Updates from the world's leading classical music label
When I was a teenager, I would occasionally try and bash through Poulenc’s Thème varié on my long-suffering upright piano. I loved the lilt of the original theme on which the variations are based. Here it is: Thème (8.553931) But what engaged me more was how the subsequent variations went beyond the usual melodic and Read More …
While most people tend to seek visions of the future—especially where lottery tickets are concerned—this blog cites four works featuring musical visions from the past. Opening the programme is Ralph Vaughan Williams’ 1956 motet for choir and organ, A Vision of Aeroplanes, which may seem a curious title for a work that’s a setting of Read More …
A note for those who come to life only after the second mug of coffee each morning: this blog is probably not for you. Our subject this week is that magical time before sunrise when dark gives way incrementally to light: dawn. It can be a magical few minutes, not least when birds limber up Read More …
A few months ago we aired a selection of works in which composers made reference to other composers by quoting snatches of their melodies. This week, we highlight pieces that are dedicated in their entirety to a particular composer, making the product less referential, and more reverential, although you may question that latter description in Read More …
I don’t know if the art of précis is still taught in the classroom. It was one of my stronger points as a teenager, although in a subsequent phase as a journalist, and in the face of a word count that exceeded the interest factor of the commissioned piece, it was easy to succumb to Read More …
