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		<title>Podcast: Composer Ronald Stevenson. A fantastically original musical mind.</title>
		<link>https://blog.naxos.com/2025/08/28/podcast-composer-ronald-stevenson-a-fantastically-original-musical-mind/</link>
					<comments>https://blog.naxos.com/2025/08/28/podcast-composer-ronald-stevenson-a-fantastically-original-musical-mind/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Wed, 27 Aug 2025 16:00:35 +0000</pubDate>
				<category><![CDATA[Naxos Podcasts]]></category>
		<category><![CDATA[Podcast]]></category>
		<guid isPermaLink="false">https://blog.naxos.com/?p=11012</guid>

					<description><![CDATA[<p>Scottish father, Welsh mother, born in England, polyglot, highly intellectual, educator, composer, phenomenal pianist and a fantastically original musical mind. Introductions such as this don&#8217;t crop up too often, so take time out to listen to this podcast about Ronald Stevenson&#8217;s highly engaging piano music as performed and introduced by Peter Jablonski in conversation with <a class="more-link" href="https://blog.naxos.com/2025/08/28/podcast-composer-ronald-stevenson-a-fantastically-original-musical-mind/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2025/08/28/podcast-composer-ronald-stevenson-a-fantastically-original-musical-mind/">Podcast: Composer Ronald Stevenson. A fantastically original musical mind.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img data-recalc-dims="1" decoding="async" data-attachment-id="11013" data-permalink="https://blog.naxos.com/2025/08/28/podcast-composer-ronald-stevenson-a-fantastically-original-musical-mind/ode1453-2/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/ODE1453-2.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="ODE1453-2" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/ODE1453-2.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/ODE1453-2.jpg?fit=500%2C500&amp;ssl=1" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/ODE1453-2.jpg?resize=150%2C150&#038;ssl=1" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-11013" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/ODE1453-2.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/ODE1453-2.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/ODE1453-2.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/ODE1453-2.jpg?w=500&amp;ssl=1 500w" sizes="(max-width: 150px) 100vw, 150px" /></p>
<p>Scottish father, Welsh mother, born in England, polyglot, highly intellectual, educator, composer, phenomenal pianist and a fantastically original musical mind. Introductions such as this don&rsquo;t crop up too often, so take time out to listen to this podcast about Ronald Stevenson&rsquo;s highly engaging piano music as performed and introduced by Peter Jablonski in conversation with Raymond Bisha. You&rsquo;ll be well rewarded.</p>
<p>&nbsp;</p>
<p><a href="https://www.naxos.com/CatalogueDetail/?id=ODE1453-2&#038;utm_source=blog&#038;utm_medium=post&#038;utm_content=STEVENSON-Piano-Works-Jablonski_txt&#038;utm_campaign=Naxos-Blog_20250827" target="_blank" rel="nofollow noopener">View album catalogue</a><br />
Catalogue No.: ODE1453-2</p>
<p><iframe title="Libsyn Player" style="border: none" src="//html5-player.libsyn.com/embed/episode/id/36835860/height/90/theme/custom/thumbnail/no/direction/backward/render-playlist/no/custom-color/6c86a5/" height="90" width="100%" scrolling="no"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen></iframe></p>
<div class="newsletter-image" style="margin: 0;"><strong>LISTEN TO THE PODCAST</strong><a href="https://html5-player.libsyn.com/embed/episode/id/29389648/height/90/theme/custom/thumbnail/no/direction/backward/render-playlist/no/custom-color/6c86a5/"><img data-recalc-dims="1" fetchpriority="high" decoding="async" data-attachment-id="10288" data-permalink="https://blog.naxos.com/?attachment_id=10288#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=1500%2C600&amp;ssl=1" data-orig-size="1500,600" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="podcast" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=300%2C120&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=780%2C312&amp;ssl=1" class="newsletter-image aligncenter wp-image-10288 size-full" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=780%2C312&#038;ssl=1" alt="" width="780" height="312" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?w=1500&amp;ssl=1 1500w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=300%2C120&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=1024%2C410&amp;ssl=1 1024w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=768%2C307&amp;ssl=1 768w" sizes="(max-width: 780px) 100vw, 780px" /></a></div>
<p>The post <a href="https://blog.naxos.com/2025/08/28/podcast-composer-ronald-stevenson-a-fantastically-original-musical-mind/">Podcast: Composer Ronald Stevenson. A fantastically original musical mind.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">11012</post-id>	</item>
		<item>
		<title>Podcast: Florence Price&#8217;s choral works. An introduction.</title>
		<link>https://blog.naxos.com/2025/08/22/podcast-florence-prices-choral-works-an-introduction/</link>
					<comments>https://blog.naxos.com/2025/08/22/podcast-florence-prices-choral-works-an-introduction/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Thu, 21 Aug 2025 16:00:42 +0000</pubDate>
				<category><![CDATA[Naxos Podcasts]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Florence Price]]></category>
		<category><![CDATA[John Jeter]]></category>
		<guid isPermaLink="false">https://blog.naxos.com/?p=10995</guid>

					<description><![CDATA[<p>Florence Price’s abiding interest in the literary arts helps explain the extraordinarily large number of vocal compositions in her catalogue – well over one hundred – as well as the fact that she occasionally supplied texts of her own for these pieces. Conductor John Jeter discusses with Raymond Bisha his latest album of Price’s music <a class="more-link" href="https://blog.naxos.com/2025/08/22/podcast-florence-prices-choral-works-an-introduction/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2025/08/22/podcast-florence-prices-choral-works-an-introduction/">Podcast: Florence Price&rsquo;s choral works. An introduction.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10996" data-permalink="https://blog.naxos.com/2025/08/22/podcast-florence-prices-choral-works-an-introduction/8-559951/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.559951.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="8.559951" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.559951.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.559951.jpg?fit=500%2C500&amp;ssl=1" class="alignleft size-thumbnail wp-image-10996" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.559951.jpg?resize=150%2C150&#038;ssl=1" alt="" width="150" height="150" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.559951.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.559951.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.559951.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.559951.jpg?w=500&amp;ssl=1 500w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p>
<p>Florence Price’s abiding interest in the literary arts helps explain the extraordinarily large number of vocal compositions in her catalogue – well over one hundred – as well as the fact that she occasionally supplied texts of her own for these pieces. Conductor John Jeter discusses with Raymond Bisha his latest album of Price’s music which comprises a dozen of these choral works, including Price’s two significant cantatas – <em>Abraham Lincoln Walks at Midnight </em>and <em>Song of Hope</em>.</p>
<p><a href="https://www.naxos.com/CatalogueDetail/?id=8.559951&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=PRICE-Choral-Works-Swietlicki-Johnson-Samuelsson-Malmo-Opera-Chorus-and-Orchestra-Jeter_txt&amp;utm_campaign=Naxos-Blog_20250822" target="_blank" rel="nofollow noopener">View album catalogue</a><br />
Catalogue No.: 8.559951</p>
<p><iframe loading="lazy" style="border: none;" title="Libsyn Player" src="//html5-player.libsyn.com/embed/episode/id/37063465/height/90/theme/custom/thumbnail/no/direction/backward/render-playlist/no/custom-color/6c86a5/" width="100%" height="90" scrolling="no" allowfullscreen="allowfullscreen"></iframe></p>
<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10999" data-permalink="https://blog.naxos.com/2025/08/22/podcast-florence-prices-choral-works-an-introduction/raymondbisha/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/raymondbisha.png?fit=152%2C165&amp;ssl=1" data-orig-size="152,165" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="raymondbisha" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/raymondbisha.png?fit=152%2C165&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/raymondbisha.png?fit=152%2C165&amp;ssl=1" class="aligncenter size-thumbnail wp-image-10999" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/raymondbisha.png?resize=100%2C100&#038;ssl=1" alt="" width="100" height="100" /></p>
<p style="text-align: center;"><strong>With gratitude and respect: Raymond Bisha (1957&ndash;2025)</strong><br />
<em>Lover of classical music, marketing visionary, podcast pioneer.<br />
Your final broadcast. Our fond farewell.</em></p>
<p>It is with deep sadness that the Naxos family announces the passing of our dear friend and colleague, Raymond Bisha.</p>
<p>Raymond dedicated nearly 30 years to the Naxos family, embodying kindness, professionalism, and warmth in every interaction. His extensive background as a professional French horn player, broadcaster, opera tour manager, and concert organizer, combined with decades of expertise in radio, marketing, and label relations, greatly enriched our community. Raymond&rsquo;s contributions have left an indelible mark on our organization.</p>
<p>He began his Naxos journey with Naxos of Canada before transitioning to Naxos of America, working out of his New York City home and often commuting to Nashville for meetings. In 2005, he launched the Naxos Classical Spotlight podcast series, producing over 600 episodes that featured insightful interviews with composers like Jennifer Higdon and John Corigliano, as well as conductors such as Marin Alsop and Sir Charles Mackerras.</p>
<p>Raymond&rsquo;s remarkable contributions &ndash; including the creation of Naxos en Español and various marketing initiatives &ndash; have profoundly impacted us all. His absence will be deeply felt.</p>
<p>During this difficult time, let us support one another and keep Raymond and his loved ones in our thoughts. His unwavering love for music, passion for discovery, and dedication to friends and family will always be remembered.</p>
<p>Rest in peace, dear Raymond. Your legacy will live on in our hearts forever.</p>
<div class="newsletter-image" style="margin: 0;"><strong>LISTEN TO THE PODCAST</strong><a href="https://blog.naxos.com/2025/08/22/podcast-florence-prices-choral-works-an-introduction/"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10288" data-permalink="https://blog.naxos.com/?attachment_id=10288#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=1500%2C600&amp;ssl=1" data-orig-size="1500,600" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="podcast" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=300%2C120&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=780%2C312&amp;ssl=1" class="newsletter-image aligncenter wp-image-10288 size-full" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=780%2C312&#038;ssl=1" alt="" width="780" height="312" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?w=1500&amp;ssl=1 1500w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=300%2C120&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=1024%2C410&amp;ssl=1 1024w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=768%2C307&amp;ssl=1 768w" sizes="auto, (max-width: 780px) 100vw, 780px" /></a></div>
<p>The post <a href="https://blog.naxos.com/2025/08/22/podcast-florence-prices-choral-works-an-introduction/">Podcast: Florence Price&rsquo;s choral works. An introduction.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">10995</post-id>	</item>
		<item>
		<title>Podcast: Joby Talbot details the progression of his ballet score, The Winter&#8217;s Tale</title>
		<link>https://blog.naxos.com/2025/08/20/podcast-joby-talbot-details-the-progression-of-his-ballet-score-the-winters-tale/</link>
					<comments>https://blog.naxos.com/2025/08/20/podcast-joby-talbot-details-the-progression-of-his-ballet-score-the-winters-tale/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Wed, 20 Aug 2025 08:12:28 +0000</pubDate>
				<category><![CDATA[Naxos Podcasts]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Christopher Wheeldon]]></category>
		<category><![CDATA[Joby Talbot]]></category>
		<guid isPermaLink="false">https://blog.naxos.com/?p=10968</guid>

					<description><![CDATA[<p>Choreographer Christopher Wheeldon&#8217;s ballet The Winter&#8217;s Tale (after Shakespeare) was first performed by Covent Garden&#8217;s Royal Ballet in 2014. In this podcast, the score&#8217;s creative unfolding is described by composer Joby Talbot, prior to a 2025 performance of the ballet in New York City. The presenter is Raymond Bisha. &#160; View album catalogues: OACD9054D OA1159SE <a class="more-link" href="https://blog.naxos.com/2025/08/20/podcast-joby-talbot-details-the-progression-of-his-ballet-score-the-winters-tale/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2025/08/20/podcast-joby-talbot-details-the-progression-of-his-ballet-score-the-winters-tale/">Podcast: Joby Talbot details the progression of his ballet score, &lt;em&gt;The Winter&rsquo;s Tale&lt;/em&gt;</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10969" data-permalink="https://blog.naxos.com/2025/08/20/podcast-joby-talbot-details-the-progression-of-his-ballet-score-the-winters-tale/oacd9054d/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/OACD9054D.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="OACD9054D" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/OACD9054D.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/OACD9054D.jpg?fit=500%2C500&amp;ssl=1" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/OACD9054D.jpg?resize=150%2C150&#038;ssl=1" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-10969" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/OACD9054D.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/OACD9054D.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/OACD9054D.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/OACD9054D.jpg?w=500&amp;ssl=1 500w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p>
<p>Choreographer Christopher Wheeldon&rsquo;s ballet <em>The Winter&rsquo;s Tale</em> (after Shakespeare) was first performed by Covent Garden&rsquo;s Royal Ballet in 2014. In this podcast, the score&rsquo;s creative unfolding is described by composer Joby Talbot, prior to a 2025 performance of the ballet in New York City. The presenter is Raymond Bisha.</p>
<p>&nbsp;</p>
<p>View album catalogues:<br />
<a href="https://www.naxos.com/CatalogueDetail/?id=OACD9054D&#038;utm_source=blog&#038;utm_medium=post&#038;utm_content=TALBOT-Winters-Tale-The-Ballet-Royal-Opera-House-Orchestra-Covent-Garden-Kessels_txt&#038;utm_campaign=Naxos-Blog_20250730" target="_blank" rel="nofollow noopener">OACD9054D</a><br />
<a href="https://www.naxos.com/CatalogueDetail/?id=OA1159SE&#038;utm_source=blog&#038;utm_medium=post&#038;utm_content=TALBOT-Winters-Tale-The-Ballet-Royal-Opera-House-Orchestra-Covent-Garden-Kessels_txt&#038;utm_campaign=Naxos-Blog_20250730" target="_blank" rel="nofollow noopener">OA1159SE</a><br />
<a href="https://www.naxos.com/CatalogueDetail/?id=OA1156D&#038;utm_source=blog&#038;utm_medium=post&#038;utm_content=TALBOT-Winters-Tale-The-Ballet-Royal-Opera-House-Orchestra-Covent-Garden-Kessels_txt&#038;utm_campaign=Naxos-Blog_20250730" target="_blank" rel="nofollow noopener">OA1156D</a><br />
<a href="https://www.naxos.com/CatalogueDetail/?id=OABD7157D&#038;utm_source=blog&#038;utm_medium=post&#038;utm_content=TALBOT-Winters-Tale-The-Ballet-Royal-Opera-House-Orchestra-Covent-Garden-Kessels_txt&#038;utm_campaign=Naxos-Blog_20250730" target="_blank" rel="nofollow noopener">OABD7157D</a></p>
<p><iframe loading="lazy" title="Libsyn Player" style="border: none" src="//html5-player.libsyn.com/embed/episode/id/36963850/height/90/theme/custom/thumbnail/no/direction/backward/render-playlist/no/custom-color/6c86a5/" height="90" width="100%" scrolling="no"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen></iframe></p>
<div class="newsletter-image" style="margin: 0;"><strong>LISTEN TO THE PODCAST</strong><a href="https://blog.naxos.com/2025/08/20/podcast-joby-talbot-details-the-progression-of-his-ballet-score-the-winters-tale"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10288" data-permalink="https://blog.naxos.com/?attachment_id=10288#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=1500%2C600&amp;ssl=1" data-orig-size="1500,600" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="podcast" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=300%2C120&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=780%2C312&amp;ssl=1" class="newsletter-image aligncenter wp-image-10288 size-full" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=780%2C312&#038;ssl=1" alt="" width="780" height="312" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?w=1500&amp;ssl=1 1500w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=300%2C120&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=1024%2C410&amp;ssl=1 1024w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=768%2C307&amp;ssl=1 768w" sizes="auto, (max-width: 780px) 100vw, 780px" /></a></div>
<p>The post <a href="https://blog.naxos.com/2025/08/20/podcast-joby-talbot-details-the-progression-of-his-ballet-score-the-winters-tale/">Podcast: Joby Talbot details the progression of his ballet score, &lt;em&gt;The Winter&rsquo;s Tale&lt;/em&gt;</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10968</post-id>	</item>
		<item>
		<title>Podcast: Assembled again. The Peterhouse Partbooks.</title>
		<link>https://blog.naxos.com/2025/08/15/podcast-assembled-again-the-peterhouse-partbooks/</link>
					<comments>https://blog.naxos.com/2025/08/15/podcast-assembled-again-the-peterhouse-partbooks/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Thu, 14 Aug 2025 16:00:36 +0000</pubDate>
				<category><![CDATA[Naxos Podcasts]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Peterhouse Partbooks]]></category>
		<guid isPermaLink="false">https://blog.naxos.com/?p=10987</guid>

					<description><![CDATA[<p>Collected for use in the chapel of Cambridge University&#8217;s Peterhouse college in the 1630s and hidden during the Civil War, the Peterhouse Partbooks represent one of the most important manuscript collections of sacred choral music from the period. In this podcast, Raymond Bisha presents performances of those works by the Peterhouse choir, affording a snapshot <a class="more-link" href="https://blog.naxos.com/2025/08/15/podcast-assembled-again-the-peterhouse-partbooks/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2025/08/15/podcast-assembled-again-the-peterhouse-partbooks/">Podcast: Assembled again. The Peterhouse Partbooks.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10988" data-permalink="https://blog.naxos.com/2025/08/15/podcast-assembled-again-the-peterhouse-partbooks/8-574700/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.574700.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="8.574700" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.574700.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.574700.jpg?fit=500%2C500&amp;ssl=1" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.574700.jpg?resize=150%2C150&#038;ssl=1" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-10988" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.574700.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.574700.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.574700.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/8.574700.jpg?w=500&amp;ssl=1 500w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p>
<p>Collected for use in the chapel of Cambridge University&rsquo;s Peterhouse college in the 1630s and hidden during the Civil War, the Peterhouse Partbooks represent one of the most important manuscript collections of sacred choral music from the period. In this podcast, Raymond Bisha presents performances of those works by the Peterhouse choir, affording a snapshot of its chapel&rsquo;s distinctive musical heritage, with recently unearthed music heard alongside the foundations of a tradition still very much alive in today&rsquo;s Anglican church.</p>
<p><a href="https://www.naxos.com/CatalogueDetail/?id=8.574700&#038;utm_source=blog&#038;utm_medium=post&#038;utm_content=Music-from-the-Peterhouse-Partbooks-Choir-of-Peterhouse-Cambridge-Jackson_txt&#038;utm_campaign=Naxos-Blog_20250815" target="_blank" rel="nofollow noopener">View album catalogue</a><br />
Catalogue No.: 8.574700</p>
<p><iframe loading="lazy" title="Libsyn Player" style="border: none" src="//html5-player.libsyn.com/embed/episode/id/37441165/height/90/theme/custom/thumbnail/no/direction/backward/render-playlist/no/custom-color/6c86a5/" height="90" width="100%" scrolling="no"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen></iframe></p>
<div class="newsletter-image" style="margin: 0;"><strong>LISTEN TO THE PODCAST</strong><a href="https://blog.naxos.com/2025/08/15/podcast-assembled-again-the-peterhouse-partbooks"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10288" data-permalink="https://blog.naxos.com/?attachment_id=10288#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=1500%2C600&amp;ssl=1" data-orig-size="1500,600" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="podcast" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=300%2C120&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=780%2C312&amp;ssl=1" class="newsletter-image aligncenter wp-image-10288 size-full" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=780%2C312&#038;ssl=1" alt="" width="780" height="312" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?w=1500&amp;ssl=1 1500w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=300%2C120&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=1024%2C410&amp;ssl=1 1024w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=768%2C307&amp;ssl=1 768w" sizes="auto, (max-width: 780px) 100vw, 780px" /></a></div>
<p>The post <a href="https://blog.naxos.com/2025/08/15/podcast-assembled-again-the-peterhouse-partbooks/">Podcast: Assembled again. The Peterhouse Partbooks.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10987</post-id>	</item>
		<item>
		<title>Podcast: Sweeping Romanticism. Polish folk spirit. Orchestral music by Zygmunt Noskowski.</title>
		<link>https://blog.naxos.com/2025/08/08/podcast-sweeping-romanticism-polish-folk-spirit-orchestral-music-by-zygmunt-noskowski/</link>
					<comments>https://blog.naxos.com/2025/08/08/podcast-sweeping-romanticism-polish-folk-spirit-orchestral-music-by-zygmunt-noskowski/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Thu, 07 Aug 2025 16:00:46 +0000</pubDate>
				<category><![CDATA[Naxos Podcasts]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Zygmunt Noskowski]]></category>
		<guid isPermaLink="false">https://blog.naxos.com/?p=10981</guid>

					<description><![CDATA[<p>Although the music of Polish composer Zygmunt Noskowski (1846&#8211;1909) is less well known than that of his teacher (Stanisław Moniuszko) and his students (Karol Szymanowski and Mieczysław Karłowicz), Noskowski was nonetheless the primary exponent of modern symphonic music in Poland for most of the 19th century; he also introduced the idea of the symphonic poem <a class="more-link" href="https://blog.naxos.com/2025/08/08/podcast-sweeping-romanticism-polish-folk-spirit-orchestral-music-by-zygmunt-noskowski/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2025/08/08/podcast-sweeping-romanticism-polish-folk-spirit-orchestral-music-by-zygmunt-noskowski/">Podcast: Sweeping Romanticism. Polish folk spirit. Orchestral music by Zygmunt Noskowski.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10982" data-permalink="https://blog.naxos.com/2025/08/08/podcast-sweeping-romanticism-polish-folk-spirit-orchestral-music-by-zygmunt-noskowski/c5547/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/C5547.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="C5547" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/C5547.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/C5547.jpg?fit=500%2C500&amp;ssl=1" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/C5547.jpg?resize=150%2C150&#038;ssl=1" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-10982" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/C5547.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/C5547.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/C5547.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/08/C5547.jpg?w=500&amp;ssl=1 500w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p>
<p>Although the music of Polish composer Zygmunt Noskowski (1846&ndash;1909) is less well known than that of his teacher (Stanisław Moniuszko) and his students (Karol Szymanowski and Mieczysław Karłowicz), Noskowski was nonetheless the primary exponent of modern symphonic music in Poland for most of the 19th century; he also introduced the idea of the symphonic poem to colleagues who would follow in his footsteps. Raymond Bisha introduces a programme of his Third Symphony and the symphonic poem <em>The Steppe, Op. 66</em>, which blends sweeping Romanticism with Polish folk spirit. The symphony is a journey through the seasons, while <em>The Steppe</em> evokes Poland&rsquo;s vast landscapes with colourful hints of Borodin&rsquo;s <em>In the Steppes of Central Asia</em>.</p>
<p>This podcast is also available on <a href="https://youtu.be/8uz_qxmrdJc" target="_blank">YouTube</a>.</p>
<p><a href="https://www.naxos.com/CatalogueDetail/?id=C5547&#038;utm_source=blog&#038;utm_medium=post&#038;utm_content=NOSKOWSKI-Symphony-No-3-From-Spring-to-Spring-The-Steppe-Rheinland-Pfalz-State-Philharmonic-Wit_txt&#038;utm_campaign=Naxos-Blog_20250808" target="_blank" rel="nofollow noopener">View album catalogue</a><br />
Catalogue No.: C5547</p>
<p><iframe loading="lazy" title="Libsyn Player" style="border: none" src="//html5-player.libsyn.com/embed/episode/id/37440315/height/90/theme/custom/thumbnail/no/direction/backward/render-playlist/no/custom-color/6c86a5/" height="90" width="100%" scrolling="no"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen></iframe></p>
<div class="newsletter-image" style="margin: 0;"><strong>LISTEN TO THE PODCAST</strong><a href="https://blog.naxos.com/2025/08/08/podcast-sweeping-romanticism-polish-folk-spirit-orchestral-music-by-zygmunt-noskowski"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10288" data-permalink="https://blog.naxos.com/?attachment_id=10288#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=1500%2C600&amp;ssl=1" data-orig-size="1500,600" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="podcast" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=300%2C120&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=780%2C312&amp;ssl=1" class="newsletter-image aligncenter wp-image-10288 size-full" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=780%2C312&#038;ssl=1" alt="" width="780" height="312" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?w=1500&amp;ssl=1 1500w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=300%2C120&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=1024%2C410&amp;ssl=1 1024w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=768%2C307&amp;ssl=1 768w" sizes="auto, (max-width: 780px) 100vw, 780px" /></a></div>
<p>The post <a href="https://blog.naxos.com/2025/08/08/podcast-sweeping-romanticism-polish-folk-spirit-orchestral-music-by-zygmunt-noskowski/">Podcast: Sweeping Romanticism. Polish folk spirit. Orchestral music by Zygmunt Noskowski.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10981</post-id>	</item>
		<item>
		<title>Podcast: Bizarre and beautiful. Telemann, Vivaldi, Rosetti horn concertos.</title>
		<link>https://blog.naxos.com/2025/08/01/podcast-bizarre-and-beautiful-telemann-vivaldi-rosetti-horn-concertos/</link>
					<comments>https://blog.naxos.com/2025/08/01/podcast-bizarre-and-beautiful-telemann-vivaldi-rosetti-horn-concertos/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Thu, 31 Jul 2025 16:00:20 +0000</pubDate>
				<category><![CDATA[Naxos Podcasts]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Rosetti]]></category>
		<category><![CDATA[Telemann]]></category>
		<category><![CDATA[Vivaldi]]></category>
		<guid isPermaLink="false">https://blog.naxos.com/?p=10961</guid>

					<description><![CDATA[<p>In this podcast, Raymond Bisha unearths captivating performances of horn concertos by Rosetti, Vivaldi and Telemann. Did the latter have a few Steins of Alsterwasser to hand when depicting concertising frogs and crows? Listen on&#8230; This podcast is also available on YouTube. &#160; View album catalogue Catalogue No.: VOX-NX-2689 LISTEN TO THE PODCAST</p>
<p>The post <a href="https://blog.naxos.com/2025/08/01/podcast-bizarre-and-beautiful-telemann-vivaldi-rosetti-horn-concertos/">Podcast: Bizarre and beautiful. Telemann, Vivaldi, Rosetti horn concertos.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10962" data-permalink="https://blog.naxos.com/2025/08/01/podcast-bizarre-and-beautiful-telemann-vivaldi-rosetti-horn-concertos/vox-nx-2689/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/VOX-NX-2689.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="VOX-NX-2689" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/VOX-NX-2689.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/VOX-NX-2689.jpg?fit=500%2C500&amp;ssl=1" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/VOX-NX-2689.jpg?resize=150%2C150&#038;ssl=1" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-10962" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/VOX-NX-2689.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/VOX-NX-2689.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/VOX-NX-2689.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/VOX-NX-2689.jpg?w=500&amp;ssl=1 500w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p>
<p>In this podcast, Raymond Bisha unearths captivating performances of horn concertos by Rosetti, Vivaldi and Telemann. Did the latter have a few Steins of Alsterwasser to hand when depicting concertising frogs and crows? Listen on&hellip;</p>
<p>This podcast is also available on <a href="https://youtu.be/8IAT2Q5rBjw" target="_blank">YouTube</a>.</p>
<p>&nbsp;</p>
<p><a href="https://www.naxos.com/CatalogueDetail/?id=VOX-NX-2689&#038;utm_source=blog&#038;utm_medium=post&#038;utm_content=Horn-Concertos-Baroque-TELEMANN-VIVALDI-ROSETTI-Balser-Penzel-Roth-Schollmeyer-Spach-Faerber-Kehr_txt&#038;utm_campaign=Naxos-Blog_20250801" target="_blank" rel="nofollow noopener">View album catalogue</a><br />
Catalogue No.: VOX-NX-2689</p>
<p><iframe loading="lazy" title="Libsyn Player" style="border: none" src="//html5-player.libsyn.com/embed/episode/id/37440180/height/90/theme/custom/thumbnail/no/direction/backward/render-playlist/no/custom-color/6c86a5/" height="90" width="100%" scrolling="no"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen></iframe></p>
<div class="newsletter-image" style="margin: 0;"><strong>LISTEN TO THE PODCAST</strong><a href="https://blog.naxos.com/2025/08/01/podcast-bizarre-and-beautiful-telemann-vivaldi-rosetti-horn-concertos"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10288" data-permalink="https://blog.naxos.com/?attachment_id=10288#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=1500%2C600&amp;ssl=1" data-orig-size="1500,600" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="podcast" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=300%2C120&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=780%2C312&amp;ssl=1" class="newsletter-image aligncenter wp-image-10288 size-full" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=780%2C312&#038;ssl=1" alt="" width="780" height="312" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?w=1500&amp;ssl=1 1500w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=300%2C120&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=1024%2C410&amp;ssl=1 1024w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=768%2C307&amp;ssl=1 768w" sizes="auto, (max-width: 780px) 100vw, 780px" /></a></div>
<p>The post <a href="https://blog.naxos.com/2025/08/01/podcast-bizarre-and-beautiful-telemann-vivaldi-rosetti-horn-concertos/">Podcast: Bizarre and beautiful. Telemann, Vivaldi, Rosetti horn concertos.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10961</post-id>	</item>
		<item>
		<title>Podcast: Valentin Silvestrov. A powerful voice, defiant in exile.</title>
		<link>https://blog.naxos.com/2025/07/25/podcast-valentin-silvestrov-a-powerful-voice-defiant-in-exile/</link>
					<comments>https://blog.naxos.com/2025/07/25/podcast-valentin-silvestrov-a-powerful-voice-defiant-in-exile/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Fri, 25 Jul 2025 04:00:49 +0000</pubDate>
				<category><![CDATA[Naxos Podcasts]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Christopher Lyndon-Gee]]></category>
		<category><![CDATA[Valentin Silvestrov]]></category>
		<guid isPermaLink="false">https://blog.naxos.com/?p=10944</guid>

					<description><![CDATA[<p>Valentin Silvestrov was forced to leave his native Ukraine after the Russian invasion of 2022. His music has a prescient quality that unerringly seems to express the fate of his homeland. Raymond Bisha introduces the world premiere recordings of his intimate Violin Concerto and the heartfelt, single-span Eighth Symphony. Notable for their economy of expression <a class="more-link" href="https://blog.naxos.com/2025/07/25/podcast-valentin-silvestrov-a-powerful-voice-defiant-in-exile/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2025/07/25/podcast-valentin-silvestrov-a-powerful-voice-defiant-in-exile/">Podcast: Valentin Silvestrov. A powerful voice, defiant in exile.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10945" data-permalink="https://blog.naxos.com/2025/07/25/podcast-valentin-silvestrov-a-powerful-voice-defiant-in-exile/8-574481-border/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574481-border.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="8.574481 border" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574481-border.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574481-border.jpg?fit=500%2C500&amp;ssl=1" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574481-border.jpg?resize=150%2C150&#038;ssl=1" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-10945" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574481-border.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574481-border.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574481-border.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574481-border.jpg?w=500&amp;ssl=1 500w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p>
<p>Valentin Silvestrov was forced to leave his native Ukraine after the Russian invasion of 2022. His music has a prescient quality that unerringly seems to express the fate of his homeland. Raymond Bisha introduces the world premiere recordings of his intimate Violin Concerto and the heartfelt, single-span Eighth Symphony. Notable for their economy of expression and emphasis on beauty, depth and harmony, these are works that hover on the edge of silence in an uplifting homage to love and humanity, hope and renewal.</p>
<p>This podcast is also available on <a href="https://www.youtube.com/watch?v=uh_Vqy7-_V0" target="_blank">YouTube</a>.</p>
<p><a href="https://www.naxos.com/CatalogueDetail/?id=8.574481&#038;utm_source=blog&#038;utm_medium=post&#038;utm_content=SILVESTROV-Symphony-No-8-Violin-Concerto-Wawrowski-Lithuanian-National-Symphony-Lyndon-Gee_txt&#038;utm_campaign=Naxos-Blog_20250725" target="_blank" rel="nofollow noopener">View album catalogue</a><br />
Catalogue No.: 8.574481</p>
<p><iframe loading="lazy" title="Libsyn Player" style="border: none" src="//html5-player.libsyn.com/embed/episode/id/36411925/height/90/theme/custom/thumbnail/no/direction/backward/render-playlist/no/custom-color/6c86a5/" height="90" width="100%" scrolling="no"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen></iframe></p>
<div class="newsletter-image" style="margin: 0;"><strong>LISTEN TO THE PODCAST</strong><a href="https://blog.naxos.com/2025/07/25/podcast-valentin-silvestrov-a-powerful-voice-defiant-in-exile"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10288" data-permalink="https://blog.naxos.com/?attachment_id=10288#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=1500%2C600&amp;ssl=1" data-orig-size="1500,600" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="podcast" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=300%2C120&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=780%2C312&amp;ssl=1" class="newsletter-image aligncenter wp-image-10288 size-full" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=780%2C312&#038;ssl=1" alt="" width="780" height="312" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?w=1500&amp;ssl=1 1500w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=300%2C120&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=1024%2C410&amp;ssl=1 1024w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=768%2C307&amp;ssl=1 768w" sizes="auto, (max-width: 780px) 100vw, 780px" /></a></div>
<p>The post <a href="https://blog.naxos.com/2025/07/25/podcast-valentin-silvestrov-a-powerful-voice-defiant-in-exile/">Podcast: Valentin Silvestrov. A powerful voice, defiant in exile.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10944</post-id>	</item>
		<item>
		<title>Podcast: Alan Hovhaness. A prolific legacy of East-West synthesis.</title>
		<link>https://blog.naxos.com/2025/07/18/podcast-alan-hovhaness-a-prolific-legacy-of-east-west-synthesis/</link>
					<comments>https://blog.naxos.com/2025/07/18/podcast-alan-hovhaness-a-prolific-legacy-of-east-west-synthesis/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Thu, 17 Jul 2025 16:00:43 +0000</pubDate>
				<category><![CDATA[Naxos Podcasts]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Alan Hovhaness]]></category>
		<category><![CDATA[Zina Schiff]]></category>
		<guid isPermaLink="false">https://blog.naxos.com/?p=10933</guid>

					<description><![CDATA[<p>The music of Alan Hovhaness, one of America&#8217;s most prolific composers, enchants with his signature synthesis of East and West. Influenced by his Armenian heritage and a fascination with nature and spirituality, Hovhaness sought to create music &#8220;for all people, music which is beautiful and healing.&#8221; Raymond Bisha introduces the latest Naxos album of his <a class="more-link" href="https://blog.naxos.com/2025/07/18/podcast-alan-hovhaness-a-prolific-legacy-of-east-west-synthesis/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2025/07/18/podcast-alan-hovhaness-a-prolific-legacy-of-east-west-synthesis/">Podcast: Alan Hovhaness. A prolific legacy of East-West synthesis.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10937" data-permalink="https://blog.naxos.com/2025/07/18/podcast-alan-hovhaness-a-prolific-legacy-of-east-west-synthesis/8-559957-1/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.559957-1.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="8.559957 (1)" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.559957-1.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.559957-1.jpg?fit=500%2C500&amp;ssl=1" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.559957-1.jpg?resize=150%2C150&#038;ssl=1" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-10937" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.559957-1.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.559957-1.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.559957-1.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.559957-1.jpg?w=500&amp;ssl=1 500w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p>
<p>The music of Alan Hovhaness, one of America&rsquo;s most prolific composers, enchants with his signature synthesis of East and West. Influenced by his Armenian heritage and a fascination with nature and spirituality, Hovhaness sought to create music &ldquo;for all people, music which is beautiful and healing.&rdquo; Raymond Bisha introduces the latest Naxos album of his works which features violinist Zina Schiff, a Heifetz protégée whose international career spans five decades on five continents.</p>
<p>This podcast is also available on <a href="https://www.youtube.com/watch?v=GsJ6j1UEPT0" target="_blank">YouTube</a>.</p>
<p><a href="https://www.naxos.com/CatalogueDetail/?id=8.559957&#038;utm_source=blog&#038;utm_medium=post&#038;utm_content=HOVHANESS-Concerto-No-2-for-Violin-and-Orchestra-Violin-and-Piano-Works-Schiff-Stark-Salzburg-Chamber-Soloists-Eisenberg_txt&#038;utm_campaign=Naxos-Blog_20250718" target="_blank" rel="nofollow noopener">View album catalogue</a><br />
Catalogue No.: 8.559957</p>
<p><iframe loading="lazy" title="Libsyn Player" style="border: none" src="//html5-player.libsyn.com/embed/episode/id/36411845/height/90/theme/custom/thumbnail/no/direction/backward/render-playlist/no/custom-color/6c86a5/" height="90" width="100%" scrolling="no"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen></iframe></p>
<div class="newsletter-image" style="margin: 0;"><strong>LISTEN TO THE PODCAST</strong><a href="https://blog.naxos.com/2025/07/18/podcast-alan-hovhaness-a-prolific-legacy-of-east-west-synthesis"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10288" data-permalink="https://blog.naxos.com/?attachment_id=10288#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=1500%2C600&amp;ssl=1" data-orig-size="1500,600" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="podcast" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=300%2C120&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=780%2C312&amp;ssl=1" class="newsletter-image aligncenter wp-image-10288 size-full" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=780%2C312&#038;ssl=1" alt="" width="780" height="312" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?w=1500&amp;ssl=1 1500w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=300%2C120&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=1024%2C410&amp;ssl=1 1024w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=768%2C307&amp;ssl=1 768w" sizes="auto, (max-width: 780px) 100vw, 780px" /></a></div>
<p>The post <a href="https://blog.naxos.com/2025/07/18/podcast-alan-hovhaness-a-prolific-legacy-of-east-west-synthesis/">Podcast: Alan Hovhaness. A prolific legacy of East-West synthesis.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">10933</post-id>	</item>
		<item>
		<title>Podcast: Vasari Singers. Close harmony. Open perfection.</title>
		<link>https://blog.naxos.com/2025/07/11/podcast-vasari-singers-close-harmony-open-perfection/</link>
					<comments>https://blog.naxos.com/2025/07/11/podcast-vasari-singers-close-harmony-open-perfection/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Thu, 10 Jul 2025 16:00:13 +0000</pubDate>
				<category><![CDATA[Naxos Podcasts]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Vasari Singers]]></category>
		<guid isPermaLink="false">https://blog.naxos.com/?p=10927</guid>

					<description><![CDATA[<p>Vasari Singers, one of the UK&#8217;s pre-eminent choirs, have titled their new album The Music Never Ends, referencing Michel Legrand and his celebrated song How do you Keep the Music Playing? And by the end of the album&#8217;s twenty-one tracks, you&#8217;ll wish it could be so. Raymond Bisha dips into the programme&#8217;s multi-faceted offerings, while <a class="more-link" href="https://blog.naxos.com/2025/07/11/podcast-vasari-singers-close-harmony-open-perfection/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2025/07/11/podcast-vasari-singers-close-harmony-open-perfection/">Podcast: Vasari Singers. Close harmony. Open perfection.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10928" data-permalink="https://blog.naxos.com/2025/07/11/podcast-vasari-singers-close-harmony-open-perfection/8-574699/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574699.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="8.574699" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574699.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574699.jpg?fit=500%2C500&amp;ssl=1" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574699.jpg?resize=150%2C150&#038;ssl=1" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-10928" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574699.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574699.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574699.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574699.jpg?w=500&amp;ssl=1 500w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p>
<p>Vasari Singers, one of the UK&rsquo;s pre-eminent choirs, have titled their new album <em>The Music Never Ends</em>, referencing Michel Legrand and his celebrated song <em>How do you Keep the Music Playing?</em> And by the end of the album&rsquo;s twenty-one tracks, you&rsquo;ll wish it could be so. Raymond Bisha dips into the programme&rsquo;s multi-faceted offerings, while didgeridoo players should be on immediate standby to make a contribution. Listen up, and listen on.</p>
<p>This podcast is also available on <a href="https://www.youtube.com/watch?v=iZQoAeDFSs8" target="_blank">YouTube</a>.</p>
<p><a href="https://www.naxos.com/CatalogueDetail/?id=8.574699&#038;utm_source=blog&#038;utm_medium=post&#038;utm_content=Choral-Music-ELLINGTON-D-SHEARING-G-LEGRAND-M-LENNON-MCCARTNEY-The-Music-Never-Ends-Vasari-Singers-Backhouse_txt&#038;utm_campaign=Naxos-Blog_20250711" target="_blank" rel="nofollow noopener">View album catalogue</a><br />
Catalogue No.: 8.574699</p>
<p><iframe loading="lazy" title="Libsyn Player" style="border: none" src="//html5-player.libsyn.com/embed/episode/id/36411705/height/90/theme/custom/thumbnail/no/direction/backward/render-playlist/no/custom-color/6c86a5/" height="90" width="100%" scrolling="no"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen></iframe></p>
<div class="newsletter-image" style="margin: 0;"><strong>LISTEN TO THE PODCAST</strong><a href="https://blog.naxos.com/2025/07/11/podcast-vasari-singers-close-harmony-open-perfection/"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10288" data-permalink="https://blog.naxos.com/?attachment_id=10288#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=1500%2C600&amp;ssl=1" data-orig-size="1500,600" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="podcast" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=300%2C120&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=780%2C312&amp;ssl=1" class="newsletter-image aligncenter wp-image-10288 size-full" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=780%2C312&#038;ssl=1" alt="" width="780" height="312" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?w=1500&amp;ssl=1 1500w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=300%2C120&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=1024%2C410&amp;ssl=1 1024w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=768%2C307&amp;ssl=1 768w" sizes="auto, (max-width: 780px) 100vw, 780px" /></a></div>
<p>The post <a href="https://blog.naxos.com/2025/07/11/podcast-vasari-singers-close-harmony-open-perfection/">Podcast: Vasari Singers. Close harmony. Open perfection.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">10927</post-id>	</item>
		<item>
		<title>Podcast: Introducing piano works by Oscar Lorenzo Fernández.</title>
		<link>https://blog.naxos.com/2025/07/04/podcast-introducing-piano-works-by-oscar-lorenzo-fernandez/</link>
					<comments>https://blog.naxos.com/2025/07/04/podcast-introducing-piano-works-by-oscar-lorenzo-fernandez/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Thu, 03 Jul 2025 16:00:58 +0000</pubDate>
				<category><![CDATA[Naxos Podcasts]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Clélia Iruzun]]></category>
		<category><![CDATA[Oscar Lorenzo Fernández]]></category>
		<guid isPermaLink="false">https://blog.naxos.com/?p=10916</guid>

					<description><![CDATA[<p>Composer/poet Oscar Lorenzo Fernández was born in Rio de Janeiro in 1897. He went on to become a leading figure in the development of Brazil&#8217;s classical music scene, as a composer, conductor, musicologist, and a professor of harmony in the National Music Institute in Rio de Janeiro, as well as other institutions. Along with Francisco <a class="more-link" href="https://blog.naxos.com/2025/07/04/podcast-introducing-piano-works-by-oscar-lorenzo-fernandez/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2025/07/04/podcast-introducing-piano-works-by-oscar-lorenzo-fernandez/">Podcast: Introducing piano works by Oscar Lorenzo Fernández.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10917" data-permalink="https://blog.naxos.com/2025/07/04/podcast-introducing-piano-works-by-oscar-lorenzo-fernandez/8-574593/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574593.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="8.574593" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574593.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574593.jpg?fit=500%2C500&amp;ssl=1" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574593.jpg?resize=150%2C150&#038;ssl=1" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-10917" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574593.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574593.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574593.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2025/07/8.574593.jpg?w=500&amp;ssl=1 500w" sizes="auto, (max-width: 150px) 100vw, 150px" /></p>
<p>Composer/poet Oscar Lorenzo Fernández was born in Rio de Janeiro in 1897. He went on to become a leading figure in the development of Brazil&rsquo;s classical music scene, as a composer, conductor, musicologist, and a professor of harmony in the National Music Institute in Rio de Janeiro, as well as other institutions. Along with Francisco Mignone and other prominent musicians, he was a founding member of the new Conservatório Brasileiro de Música, and together with Villa-Lobos he helped innovate music teaching in Brazil. His considerable musical legacy includes 48 songs, two symphonies, the orchestral suite <em>Reisado do Pastoreio</em>, the opera <em>Malazarte</em>, numerous chamber works, and around 80 piano pieces. A selection of the latter forms the basis of this podcast discussion between pianist Clélia Iruzun and Raymond Bisha.</p>
<p>This podcast is also available on <a href="https://www.youtube.com/watch?v=vFk7F2e2Ano" target="_blank">YouTube</a>.</p>
<p><a href="https://www.naxos.com/CatalogueDetail/?id=8.574593&#038;utm_source=blog&#038;utm_medium=post&#038;utm_content=LORENZO-FERNANDEZ-Piano-Works-Suites-brasileiras-Nos-1-2-3-Preludios-do-crepusculo-Sonata-breve-Iruzun_txt&#038;utm_campaign=Naxos-Blog_20250704" target="_blank" rel="nofollow noopener">View album catalogue</a><br />
Catalogue No.: 8.574593</p>
<p><iframe loading="lazy" title="Libsyn Player" style="border: none" src="//html5-player.libsyn.com/embed/episode/id/36833750/height/90/theme/custom/thumbnail/no/direction/backward/render-playlist/no/custom-color/6c86a5/" height="90" width="100%" scrolling="no"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen></iframe></p>
<div class="newsletter-image" style="margin: 0;"><strong>LISTEN TO THE PODCAST</strong><a href="https://blog.naxos.com/2025/07/04/podcast-introducing-piano-works-by-oscar-lorenzo-fernandez"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="10288" data-permalink="https://blog.naxos.com/?attachment_id=10288#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=1500%2C600&amp;ssl=1" data-orig-size="1500,600" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="podcast" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=300%2C120&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?fit=780%2C312&amp;ssl=1" class="newsletter-image aligncenter wp-image-10288 size-full" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=780%2C312&#038;ssl=1" alt="" width="780" height="312" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?w=1500&amp;ssl=1 1500w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=300%2C120&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=1024%2C410&amp;ssl=1 1024w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2024/01/podcast.png?resize=768%2C307&amp;ssl=1 768w" sizes="auto, (max-width: 780px) 100vw, 780px" /></a></div>
<p>The post <a href="https://blog.naxos.com/2025/07/04/podcast-introducing-piano-works-by-oscar-lorenzo-fernandez/">Podcast: Introducing piano works by Oscar Lorenzo Fernández.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">10916</post-id>	</item>
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