A podium for panache. Concertos for Orchestra.

In some respects you might say that all orchestral works – symphonies, overtures, tone poems — are showcases of collective talent displaying expertise in coordination, balance and deft execution of the notes. But the notion of a concerto for orchestra implies that the composer is shining an even more intense spotlight on rank-and-file players or Read More …

Podcast: Orchestral works by Christopher Rouse. Intensely active. Wonderfully lyrical.

Raymond Bisha introduces a new release of orchestral music by American composer Christopher Rouse, who died in September 2019. It’s a fitting tribute to one who led the revitalisation of contemporary orchestral music with works that ranged from intensely active to wonderfully lyrical. As both a Pullitzer Prize and GRAMMY Award winner, his personal mission Read More …

Circles in sound

Mediaeval religion held to a belief in the perfect essence of the Trinity—Father, Son and Holy Spirit—and so it followed that notated music in triple time was announced by the symbol of perfection for its time signature: a circle. Music in duple time shattered that notion of perfection and was represented by a shattered circle, Read More …

Podcast: From agony to ecstasy. Orchestral works by Christopher Rouse.

Two disparate experiences in sound occupy this month’s new CD of works by American composer Christopher Rouse. From the schizophrenic to the sublime, ‘Seeing’ and ‘Kabir Padavali’ are scored respectively for piano soloist and soprano soloist, plus orchestra. Ranging from notions of insanity to the exquisite beauty of 15th-century Indian poetry, Rouse explores the striking Read More …