Podcast: César Guerra-Peixe. The Brazilian Bartók.

Vol. 27 in the Naxos Music of Brazil series features music by César Guerra-Peixe (1914–1993). In this podcast, Raymond Bisha discusses the life and music of the composer, known as the ‘Brazilian Bartók’ on account of his ethnomusicological research, with conductor Neil Thomson. Describing Guerra-Peixe as an “extremely prolific, incredibly rounded, complete musician”, Thomson also Read More …

Podcast: Miklós Rózsa. A double creative life.

Raymond Bisha introduces the latest instalment in the Capriccio label’s exploration of rarely performed or recorded symphonic works by Miklós Rózsa, outlining his maturation not only into one of the most successful film composers of all time, but also the creator of equally fine concert works. The album’s programme comprises his Rhapsody for Cello, in Read More …

Podcast: Flights of imagination. Michael Daugherty’s new orchestral album.

The GRAMMY Award-winning team of composer Michael Daugherty, conductor David Alan Miller and the Albany Symphony returns with a new album comprising a set of remarkable works exploring associations with flight and space exploration, both tragic and triumphant. In this podcast, the composer explains the context and inspiration behind the three works on the programme: Read More …

PODCAST: Classical Discoveries – EASTER CLASSICS beyond J. S. Bach 

Easter marks the high point of the Christian year. It cannot be surprising, then, that some of the greatest compositions in classical music have been written to mark this feast. When today’s concert halls give a nod to Easter, Bach dominates programming. In their latest podcast, Jens and Joe explore some gems beyond Bach, from Read More …

Podcast: Goffredo Petrassi. Concertos for Orchestra Nos. 1–3.

Italian composer Goffredo Petrassi’s reputation was established in 1932 when his Partita (8.572411) won critical acclaim. Three years later he premiered the first of his eight Concertos for Orchestra which secured his reputation outside of Italy. Raymond Bisha delves into a new release of the first three of those concertos performed by the Orchestra Sinfonica Read More …

Podcast: Sir Simon Rattle lauds Haydn’s oratorio The Creation

Franz Joseph Haydn has long been a focus of admiration for conductor Sir Simon Rattle. In this podcast conversation with Raymond Bisha, we hear excerpts from his recent recording of the composer’s oratorio The Creation, “the last masterpiece that this amazing man wrote.” A clear candidate for one of the maestro’s Desert Island Discs, Sir Read More …

Podcast: Alexey Shor. A suite, a nocturne and a concerto.

Raymond Bisha introduces the latest instalment of a collectable series of seven albums showcasing Ukraine-born composer Alexey Shor’s appealing personal style and superb craftsmanship. The programme features vivid portraits of literary figures for piano (Behzod Abduraimov) and orchestra (Kyiv Virtuosi), similarly an homage to Glinka, and a dazzling concerto for flute (Jasmine Choi). The conductors Read More …

Podcast: “The Earth is going to be fine without us.” Jake Runestad unpacks his Earth Symphony.

Born in 1986, Jake Runestad is a versatile and prolific young composer whose visceral music and charismatic personality have fostered a busy schedule of national and international commissions, residencies, workshops, and speaking engagements, enabling him to be one of the youngest full-time composers in the world. In this podcast he discusses with Raymond Bisha the Read More …

Podcast: Notker Balbulus, a mediaeval marvel.

Notker Balbulus (c.840–912), also known as Notker of St Gall or Notker the Stammerer, was a renowned Benedictine monk at the Abbey of St Gall in Switzerland who made substantial contributions to both the music and literature of his time. In this podcast Michael Alan Anderson, musical director of Schola Antiqua of Chicago, explains to Read More …

Podcast: Classical Discoveries – FRANZ SCHMIDT: beyond the “Seven Seals”

Franz Schmidt is not the most neglected composer among the 20th century grand romantics, but the discrepancy between the greatness of his music and his neglect in concert is staggering. Together with conductor Jonathan Bermann, who recently recorded Schmidt’s four symphonies with the BBC National Orchestra of Wales, Jens & Joe try to zero in Read More …