Music from the web.

I know they’re out there somewhere… people who don’t run a mile when confronted with an arachnid’s bulbous body and hairy projections, stoically putting your average blogger to timorous shame. It would seem that some classical composers weren’t afraid of getting up close and personal with spiders, either, judging from the number of pieces spun Read More …

Going pear-shaped

Not long ago, when I was living in Hong Kong, there was a curious surge of interest among students in playing the ukulele, an instrument that has many cousins around the world in different cultures: banjo, mandolin, lute, balalaika, and so on. They all have their distinctive sounds and body shapes: banjos are circular, balalaikas Read More …

Podcast: One genius through the eyes of another

Conductor and Naxos artist Marin Alsop discusses Robert Schumann’s four symphonies in the wake of her recordings of the works as reorchestrated by Mahler (8.574429 and 8.574430). Following observations about instrumental developments of the time, Mahler’s myriad tweaks to the score, and the somewhat bipolar flavour of the music (with counterpoint always at hand as Read More …

Rachmaninov, Giltburg, Sinaisky. Three titans.

This blog visits a new album scheduled for release on April 14 that features works for piano and orchestra by Sergei Rachmaninov (2023 marks the 150th anniversary of his birth). The solo pianist is Boris Giltburg, a seasoned Naxos artist noted not only for his outstanding musicianship and technical finesse (witness the numerous glowing reviews Read More …

From bile to bravura. Musical temperaments.

When I was a teenager, I would occasionally try and bash through Poulenc’s Thème varié on my long-suffering upright piano. I loved the lilt of the original theme on which the variations are based. Here it is: Thème (8.553931) But what engaged me more was how the subsequent variations went beyond the usual melodic and Read More …

Cláudio Santoro: Symphonies 11 and 12

The previous edition of our Naxos blog focused on two symphonies that Brazilian composer Cláudio Santoro composed in the 1950s – the Fourth and Fifth – the latter written to mark the founding of the country’s new capital, Brasilia. Santoro (1919–89) was a member of the Brazilian Communist Party, which brought him major problems during Read More …