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		<title>Podcast: From soundtrack to centre stage. Bj&#246;rk&#8217;s Vespertine</title>
		<link>https://blog.naxos.com/2019/04/26/podcast-from-soundtrack-to-centre-stage-bjrks-vespertine/</link>
					<comments>https://blog.naxos.com/2019/04/26/podcast-from-soundtrack-to-centre-stage-bjrks-vespertine/#respond</comments>
		
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		<pubDate>Thu, 25 Apr 2019 16:00:35 +0000</pubDate>
				<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Björk]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Vespertine]]></category>
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					<description><![CDATA[<p>The Icelandic singer/composer Björk released her concept album Vespertine in 2001. Raymond Bisha introduces a new audio recording of an opera that was born of that release. The inherent theatricality of Björk’s original was the inspiration for an expert creative team to effect the transition from studio to stage, from sound tracks to symphonic support. <a class="more-link" href="https://blog.naxos.com/2019/04/26/podcast-from-soundtrack-to-centre-stage-bjrks-vespertine/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2019/04/26/podcast-from-soundtrack-to-centre-stage-bjrks-vespertine/">Podcast: From soundtrack to centre stage. Bj&ouml;rk&rsquo;s &lt;em&gt;Vespertine&lt;/em&gt;</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<p><a href="https://www.naxos.com/catalogue/item.asp?item_code=OC978&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=DVOŘÁK-HÄUBLEIN-VINUESA-Vespertine-Opera_cd&amp;utm_campaign=Naxos-Blog_20192604" target="_blank" rel="noopener noreferrer"><img data-recalc-dims="1" decoding="async" data-attachment-id="5342" data-permalink="https://blog.naxos.com/2019/04/05/podcast-berlioz-and-the-shakespeare-effect/8-573449-50_wp/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2019/04/8.573449-50_wp.jpg?fit=505%2C505&amp;ssl=1" data-orig-size="505,505" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="8.573449-50_wp" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2019/04/8.573449-50_wp.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2019/04/8.573449-50_wp.jpg?fit=505%2C505&amp;ssl=1" class="alignleft wp-image-5342" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2019/04/OC978.jpg?resize=180%2C180&#038;ssl=1" alt="" width="180" height="180"></a>The Icelandic singer/composer Björk  released her concept album <i>Vespertine</i> in 2001. Raymond Bisha introduces  a new audio recording of an opera that was born of that release. The inherent  theatricality of Björk’s original was the inspiration for an expert creative  team to effect the transition from studio to stage, from sound tracks to  symphonic support. Scored for four soloists and two choirs, and with all the  original electronic sounds re-imagined on an array of acoustic instruments, <i>Vespertine </i>the opera is a stunning new creation, not merely an adaptation. </p>
&nbsp;
&nbsp;
<p><a href="https://www.naxos.com/catalogue/item.asp?item_code=OC978&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=DVOŘÁK-HÄUBLEIN-VINUESA-Vespertine-Opera_txt&amp;utm_campaign=Naxos-Blog_20192604" target="_blank" rel="noopener noreferrer">View album details of DVOŘÁK, J. / HÄUBLEIN, P. / VINUESA, R.: Vespertine [Opera] (after Björk&#8217;s album, 2018) at Naxos.com</a><br>
Catalogue No.: OC978</p>



<p></p>
<p>The post <a href="https://blog.naxos.com/2019/04/26/podcast-from-soundtrack-to-centre-stage-bjrks-vespertine/">Podcast: From soundtrack to centre stage. Bj&ouml;rk&rsquo;s &lt;em&gt;Vespertine&lt;/em&gt;</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
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				<itunes:subtitle>The Icelandic singer/composer Björk released her concept album Vespertine in 2001. Raymond Bisha introduces a new audio recording of an opera that was born of that release. The inherent theatricality of Björk’s original was the inspiration for an exper...</itunes:subtitle>
		<itunes:summary>The Icelandic singer/composer Björk released her concept album Vespertine in 2001. Raymond Bisha introduces a new audio recording of an opera that was born of that release. The inherent theatricality of Björk’s original was the inspiration for an expert creative team to effect the transition from studio to stage, from sound tracks to symphonic support. Read More ...</itunes:summary>
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		<title>Podcast: Sister Carrie. The opera of the novel.</title>
		<link>https://blog.naxos.com/2017/09/15/podcast-sister-carrie-the-opera-of-the-novel/</link>
					<comments>https://blog.naxos.com/2017/09/15/podcast-sister-carrie-the-opera-of-the-novel/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Fri, 15 Sep 2017 08:00:33 +0000</pubDate>
				<category><![CDATA[Podcast]]></category>
		<category><![CDATA[8.669039-40]]></category>
		<category><![CDATA[Adriana Zabala]]></category>
		<category><![CDATA[Alisa Suzanne Jordheim]]></category>
		<category><![CDATA[Florentine Opera Chorus]]></category>
		<category><![CDATA[Herschel Garfein]]></category>
		<category><![CDATA[Keith Phares]]></category>
		<category><![CDATA[Matt Morgan]]></category>
		<category><![CDATA[Milwaukee Symphony Orchestra]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Robert Livingston Aldridge]]></category>
		<category><![CDATA[Sister Carrie]]></category>
		<category><![CDATA[William Boggs]]></category>
		<guid isPermaLink="false">http://blog.naxos.com/?p=3111</guid>

					<description><![CDATA[<p>Sister Carrie, an opera by American composer Robert Aldridge, was first performed in 2012. Theodore Dreiser’s Sister Carrie, the novel on which the opera was based, was written in 1900. It was one of the first American novels about social status which, for women around the turn of the 20th century, depended almost entirely on <a class="more-link" href="https://blog.naxos.com/2017/09/15/podcast-sister-carrie-the-opera-of-the-novel/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2017/09/15/podcast-sister-carrie-the-opera-of-the-novel/">Podcast: &lt;i&gt;Sister Carrie&lt;/i&gt;. The opera of the novel.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><i><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.669039-40&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=ALDRIDGE-Sister-Carrie_cd&amp;utm_campaign=Naxos-Blog_20170915" target="_blank" rel="noopener"><img data-recalc-dims="1" decoding="async" data-attachment-id="3113" data-permalink="https://blog.naxos.com/2017/09/15/podcast-sister-carrie-the-opera-of-the-novel/8-669039-40b/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/09/8.669039-40b.jpg?fit=150%2C150&amp;ssl=1" data-orig-size="150,150" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="8.669039-40b" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/09/8.669039-40b.jpg?fit=150%2C150&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/09/8.669039-40b.jpg?fit=150%2C150&amp;ssl=1" class="alignleft wp-image-3113 size-full" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/09/8.669039-40b.jpg?resize=150%2C150" alt="" width="150" height="150" /></a>Sister Carrie</i>, an opera by American composer Robert Aldridge, was first performed in 2012. Theodore Dreiser’s <i>Sister Carrie</i>, the novel on which the opera was based, was written in 1900. It was one of the first American novels about social status which, for women around the turn of the 20th century, depended almost entirely on men. Marriage and motherhood were for the majority the only life options. For many today, such observations still carry varying degrees of resonance. Aldridge’s powerful music charges up the themes of social standing and the lure of money; a small-town girl’s tortuous path to fame and her lover’s abject descent into despair. Raymond Bisha introduces the work.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.669039-40&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=ALDRIDGE-Sister-Carrie_txt&amp;utm_campaign=Naxos-Blog_20170915" target="_blank" rel="noopener">View album details of Aldrige’s Sister Carrie at Naxos.com</a><br />
Catalogue No.: 8.669039-40</p>
<p>The post <a href="https://blog.naxos.com/2017/09/15/podcast-sister-carrie-the-opera-of-the-novel/">Podcast: &lt;i&gt;Sister Carrie&lt;/i&gt;. The opera of the novel.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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				<itunes:subtitle>Sister Carrie, an opera by American composer Robert Aldridge, was first performed in 2012. Theodore Dreiser’s Sister Carrie, the novel on which the opera was based, was written in 1900. It was one of the first American novels about social status which,...</itunes:subtitle>
		<itunes:summary>Sister Carrie, an opera by American composer Robert Aldridge, was first performed in 2012. Theodore Dreiser’s Sister Carrie, the novel on which the opera was based, was written in 1900. It was one of the first American novels about social status which, for women around the turn of the 20th century, depended almost entirely on Read More ...</itunes:summary>
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