Serebrier, who met Khachaturian when he was working with Leopold Stokowski, explains:

“I had the pleasure and privilege of having lunch with Khachaturian in New York, with Leopold Stokowski, when Stokowski invited him to conduct a concert of his music with the American Symphony Orchestra at Carnegie Hall. He had a wonderful sense of humor, and obvious charm and modesty. He stayed on after one of his rehearsals to watch me rehearse the orchestra for one of my own concerts, and sat in the hall next to Stokowski.”

Of this particular repertoire, the conductor remarks: “While the Violin Concerto is a staple of the repertoire, the Concerto-Rhapsody is very rarely performed, and has enormous difficulties for the soloist. In some ways, it’s more interesting and imaginative than the concerto, certainly more original.”

The podcast includes an interview with Jose Serebrier who was a protege of Leopold Stokowski.

Album details…
Catalogue No.: Naxos 8.572050

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On January 27, Naxos releases the final recording in a series of orchestral transcriptions (and syntheses) by Leopold Stokowski led by Stokowski’s protégé, the GRAMMY-winning conductor and composer José Serebrier, and the Bournemouth Symphony Orchestra.

Serebrier also comments:

“The Bournemouth musicians and I had so much fun recording these four volumes of Stokowski orchestrations, that we are sorry that the series is now finished, but I look forward to recording other repertoire with this wonderful orchestra. The 4th CD includes some works that were all time best sellers in the early part of the Twentieth Century. The Toccata and Fugue was included after we received numerous letters from listeners and critics asking for it. That is a very challenging work, and I had avoided it before because it is so closely identified with Stokowski and his wonderful numerous versions, but now I am delighted to have included it, and given my own personal view of this masterful, brilliant orchestration. I recently gave a concert in Israel in which I included several original Bach works on Baroque instruments, followed by orchestrations by Mitropoulos, Stokowski and others. The orchestrations and the originals are not exclusive of each other. Thanks to these colorful orchestrations Bach became known to entire generations.”

Bach-Stokowski Transcriptions 1 (Naxos 8557883), was released in June of 2006. It followed the 2005 release of Stokowski’s Mussorgsky and Tchaikovsky Transcriptions (Naxos 8557645), a recording universally praised by critics and receiving two Grammy® nominations. ClassicsToday.com assigned the CD its highest rating, and called it “spectacular, sensational … this is the real deal.”

In 2007, Serebrier’s recording of Wagner: Symphonic Syntheses by Leopold Stokowski (Naxos 8570293) led Gramophone to remark: “It would be hard to imagine a more sumptuous disc. Stokowski, in these ‘symphonic syntheses,’ enhances Wagner’s already opulent orchestration with shrewdly added instrumental lines and with the vocal parts usually given to the strings. José Serebrier conducts the Bournemouth Symphony Orchestra in thrilling performances, passionate in a genuinely Stokowskian manner…” MusicWeb International chose this CD as a “Recording of the Year,” commenting: “José Serebrier invests a fragrant and voluptuous sensuality to match the unbridled passion of the celebrated Liebestod that follows where its mounting excitement is literally edge-of-the-seat stuff.”

The idea for the Naxos recordings of Stokowski’s transcriptions originated from the Leopold Stokowski Society itself, which approached Serebrier in 2003. After graduating from Curtis, while still in his teens, Serebrier enjoyed a close working association with Stokowski, serving for many years as the Associate Conductor for the American Symphony Orchestra, which Stokowski founded. Stokowski also premiered a number of Serebrier’s own compositions, including his First Symphony, when the composer was 17 years old.

… the work takes in a range of emotional energies, and it sounds somewhat American in flavor and timbre, especially in its use of counterpoint, a David Diamond specialty. Agitated strings play against brass punctuations of “fateful” motivic allusions… 

… The skittish Presto maintains a sarcastic tone, along with a compositional prowess that suggests toccata for orchestra…

… The Largo provides a D Major song, a paean that will likely provide a movie soundtrack eventually; maybe it is the love-music if someone remakes On the Waterfront…

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Some of the arrangers, like Vladimir Askhenazy and Leopold Stokowski are well known, others are not.

But all have been moved by Mussorgsky’s music, and all have created brilliant arrangements.

Album details…
Catalogue No.: Naxos 8.570716

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* enhanced version of the podcast with chapter markers and cover art.

In this interview he talks about the music, the composers, and about the joys of making music with young musicians.

Album details…
Catalogue No.: Naxos 2.110230

English version of Interview:

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Versión en español de Entrevista:

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In this interview he talks about the music, the composers, and about the joys of making music with young musicians.

Album details…
Catalogue No.: Naxos 2.110230

Versión en español de Entrevista

Subscribe to Podcast: AAC | MP3 | iTunes
Download this Episode: AAC | MP3

Album details…