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		<title>Podcast: JoAnn Falletta, the Buffalo Philharmonic and music by Zoltán Kodály</title>
		<link>https://blog.naxos.com/2023/09/29/podcast-joann-falletta-the-buffalo-philharmonic-and-music-by-zoltan-kodaly/</link>
					<comments>https://blog.naxos.com/2023/09/29/podcast-joann-falletta-the-buffalo-philharmonic-and-music-by-zoltan-kodaly/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Thu, 28 Sep 2023 16:00:28 +0000</pubDate>
				<category><![CDATA[Naxos Podcasts]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Buffalo Philharmonic Orchestra]]></category>
		<category><![CDATA[JoAnn Falletta]]></category>
		<category><![CDATA[Zoltán Kodály]]></category>
		<guid isPermaLink="false">https://blog.naxos.com/?p=10076</guid>

					<description><![CDATA[<p>This podcast features broadcaster Peter Hall in a conversation with JoAnn Falletta, music director of the Buffalo Philharmonic, about her October release on the Naxos label, which is the second of two albums featuring all of Zolt&#225;n Kod&#225;ly&#8217;s works for orchestra. &#160; &#160; &#160; View album details Catalogue No.: 8.574556 &#160;</p>
<p>The post <a href="https://blog.naxos.com/2023/09/29/podcast-joann-falletta-the-buffalo-philharmonic-and-music-by-zoltan-kodaly/">Podcast: JoAnn Falletta, the Buffalo Philharmonic and music by Zoltán Kodály</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.naxos.com/CatalogueDetail/?id=8.574556&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=KOD&Aacute;LY-Z-H&aacute;ry-J&aacute;nos-Suite-Summer-Evening-Symphony-in-C-Major_txt&amp;utm_campaign=Naxos-Blog_20232909" target="_blank" rel="nofollow noopener"><img data-recalc-dims="1" decoding="async" data-attachment-id="10077" data-permalink="https://blog.naxos.com/2023/09/29/podcast-joann-falletta-the-buffalo-philharmonic-and-music-by-zoltan-kodaly/8-574556/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2023/09/8.574556.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="8.574556" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2023/09/8.574556.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2023/09/8.574556.jpg?fit=500%2C500&amp;ssl=1" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2023/09/8.574556.jpg?resize=180%2C180&#038;ssl=1" alt="" width="180" height="180" class="alignleft size-thumbnail wp-image-10077" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2023/09/8.574556.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2023/09/8.574556.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2023/09/8.574556.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2023/09/8.574556.jpg?w=500&amp;ssl=1 500w" sizes="(max-width: 180px) 100vw, 180px" /></a></p>
<p>This podcast features broadcaster Peter Hall in a conversation with JoAnn Falletta, music director of the Buffalo Philharmonic, about her October release on the Naxos label, which is the second of two albums featuring all of Zolt&aacute;n Kod&aacute;ly&rsquo;s works for orchestra.</p>
<p>&nbsp;<br />
&nbsp;<br />
&nbsp;<br />
<a href="https://www.naxos.com/CatalogueDetail/?id=8.574556&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=KOD&Aacute;LY-Z-H&aacute;ry-J&aacute;nos-Suite-Summer-Evening-Symphony-in-C-Major_txt&amp;utm_campaign=Naxos-Blog_20232909" target="_blank" rel="nofollow noopener">View album details</a><br />
Catalogue No.: 8.574556<br />
&nbsp;</p>
<p>The post <a href="https://blog.naxos.com/2023/09/29/podcast-joann-falletta-the-buffalo-philharmonic-and-music-by-zoltan-kodaly/">Podcast: JoAnn Falletta, the Buffalo Philharmonic and music by Zoltán Kodály</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
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				<itunes:subtitle>This podcast features broadcaster Peter Hall in a conversation with JoAnn Falletta, music director of the Buffalo Philharmonic, about her October release on the Naxos label, which is the second of two albums featuring all of Zoltán Kodály’s works for o...</itunes:subtitle>
		<itunes:summary>This podcast features broadcaster Peter Hall in a conversation with JoAnn Falletta, music director of the Buffalo Philharmonic, about her October release on the Naxos label, which is the second of two albums featuring all of Zoltán Kodály’s works for orchestra.       View album details Catalogue No.: 8.574556  </itunes:summary>
		<itunes:author>Buffalo Philharmonic Orchestra Archives - The Naxos Blog</itunes:author>
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		<itunes:duration>19:53</itunes:duration>
<post-id xmlns="com-wordpress:feed-additions:1">10076</post-id>	</item>
		<item>
		<title>Podcast: Respighi&#8217;s Roman Trilogy. A musical prism.</title>
		<link>https://blog.naxos.com/2019/02/01/podcast-respighis-roman-trilogy-a-musical-prism/</link>
					<comments>https://blog.naxos.com/2019/02/01/podcast-respighis-roman-trilogy-a-musical-prism/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Fri, 01 Feb 2019 08:00:53 +0000</pubDate>
				<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Buffalo Philharmonic Orchestra]]></category>
		<category><![CDATA[JoAnn Falletta]]></category>
		<category><![CDATA[Ottorino Respighi]]></category>
		<guid isPermaLink="false">http://blog.naxos.com/?p=5129</guid>

					<description><![CDATA[<p>Conductor JoAnn Falletta talks with radio host Peter Hall about her recording of Respighi’s Roman Trilogy, her 24th release for Naxos with the Buffalo Philharmonic. Respighi’s tone poems employ a large symphony orchestra and use a myriad of effects to take the listener through time, space and musical styles. The resultant portraits of Roman festivals, <a class="more-link" href="https://blog.naxos.com/2019/02/01/podcast-respighis-roman-trilogy-a-musical-prism/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2019/02/01/podcast-respighis-roman-trilogy-a-musical-prism/">Podcast: Respighi&rsquo;s Roman Trilogy. A musical prism.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.naxos.com/catalogue/item.asp?item_code=8.574013&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=RESPIGHI-Roman-Trilogy-Feste-romane-Fontane-di-Roma-Pini-di-Roma_cd&amp;utm_campaign=Naxos-Blog_20190102"><img data-recalc-dims="1" decoding="async" data-attachment-id="5134" data-permalink="https://blog.naxos.com/2019/02/01/podcast-respighis-roman-trilogy-a-musical-prism/8-574013-2/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2019/01/8.574013.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="8.574013" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2019/01/8.574013.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2019/01/8.574013.jpg?fit=500%2C500&amp;ssl=1" class="alignleft wp-image-5134" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2019/01/8.574013-150x150.jpg?resize=180%2C180" alt="" width="180" height="180" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2019/01/8.574013.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2019/01/8.574013.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2019/01/8.574013.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2019/01/8.574013.jpg?w=500&amp;ssl=1 500w" sizes="(max-width: 180px) 100vw, 180px" /></a>Conductor JoAnn Falletta talks with radio host Peter Hall about her recording of Respighi’s <i>Roman Trilogy</i>, her 24th release for Naxos with the Buffalo Philharmonic. Respighi’s tone poems employ a large symphony orchestra and use a myriad of effects to take the listener through time, space and musical styles. The resultant portraits of Roman festivals, fountains and pine trees are both brilliant and unprecedented. Colour and imagination are central to the cinematic vibrancy that underpins Respighi’s magnificent orchestral kaleidoscope of aspects of Rome, both ancient and modern.</p>
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<p>&nbsp;</p>
<p><a href="https://www.naxos.com/catalogue/item.asp?item_code=8.574013&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=RESPIGHI-Roman-Trilogy-Feste-romane-Fontane-di-Roma-Pini-di-Roma_txt&amp;utm_campaign=Naxos-Blog_20190102" target="_blank" rel="noopener">View album details of RESPIGHI, O.: Roman Trilogy &#8211; Feste romane / Fontane di Roma / Pini di Roma at Naxos.com</a><br />
Catalogue No.: 8.574013</p>
<p>The post <a href="https://blog.naxos.com/2019/02/01/podcast-respighis-roman-trilogy-a-musical-prism/">Podcast: Respighi&rsquo;s Roman Trilogy. A musical prism.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">5129</post-id>	</item>
		<item>
		<title>Podcast: Hallmarks of Hungary. Kodály’s orchestral works.</title>
		<link>https://blog.naxos.com/2018/01/12/podcast-hallmarks-of-hungary-kodalys-orchestral-works/</link>
					<comments>https://blog.naxos.com/2018/01/12/podcast-hallmarks-of-hungary-kodalys-orchestral-works/#comments</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Fri, 12 Jan 2018 08:00:50 +0000</pubDate>
				<category><![CDATA[Podcast]]></category>
		<category><![CDATA[8.573838]]></category>
		<category><![CDATA[Buffalo Philharmonic Orchestra]]></category>
		<category><![CDATA[Concerto for Orchestra]]></category>
		<category><![CDATA[Dances of Galánta]]></category>
		<category><![CDATA[Dances of Marosszék]]></category>
		<category><![CDATA[JoAnn Falletta]]></category>
		<category><![CDATA[The Peacock Variations]]></category>
		<category><![CDATA[Zoltán Kodály]]></category>
		<guid isPermaLink="false">http://blog.naxos.com/?p=3415</guid>

					<description><![CDATA[<p>Conductor JoAnn Falletta discusses the Buffalo Philharmonic’s latest recording of Hungarian music with broadcaster Peter Hall. Zoltán Kodály wrote major orchestral scores that were deeply enriched by his researches into Hungarian folk music, not least the heritage of gypsy music. The recording’s programme comprises Dances of Galánta and Dances of Marosszék, both full of swagger <a class="more-link" href="https://blog.naxos.com/2018/01/12/podcast-hallmarks-of-hungary-kodalys-orchestral-works/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2018/01/12/podcast-hallmarks-of-hungary-kodalys-orchestral-works/">Podcast: Hallmarks of Hungary. Kodály’s orchestral works.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.573838&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=KODÁLY-Concerto-for-Orchestra-Dances-of-Galánta-Dances-of-Marosszék-The-Peacock-Variations_cd&amp;utm_campaign=Naxos-Blog_20180112" target="_blank" rel="noopener"><img data-recalc-dims="1" decoding="async" data-attachment-id="3590" data-permalink="https://blog.naxos.com/2018/01/12/podcast-hallmarks-of-hungary-kodalys-orchestral-works/8-573838-2/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2018/01/8.573838.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="8.573838" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2018/01/8.573838.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2018/01/8.573838.jpg?fit=500%2C500&amp;ssl=1" class="alignleft wp-image-3590" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2018/01/8.573838.jpg?resize=150%2C150" alt="" width="150" height="150" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2018/01/8.573838.jpg?w=500&amp;ssl=1 500w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2018/01/8.573838.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2018/01/8.573838.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2018/01/8.573838.jpg?resize=200%2C200&amp;ssl=1 200w" sizes="(max-width: 150px) 100vw, 150px" /></a>Conductor JoAnn Falletta discusses the Buffalo Philharmonic’s latest recording of Hungarian music with broadcaster Peter Hall. Zoltán Kodály wrote major orchestral scores that were deeply enriched by his researches into Hungarian folk music, not least the heritage of gypsy music. The recording’s programme comprises <em>Dances of Galánta</em> and <em>Dances of Marosszék</em>, both full of swagger and vitality; the lush and sparkling <em>Concerto for Orchestra</em>, commissioned by the Chicago Symphony for its 50th anniversary; and <em>Variations on a Hungarian Folk Song ‘The Peacock’</em>, a virtuoso showcase of sizzling effects.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.573838&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=KODÁLY-Concerto-for-Orchestra-Dances-of-Galánta-Dances-of-Marosszék-The-Peacock-Variations_cd&amp;utm_campaign=Naxos-Blog_20180112" target="_blank" rel="noopener">View album details of Kodály’s Concerto for Orchestra at Naxos.com</a><br />
Catalogue No.: 8.573838</p>
<p>The post <a href="https://blog.naxos.com/2018/01/12/podcast-hallmarks-of-hungary-kodalys-orchestral-works/">Podcast: Hallmarks of Hungary. Kodály’s orchestral works.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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			<slash:comments>1</slash:comments>
		
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				<itunes:subtitle>Conductor JoAnn Falletta discusses the Buffalo Philharmonic’s latest recording of Hungarian music with broadcaster Peter Hall. Zoltán Kodály wrote major orchestral scores that were deeply enriched by his researches into Hungarian folk music,</itunes:subtitle>
		<itunes:summary>Conductor JoAnn Falletta discusses the Buffalo Philharmonic’s latest recording of Hungarian music with broadcaster Peter Hall. Zoltán Kodály wrote major orchestral scores that were deeply enriched by his researches into Hungarian folk music, not least the heritage of gypsy music. The recording’s programme comprises Dances of Galánta and Dances of Marosszék, both full of swagger Read More ...</itunes:summary>
		<itunes:author>Buffalo Philharmonic Orchestra Archives - The Naxos Blog</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:explicit>false</itunes:explicit>
		<itunes:duration>24:47</itunes:duration>
<post-id xmlns="com-wordpress:feed-additions:1">3415</post-id>	</item>
		<item>
		<title>Podcast: A Bohemian Rhapsody</title>
		<link>https://blog.naxos.com/2017/04/14/podcast-a-bohemian-rhapsody/</link>
					<comments>https://blog.naxos.com/2017/04/14/podcast-a-bohemian-rhapsody/#comments</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Fri, 14 Apr 2017 08:00:00 +0000</pubDate>
				<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[8.573683]]></category>
		<category><![CDATA[Buffalo Philharmonic Orchestra]]></category>
		<category><![CDATA[Eternal Longing]]></category>
		<category><![CDATA[In the Tatra Mountains]]></category>
		<category><![CDATA[JoAnn Falletta]]></category>
		<category><![CDATA[Lady Godiva]]></category>
		<category><![CDATA[Vítězslav Novák]]></category>
		<guid isPermaLink="false">http://blog.naxos.com/?p=2651</guid>

					<description><![CDATA[<p>Reminiscent of the music of Smetana and Dvořák, Vitĕzslav Novák’s works are surprisingly little known outside his native Bohemia. Peter Hall talks with JoAnn Falletta, music director of the Buffalo Philharmonic, about the latest release in her long list of recordings for Naxos that both surprise and delight with their engaging discoveries. Here they unwrap <a class="more-link" href="https://blog.naxos.com/2017/04/14/podcast-a-bohemian-rhapsody/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2017/04/14/podcast-a-bohemian-rhapsody/">Podcast: A Bohemian Rhapsody</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.573683&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=NOVÁK-In-the-Tatra-Mountains-Lady-Godiva-Eternal-Longing_txt&amp;utm_campaign=Naxos-Blog_20170411"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="3701" data-permalink="https://blog.naxos.com/2017/04/14/podcast-a-bohemian-rhapsody/8-573683/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/04/8.573683.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="8.573683" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/04/8.573683.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/04/8.573683.jpg?fit=500%2C500&amp;ssl=1" class="alignleft wp-image-3701 size-thumbnail" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/04/8.573683-150x150.jpg?resize=150%2C150" alt="" width="150" height="150" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/04/8.573683.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/04/8.573683.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/04/8.573683.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/04/8.573683.jpg?w=500&amp;ssl=1 500w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>Reminiscent of the music of Smetana and Dvořák, Vitĕzslav Novák’s works are surprisingly little known outside his native Bohemia. Peter Hall talks with JoAnn Falletta, music director of the Buffalo Philharmonic, about the latest release in her long list of recordings for Naxos that both surprise and delight with their engaging discoveries. Here they unwrap the three works on this new disc’s programme: <i>In the Tatra Mountains</i>,<i> Eternal Longing</i> and<i> Lady Godiva Overture</i>.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.573683&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=NOVÁK-In-the-Tatra-Mountains-Lady-Godiva-Eternal-Longing_txt&amp;utm_campaign=Naxos-Blog_20170411" target="_blank" rel="noopener">View album details of Novák’s <em>In the Tatra Mountains</em> at Naxos.com</a><br />
Catalogue No.: 8.573683</p>
<p>The post <a href="https://blog.naxos.com/2017/04/14/podcast-a-bohemian-rhapsody/">Podcast: A Bohemian Rhapsody</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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			<slash:comments>1</slash:comments>
		
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				<itunes:subtitle>Reminiscent of the music of Smetana and Dvořák, Vitĕzslav Novák’s works are surprisingly little known outside his native Bohemia. Peter Hall talks with JoAnn Falletta, music director of the Buffalo Philharmonic,</itunes:subtitle>
		<itunes:summary>Reminiscent of the music of Smetana and Dvořák, Vitĕzslav Novák’s works are surprisingly little known outside his native Bohemia. Peter Hall talks with JoAnn Falletta, music director of the Buffalo Philharmonic, about the latest release in her long list of recordings for Naxos that both surprise and delight with their engaging discoveries. Here they unwrap Read More ...</itunes:summary>
		<itunes:author>Buffalo Philharmonic Orchestra Archives - The Naxos Blog</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
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		<itunes:duration>21:59</itunes:duration>
<post-id xmlns="com-wordpress:feed-additions:1">2651</post-id>	</item>
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		<title>Podcast: Suite sounds. Strauss rescored.</title>
		<link>https://blog.naxos.com/2017/02/10/podcast-suite-sounds-strauss-rescored/</link>
					<comments>https://blog.naxos.com/2017/02/10/podcast-suite-sounds-strauss-rescored/#respond</comments>
		
		<dc:creator><![CDATA[Naxos]]></dc:creator>
		<pubDate>Fri, 10 Feb 2017 08:00:12 +0000</pubDate>
				<category><![CDATA[Podcast]]></category>
		<category><![CDATA[8.573460]]></category>
		<category><![CDATA[Buffalo Philharmonic Orchestra]]></category>
		<category><![CDATA[JoAnn Falletta]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<guid isPermaLink="false">http://blog.naxos.com/?p=2446</guid>

					<description><![CDATA[<p>The Buffalo Philharmonic’s latest release showcases two suites of music by Richard Strauss: the first, Le Bourgeois Gentilhomme, one of the composer’s favourite scores and an absolute jewel of incidental music; the second, a new symphonic orchestral suite of his opulent opera, Ariadne auf Naxos. Conductor JoAnn Falletta discusses both the music and the context <a class="more-link" href="https://blog.naxos.com/2017/02/10/podcast-suite-sounds-strauss-rescored/">Read More ...</a></p>
<p>The post <a href="https://blog.naxos.com/2017/02/10/podcast-suite-sounds-strauss-rescored/">Podcast: Suite sounds. Strauss rescored.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.573460&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=STRAUSS-Le-Bourgeois -Gentilhomme-Suite-Ariadne-auf-Naxos -Symphony-Suite_txt&amp;utm_campaign=Naxos-Blog_20160210"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="3724" data-permalink="https://blog.naxos.com/2017/02/10/podcast-suite-sounds-strauss-rescored/8-573460-2/#main" data-orig-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/02/8.573460.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="8.573460" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/02/8.573460.jpg?fit=300%2C300&amp;ssl=1" data-large-file="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/02/8.573460.jpg?fit=500%2C500&amp;ssl=1" class="alignleft wp-image-3724 size-thumbnail" src="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/02/8.573460-150x150.jpg?resize=150%2C150" alt="" width="150" height="150" srcset="https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/02/8.573460.jpg?resize=150%2C150&amp;ssl=1 150w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/02/8.573460.jpg?resize=300%2C300&amp;ssl=1 300w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/02/8.573460.jpg?resize=200%2C200&amp;ssl=1 200w, https://i0.wp.com/blog.naxos.com/wp-content/uploads/2017/02/8.573460.jpg?w=500&amp;ssl=1 500w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>The Buffalo Philharmonic’s latest release showcases two suites of music by Richard Strauss: the first, <i>Le Bourgeois Gentilhomme</i>, one of the composer’s favourite scores and an absolute jewel of incidental music; the second, a new symphonic orchestral suite of his opulent opera, <i>Ariadne auf Naxos</i>. Conductor JoAnn Falletta discusses both the music and the context of the recording with Peter Hall.</p>
<p>&nbsp;</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.573460&amp;utm_source=blog&amp;utm_medium=post&amp;utm_content=STRAUSS-Le-Bourgeois%20-Gentilhomme-Suite-Ariadne-auf-Naxos%20-Symphony-Suite_txt&amp;utm_campaign=Naxos-Blog_20170210" target="_blank" rel="noopener">View album details of Strauss’ <i>Le Bourgeois Gentilhomme</i> and <em>Ariadne auf Naxos</em> at naxos.com</a><br />
Catalogue No.: 8.573460</p>
<p>The post <a href="https://blog.naxos.com/2017/02/10/podcast-suite-sounds-strauss-rescored/">Podcast: Suite sounds. Strauss rescored.</a> appeared first on <a href="https://blog.naxos.com">The Naxos Blog</a>.</p>
]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
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				<itunes:subtitle>The Buffalo Philharmonic’s latest release showcases two suites of music by Richard Strauss: the first, Le Bourgeois Gentilhomme, one of the composer’s favourite scores and an absolute jewel of incidental music; the second,</itunes:subtitle>
		<itunes:summary>The Buffalo Philharmonic’s latest release showcases two suites of music by Richard Strauss: the first, Le Bourgeois Gentilhomme, one of the composer’s favourite scores and an absolute jewel of incidental music; the second, a new symphonic orchestral suite of his opulent opera, Ariadne auf Naxos. Conductor JoAnn Falletta discusses both the music and the context Read More ...</itunes:summary>
		<itunes:author>Buffalo Philharmonic Orchestra Archives - The Naxos Blog</itunes:author>
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		<itunes:duration>18:44</itunes:duration>
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