on Sousa’s music, who conducts throughout.
For those unfamiliar with the name of Nikolay Yakovlevich Myaskovsky, Raymond Bisha’s podcast presents the composer’s calling card as the ‘father of the Soviet symphony’. Having lived from 1881 to 1950, Myaskovsky spent all his life under the restrictive influence of Joseph Stalin, yet managed to produce 27 symphonies that preserved his individual voice. This Read More …