Updates from the world's leading classical music label
This podcast from the Sounds Interesting series takes a musical week, a day at a time. Links to the music featured in this podcast: George Bogatko In a Monday Mood (8.572835) Richard Danielpour Mardi Gras (8.559669) Edmund Rubbra Judas mercator pessimus (8.555255) Kenneth Fuchs Holy Thursday (8.559753) Benjamin Britten Fishing song (8.553183) Aaron Read More …
This podcast from the Sounds Interesting series spotlights a selection of fanfares composed for a variety of occasions during the last century. Links to the music featured in this podcast: Maurice Ravel L’Éventail de Jeanne (8.573354) Morton Gould Fanfare for Freedom (8.572629) William Alwyn Fanfare for a Joyful Occasion (8.570705) David Read More …
I live in the city of Canterbury, in the south east of England. It attracts many visitors, principally for its magnificent cathedral and plentiful other reminders of mediaeval life, from its city walls and towers to 14th-century pubs and Dane John, a strategic defence mound cited in the Bayeux tapestry. Step inside the 15th-century Three Read More …
The Naxos Glossary of Musical Terms has this definition of the word ‘fanfare’: A fanfare is a flourish of trumpets or other similar instruments, used for military or ceremonial purposes, or music that conveys this impression. The Naxos catalogue tells a slightly different story, in that you’ll find a number of compositions with the word Read More …
Working with a small selection from this month’s new releases, I’ve forged a theme of the orchestra as a scene-setter, story-teller, support artist, symphonic duettist, and stand-alone protagonist. Many orchestral concerts begin with a warm-up act, a few minutes of attention-grabbing music in which the orchestra flexes its facility for colour and impact. Such concert Read More …
Raymond Bisha presents a pair of vividly contrasting ballet scores by Aaron Copland, superbly performed by Leonard Slatkin and the Detroit Symphony Orchestra. Grohg immediately suggested itself as the basis for a ballet after Copland attended a screening of Nosferatu, the popular German silent horror film, in 1922; the story-line of a vampire magician able Read More …
As July turns to August many of us will be enjoying the sunshine and thinking of vacations past and present, so here’s a clutch of examples of classical music seasoning to set the mood. Once heard, never forgotten: few melodies conjure the languid spirit of the season as effectively as Summertime by George Gershwin, from Read More …
I’m sure I’m not alone in finding it hard to put names to faces on occasion. Which got me thinking about composers who have put music to faces, names, personalities, and so on. The practice has quite a long history, but for this week’s blog I’ve homed in on some examples from the past hundred Read More …
Nadia Boulanger was born in 1887 on the date of today’s post, 16 September; she died in 1979 at the age of 92. She was a French pianist/organist and the first woman to conduct leading orchestras in Europe and America; she also composed. But she’s remembered chiefly as a teacher, who was responsible for the Read More …
Raymond Bisha presents two ballet scores by Aaron Copland: one woefully little known; one a beloved staple of dance companies. The jazz-influenced Hear Ye! Hear Ye! (1934) narrates the scenario of a nightclub murder and the ensuing trial in a Chicago courtroom. Highlighting life at the violent edge of American society, the work’s original choreography Read More …
