On October 28, Naxos released its fourth recording featuring the acclaimed Baroque music ensemble Opera Lafayette, performing Jean-Baptiste Lully’s Armide. Led by Artistic Director Ryan Brown, the cast features mezzo-soprano Stephanie Houtzeel in the title role, supported by Robert Getchell, François Loup, William Sharp, and others. Opera Lafayette’s recordings for Naxos include Gluck’s Orphée et Euridice (2005), Sacchini’s Oedipe à Colone (2006), and Rameau Operatic Arias (2007).

Armide was the zenith of Lully’s long and fruitful career as the most powerful musician at the court of Louis XIV and the first major composer of French opera. Though not his final composition, Armide was his last complete tragédie en musique and the last work he wrote in collaboration with librettist Philippe Quinault. It was an instant and enduring success: a crowd-pleaser at its initial production and a perennial favorite of audiences and critics in the 18th century.

OPERA LAFAYETTE is a period-instrument ensemble dedicated to performances of 17th- and 18th-century operas, particularly of the French repertoire. Founded in 1995 in Washington, D.C. by Artistic Director Ryan Brown, Opera Lafayette has earned critical acclaim and a loyal following for its performances and recordings with international singers renowned for their interpretations of Baroque and Classical operas. The Washington Post called the ensemble “one of the most intellectually exciting fixtures of the Washington music world.” Of their recording of Rameau Operatic Arias with tenor Jean-Paul Fouchécourt, England’s OPERA magazine wrote: “The period-instrument orchestra of the Washington-based Opera Lafayette … in its decade-long existence has done so much to further the cause of 18th-century French Opera.” Upcoming recordings by Opera Lafayette include Rebel and Francoeur’s Zélindor, roi des Sylphes (2009), and Le Déserteur, to be recorded in February 2009.

Hailed by the Times (London) as the “world’s leading festival of early music”, the Boston Early Music Festival (BEMF), directed by Paul O’Dette and Stephen Stubbs, has received two Grammy® nominations for its recordings of Baroque operas on the CPO label: Conradi’s Ariadne (777073-2) and Lully’s Thésée (777240-2).The ensemble’s much-awaited third recording, Jean- Baptiste Lully’s Psyché (777367-2), was recorded at New England Conservatory’s Jordan Hall following BEMF’s North American premiere performances at its 14th biennial festival. This world premiere recording features soprano Carolyn Sampson in the title role and Canadian soprano Karina Gauvin as Venus. Other cast members include Aaron Sheehan, Colin Balzer, Amanda Forsythe, Mireille Lebel, Yulia Van Doren, Olivier Laquerre, Jason McStoots, Matthew Shaw, Aaron Engebreth, Ricard Bordas, Teresa Wakim, and José Lemos.

It was 330 years ago that Lully’s tragédie lyrique Psyché was performed at the court of Louis XIV. The plot concerns the fate of the most beautiful girl in the world and the jealousy of the goddess Venus; hell, death, and the devil; frightful journeys to the underworld; and the happy marriage of the god of love Amor and Psyche - that is, once her divine mother-in-law no longer has anything against this union, since Jupiter has endowed her soul with immortality. This magnificent and richly varied, entertaining as well as horrifying, musically and scenically uncommonly lavish opera from the France of the Sun King was presented last year at the Boston Early Music Festival.