Podcast: Orchestral music by Eugene Zádor (1894-1977)

Born in Hungary in 1894, Eugene Zádor moved to the USA in 1939 and remained there as a naturalised citizen until his death. He left a sizeable catalogue of works that includes more than 120 film scores, 13 operas and a wide variety of concert music. Zádor has been described as a classicist, a romantic Read More …

Podcast: Lindpaintner’s 4-act opera Il vespro siciliano (1843) enjoys a revival.

Peter Joseph von Lindpaintner (1791–1856) was a much admired figure in his day, referred to glowingly by such distinguished musicians as Robert Schumann and Felix Mendelssohn, who acknowledged respectively his gift for composing operas and his skill as an orchestral conductor. Like the 21 operas he wrote, Lindpaintner himself has since been virtually forgotten, which Read More …

Podcast: Three American Classics

Raymond Bisha introduces a new release of three American orchestral triumphs in stunning performances by the youthful ranks of the National Orchestral Institute Philharmonic under GRAMMY Award-winning conductor David Alan Miller. Carl Ruggles’ Sun-treader, Steven Stucky’s Concerto for Orchestra No. 2 and John Harbison’s Symphony No. 4 constitute the programme’s towering trio of symphonic masterpieces. Read More …

Podcast: Castelnuovo-Tedesco’s Cello Concerto. A radiant rediscovery.

The composer Mario Castelnuovo-Tedesco moved from Italy to the US during the turmoil of the Second World War. That he should have been immediately befriended by such musical giants as violinist Jascha Heifetz and cellist Gregor Piatigorsky speaks reams about the respect the Italian engendered. His Cello Concerto was commissioned by Piatigorsky, who premiered the Read More …

Podcast: ‘Rach 3’. The Mount Everest of piano concertos.

Raymond Bisha helps turn the pages of Rachmaninov’s Third Piano Concerto, following the release of Boris Giltburg’s fine performance of the work with the Royal Scottish National Orchestra and conductor Carlos Miguel Prieto. Noted for its length and technical difficulty, ‘Rach 3’ (its popular moniker) is reckoned to have more notes than all of Mozart’s Read More …

Podcast: Robert Schumann’s works for cello

Although storm clouds were starting to gather over Robert Schumann’s mental health in the years 1849–50, it proved a remarkably fertile period for his musical output, not least as reflected in works featuring the cello. The majority of the pieces on this new release were composed during that period, some with the instrumentation as originally Read More …

Podcast: Airs of authority. Concertos for guitar duo.

The combined gifts of the extraordinary Brasil Guitar Duo and two eminent Latin American composers produce a depth of experience and rare musical beauty in two concertos for guitar duo. Cuban composer Leo Brouwer has written ten concertos for guitar, but The Book of Signs is his first for guitar duo. Paulo Bellinati’s Concerto Caboclo Read More …

Podcast: A final flourish.

The new Naxos edition of Saint-Saëns’ works for piano and orchestra reaches its final volume with a recording of the composer’s Piano Concertos Nos. 4 and 5, works described by soloist Romain Descharmes as “brilliant music that opens doors to a new world”. The Fourth Concerto showcases virtuosic music written by one of history’s most Read More …

Podcast: Every step of the play. Prokofiev’s score for the ballet Romeo and Juliet.

As was often the case, bringing performances of classical music to fruition in Russia’s Soviet era was more challenging than the actual composition. Responding to a commission from the Bolshoi Ballet in 1935, Prokofiev quickly completed the task of writing a score for Romeo and Juliet, but the first performance had to be postponed owing Read More …

Podcast: 3 new concertos. 1 original composer. Michael Daugherty.

Michael Daugherty is one of today’s leading American composers. Previous Naxos recordings of his works have received no fewer than seven GRAMMY® awards. His latest release features three recently completed concertos, respectively for flute, tuba and percussion. The programme boasts a rare line-up of female soloists and a release date that coincides with Women’s History Read More …