When he graduated from high school, William Schuman enrolled in New York University with every intention of doing a commerce degree. Then his sister took him to a New York Philharmonic concert conducted by Arturo Toscanini. That very night, he decided to become a composer. Schuman went on to become one of the most important American composers and composition teachers of the 20th century. He was president of Julliard School, President of Lincoln Centre in New York, and the composer of eight major symphonies. This podcast looks at a new recording of his Symphony No. 6, Prayer in a Time of War, and New England Tryptich, with the Seattle Symphony conducted by Gerard Schwarz.
Czech-born composer Bohuslav Martinu was born in a church tower in Policka, Bohemia in 1890. He became a student in the Prague Conservatory, and played with the Czech Philharmonic before moving to Paris to study composition. When World War Two broke out, he fled Europe and moved to the United States where he taught at the Mannes School of Music in New York. All the while, he composed incessantly – including the two piano concertos on this disc. Performers include pianist Robert Kolinsky, conductor Vladimir Ashkenazy, and Sinfonieorchester Basel.
Between 1902 and 1904, French film director Georges Melies made Le Voyage Dans La Lune, the world’s first science fiction film. In this CD + DVD project, composer/conductor Robert Ian Winstin has asked four different composers including himself, “Professor Louie Hurwitz, James Guymon and Don Myers to each write their own original soundtracks for this film. The result is four soundtracks that couldn’t be more different – and more effective.
Huang Ruo was born in Hainan Island, China the same year the Cultural Revolution ended. This allowed him to get a unique kind of musical education as “western” music was again allowed back into China. This experience, along with his subsequent study in the United States, has helped him develop a unique compositional voice. In this podcast, he talks about his musical youth, and about his new CD with Future in REverse (FIRE) ensemble.
Since the first performance of Mozart’s opera Don Giovanni, there has been a steady stream of arrangements of the piece. By the end of the 19th century, there were already more than 600 published arrangements. Some were note very good, but others, such as the music featured in this podcast, were excellent. On this CD, Quatour Franz Joseph performs an arrangement of Don Giovanni for string quartet, made sometime around 1800.
Carlo Gesualdo, Prince of Venosa, was one of the more colorful characters among Italian Renaissance composers. He wrote unusual and highly emotional music, and he was a murderer. This podcast looks at both his personal life (sometimes gruesome) as well as his music. Music by Gesualdo’s fellow composers Pomponio Nenna and Luzzasco Luzzaschi is also included. The featured artists in this podcast, and on the CD are Concerto Italiano conducted by Rinaldo Alessandrini.
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When he graduated from high school, William Schuman enrolled in New York University with every intention of doing a commerce degree. Then his sister took him to a New York Philharmonic concert conducted by Arturo Toscanini. That very night, he decided to become a composer. Schuman went on to become one of the most important American composers and composition teachers of the 20th century. He was president of Julliard School, President of Lincoln Centre in New York, and the composer of eight major symphonies. This podcast looks at a new recording of his Symphony No. 6, Prayer in a Time of War, and New England Tryptich, with the Seattle Symphony conducted by Gerard Schwarz.
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