Podcast: Sweeping Romanticism. Polish folk spirit. Orchestral music by Zygmunt Noskowski.

Although the music of Polish composer Zygmunt Noskowski (1846–1909) is less well known than that of his teacher (Stanisław Moniuszko) and his students (Karol Szymanowski and Mieczysław Karłowicz), Noskowski was nonetheless the primary exponent of modern symphonic music in Poland for most of the 19th century; he also introduced the idea of the symphonic poem Read More …

Podcast: Bizarre and beautiful. Telemann, Vivaldi, Rosetti horn concertos.

In this podcast, Raymond Bisha unearths captivating performances of horn concertos by Rosetti, Vivaldi and Telemann. Did the latter have a few Steins of Alsterwasser to hand when depicting concertising frogs and crows? Listen on… This podcast is also available on YouTube.   View album catalogue Catalogue No.: VOX-NX-2689 LISTEN TO THE PODCAST

Podcast: Valentin Silvestrov. A powerful voice, defiant in exile.

Valentin Silvestrov was forced to leave his native Ukraine after the Russian invasion of 2022. His music has a prescient quality that unerringly seems to express the fate of his homeland. Raymond Bisha introduces the world premiere recordings of his intimate Violin Concerto and the heartfelt, single-span Eighth Symphony. Notable for their economy of expression Read More …

Podcast: Classical Discoveries – REDISCOVERING SALIERI – Werner Ehrhardt on raiding the archives

You may not have heard of him, but if you have had any exposure to early music, chances are you have heard him: In this first installment, Werner Ehrhardt, the founder and leader of the early music ensembles Concerto Köln and L’arte del mondo, sits down with Jens and Joe for a chat about his Read More …

Podcast: Alan Hovhaness. A prolific legacy of East-West synthesis.

The music of Alan Hovhaness, one of America’s most prolific composers, enchants with his signature synthesis of East and West. Influenced by his Armenian heritage and a fascination with nature and spirituality, Hovhaness sought to create music “for all people, music which is beautiful and healing.” Raymond Bisha introduces the latest Naxos album of his Read More …

Podcast: Vasari Singers. Close harmony. Open perfection.

Vasari Singers, one of the UK’s pre-eminent choirs, have titled their new album The Music Never Ends, referencing Michel Legrand and his celebrated song How do you Keep the Music Playing? And by the end of the album’s twenty-one tracks, you’ll wish it could be so. Raymond Bisha dips into the programme’s multi-faceted offerings, while Read More …

Podcast: Introducing piano works by Oscar Lorenzo Fernández.

Composer/poet Oscar Lorenzo Fernández was born in Rio de Janeiro in 1897. He went on to become a leading figure in the development of Brazil’s classical music scene, as a composer, conductor, musicologist, and a professor of harmony in the National Music Institute in Rio de Janeiro, as well as other institutions. Along with Francisco Read More …

Podcast: Introducing the symphonic sphere of Leevi Madetoja

“I feel that you will achieve your greatest triumphs in [the symphonic] genre for I consider you to have precisely the properties that make a great symphonic composer. This is my firm belief.” Thus wrote Jan Sibelius in 1914 to his former student Leevi Madetoja. Raymond Bisha presents supporting evidence for that foresight in extracts Read More …

Podcast: From expressive intimacy to rhythmic incision. Music for guitar trio.

This podcast introduces a recently released, diverse programme of works for guitar trio bound by the common thread of music inspired by stories from literature, stage or screen. Performed by the Volterra Project Trio, the album’s seventeen tracks take us from the rhythmic exuberance and tragic beauty of Bernstein’s West Side Story to the evocative Read More …

Podcast: Classical Discoveries – DMITRI SHOSTAKOVICH: The Symphonies

In their latest #ClassicalDiscoveries episode, Jens and Joe explore Shostakovich’s symphonies – works of daring subversion masked as Soviet conformity. From the banned Fourth Symphony to the sardonic Ninth, they reveal how Shostakovich smuggled private rebellion into public music. Featuring Gürzenich-Orchester Köln’s powerhouse recordings, this is Soviet-era genius at its most explosive. “Quiet in person, Read More …