Podcast: One genius through the eyes of another

Conductor and Naxos artist Marin Alsop discusses Robert Schumann’s four symphonies in the wake of her recordings of the works as reorchestrated by Mahler (8.574429 and 8.574430). Following observations about instrumental developments of the time, Mahler’s myriad tweaks to the score, and the somewhat bipolar flavour of the music (with counterpoint always at hand as Read More …

Podcast: A forgotten treasure. Marin Alsop discusses Hindemith.

This podcast features Marin Alsop in conversation with Raymond Bisha following the release of her first album for Naxos as chief conductor of the ORF Vienna Radio Symphony Orchestra. She assumed the post in 2019 and the programme reflects that of her first public appearance in the role. Marin’s advocacy of Hindemith’s music is rooted Read More …

Day in, day out.

If there’s a man for all seasons, is there a music for all days? The answer seems to be ‘yes’, so off we go. Our wake-up call comes from one of Naxos’ major artists, conductor Marin Alsop, who puts us In a Monday Mood with my first item. It’s by George Bogatko, who describes the Read More …

Mix of the Month, June

Working with a small selection from this month’s new releases, I’ve forged a theme of the orchestra as a scene-setter, story-teller, support artist, symphonic duettist, and stand-alone protagonist. Many orchestral concerts begin with a warm-up act, a few minutes of attention-grabbing music in which the orchestra flexes its facility for colour and impact. Such concert Read More …

For Lenny, with love

You’ll need little reminding that this year marks the centenary of the birth of Leonard Bernstein, on 25 August, 1918. And you’ll find little opposition to the widely held view that he was, and remains, the greatest musician that America ever produced. Composer-pianist-conductor, he followed the 3-talent tradition of history’s greatest musical luminaries, from Mozart Read More …

Podcast: Every step of the play. Prokofiev’s score for the ballet Romeo and Juliet.

As was often the case, bringing performances of classical music to fruition in Russia’s Soviet era was more challenging than the actual composition. Responding to a commission from the Bolshoi Ballet in 1935, Prokofiev quickly completed the task of writing a score for Romeo and Juliet, but the first performance had to be postponed owing Read More …

Insight, foresight. Klaus Heymann at 80.

Klaus Heymann, the German-born entrepreneur and visionary force in the classical music recording industry, celebrates his 80th birthday on October 22, 2016. His name needs no introduction to people familiar with this website, a name synonymous with making classical music available to a much wider audience than was the case prior to his founding in Read More …

Echoes of Edinburgh

August 5 marks the opening of this year’s Edinburgh International Festival [EIF]. Together with the Fringe Festival’s cladding of some three thousand satellite events, EIF’s exhaustive programme of theatre, music, dance and opera runs until August 29. In the words of The Spectator: “… you can sleep in September.” Founded in 1947, EIF has developed Read More …

Party time at the Proms

Our 17 July blog made connections between some of the composers featured in the first four weeks of this year’s BBC Promenade Concerts. Almost two months on, and the world’s largest music festival is only now drawing to a close. The celebrated Last Night of the Proms will be held tomorrow, Saturday 12 August, with Read More …

Podcast: Singing Bernstein’s praise

Raymond Bisha delves into the stunning new Naxos recording of three choral works by Leonard Bernstein. The performances are conducted by Marin Alsop, a protégé of the composer and one of today’s leading interpreters of his work. A fervent spirituality permeates The Lark, the Missa Brevis (the last choral work to be completed by Bernstein) Read More …