Updates from the world's leading classical music label
For many people, the week running up to Christmas Day is a frenzy of last-minute shopping, gift wrapping and chestnut peeling, not forgetting rehearsals for Carol Services and Midnight Masses. This week’s blog post, however, skirts the tinsel and mistletoe to look back at some of the more sober events that took place in this Read More …
Australia’s Great Barrier Reef, one of the planet’s greatest beauties, stretches for some 2,900 kilometres off the Queensland coast and provides the habitat for a cornucopia of corals, fish and sea mammals. Yet we read how swathes are being slowly decimated by climate change and pollution and, in this particular case, what the eye doesn’t Read More …
Remember, remember, the fifth of November, The Gunpowder Treason and plot. I know of no reason why the Gunpowder Treason Should ever be forgot. Bonfires feature in a number of different traditions around the world, but perhaps the largest celebrations are held in Britain every 5 November. On this day, the above rhyme is traditionally Read More …
One of the side discussions during the Scottish independence referendum held last month focused on what that country’s national anthem might be, should the majority vote to separate from the United Kingdom. Following the outcome of the referendum, the question became redundant. It got me thinking, however, about the anthems of three European nations in Read More …
Many instruments evolved over centuries, their names changing in tandem with their timbre. The lute became the guitar, the viol progressed to the violin and the sackbut got transformed into the trombone. Just occasionally, however, an inventor introduces a brand new kid onto the block and, naturally enough, gives it the family name. The most Read More …
“Why should the devil have all the best tunes?” … or something along those lines. The exact quotation and its source have long been the subject of speculation. But the devil certainly has attracted the attention of many fine composers who have etched him (or maybe her) into the musical annals as vividly as visual Read More …
Most music is referred to as ‘absolute music’. It simply comprises notes that combine to weave melodic charm. Most Haydn symphonies serve as an example. At the other end of the composing spectrum lie artefacts—physical objects other than conventional instruments—that are used solely for the compositional process. Here, the craftsman’s art becomes the starting and Read More …
Most people know about the curse of the ninth, but if you don’t, here’s a quick explanation. Beethoven’s Ninth Symphony, Choral (8.550181) laid down a few benchmarks. Its influence was felt most recently, perhaps, during the dawn of the age of the compact disc. Consideration had to be given to how many minutes of music Read More …
There’s no doubting the thrill of hearing a pot-bellied orchestra going for climactic points in a score with all its might and dislodging the dust from concert hall rafters. Yet the other end of the textural spectrum can be equally telling. Mozart reminded us that silence is possibly the most powerful element in music. Equally Read More …
Where would we be without our heroes? Well, classical music would certainly be the poorer without the heroic thread that weaves through the catalogue. Works are branded heroic either by their general aura, the mention of the word in the title, or the name of a specific hero on which a piece is built. We Read More …