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While most people tend to seek visions of the future—especially where lottery tickets are concerned—this blog cites four works featuring musical visions from the past. Opening the programme is Ralph Vaughan Williams’ 1956 motet for choir and organ, A Vision of Aeroplanes, which may seem a curious title for a work that’s a setting of Read More …
Triskaidekaphobia. Paraskevidekatriaphobia. Could they be ancient Greek versions of that song from Walt Disney’s Mary Poppins, sounding even more atrocious than Supercalifragilisticexpialidocious? No. They’re terms signifying respectively a fear of the number 13 in general, and Friday the 13th in particular. Today’s blog post, falling on such a date, will try and unearth some musical Read More …
If you think of British music in the late 19th and early 20th centuries, then the name most likely to spring to mind is Sir Edward Elgar (1857–1934). Not for the first time in history, other significant composers of the generation regrettably became overshadowed. One such was Sir Charles Villiers Stanford (1852–1924), though his music Read More …
The ease of global communication nowadays brings home the frequency of natural disasters and their tragic consequences. The only positive offshoot of such terrible occurrences seems to lie in the artistic reflections that composers have made in trying to capture these events, born of the less comforting side of Mother Nature. Picking through the catalogue Read More …
