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	<title>The Naxos Blog</title>
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	<link>http://blog.naxos.com</link>
	<description>Updates from the world&#039;s leading classical music label.</description>
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	<itunes:summary>Updates from the world&#039;s leading classical music label.</itunes:summary>
	<itunes:author>The Naxos Blog</itunes:author>
	<itunes:explicit>no</itunes:explicit>
	<itunes:image href="http://blog.naxos.com/wp-content/plugins/powerpress/itunes_default.jpg" />
	<itunes:subtitle>Updates from the world&#039;s leading classical music label.</itunes:subtitle>
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		<title>The Naxos Blog</title>
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		<item>
		<title>Podcast: Shostakovich Symphony No 7 ‘Leningrad’</title>
		<link>http://blog.naxos.com/2013/05/podcast-shostakovich-symphony-no-7-leningrad/</link>
		<comments>http://blog.naxos.com/2013/05/podcast-shostakovich-symphony-no-7-leningrad/#comments</comments>
		<pubDate>Fri, 03 May 2013 03:24:17 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Dmitry Shostakovich]]></category>
		<category><![CDATA[royal liverpool philharmonic orchestra]]></category>
		<category><![CDATA[Symphony No 7 - Leningrad]]></category>
		<category><![CDATA[Vasily Petrenko]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=9043</guid>
		<description><![CDATA[Vasily Petrenko’s Award-winning survey of the Shostakovich symphonies with the RLPO, now reaches the eighth instalment with the release of the epic ‘Leningrad’ Symphony. Here he talks to Edward Seckerson about the work. Album details&#8230; Catalogue No.: 8.573057 &#160;]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.573057&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20130503_cd&amp;utm_campaign=CMS"><img class="alignleft size-thumbnail wp-image-9044" alt="8.573057" src="http://blog.naxos.com/wp-content/uploads/2013/05/8.573057-150x150.jpg" width="150" height="150" /></a></p>
<p><a href="http://www.naxos.com/person/Vasily_Petrenko/65309.htm" target="_blank">Vasily Petrenko</a>’s Award-winning survey of the <a href="http://www.naxos.com/person/Dmitry_Shostakovich_24851/24851.htm">Shostakovich</a> symphonies with the <a href="http://www.naxos.com/person/Royal_Liverpool_Philharmonic_Orchestra/35749.htm" target="_blank">RLPO</a>, now reaches the eighth instalment with the release of the epic ‘Leningrad’ Symphony.</p>
<p>Here he talks to Edward Seckerson about the work.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.573057&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20130503_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: 8.573057</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2013/05/podcast-shostakovich-symphony-no-7-leningrad/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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			<itunes:keywords>Dmitry Shostakovich,royal liverpool philharmonic orchestra,Symphony No 7 - Leningrad,Vasily Petrenko</itunes:keywords>
	<itunes:subtitle>Vasily Petrenko’s Award-winning survey of the Shostakovich symphonies with the RLPO, now reaches the eighth instalment with the release of the epic ‘Leningrad’ Symphony. - Here he talks to Edward Seckerson about the work. - Album details... </itunes:subtitle>
		<itunes:summary>Vasily Petrenko’s Award-winning survey of the Shostakovich symphonies with the RLPO, now reaches the eighth instalment with the release of the epic ‘Leningrad’ Symphony.

Here he talks to Edward Seckerson about the work.

Album details...
Catalogue No.: 8.573057

 </itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>19:26</itunes:duration>
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		<item>
		<title>Podcast: Leonard Slatkin talks with Gail Wein about Rachmaninov and life in Detroit</title>
		<link>http://blog.naxos.com/2013/04/podcast-leonard-slatkin-talks-with-gail-wein-about-rachmaninov-and-life-in-detroit/</link>
		<comments>http://blog.naxos.com/2013/04/podcast-leonard-slatkin-talks-with-gail-wein-about-rachmaninov-and-life-in-detroit/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 00:00:01 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Detroit Symphony]]></category>
		<category><![CDATA[Leonard Slatkin]]></category>
		<category><![CDATA[Sergei Rachmaninov]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=8939</guid>
		<description><![CDATA[Leonard Slatkin enjoys close ties to Sergei Rachmaninov: his great-uncle brought the composer to the US and conducted the première of his second symphony. Slatkin tells Gail Wein about his recordings of Rachmaninov Symphonies with Detroit Symphony, and his life in &#8230; <a class="readmore" href="http://blog.naxos.com/2013/04/podcast-leonard-slatkin-talks-with-gail-wein-about-rachmaninov-and-life-in-detroit/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.573051&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20130423_cd&amp;utm_campaign=CMS"><img class="alignleft size-thumbnail wp-image-8940" alt="8.573051" src="http://blog.naxos.com/wp-content/uploads/2013/04/8.573051-150x150.jpg" width="150" height="150" /></a><a href="http://www.naxos.com/person/Leonard_Slatkin/32041.htm" target="_blank">Leonard Slatkin</a> enjoys close ties to <a href="http://www.naxos.com/person/Sergei_Rachmaninov_21001/21001.htm" target="_blank">Sergei Rachmaninov</a>: his great-uncle brought the composer to the US and conducted the première of his second symphony. Slatkin tells Gail Wein about his recordings of Rachmaninov Symphonies with <a href="http://www.naxos.com/person/Detroit_Symphony_Orchestra/35172.htm" target="_blank">Detroit Symphony</a>, and his life in Motor City.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.573051&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20130423_txt&amp;utm_campaign=CMS">Album Details&#8230;</a><br />
Catalogue No.: Naxos 8.573051</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2013/04/podcast-leonard-slatkin-talks-with-gail-wein-about-rachmaninov-and-life-in-detroit/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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			<itunes:keywords>Detroit Symphony,Leonard Slatkin,Sergei Rachmaninov</itunes:keywords>
	<itunes:subtitle>Leonard Slatkin enjoys close ties to Sergei Rachmaninov: his great-uncle brought the composer to the US and conducted the première of his second symphony. Slatkin tells Gail Wein about his recordings of Rachmaninov Symphonies with Detroit Symphony,</itunes:subtitle>
		<itunes:summary>Leonard Slatkin enjoys close ties to Sergei Rachmaninov: his great-uncle brought the composer to the US and conducted the première of his second symphony. Slatkin tells Gail Wein about his recordings of Rachmaninov Symphonies with Detroit Symphony, and his life in Motor City.

Album Details...
Catalogue No.: Naxos 8.573051</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>10:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Composer Mohammed Fairouz talks with Gail Wein about his new CD of chamber and vocal music, Native Informant</title>
		<link>http://blog.naxos.com/2013/03/podcast-composer-mohammed-fairouz-talks-with-gail-wein-about-his-new-cd-of-chamber-and-vocal-music-native-informant/</link>
		<comments>http://blog.naxos.com/2013/03/podcast-composer-mohammed-fairouz-talks-with-gail-wein-about-his-new-cd-of-chamber-and-vocal-music-native-informant/#comments</comments>
		<pubDate>Fri, 15 Mar 2013 00:00:02 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Chris Thompson]]></category>
		<category><![CDATA[David Krakauer]]></category>
		<category><![CDATA[David Kravitz]]></category>
		<category><![CDATA[Mellissa Hughes]]></category>
		<category><![CDATA[Mohammed Fairouz]]></category>
		<category><![CDATA[Native Informant]]></category>
		<category><![CDATA[Rachel Barton Pine]]></category>
		<category><![CDATA[Steven Spooner]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=8059</guid>
		<description><![CDATA[Mohammed Fairouz’s music is distinctive for his blending of western and middle-eastern sonorities. He talks about how a musician can have the same effect as a storyteller, and tells us about a lullaby for a newborn baby…and a 300-year-old violin. &#8230; <a class="readmore" href="http://blog.naxos.com/2013/03/podcast-composer-mohammed-fairouz-talks-with-gail-wein-about-his-new-cd-of-chamber-and-vocal-music-native-informant/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.559744&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20130315_cd&amp;utm_campaign=CMS"><img class="alignleft size-thumbnail wp-image-8184" alt="8.559744_slipcase" src="http://blog.naxos.com/wp-content/uploads/2013/03/8.559744_slipcase-150x150.jpg" width="150" height="150" /></a>Mohammed Fairouz’s music is distinctive for his blending of western and middle-eastern sonorities. He talks about how a musician can have the same effect as a storyteller, and tells us about a lullaby for a newborn baby…and a 300-year-old violin.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.559744&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20130315_txt&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a><br />
Catalogue No.: 8.559744</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2013/03/podcast-composer-mohammed-fairouz-talks-with-gail-wein-about-his-new-cd-of-chamber-and-vocal-music-native-informant/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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			<itunes:keywords>Chris Thompson,David Krakauer,David Kravitz,Mellissa Hughes,Mohammed Fairouz,Native Informant,Rachel Barton Pine,Steven Spooner</itunes:keywords>
	<itunes:subtitle>Mohammed Fairouz’s music is distinctive for his blending of western and middle-eastern sonorities. He talks about how a musician can have the same effect as a storyteller, and tells us about a lullaby for a newborn baby…and a 300-year-old violin. - </itunes:subtitle>
		<itunes:summary>Mohammed Fairouz’s music is distinctive for his blending of western and middle-eastern sonorities. He talks about how a musician can have the same effect as a storyteller, and tells us about a lullaby for a newborn baby…and a 300-year-old violin.

Album Details...
Catalogue No.: 8.559744

 </itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>10:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: JoAnn Falletta talks to Gail Wein about her new Duke Ellington CD with Buffalo Philharmonic</title>
		<link>http://blog.naxos.com/2013/02/podcast-joann-falletta-talks-to-gail-wein-about-her-new-duke-ellington-cd-with-buffalo-philharmonic/</link>
		<comments>http://blog.naxos.com/2013/02/podcast-joann-falletta-talks-to-gail-wein-about-her-new-duke-ellington-cd-with-buffalo-philharmonic/#comments</comments>
		<pubDate>Tue, 05 Feb 2013 00:00:13 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559737]]></category>
		<category><![CDATA[Buffalo Philharmonic Orchestra]]></category>
		<category><![CDATA[duke ellington]]></category>
		<category><![CDATA[JoAnn Falletta]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=7453</guid>
		<description><![CDATA[Duke Ellington wrote serious music for symphony orchestras […] with great power. I feel that he single-handedly elevated jazz to a level of artistry comparable to all the other art forms. The music is very beautiful; it’s very symphonic, very orchestral. &#8230; <a class="readmore" href="http://blog.naxos.com/2013/02/podcast-joann-falletta-talks-to-gail-wein-about-her-new-duke-ellington-cd-with-buffalo-philharmonic/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.559737&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20130205_cd&amp;utm_campaign=CMS"><img class="size-thumbnail wp-image-7454 alignleft" alt="" src="http://blog.naxos.com/wp-content/uploads/2013/02/8.559737-150x150.jpg" width="150" height="150" /></a><a href="http://www.naxos.com/person/Duke_Ellington_1816/1816.htm" target="_blank">Duke Ellington</a> wrote serious music for symphony orchestras […] with great power. I feel that he single-handedly elevated jazz to a level of artistry comparable to all the other art forms. The music is very beautiful; it’s very symphonic, very orchestral.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.559737&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20130205_txt&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a></p>
<p>Catalogue No.: 8.559737</p>
<p><span style="font-size: 9px;">The album will be released in Europe throughout February, and in the US and Asia Pacific from 26 February.</span></p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2013/02/podcast-joann-falletta-talks-to-gail-wein-about-her-new-duke-ellington-cd-with-buffalo-philharmonic/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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			<itunes:keywords>8.559737,Buffalo Philharmonic Orchestra,duke ellington,JoAnn Falletta</itunes:keywords>
	<itunes:subtitle>Duke Ellington wrote serious music for symphony orchestras […] with great power. I feel that he single-handedly elevated jazz to a level of artistry comparable to all the other art forms. The music is very beautiful; it’s very symphonic, very orchestral.</itunes:subtitle>
		<itunes:summary>Duke Ellington wrote serious music for symphony orchestras […] with great power. I feel that he single-handedly elevated jazz to a level of artistry comparable to all the other art forms. The music is very beautiful; it’s very symphonic, very orchestral.

Album Details...

Catalogue No.: 8.559737

The album will be released in Europe throughout February, and in the US and Asia Pacific from 26 February.</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>10:02</itunes:duration>
	</item>
		<item>
		<title>Podcast: Tan Dun&#8217;s Symphonic Poem of 3 Notes, Orchestral Theatre, Concerto for Orchestra</title>
		<link>http://blog.naxos.com/2012/12/podcast-tan-duns-symphonic-poem-of-3-notes-orchestral-theatre-concerto-for-orchestra/</link>
		<comments>http://blog.naxos.com/2012/12/podcast-tan-duns-symphonic-poem-of-3-notes-orchestral-theatre-concerto-for-orchestra/#comments</comments>
		<pubDate>Thu, 20 Dec 2012 00:00:27 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.570608]]></category>
		<category><![CDATA[Hong Kong Philharmonic Orchestra]]></category>
		<category><![CDATA[Tan Dun]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=7385</guid>
		<description><![CDATA[Gail Wein discusses Tan Dun&#8216;s recording of Concerto for Orchestra Album Details&#8230; Catalogue No.: 8.570608]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.570608&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20121220_cd&amp;utm_campaign=CMS" rel="attachment wp-att-7388"><img class="alignleft size-thumbnail wp-image-7388" alt="" src="http://blog.naxos.com/wp-content/uploads/2013/02/8.570608-150x150.jpg" width="150" height="150" /></a>Gail Wein discusses <a href="http://www.naxos.com/person/Dun_Tan/20180.htm" target="_blank">Tan Dun</a>&#8216;s recording of Concerto for Orchestra</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.570608&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20121220_txt&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a><br />
Catalogue No.: 8.570608</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2012/12/podcast-tan-duns-symphonic-poem-of-3-notes-orchestral-theatre-concerto-for-orchestra/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2013/02/8.570608_mp3.mp3" length="9793652" type="audio/mpeg" />
			<itunes:keywords>8.570608,Hong Kong Philharmonic Orchestra,Tan Dun</itunes:keywords>
	<itunes:subtitle>Gail Wein discusses Tan Dun&#039;s recording of Concerto for Orchestra - Album Details... Catalogue No.: 8.570608</itunes:subtitle>
		<itunes:summary>Gail Wein discusses Tan Dun&#039;s recording of Concerto for Orchestra

Album Details...
Catalogue No.: 8.570608</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>10:12</itunes:duration>
	</item>
		<item>
		<title>Podcast: Pater Noster &#8211; A Choral Reflection on the Lord’s Prayer</title>
		<link>http://blog.naxos.com/2012/11/podcast-pater-noster-a-choral-reflection-on-the-lords-prayer/</link>
		<comments>http://blog.naxos.com/2012/11/podcast-pater-noster-a-choral-reflection-on-the-lords-prayer/#comments</comments>
		<pubDate>Thu, 15 Nov 2012 00:00:25 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572987]]></category>
		<category><![CDATA[Pater Noster]]></category>
		<category><![CDATA[The King's Singers]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=7342</guid>
		<description><![CDATA[Raymond Bisha discusses The King&#8217;s Singers&#8216; recording of Pater Noster &#8211; A Choral Reflection on the Lord&#8217;s Prayer. Album Details&#8230; Catalogue No.: 8.572987]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572987&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20121115_cd&amp;utm_campaign=CMS" rel="attachment wp-att-7343"><img class="alignleft size-thumbnail wp-image-7343" title="Pater Noster – A Choral Reflection on the Lord’s Prayer" alt="" src="http://blog.naxos.com/wp-content/uploads/2013/01/8.572987-150x150.jpg" width="150" height="150" /></a>Raymond Bisha discusses <a href="http://www.naxos.com/person/Kings_Singers_15597/15597.htm" target="_blank">The King&#8217;s Singers</a>&#8216; recording of <em>Pater Noster &#8211; A Choral Reflection on the Lord&#8217;s Prayer.</em></p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572987&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20121115_txt&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a><br />
Catalogue No.: 8.572987</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2012/11/podcast-pater-noster-a-choral-reflection-on-the-lords-prayer/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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			<itunes:keywords>8.572987,Pater Noster,The King&#039;s Singers</itunes:keywords>
	<itunes:subtitle>Raymond Bisha discusses The King&#039;s Singers&#039; recording of Pater Noster - A Choral Reflection on the Lord&#039;s Prayer. - Album Details... Catalogue No.: 8.572987</itunes:subtitle>
		<itunes:summary>Raymond Bisha discusses The King&#039;s Singers&#039; recording of Pater Noster - A Choral Reflection on the Lord&#039;s Prayer.

Album Details...
Catalogue No.: 8.572987</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>15:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Fung ‘Dreamscapes’, Violin Concerto, Glimpses</title>
		<link>http://blog.naxos.com/2012/10/podcast-fung-dreamscapes-violin-concerto-glimpses/</link>
		<comments>http://blog.naxos.com/2012/10/podcast-fung-dreamscapes-violin-concerto-glimpses/#comments</comments>
		<pubDate>Mon, 15 Oct 2012 00:00:10 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.573009]]></category>
		<category><![CDATA[Andrew Cyr]]></category>
		<category><![CDATA[Conor Hanick]]></category>
		<category><![CDATA[Kristin Lee]]></category>
		<category><![CDATA[Metropolis Ensemble]]></category>
		<category><![CDATA[Vivian Fung]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=7338</guid>
		<description><![CDATA[Raymond Bisha introduces us to the contemporary Canadian composer Vivian Fung’s superb new recording Dreamscapes. Her Violin Concerto featuring soloist Kristin Lee is an intensely lyrical and virtuoso work in which West and East collide to create music of remarkably fresh &#8230; <a class="readmore" href="http://blog.naxos.com/2012/10/podcast-fung-dreamscapes-violin-concerto-glimpses/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.573009&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20121015_cd&amp;utm_campaign=CMS" rel="attachment wp-att-7339"><img class="alignleft size-thumbnail wp-image-7339" title="FUNG ‘Dreamscapes’, Violin Concerto, Glimpses" alt="" src="http://blog.naxos.com/wp-content/uploads/2013/01/8.573009-150x150.jpg" width="150" height="150" /></a>Raymond Bisha introduces us to the contemporary Canadian composer <a href="http://www.naxos.com/person/Vivian_Fung/59925.htm" target="_blank">Vivian Fung</a>’s superb new recording <i>Dreamscapes</i>. Her Violin Concerto featuring soloist <a href="http://www.naxos.com/person/Kristin_Lee/174221.htm" target="_blank">Kristin Lee</a> is an intensely lyrical and virtuoso work in which West and East collide to create music of remarkably fresh sophistication. Glimpses and her piano concerto<i>Dreamscape</i>, for prepared piano, explore contrasts ranging from hauntingly sustained calm and tranquillity to moments of brutal power.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.573009&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20121015_txt&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a><br />
Catalogue No.: 8.573009</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2012/10/podcast-fung-dreamscapes-violin-concerto-glimpses/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.naxos.com/sharedfiles/podcasts/8.573009.MP3" length="11411016" type="audio/mpeg" />
			<itunes:keywords>8.573009,Andrew Cyr,Conor Hanick,Kristin Lee,Metropolis Ensemble,Vivian Fung</itunes:keywords>
	<itunes:subtitle>Raymond Bisha introduces us to the contemporary Canadian composer Vivian Fung’s superb new recording Dreamscapes. Her Violin Concerto featuring soloist Kristin Lee is an intensely lyrical and virtuoso work in which West and East collide to create music...</itunes:subtitle>
		<itunes:summary>Raymond Bisha introduces us to the contemporary Canadian composer Vivian Fung’s superb new recording Dreamscapes. Her Violin Concerto featuring soloist Kristin Lee is an intensely lyrical and virtuoso work in which West and East collide to create music of remarkably fresh sophistication. Glimpses and her piano concertoDreamscape, for prepared piano, explore contrasts ranging from hauntingly sustained calm and tranquillity to moments of brutal power.

Album Details...
Catalogue No.: 8.573009</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>13:35</itunes:duration>
	</item>
		<item>
		<title>Podcast: Fuchs Atlantic Riband, American Rhapsody, Divinum Mysterium, Concerto Grosso</title>
		<link>http://blog.naxos.com/2012/10/podcast-fuchs-atlantic-riband-american-rhapsody-divinum-mysterium-concerto-grosso/</link>
		<comments>http://blog.naxos.com/2012/10/podcast-fuchs-atlantic-riband-american-rhapsody-divinum-mysterium-concerto-grosso/#comments</comments>
		<pubDate>Mon, 01 Oct 2012 00:00:18 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559723]]></category>
		<category><![CDATA[JoAnn Falletta]]></category>
		<category><![CDATA[Kenneth Fuchs]]></category>
		<category><![CDATA[London Symphony Orchestra]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=7331</guid>
		<description><![CDATA[Kenneth Fuchs is one of America’s leading composers and his latest collaboration with award-winning conductor JoAnn Falletta and the London Symphony Orchestra reveals the breadth of his achievement. Its opening work, Atlantic Riband, evokes the struggle and ultimate victory of ocean-crossing &#8230; <a class="readmore" href="http://blog.naxos.com/2012/10/podcast-fuchs-atlantic-riband-american-rhapsody-divinum-mysterium-concerto-grosso/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.559723&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20121001_cd&amp;utm_campaign=CMS" rel="attachment wp-att-7332"><img class="alignleft size-thumbnail wp-image-7332" title="FUCHS Atlantic Riband, American Rhapsody, Divinum Mysterium, Concerto Grosso" alt="" src="http://blog.naxos.com/wp-content/uploads/2013/01/8.559723-150x150.jpg" width="150" height="150" /></a><a href="http://www.naxos.com/person/Kenneth_Fuchs/25276.htm" target="_blank">Kenneth Fuchs</a> is one of America’s leading composers and his latest collaboration with award-winning conductor <a href="http://www.naxos.com/person/JoAnn_Falletta/30435.htm" target="_blank">JoAnn Falletta</a> and the <a href="http://www.naxos.com/person/London_Symphony_Orchestra/35655.htm" target="_blank">London Symphony Orchestra</a> reveals the breadth of his achievement. Its opening work, <i>Atlantic Riband</i>, evokes the struggle and ultimate victory of ocean-crossing immigrants to America in an orchestral showpiece of power and splendour. In this podcast, Raymond Bisha introduces us to this, and to Fuchs’ other orchestral and chamber works on this wonderful new recording.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.559723&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20121001_txt&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a><br />
Catalogue No.: 8.559723</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2012/10/podcast-fuchs-atlantic-riband-american-rhapsody-divinum-mysterium-concerto-grosso/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.naxos.com/sharedfiles/podcasts/8.559723.MP3" length="9801142" type="audio/mpeg" />
			<itunes:keywords>8.559723,JoAnn Falletta,Kenneth Fuchs,London Symphony Orchestra</itunes:keywords>
	<itunes:subtitle>Kenneth Fuchs is one of America’s leading composers and his latest collaboration with award-winning conductor JoAnn Falletta and the London Symphony Orchestra reveals the breadth of his achievement. Its opening work, Atlantic Riband,</itunes:subtitle>
		<itunes:summary>Kenneth Fuchs is one of America’s leading composers and his latest collaboration with award-winning conductor JoAnn Falletta and the London Symphony Orchestra reveals the breadth of his achievement. Its opening work, Atlantic Riband, evokes the struggle and ultimate victory of ocean-crossing immigrants to America in an orchestral showpiece of power and splendour. In this podcast, Raymond Bisha introduces us to this, and to Fuchs’ other orchestral and chamber works on this wonderful new recording.

Album Details...
Catalogue No.: 8.559723</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>11:40</itunes:duration>
	</item>
		<item>
		<title>Podcast: Schuman Symphonies</title>
		<link>http://blog.naxos.com/2012/09/podcast-schuman-symphonies/</link>
		<comments>http://blog.naxos.com/2012/09/podcast-schuman-symphonies/#comments</comments>
		<pubDate>Mon, 24 Sep 2012 00:00:18 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.505228]]></category>
		<category><![CDATA[Gerard Schwarz]]></category>
		<category><![CDATA[Seattle Symphony Orchestra]]></category>
		<category><![CDATA[William Schuman]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=7327</guid>
		<description><![CDATA[In this podcast, conductor Gerard Schwarz first takes us through the transformation of Seattle Symphony during his 26 years tenure at the helm. He then talks to Gail Wein about the thrill of recording, and how he found the symphonies &#8230; <a class="readmore" href="http://blog.naxos.com/2012/09/podcast-schuman-symphonies/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.505228&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20120924_cd&amp;utm_campaign=CMS" rel="attachment wp-att-6689"><img class="alignleft size-thumbnail wp-image-6689" title="William Schuman The Symphonies" alt="" src="http://blog.naxos.com/wp-content/uploads/2010/07/8.505228-150x150.jpg" width="150" height="150" /></a>In this podcast, conductor <a href="http://www.naxos.com/person/Gerard_Schwarz/32307.htm" target="_blank">Gerard Schwarz</a> first takes us through the transformation of <a href="http://www.naxos.com/person/Seattle_Symphony_Orchestra/34878.htm" target="_blank">Seattle Symphony</a> during his 26 years tenure at the helm. He then talks to Gail Wein about the thrill of recording, and how he found the symphonies of the legendary American composer, educator and administrator <a href="http://www.naxos.com/person/William_Schuman_26345/26345.htm" target="_blank">William Schuman</a> his most interesting project—‘a revolution and a great joy’! Listen to find out why Schwarz finds Schuman’s 8th Symphony “exquisite, brilliant and wonderful”!</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.505228&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20120924_cd&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a><br />
Catalogue No.: 8.505228</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2012/09/podcast-schuman-symphonies/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.naxos.com/sharedfiles/podcasts/8.505228_updated.MP3" length="12685512" type="audio/mpeg" />
			<itunes:keywords>8.505228,Gerard Schwarz,Seattle Symphony Orchestra,William Schuman</itunes:keywords>
	<itunes:subtitle>In this podcast, conductor Gerard Schwarz first takes us through the transformation of Seattle Symphony during his 26 years tenure at the helm. He then talks to Gail Wein about the thrill of recording, and how he found the symphonies of the legendary A...</itunes:subtitle>
		<itunes:summary>In this podcast, conductor Gerard Schwarz first takes us through the transformation of Seattle Symphony during his 26 years tenure at the helm. He then talks to Gail Wein about the thrill of recording, and how he found the symphonies of the legendary American composer, educator and administrator William Schuman his most interesting project—‘a revolution and a great joy’! Listen to find out why Schwarz finds Schuman’s 8th Symphony “exquisite, brilliant and wonderful”!

Album Details...
Catalogue No.: 8.505228</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>13:13</itunes:duration>
	</item>
		<item>
		<title>Podcast: Wolf-Ferrari Wind Concertinos</title>
		<link>http://blog.naxos.com/2012/09/7321/</link>
		<comments>http://blog.naxos.com/2012/09/7321/#comments</comments>
		<pubDate>Thu, 06 Sep 2012 00:00:44 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572921]]></category>
		<category><![CDATA[Ermanno Wolf-Ferrari]]></category>
		<category><![CDATA[Francesco La Vecchia]]></category>
		<category><![CDATA[Rome Symphony Orchestra]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=7321</guid>
		<description><![CDATA[In this podcast, Raymond Bisha helps you discover Ermanno Wolf-Ferrari’s delightful wind concertinos. The Italian composer is better known for his operatic compositions but he wrote a number of sublimely and expressive orchestral works, including the three melodic, rhythmically buoyant, &#8230; <a class="readmore" href="http://blog.naxos.com/2012/09/7321/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572921&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20120906_cd&amp;utm_campaign=CMS" rel="attachment wp-att-7322"><img class="alignleft size-thumbnail wp-image-7322" title="WOLF-FERRARI Wind Concertinos" alt="" src="http://blog.naxos.com/wp-content/uploads/2013/01/8.572921-150x150.jpg" width="150" height="150" /></a>In this podcast, Raymond Bisha helps you discover Ermanno Wolf-Ferrari’s delightful wind concertinos. The Italian composer is better known for his operatic compositions but he wrote a number of sublimely and expressive orchestral works, including the three melodic, rhythmically buoyant, and at times elegiac wind concertos featured on this new release.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572921&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20120906_txt&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a><br />
Catalogue No.: 8.572921</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2012/09/7321/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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			<itunes:keywords>8.572921,Ermanno Wolf-Ferrari,Francesco La Vecchia,Rome Symphony Orchestra</itunes:keywords>
	<itunes:subtitle>In this podcast, Raymond Bisha helps you discover Ermanno Wolf-Ferrari’s delightful wind concertinos. The Italian composer is better known for his operatic compositions but he wrote a number of sublimely and expressive orchestral works,</itunes:subtitle>
		<itunes:summary>In this podcast, Raymond Bisha helps you discover Ermanno Wolf-Ferrari’s delightful wind concertinos. The Italian composer is better known for his operatic compositions but he wrote a number of sublimely and expressive orchestral works, including the three melodic, rhythmically buoyant, and at times elegiac wind concertos featured on this new release.

Album Details...
Catalogue No.: 8.572921</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>13:09</itunes:duration>
	</item>
		<item>
		<title>Podcast: Weinberg Complete Piano Works Vol 3</title>
		<link>http://blog.naxos.com/2012/09/podcast-weinberg-complete-piano-works-vol-3/</link>
		<comments>http://blog.naxos.com/2012/09/podcast-weinberg-complete-piano-works-vol-3/#comments</comments>
		<pubDate>Wed, 05 Sep 2012 00:00:24 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Allison Brewster Franzetti]]></category>
		<category><![CDATA[GP610]]></category>
		<category><![CDATA[Grand Piano]]></category>
		<category><![CDATA[Mieczyslaw Weinberg]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=7314</guid>
		<description><![CDATA[‘As many of Weinberg’s works for solo piano have been virtually unknown until recently, by virtue of the fact that this music survived both Nazism and Communism they would merit further investigation. This music has themes to which anyone can &#8230; <a class="readmore" href="http://blog.naxos.com/2012/09/podcast-weinberg-complete-piano-works-vol-3/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=GP610&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20120905_cd&amp;utm_campaign=CMS" rel="attachment wp-att-7315"><img class="alignleft size-thumbnail wp-image-7315" title="WEINBERG Complete Piano Works Vol 3" alt="" src="http://blog.naxos.com/wp-content/uploads/2013/01/GP610-150x150.jpg" width="150" height="150" /></a>‘As many of Weinberg’s works for solo piano have been virtually unknown until recently, by virtue of the fact that this music survived both Nazism and Communism they would merit further investigation. This music has themes to which anyone can relate—to survival in the midst of war and/or oppression, to love, to despair, and to hope. Weinberg’s music richly embodies these, often through the most seemingly simple, folk-like means that continue to engage one’s curiosity’. In this podcast, <a href="http://www.naxos.com/person/Allison_Brewster_Franzetti/40912.htm" target="_blank">Allison Brewster Franzetti</a> talks to Gail Wein about the enigmatic composer’s rich piano repertoire.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=GP610&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20120905_txt&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a><br />
Catalogue No.: Grand Piano GP610</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2012/09/podcast-weinberg-complete-piano-works-vol-3/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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			<itunes:keywords>Allison Brewster Franzetti,GP610,Grand Piano,Mieczyslaw Weinberg</itunes:keywords>
	<itunes:subtitle>‘As many of Weinberg’s works for solo piano have been virtually unknown until recently, by virtue of the fact that this music survived both Nazism and Communism they would merit further investigation. This music has themes to which anyone can relate—to...</itunes:subtitle>
		<itunes:summary>‘As many of Weinberg’s works for solo piano have been virtually unknown until recently, by virtue of the fact that this music survived both Nazism and Communism they would merit further investigation. This music has themes to which anyone can relate—to survival in the midst of war and/or oppression, to love, to despair, and to hope. Weinberg’s music richly embodies these, often through the most seemingly simple, folk-like means that continue to engage one’s curiosity’. In this podcast, Allison Brewster Franzetti talks to Gail Wein about the enigmatic composer’s rich piano repertoire.

Album Details...
Catalogue No.: Grand Piano GP610</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>14:09</itunes:duration>
	</item>
		<item>
		<title>Podcast: Shostakovich Symphony No 10</title>
		<link>http://blog.naxos.com/2012/09/podcast-shostakovich-symphony-no-10/</link>
		<comments>http://blog.naxos.com/2012/09/podcast-shostakovich-symphony-no-10/#comments</comments>
		<pubDate>Tue, 04 Sep 2012 00:00:26 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572461]]></category>
		<category><![CDATA[Dmitry Shostakovich]]></category>
		<category><![CDATA[royal liverpool philharmonic orchestra]]></category>
		<category><![CDATA[Vasily Petrenko]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=7302</guid>
		<description><![CDATA[Vasily Petrenko and the RLPO’s Shostakovich series for Naxos has attracted critical acclaim and numerous plaudits, including ‘Orchestral Recording of the Year’ at the 2011 Gramophone Awards for Symphony No 10.  In this fascinating podcast, Vasily Petrenko talks to Edward Seckerson of The Independent about &#8230; <a class="readmore" href="http://blog.naxos.com/2012/09/podcast-shostakovich-symphony-no-10/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572461&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20120904_cd&amp;utm_campaign=CMS" rel="attachment wp-att-7303"><img class="alignleft size-thumbnail wp-image-7303" alt="8.572461" src="http://blog.naxos.com/wp-content/uploads/2013/01/8.572461-150x150.jpg" width="150" height="150" /></a><a href="http://www.naxos.com/person/Vasily_Petrenko/65309.htm" target="_blank">Vasily Petrenko</a> and the RLPO’s Shostakovich series for Naxos has attracted critical acclaim and numerous plaudits, including ‘Orchestral Recording of the Year’ at the 2011 <i>Gramophone</i> Awards for <i>Symphony No 10</i>.  In this fascinating podcast, Vasily Petrenko talks to Edward Seckerson of <i>The Independent</i> about his relationship with the Shostakovich symphonies and his insights into the great composer’s—and fellow Russian’s—life and work. They also discuss the 10th Symphony, which Petrenko describes as “a perfect piece”, “less extreme than the other symphonies”, but also “very difficult to perform”.</p>
<p><a title="SHOSTAKOVICH Symphony No 10" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572461&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20120904_txt&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a><br />
Catalogue No.: 8.572461</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2012/09/podcast-shostakovich-symphony-no-10/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.naxos.com/sharedfiles/podcasts/8.572708_Shostakovich_Symphonies_2_and_15.MP3" length="26213565" type="audio/mpeg" />
			<itunes:keywords>8.572461,Dmitry Shostakovich,royal liverpool philharmonic orchestra,Vasily Petrenko</itunes:keywords>
	<itunes:subtitle>Vasily Petrenko and the RLPO’s Shostakovich series for Naxos has attracted critical acclaim and numerous plaudits, including ‘Orchestral Recording of the Year’ at the 2011 Gramophone Awards for Symphony No 10.  In this fascinating podcast,</itunes:subtitle>
		<itunes:summary>Vasily Petrenko and the RLPO’s Shostakovich series for Naxos has attracted critical acclaim and numerous plaudits, including ‘Orchestral Recording of the Year’ at the 2011 Gramophone Awards for Symphony No 10.  In this fascinating podcast, Vasily Petrenko talks to Edward Seckerson of The Independent about his relationship with the Shostakovich symphonies and his insights into the great composer’s—and fellow Russian’s—life and work. They also discuss the 10th Symphony, which Petrenko describes as “a perfect piece”, “less extreme than the other symphonies”, but also “very difficult to perform”.

Album Details...
Catalogue No.: 8.572461</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>18:12</itunes:duration>
	</item>
		<item>
		<title>Podcast: Banks&#8217;s SIX Pieces for Orchestra</title>
		<link>http://blog.naxos.com/2012/04/podcast-bankss-six-pieces-for-orchestra/</link>
		<comments>http://blog.naxos.com/2012/04/podcast-bankss-six-pieces-for-orchestra/#comments</comments>
		<pubDate>Sun, 01 Apr 2012 00:00:58 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572986]]></category>
		<category><![CDATA[City of Prague Philharmonic Orchestra]]></category>
		<category><![CDATA[Paul Englishby]]></category>
		<category><![CDATA[Tony Banks]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=7401</guid>
		<description><![CDATA[Edward Seckerson of The Independent interviews Tony Banks. Album Details&#8230; Catalogue No.: 8.572986]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572986&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20120401_cd&amp;utm_campaign=CMS"><img class="alignleft size-thumbnail wp-image-7402" alt="" src="http://blog.naxos.com/wp-content/uploads/2013/02/8.572986-150x150.jpg" width="150" height="150" /></a>Edward Seckerson of <em>The Independent</em> interviews <a href="http://www.naxos.com/person/Tony_Banks_21893/21893.htm" target="_blank">Tony Banks</a>.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572986&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20120401_txt&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a><br />
Catalogue No.: 8.572986</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2013/02/8.572986.mp3" length="24212376" type="audio/mpeg" />
			<itunes:keywords>8.572986,City of Prague Philharmonic Orchestra,Paul Englishby,Tony Banks</itunes:keywords>
	<itunes:subtitle>Edward Seckerson of The Independent interviews Tony Banks. - Album Details... Catalogue No.: 8.572986</itunes:subtitle>
		<itunes:summary>Edward Seckerson of The Independent interviews Tony Banks.

Album Details...
Catalogue No.: 8.572986</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:11</itunes:duration>
	</item>
		<item>
		<title>Podcast: Delius/Ireland Evening Songs (arranged for cello and piano)</title>
		<link>http://blog.naxos.com/2012/04/podcast-deliusireland-evening-songs-arr-for-cello-and-piano/</link>
		<comments>http://blog.naxos.com/2012/04/podcast-deliusireland-evening-songs-arr-for-cello-and-piano/#comments</comments>
		<pubDate>Sun, 01 Apr 2012 00:00:56 +0000</pubDate>
		<dc:creator>Naxos-FC</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572902]]></category>
		<category><![CDATA[Frederick Delius]]></category>
		<category><![CDATA[John Ireland]]></category>
		<category><![CDATA[Julian Lloyd Webber]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=7409</guid>
		<description><![CDATA[Edward Seckerson of The Independent interviews Julian Lloyd Webber. Album Details&#8230; Catalogue No.: 8.572902]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572902&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20120401_cd&amp;utm_campaign=CMS"><img class="alignleft size-thumbnail wp-image-7410" alt="" src="http://blog.naxos.com/wp-content/uploads/2013/02/8.572902-150x150.jpg" width="150" height="150" /></a>Edward Seckerson of <em>The Independent</em> interviews <a href="http://www.naxos.com/person/Julian_Lloyd_Webber_108653/108653.htm" target="_blank">Julian Lloyd Webber</a>.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572902&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20120401_txt&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a><br />
Catalogue No.: 8.572902</p>
]]></content:encoded>
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			<itunes:keywords>8.572902,Frederick Delius,John Ireland,Julian Lloyd Webber</itunes:keywords>
	<itunes:subtitle>Edward Seckerson of The Independent interviews Julian Lloyd Webber. - Album Details... Catalogue No.: 8.572902</itunes:subtitle>
		<itunes:summary>Edward Seckerson of The Independent interviews Julian Lloyd Webber.

Album Details...
Catalogue No.: 8.572902</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>22:56</itunes:duration>
	</item>
		<item>
		<title>All About Bitrates</title>
		<link>http://blog.naxos.com/2012/02/all-about-bitrates/</link>
		<comments>http://blog.naxos.com/2012/02/all-about-bitrates/#comments</comments>
		<pubDate>Mon, 27 Feb 2012 13:45:32 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=5445</guid>
		<description><![CDATA[My last post was about the frequencies missing from MP3s.1 Today, I want to talk about bit rates. To make sensible decisions about bit rates, it helps to understand a bit about how MP3 encoding works. When your computer makes &#8230; <a class="readmore" href="http://blog.naxos.com/2012/02/all-about-bitrates/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p>My <a href="http://blog.naxos.com/2012/02/14/dude-wheres-my-frequencies/">last post</a> was about the frequencies missing from MP3s.<sup>1</sup></p>
<p>Today, I want to talk about bit rates.</p>
<p>To make sensible decisions about bit rates, it helps to understand a bit about how MP3 encoding works. When your computer makes a CD into an MP3, it has three main ways of making the music take up less space:</p>
<p>1) It <a href="http://blog.naxos.com/2012/02/14/dude-wheres-my-frequencies/">throws out sounds you probably can&#8217;t hear</a> &#8211; either because they&#8217;re &#8220;masked&#8221; by louder sounds, or because they&#8217;re only audible to a very small proportion of humans. Done right, this is an elegant exercise in efficiency. Done wrong (or too much) you music sounds tiny, thin and empty.</p>
<p>2) It describes the sound in terms of the shape of the wave, instead of as a big long list of values. If the wave isn&#8217;t a very complicated shape, it can do this with virtually no loss of quality.</p>
<p>Here are two MP3s of the same sound &#8211; a simple <a href="http://en.wikipedia.org/wiki/A440_(pitch_standard)">440Hz</a> <a href="http://en.wikipedia.org/wiki/Sine_wave">sine wave</a>. This is just about the easiest thing to make into an MP3. Although the first file is 10x the size of the second, they sound identical because you don&#8217;t even need 16kb to record 1 second of sine wave. Like a stick of rock, the file just says &#8220;440hz at -3dBFS&#8221; all the way through.</p>
<p>Here it is at 160kbps (mono)</p>
<p>[mejsaudio src="http://blog.naxos.com/wp-content/uploads/2012/02/Sine-Wave-160kbps.mp3"]</p>
<p>Here it is at 16kbps (mono)</p>
<p>[mejsaudio src="http://blog.naxos.com/wp-content/uploads/2012/02/Sine-Wave-16kbps.mp3"]</p>
<p>With our nice simple sine wave, there&#8217;s no extra data to throw out, so they sound the same. If we give it something really complicated, though, we&#8217;ll start to notice a difference.<sup>2</sup></p>
<p>Here&#8217;s a bit of Debussy&#8217;s La Mer<sup>3</sup>, as a very high quality MP3:</p>
<p>[mejsaudio src="http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Excerpt-320kbps-MP3.mp3"]</p>
<p>That sounds pretty good to me, but here it is again, a tenth of the size:</p>
<p>[mejsaudio src="http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Excerpt-32kbps-MP3.mp3"]</p>
<p>Suddenly it sounds like it&#8217;s being played down a telephone. A file this size can happily hold a simple sine wave, but in trying to describe the complex harmony and sonority of Debussy&#8217;s orchestration, it has to make some cuts. All the notes are still there, but we&#8217;ve lost a lot of what is beautiful about it. When we&#8217;re looking for a bit rate that works for us, this is the outcome we&#8217;re looking to avoid.</p>
<p>3) Once the fat is trimmed off (1) and the important sounds reduced to their component waves (2), the computer looks for <a href="http://en.wikipedia.org/wiki/Huffman_coding">commonly-occuring patterns</a> in what remains, so the information in them only needs to be recorded once.</p>
<p>In our first example above, that means saying &#8220;440Hz, -3bDFS&#8221; to define the single note, and &#8220;ditto&#8221; for the rest of the file.</p>
<p>With La Mer, the opportunities are less obvious, but if you see time in 44100ths of a second like the computer does, there&#8217;s plenty of repetition here. By itself, this third type of compression is lossless &#8211; you get exactly the same data out as you put in, but it takes up less space while being stored.</p>
<p>The combination of these three techniques allow us to make the files much, much smaller. Even the highest-quality MP3s are just a fifth of the size of the original files, but they can be much smaller.</p>
<p>The goal is to find the smallest file size that sounds good to you.</p>
<p>Let&#8217;s start with a 16kbps file. At this size, you could fit more than five days of music on a single CD:</p>
<p>[mejsaudio src="http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Short-Excerpt-16kbps.mp3"]</p>
<p>I want you to make up your own mind, but I think you&#8217;ll agree that sounded pretty bad. This next one is twice the size, at 32kbps. This would let you put 54 hours of music on a CD.</p>
<p>[mejsaudio src="http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Short-Excerpt-32kbps.mp3"]</p>
<p>This one is twice the size again: 64kbps. You&#8217;d get 27 hours of this on one CD.</p>
<p>[mejsaudio src="http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Short-Excerpt-64kbps.mp3"]</p>
<p>Next is 128kbps, or eight times the size we started at. You&#8217;d get thirteen and a half hours of this on a CD.</p>
<p>[mejsaudio src="http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Short-Excerpt-128kbps.mp3"]</p>
<p>Double that again, and you&#8217;re at sixteen times the size we started at. At 256kbps, you&#8217;d get six hours and 47 minutes of music on a CD. The Amazon MP3 store delivers music in this format.<sup>4</sup></p>
<p>[mejsaudio src="http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Short-Excerpt-256kbps.mp3"]</p>
<p>Finally, the highest bit rate supported by the MP3 format is 320kbps. That&#8217;s 20 times the size we started at, and 22% of the size of the original. You&#8217;d get about five hours and twenty minutes of this on a CD. If you buy music from ClassicsOnline this is what you&#8217;ll get.<sup>5</sup></p>
<p>[mejsaudio src="http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Short-Excerpt-320kbps.mp3"]</p>
<p>You can try all this with your own music, indeed I&#8217;d encourage you to. <a href="http://blog.naxos.com/2011/07/05/5-ways-to-connect-your-computer-to-your-stereo/">Hook up your computer to your stereo</a>, make some MP3s (and other files), shuffle them up, and try to tell them apart. Remember: bigger is not always better. If you want a fast car, you don&#8217;t buy the one that uses the most petrol. You buy the one that goes fastest. If you&#8217;re looking for an audio format that sounds good,  don&#8217;t go for the one that uses the most data. Go for the one that sounds best, and have fun.</p>
<p>&nbsp;</p>
<p><strong>Corrections:</strong></p>
<p>I originally (and wrongly) wrote that the Amazon MP3 store delivered 320kbps files, not 256kbps files. This has now been corrected.</p>
<p>A typo in one of the footnotes said of Variable Bit Rate encoding &#8220;there&#8217;s no good reason to now use it&#8221; which is the exact opposite of what I meant, which is &#8220;there&#8217;s no good reason to not use it.&#8221;</p>
<p>&nbsp;</p>
<p><strong>Footnotes:</strong></p>
<p><sup>1</sup>All the files on this page are MP3s. This has become the format of choice for many mainstream download stores (including ClassicsOnline and Amazon) because it works on almost everything. Many of the same basic principles apply to both <a href="http://en.wikipedia.org/wiki/Aac">AAC</a> (used by iTunes) and <a href="http://en.wikipedia.org/wiki/Ogg_vorbis">Ogg Vorbis</a> (used by Spotify). These are both more sophisticated formats that avoid some of the more complex inherent weaknesses of MP3 at the expense of ubiquitous compatibility with all players. In general, either AAC or Ogg Vorbis should sound better than MP3 at a given bit rate, so if getting the best possible sound out of the smallest possible file is a priority for you, I&#8217;d suggest you check them out.</p>
<p><sup>2</sup>Simple sounds are easier to encode than complicated music, so it tends to be that you only notice that you&#8217;re listening to encoded music when something complicated or sudden happens. It&#8217;s in these places where the bit rate isn&#8217;t high enough. To overcome this, modern MP3 encoders use &#8220;variable bit rate&#8221; encoding, where a small amount of data is used for the easy bits, and a lot of data is used for the difficult bits. It averages out at the overall target bit rate. I haven&#8217;t addressed variable bit rate encoding in the main body of this post because it&#8217;s pretty ubiquitous now, and there&#8217;s no good reason to not use it.</p>
<p><sup>3</sup><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.570759">This album</a> was produced and engineered by Tim Handley, who has won <a href="http://www.grammy.com/nominees/search?artist=tim+handley&amp;title=&amp;year=All&amp;genre=All">numerous Grammy awards</a> as a producer.</p>
<p><sup>4</sup>iTunes also delivers 256kbps files, but in the AAC format<sup>1</sup>.</p>
<p><sup>5</sup>If that doesn&#8217;t sound good to you, then you might like to try <a href="http://www.theclassicalshop.net/">theclassicalshop.net</a>, <a href="http://www.eclassical.com/">eclassical.com</a> or <a href="https://www.hdtracks.com/">hdtracks.com</a> - all of which will sell you full CD-quality downloads of just about any Naxos record, and many of those from the labels we distribute.</p>
]]></content:encoded>
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		<slash:comments>11</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2012/02/Sine-Wave-160kbps.mp3" length="103827" type="audio/mpeg" />
		<itunes:subtitle>My last post was about the frequencies missing from MP3s.1 - Today, I want to talk about bit rates. - To make sensible decisions about bit rates, it helps to understand a bit about how MP3 encoding works. When your computer makes a CD into an MP3,</itunes:subtitle>
		<itunes:summary>My last post was about the frequencies missing from MP3s.1

Today, I want to talk about bit rates.

To make sensible decisions about bit rates, it helps to understand a bit about how MP3 encoding works. When your computer makes a CD into an MP3, it has three main ways of making the music take up less space:

1) It throws out sounds you probably can&#039;t hear - either because they&#039;re &quot;masked&quot; by louder sounds, or because they&#039;re only audible to a very small proportion of humans. Done right, this is an elegant exercise in efficiency. Done wrong (or too much) you music sounds tiny, thin and empty.

2) It describes the sound in terms of the shape of the wave, instead of as a big long list of values. If the wave isn&#039;t a very complicated shape, it can do this with virtually no loss of quality.

Here are two MP3s of the same sound - a simple 440Hz sine wave. This is just about the easiest thing to make into an MP3. Although the first file is 10x the size of the second, they sound identical because you don&#039;t even need 16kb to record 1 second of sine wave. Like a stick of rock, the file just says &quot;440hz at -3dBFS&quot; all the way through.

Here it is at 160kbps (mono)

[mejsaudio src=&quot;http://blog.naxos.com/wp-content/uploads/2012/02/Sine-Wave-160kbps.mp3&quot;]

Here it is at 16kbps (mono)

[mejsaudio src=&quot;http://blog.naxos.com/wp-content/uploads/2012/02/Sine-Wave-16kbps.mp3&quot;]

With our nice simple sine wave, there&#039;s no extra data to throw out, so they sound the same. If we give it something really complicated, though, we&#039;ll start to notice a difference.2

Here&#039;s a bit of Debussy&#039;s La Mer3, as a very high quality MP3:

[mejsaudio src=&quot;http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Excerpt-320kbps-MP3.mp3&quot;]

That sounds pretty good to me, but here it is again, a tenth of the size:

[mejsaudio src=&quot;http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Excerpt-32kbps-MP3.mp3&quot;]

Suddenly it sounds like it&#039;s being played down a telephone. A file this size can happily hold a simple sine wave, but in trying to describe the complex harmony and sonority of Debussy&#039;s orchestration, it has to make some cuts. All the notes are still there, but we&#039;ve lost a lot of what is beautiful about it. When we&#039;re looking for a bit rate that works for us, this is the outcome we&#039;re looking to avoid.

3) Once the fat is trimmed off (1) and the important sounds reduced to their component waves (2), the computer looks for commonly-occuring patterns in what remains, so the information in them only needs to be recorded once.

In our first example above, that means saying &quot;440Hz, -3bDFS&quot; to define the single note, and &quot;ditto&quot; for the rest of the file.

With La Mer, the opportunities are less obvious, but if you see time in 44100ths of a second like the computer does, there&#039;s plenty of repetition here. By itself, this third type of compression is lossless - you get exactly the same data out as you put in, but it takes up less space while being stored.

The combination of these three techniques allow us to make the files much, much smaller. Even the highest-quality MP3s are just a fifth of the size of the original files, but they can be much smaller.

The goal is to find the smallest file size that sounds good to you.

Let&#039;s start with a 16kbps file. At this size, you could fit more than five days of music on a single CD:

[mejsaudio src=&quot;http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Short-Excerpt-16kbps.mp3&quot;]

I want you to make up your own mind, but I think you&#039;ll agree that sounded pretty bad. This next one is twice the size, at 32kbps. This would let you put 54 hours of music on a CD.

[mejsaudio src=&quot;http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Short-Excerpt-32kbps.mp3&quot;]

This one is twice the size again: 64kbps. You&#039;d get 27 hours of this on one CD.

[mejsaudio src=&quot;http://blog.naxos.com/wp-content/uploads/2012/02/La-Mer-Short-Excerpt-64kbps.mp3&quot;]

Next is 128kbps,</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>Dude. Where&#8217;s my frequencies?</title>
		<link>http://blog.naxos.com/2012/02/dude-wheres-my-frequencies/</link>
		<comments>http://blog.naxos.com/2012/02/dude-wheres-my-frequencies/#comments</comments>
		<pubDate>Tue, 14 Feb 2012 11:32:09 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[AV Club]]></category>
		<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=5416</guid>
		<description><![CDATA[I&#8217;ve been putting together a blog post on the way to get the best sound out of MP3s, but there are so many elements to deal with, I thought I&#8217;d tackle it in pieces. For this post, I&#8217;m just going &#8230; <a class="readmore" href="http://blog.naxos.com/2012/02/dude-wheres-my-frequencies/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://blog.naxos.com/wp-content/uploads/2012/02/Screen-Shot-2012-02-14-at-11.05.13.png"><img class="alignnone size-full wp-image-5440" title="Waveform" src="http://blog.naxos.com/wp-content/uploads/2012/02/Screen-Shot-2012-02-14-at-11.05.13.png" alt="" width="589" height="222" /></a></p>
<p>I&#8217;ve been putting together a blog post on the way to get the best sound out of MP3s, but there are so many elements to deal with, I thought I&#8217;d tackle it in pieces. For this post, I&#8217;m just going to talk about the missing frequencies in an MP3.</p>
<p>One of the ways we can fit more music into an MP3 is by discarding the least important information. High frequency sounds have a lot going on very quickly, and they can take up a lot of space, so there&#8217;s a lot to be gained from getting rid of them.<sup>1</sup></p>
<p>Still. We don&#8217;t want data to be missing. If the range of human hearing is 20-20,000Hz, and everything above 16,000Hz is missing, that feels like a lot. It seems like that would be 20% of the music.</p>
<p>That&#8217;s not how frequencies work, though. Every time we go up an octave, the frequency doubles. Going up like this, numbers can get pretty big, pretty fast, and it makes the high frequencies look a lot more important than they really are. If you wanted to make a piano covering the entire range of human hearing<sup>2</sup>, you&#8217;d need to give it 120 keys instead of the normal 88. If, halfway through building it, you decided you only wanted it to go up to 10,000Hz, not 20,000Hz, you wouldn&#8217;t remove half the keys. You&#8217;d only remove 12 of them &#8211; seven white ones and five black ones.</p>
<p>In any case, 20,000Hz is the highest <em>anybody</em> can hear, not the highest <em>everybody</em> can hear. Above that, your pets might notice, but you won&#8217;t. Our sensitivity to high frequencies deteriorates with age, so for most adults the ceiling is more like 16,000Hz. Your kids can probably hear things you can&#8217;t, and your pets can hear things your kids can&#8217;t.</p>
<p>If, like me, you&#8217;ve spent a lot of time around very loud music, your hearing might top out even lower. I can&#8217;t hear much above 13,000Hz.</p>
<p>Try it for yourself: this is a 30-second sweep across the full range of human hearing, from 20hz to 20,000hz. Hit the play button, and listen until it goes quiet: that&#8217;s as high as you can hear.<sup>3</sup></p>
<p>[If you're reading this in a feed-reader, you might have to scroll to the bottom of the page or visit the site the see the player]</p>

<p>It goes up by 666Hz/Second, so the frequencies are:</p>
<p>Start: 20Hz<br />
1 Second: 686Hz<br />
2 Seconds: 1,352Hz<br />
3 Seconds: 2,018Hz &#8211; The highest note in the <a href="http://en.wikipedia.org/wiki/Der_Hölle_Rache_kocht_in_meinem_Herzen">Queen of the Night&#8217;s Aria</a><br />
4 Seconds: 2,684Hz<br />
5 Seconds: 3,350Hz<br />
6 Seconds: 4,016Hz &#8211; The highest note on a <a href="http://en.wikipedia.org/wiki/Piano_key_frequencies">piano</a><sup>4</sup><br />
7 Seconds: 4,682Hz<br />
8 Seconds: 5,348Hz<br />
9 Seconds: 6014Hz<br />
10 Seconds: 6,680Hz<br />
11 Seconds: 7,346Hz<br />
12 Seconds: 8,012Hz<br />
13 Seconds: 8,678Hz<br />
14 Seconds: 9,344Hz<br />
15 Seconds: 10,010Hz<br />
16 Seconds: 10,678Hz<br />
17 Seconds: 11,342Hz<br />
18 Seconds: 12,008 Hz<br />
19 Seconds: 12,674 Hz<br />
20 Seconds: 13,340Hz &#8211; This is where it goes quiet for me <sup>5</sup><br />
21 Seconds: 14,006Hz<br />
22 Seconds: 14,672Hz<br />
23 Seconds: 15,338Hz<br />
24 Seconds: 16,004Hz &#8211; Very few adults can hear anything above here<br />
25 Seconds: 16,670Hz &#8211; A 192kbps MP3 won&#8217;t have much above here<br />
26 Seconds: 17,336Hz<br />
27 Seconds: 18,002Hz &#8211; A 256kbps MP3 won&#8217;t have much above here<br />
28 Seconds: 18,668Hz<br />
29 Seconds: 19,334Hz &#8211; A 320kbps MP3 won&#8217;t have much above here<br />
30 Seconds: 20,000Hz &#8211; Still audible to other animals<sup>6</sup></p>
<p>There&#8217;s an argument that, while these frequencies might be inaudible by themselves, they add character to other sounds in ways that are perceptible to our ears. If this were true, it would be relatively straightforward to prove it and, as far I can see, nobody ever has. It also doesn&#8217;t stand up to common sense. Sounds simply don&#8217;t become more noticeable when there&#8217;s other noises, indeed, the <a href="http://en.wikipedia.org/wiki/Sound_masking">opposite</a> is widely accepted.</p>
<p>So there you go: unless you&#8217;re a dog, you can test your hearing and pick and MP3 format that only excludes frequencies you can&#8217;t hear. There are, of course, other aspects of MP3 encoding that affect the quality of the sound. Next time, we&#8217;ll look at bit rates, fixed and variable, and the effect these have on the sound.</p>
<p><sup>1</sup>The point I wanted to make here is way too nerdy for the first footnote.<sup>7</sup></p>
<p><sup>2</sup>Most notes produced by musical instruments are a combination of several related frequencies, overtones or <a href="http://en.wikipedia.org/wiki/Harmonic">harmonics</a>. In the piano analogy, I&#8217;m only talking about the lowest (and loudest) of these frequencies, called the &#8220;fundamental&#8221;.</p>
<p><sup>3</sup>This is a bit of fun, not a diagnostic tool. If you&#8217;re concerned about your hearing, you should see a professional. If you&#8217;re interested in playing around with acoustics, though, you should check out the tools at <a href="http://www.audiocheck.net/audiofrequencysignalgenerator_sweep.php">this</a> site. The sound clip on this page is a linear sweep at constant amplitude (-3dBFS). If it seems to get louder and quieter over its range, that&#8217;s because your hearing is more sensitive to certain frequencies, (normally around the range of the human voice). This clip is itself encoded as an MP3, but because it contains an extremely simple sound, it doesn&#8217;t need to filter out the high frequencies. The MP3 specification is quite flexible on encoding, but all decoders are essentially the same, so I can be confident that your computer will decode the same sound that I get from this file, regardless of the software used to play it back.</p>
<p><sup>4</sup>The fundamental frequency of the highest note on the piano is 4186.01Hz, but its overtones will extend upwards beyond the limit of human hearing. If you&#8217;re interested in this stuff, I&#8217;d recommend <a href="http://www.youtube.com/watch?v=121DoSs62eY">this</a> video and, if you still want more detail, <a href="http://www.youtube.com/watch?v=YsZKvLnf7wU">this</a> one.</p>
<p><sup>5</sup>I won&#8217;t speculate on what happened to the top end of my hearing, but Google Scholar is a good place to explore the considerable research on <a href="http://scholar.google.com/scholar?q=orchestral+musicians+hearing+loss">hearing loss in orchestral musicians</a>.</p>
<p><sup>6</sup>Dogs can hear up 60,000Hz, mice up to 90,000Hz and bats up to 120,000Hz.</p>
<p><sup>7</sup>Ok. You&#8217;ve been warned. An MP3 describes a complex sound wave in terms of lots of little bits of a sine wave: &#8220;At this point, the wave goes up with a bump this tall and this long&#8221;. If you want to lose the rest of the day in articles about mathematics on Wikipedia, then it might help you to know that this is called a <a href="http://en.wikipedia.org/wiki/Fourier_series">Fourier Series</a>. The reason I bring all this up is because if you&#8217;re encoding music this way, the high frequencies take up a lot of space: at 20Hz, there are 20 wobbles in the line to describe each second of music. At 20,000Hz, there are 20,000 of them. By getting rid of a small number of high frequencies, you can get rid of a very large amount of data. The trick is to find the frequencies you won&#8217;t miss.</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2012/02/dude-wheres-my-frequencies/feed/</wfw:commentRss>
		<slash:comments>21</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2012/02/audiocheck.net_sweep_20Hz_20000Hz_-3dBFS_30s.mp3" length="607458" type="audio/mpeg" />
		<itunes:subtitle>I&#039;ve been putting together a blog post on the way to get the best sound out of MP3s, but there are so many elements to deal with, I thought I&#039;d tackle it in pieces. For this post, I&#039;m just going to talk about the missing frequencies in an MP3. - </itunes:subtitle>
		<itunes:summary>I&#039;ve been putting together a blog post on the way to get the best sound out of MP3s, but there are so many elements to deal with, I thought I&#039;d tackle it in pieces. For this post, I&#039;m just going to talk about the missing frequencies in an MP3.

One of the ways we can fit more music into an MP3 is by discarding the least important information. High frequency sounds have a lot going on very quickly, and they can take up a lot of space, so there&#039;s a lot to be gained from getting rid of them.1

Still. We don&#039;t want data to be missing. If the range of human hearing is 20-20,000Hz, and everything above 16,000Hz is missing, that feels like a lot. It seems like that would be 20% of the music.

That&#039;s not how frequencies work, though. Every time we go up an octave, the frequency doubles. Going up like this, numbers can get pretty big, pretty fast, and it makes the high frequencies look a lot more important than they really are. If you wanted to make a piano covering the entire range of human hearing2, you&#039;d need to give it 120 keys instead of the normal 88. If, halfway through building it, you decided you only wanted it to go up to 10,000Hz, not 20,000Hz, you wouldn&#039;t remove half the keys. You&#039;d only remove 12 of them - seven white ones and five black ones.

In any case, 20,000Hz is the highest anybody can hear, not the highest everybody can hear. Above that, your pets might notice, but you won&#039;t. Our sensitivity to high frequencies deteriorates with age, so for most adults the ceiling is more like 16,000Hz. Your kids can probably hear things you can&#039;t, and your pets can hear things your kids can&#039;t.

If, like me, you&#039;ve spent a lot of time around very loud music, your hearing might top out even lower. I can&#039;t hear much above 13,000Hz.

Try it for yourself: this is a 30-second sweep across the full range of human hearing, from 20hz to 20,000hz. Hit the play button, and listen until it goes quiet: that&#039;s as high as you can hear.3

[If you&#039;re reading this in a feed-reader, you might have to scroll to the bottom of the page or visit the site the see the player]



It goes up by 666Hz/Second, so the frequencies are:

Start: 20Hz
1 Second: 686Hz
2 Seconds: 1,352Hz
3 Seconds: 2,018Hz - The highest note in the Queen of the Night&#039;s Aria
4 Seconds: 2,684Hz
5 Seconds: 3,350Hz
6 Seconds: 4,016Hz - The highest note on a piano4
7 Seconds: 4,682Hz
8 Seconds: 5,348Hz
9 Seconds: 6014Hz
10 Seconds: 6,680Hz
11 Seconds: 7,346Hz
12 Seconds: 8,012Hz
13 Seconds: 8,678Hz
14 Seconds: 9,344Hz
15 Seconds: 10,010Hz
16 Seconds: 10,678Hz
17 Seconds: 11,342Hz
18 Seconds: 12,008 Hz
19 Seconds: 12,674 Hz
20 Seconds: 13,340Hz - This is where it goes quiet for me 5
21 Seconds: 14,006Hz
22 Seconds: 14,672Hz
23 Seconds: 15,338Hz
24 Seconds: 16,004Hz - Very few adults can hear anything above here
25 Seconds: 16,670Hz - A 192kbps MP3 won&#039;t have much above here
26 Seconds: 17,336Hz
27 Seconds: 18,002Hz - A 256kbps MP3 won&#039;t have much above here
28 Seconds: 18,668Hz
29 Seconds: 19,334Hz - A 320kbps MP3 won&#039;t have much above here
30 Seconds: 20,000Hz - Still audible to other animals6

There&#039;s an argument that, while these frequencies might be inaudible by themselves, they add character to other sounds in ways that are perceptible to our ears. If this were true, it would be relatively straightforward to prove it and, as far I can see, nobody ever has. It also doesn&#039;t stand up to common sense. Sounds simply don&#039;t become more noticeable when there&#039;s other noises, indeed, the opposite is widely accepted.

So there you go: unless you&#039;re a dog, you can test your hearing and pick and MP3 format that only excludes frequencies you can&#039;t hear. There are, of course, other aspects of MP3 encoding that affect the quality of the sound. Next time, we&#039;ll look at bit rates, fixed and variable, and the effect these have on the sound.

1The point I wanted to make here is way too nerdy for the first footnote.7

</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>Podcast: John Rutter talks to Edward Seckerson about his new choral release</title>
		<link>http://blog.naxos.com/2011/04/john-rutter-talks-to-edward-seckerson-about-his-new-choral-release/</link>
		<comments>http://blog.naxos.com/2011/04/john-rutter-talks-to-edward-seckerson-about-his-new-choral-release/#comments</comments>
		<pubDate>Fri, 01 Apr 2011 20:21:02 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Choral]]></category>
		<category><![CDATA[choral music]]></category>
		<category><![CDATA[Gloria]]></category>
		<category><![CDATA[John Rutter]]></category>
		<category><![CDATA[Magnificat]]></category>
		<category><![CDATA[Naxos]]></category>
		<category><![CDATA[Te Deum]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=5214</guid>
		<description><![CDATA[In this exclusive audio podcast Rutter talks to Edward Seckerson about how a confirmed agnostic became immersed in a world of churches and choral paeans of praise. He recalls his gentle childhood, his doodlings at an old upright piano which &#8230; <a class="readmore" href="http://blog.naxos.com/2011/04/john-rutter-talks-to-edward-seckerson-about-his-new-choral-release/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572653&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20110401_cd&amp;utm_campaign=CMS"><img class="size-thumbnail wp-image-5216  alignleft" alt="John Rutter: Gloria, Magnificat, Te Deum" src="http://blog.naxos.com/wp-content/uploads/2011/04/8572653-SLIPCASE-150x150.jpg" width="153" height="137" /></a></p>
<p><span style="font-size: small;"><span style="font-family: Georgia;">In this exclusive audio podcast <a title="John Rutter" href="http://www.naxos.com/person/John_Rutter_21138/21138.htm">Rutter</a> talks to Edward Seckerson about how a confirmed agnostic became immersed in a world of churches and choral paeans of praise. He recalls his gentle childhood, his doodlings at an old upright piano which was only there because the previous occupants couldn&#8217;t get it out of the door. He reflects on why he has never written a musical when his love of the genre and his ear for a good tune dictated he should. And on that note, what it was like to be a tunesmith at a time when it was so deeply unfashionable to be one.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 10pt;"><span style="font-size: small;"><span style="font-family: Georgia;">The immensely popular choral composer had his first carol &#8211; the Shepherd&#8217;s Pipe Carol &#8211; published when he was still a teenager and went on to compose more than two dozen others. The royalties got bigger and so did the commissions. His reputation quickly spread Stateside where he still conducts every year at Carnegie Hall in New York. His latest recording for Naxos brings together three large-scale compositions spanning almost two decades. His Gloria was a milestone for him, the first of his pieces to open doors in America. Magnificat is a joyous setting, a kind of Latin American fiesta with &#8220;hit&#8221; numbers for soprano gently drawing sustenance from the world of musical theatre, and Te Deum springs its own big hymnic surprise at the close.</span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 10pt;"><span style="font-size: small;"><span style="font-family: Georgia;"><a title="To buy John Rutter's 'Gloria, Magnificat, Te Deum' click here." href="http://www.naxos.com/catalogue/item.asp?item_code=8.572653" target="_blank">Album details</a></span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 10pt;"><span style="font-size: small;"><span style="font-family: Georgia;">Catalogue No. <a title="8.572653" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572653&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20110401_txt&amp;utm_campaign=CMS">8.572653</a></span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 10pt;">
]]></content:encoded>
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		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/Rutter-CD-podcast.mp3" length="32980449" type="audio/mpeg" />
			<itunes:keywords>Choral,choral music,Gloria,John Rutter,Magnificat,Naxos,Te Deum</itunes:keywords>
	<itunes:subtitle>In this exclusive audio podcast Rutter talks to Edward Seckerson about how a confirmed agnostic became immersed in a world of churches and choral paeans of praise. He recalls his gentle childhood, his doodlings at an old upright piano which was only th...</itunes:subtitle>
		<itunes:summary>In this exclusive audio podcast Rutter talks to Edward Seckerson about how a confirmed agnostic became immersed in a world of churches and choral paeans of praise. He recalls his gentle childhood, his doodlings at an old upright piano which was only there because the previous occupants couldn&#039;t get it out of the door. He reflects on why he has never written a musical when his love of the genre and his ear for a good tune dictated he should. And on that note, what it was like to be a tunesmith at a time when it was so deeply unfashionable to be one.
The immensely popular choral composer had his first carol - the Shepherd&#039;s Pipe Carol - published when he was still a teenager and went on to compose more than two dozen others. The royalties got bigger and so did the commissions. His reputation quickly spread Stateside where he still conducts every year at Carnegie Hall in New York. His latest recording for Naxos brings together three large-scale compositions spanning almost two decades. His Gloria was a milestone for him, the first of his pieces to open doors in America. Magnificat is a joyous setting, a kind of Latin American fiesta with &quot;hit&quot; numbers for soprano gently drawing sustenance from the world of musical theatre, and Te Deum springs its own big hymnic surprise at the close.
Album details
Catalogue No. 8.572653</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>Podcast: Vasily Petrenko talks to Edward Seckerson about his Shostakovich recording of Symphonies 1 &amp; 3</title>
		<link>http://blog.naxos.com/2011/03/podcast-vasily-petrenko-talks-to-edward-seckerson-about-his-latest-shostakovich-recording-3/</link>
		<comments>http://blog.naxos.com/2011/03/podcast-vasily-petrenko-talks-to-edward-seckerson-about-his-latest-shostakovich-recording-3/#comments</comments>
		<pubDate>Fri, 18 Mar 2011 11:08:20 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Dmitry Shostakovich]]></category>
		<category><![CDATA[shostakovich]]></category>
		<category><![CDATA[shostakovich symphonies]]></category>
		<category><![CDATA[Vasily Petrenko]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=5202</guid>
		<description><![CDATA[The latest instalment in Vasily Petrenko&#8217;s highly acclaimed cycle of the Shostakovich symphonies offers a telling flashback to the composer&#8217;s youth. Symphony No.1 &#8211; his sensational symphonic debut &#8211; is, according to Petrenko, a whistle-stop tour through revolutionary Petrograd with &#8230; <a class="readmore" href="http://blog.naxos.com/2011/03/podcast-vasily-petrenko-talks-to-edward-seckerson-about-his-latest-shostakovich-recording-3/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p>The latest instalment in Vasily Petrenko&#8217;s highly acclaimed cycle of the Shostakovich symphonies offers a telling flashback to the composer&#8217;s youth.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572396&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20110318_cd&amp;utm_campaign=CMS"><img class="  alignleft" alt="" src="http://cdn.naxos.com/SharedFiles/images/cds/others/8.572396.gif" width="170" height="144" /></a></p>
<p>Symphony No.1 &#8211; his sensational symphonic debut &#8211; is, according to Petrenko, a whistle-stop tour through revolutionary Petrograd with Shostakovich donning the masks of comedy and tragedy in practical pursuit of his already highly developed sense of irony.</p>
<p>As Petrenko explains to Edward Seckerson, the really big influence here is Stravinsky&#8217;s Petrushka, (as witness the devilishly flashy solo piano part) and there is something of the feel of a silent movie in the flickering imagery. Symphony No.3 &#8220;The First of May&#8221; offers a rather more prescribed view of the Revolution with its brassy choral paean redolent of those striking propaganda posters.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572396&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20110318_txt&amp;utm_campaign=CMS" target="_blank">Album Details&#8230;</a><br />
Catalogue No. 8.572396</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/Shostakovich-1-amp-3-Podcast1.mp3" length="30034708" type="audio/mpeg" />
			<itunes:keywords>Dmitry Shostakovich,shostakovich,shostakovich symphonies,Vasily Petrenko</itunes:keywords>
	<itunes:subtitle>The latest instalment in Vasily Petrenko&#039;s highly acclaimed cycle of the Shostakovich symphonies offers a telling flashback to the composer&#039;s youth. - Symphony No.1 - his sensational symphonic debut - is, according to Petrenko,</itunes:subtitle>
		<itunes:summary>The latest instalment in Vasily Petrenko&#039;s highly acclaimed cycle of the Shostakovich symphonies offers a telling flashback to the composer&#039;s youth.



Symphony No.1 - his sensational symphonic debut - is, according to Petrenko, a whistle-stop tour through revolutionary Petrograd with Shostakovich donning the masks of comedy and tragedy in practical pursuit of his already highly developed sense of irony.

As Petrenko explains to Edward Seckerson, the really big influence here is Stravinsky&#039;s Petrushka, (as witness the devilishly flashy solo piano part) and there is something of the feel of a silent movie in the flickering imagery. Symphony No.3 &quot;The First of May&quot; offers a rather more prescribed view of the Revolution with its brassy choral paean redolent of those striking propaganda posters.

Album Details...
Catalogue No. 8.572396</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>18:43</itunes:duration>
	</item>
		<item>
		<title>Podcast: Vasily Petrenko talks to Edward Seckerson about his Shostakovich recording of Symphony No 10</title>
		<link>http://blog.naxos.com/2010/11/podcast-vasily-petrenko-talks-to-edward-seckerson-about-his-latest-shostakovich-recording-2/</link>
		<comments>http://blog.naxos.com/2010/11/podcast-vasily-petrenko-talks-to-edward-seckerson-about-his-latest-shostakovich-recording-2/#comments</comments>
		<pubDate>Tue, 02 Nov 2010 15:52:16 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Dmitri Shostakovich]]></category>
		<category><![CDATA[edward seckerson]]></category>
		<category><![CDATA[Naxos]]></category>
		<category><![CDATA[Shostakovich 11]]></category>
		<category><![CDATA[shostakovich symphony no.10]]></category>
		<category><![CDATA[shostakovich symphony no.8]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=5119</guid>
		<description><![CDATA[In 2010 Vasily Petrenko was named Male Artist of the Year at the Classical Brit Awards. His ongoing cycle of the Shostakovich symphonies for Naxos has garnered extraordinary reviews and the latest in the series &#8211; the defiant 10th Symphony, &#8230; <a class="readmore" href="http://blog.naxos.com/2010/11/podcast-vasily-petrenko-talks-to-edward-seckerson-about-his-latest-shostakovich-recording-2/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572461&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20101102_cd&amp;utm_campaign=CMS"><img class="alignleft" alt="" src="http://www.naxosdirect.com/templates/shared/images/titles/larger/747313246175__lang-en-uk.jpg" width="179" height="166" /></a>In 2010 <a title="Vasily Petrenko" href="http://www.naxos.com/person/Vasily_Petrenko/65309.htm">Vasily Petrenko</a> was named Male Artist of the Year at the Classical Brit Awards. His ongoing cycle of the Shostakovich symphonies for Naxos has garnered extraordinary reviews and the latest in the series &#8211; the defiant 10th Symphony, regarded by many as the most perfectly balanced of all &#8211; represents yet another step forward in this extraordinary symphonic chronicle of Soviet life and times. In this exclusive audio podcast Petrenko talks to Edward Seckerson about the genesis of the cycle in general and the 10th Symphony in particular.</p>
<p><a class="alignleft" title="Album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572461&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20101102_txt&amp;utm_campaign=CMS" target="_blank">Album details</a><br />
Catalogue No.: Naxos 8.572461</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/11/podcast-vasily-petrenko-talks-to-edward-seckerson-about-his-latest-shostakovich-recording-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/Shostakovich-10-podcast1.mp3" length="27351654" type="audio/mpeg" />
			<itunes:keywords>Dmitri Shostakovich,edward seckerson,Naxos,Shostakovich 11,shostakovich symphony no.10,shostakovich symphony no.8</itunes:keywords>
	<itunes:subtitle>In 2010 Vasily Petrenko was named Male Artist of the Year at the Classical Brit Awards. His ongoing cycle of the Shostakovich symphonies for Naxos has garnered extraordinary reviews and the latest in the series - the defiant 10th Symphony,</itunes:subtitle>
		<itunes:summary>In 2010 Vasily Petrenko was named Male Artist of the Year at the Classical Brit Awards. His ongoing cycle of the Shostakovich symphonies for Naxos has garnered extraordinary reviews and the latest in the series - the defiant 10th Symphony, regarded by many as the most perfectly balanced of all - represents yet another step forward in this extraordinary symphonic chronicle of Soviet life and times. In this exclusive audio podcast Petrenko talks to Edward Seckerson about the genesis of the cycle in general and the 10th Symphony in particular.

Album details
Catalogue No.: Naxos 8.572461</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>19:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Russian Music for Cello and Piano, with Wendy Warner and Irina Nuzova</title>
		<link>http://blog.naxos.com/2010/10/podcast-russian-music-for-cello-and-piano-with-wendy-warner-and-irina-nuzova/</link>
		<comments>http://blog.naxos.com/2010/10/podcast-russian-music-for-cello-and-piano-with-wendy-warner-and-irina-nuzova/#comments</comments>
		<pubDate>Mon, 04 Oct 2010 16:00:14 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Alexander Scriabin]]></category>
		<category><![CDATA[Alfred Schnittke]]></category>
		<category><![CDATA[Irina Nuzova]]></category>
		<category><![CDATA[Nicolai Miaskovsky]]></category>
		<category><![CDATA[Nicolai Myaskovsky]]></category>
		<category><![CDATA[Russian Music for Cello and Piano]]></category>
		<category><![CDATA[Sergei Prokoviev]]></category>
		<category><![CDATA[Sergei Rachmaninov]]></category>
		<category><![CDATA[Sergey Rachmaninoff]]></category>
		<category><![CDATA[Wendy Warner]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=5090</guid>
		<description><![CDATA[A podcast introduction to Russian Music for Cello &#38; Piano, a new CD featuring cellist Wendy Warner and pianist Irina Nuzova. Writing in the Newark Star Ledger, Bradley Bamberger said &#8220;American cellist Wendy Warner pairs a huge, lustrous tone with &#8230; <a class="readmore" href="http://blog.naxos.com/2010/10/podcast-russian-music-for-cello-and-piano-with-wendy-warner-and-irina-nuzova/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><span id="more-5090"></span><br />
<a href="http://www.naxos.com/catalogue/item.asp?item_code=CDR90000-120&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20101005_cd&amp;utm_campaign=CMS"><img class="alignleft size-thumbnail wp-image-5096" title="735131912020" alt="735131912020" src="http://blog.naxos.com/wp-content/uploads/2010/10/7351319120202-150x150.jpg" width="150" height="150" /></a>A podcast introduction to Russian Music for Cello &amp; Piano, a new CD featuring cellist Wendy Warner and pianist Irina Nuzova. Writing in the Newark Star Ledger, Bradley Bamberger said &#8220;American cellist Wendy Warner pairs a huge, lustrous tone with diamond-edge virtuosity &#8230;&#8221; This recording features well established works like Rachmaniov&#8217;s Sonata in G minor, alongside such rarities as Nicolai Myaskovsky&#8217;s Sonata No. 2 in G minor. The program also includes music by Scriabin, Schnittke and Prokofiev, all played with wonderful virtuosity and emotional power. Come listen to the podcast, then buy the CD so you can hear the entire pieces.</p>
<p><a title="RUSSIAN MUSIC FOR CELLO AND PIANO album details" href="http://www.naxos.com/catalogue/item.asp?item_code=CDR90000-120&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20101005_txt&amp;utm_campaign=CMS">Album details&#8230;</a><br />
Catalogue No.: Cedille CDR 90000 120</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/10/podcast-russian-music-for-cello-and-piano-with-wendy-warner-and-irina-nuzova/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20101005.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>Alexander Scriabin, Alfred Schnittke, Irina Nuzova, Nicolai Miaskovsky, Nicolai Myaskovsky, Russian Music for Cello and Piano, Sergei Prokoviev, Sergei Rachmaninov, Sergey Rachmaninoff, Wendy Warner</itunes:keywords>
	<itunes:subtitle>A podcast introduction to Russian Music for Cello &amp; Piano, a new CD featuring cellist Wendy Warner and pianist Irina Nuzova. Writing in the Newark Star Ledger, Bradley Bamberger said &quot;American cellist Wendy Warner pairs a huge,</itunes:subtitle>
		<itunes:summary>A podcast introduction to Russian Music for Cello &amp; Piano, a new CD featuring cellist Wendy Warner and pianist Irina Nuzova. Writing in the Newark Star Ledger, Bradley Bamberger said &quot;American cellist Wendy Warner pairs a huge, lustrous tone with diamond-edge virtuosity ...&quot; This recording features well established works like Rachmaniov&#039;s Sonata in G minor, alongside such rarities as Nicolai Myaskovsky&#039;s Sonata No. 2 in G minor. The program also includes music by Scriabin, Schnittke and Prokofiev, all played with wonderful virtuosity and emotional power. Come listen to the podcast, then buy the CD so you can hear the entire pieces.

Album details...
Catalogue No.: Cedille CDR 90000 120</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Jose Serebrier&#8217;s Symphony No. 1</title>
		<link>http://blog.naxos.com/2010/09/podcast-jose-serebriers-symphony-no-1/</link>
		<comments>http://blog.naxos.com/2010/09/podcast-jose-serebriers-symphony-no-1/#comments</comments>
		<pubDate>Tue, 21 Sep 2010 16:00:05 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559648]]></category>
		<category><![CDATA[Bournemouth Symphony Orchestra]]></category>
		<category><![CDATA[Casi un Tango]]></category>
		<category><![CDATA[Gary Karr]]></category>
		<category><![CDATA[Jose Serebrier]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Nueve: Double Bass Concerto]]></category>
		<category><![CDATA[Philippe Quint]]></category>
		<category><![CDATA[Simon callow]]></category>
		<category><![CDATA[Symphony No. 1]]></category>
		<category><![CDATA[Tango en Azul]]></category>
		<category><![CDATA[They Rode into the Sunset - Music for an Imaginary Film]]></category>
		<category><![CDATA[Violin Concerto "Winter"]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=5080</guid>
		<description><![CDATA[Jose Serebrier was 16 years old when he wrote his Symphony No. 1, and although he is better known as a conductor, he has been an active composer for more than five decades. This podcast, and this CD, trace his &#8230; <a class="readmore" href="http://blog.naxos.com/2010/09/podcast-jose-serebriers-symphony-no-1/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="SEREBRIER, J.: Symphony No. 1 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559648&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100922_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" alt="SEREBRIER, J.: Symphony No. 1 album cover" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559648.gif" width="170" height="168" /></a><a href="http://www.naxosmusiclibrary.com/composer/btm.asp?composerid=31014">Jose Serebrier</a> was 16 years old when he wrote his Symphony No. 1, and although he is better known as a conductor, he has been an active composer for more than five decades. This podcast, and this CD, trace his musical journey through music he has composed in four different decades. Included are the Symphony No. 1, composed in 1956, his Double Bass Concerto, composed in 1971, the Violin Concerto, composed in 1991, and three shorter works composed in the past decade. On this CD, <a href="http://www.naxosmusiclibrary.com/composer/btm.asp?composerid=31014">Jose Serebrier</a> serves as both composer and conductor, and is joined by a stellar group of musicians &#8211; double bass virtuoso <a href="http://www.naxosmusiclibrary.com/artist_pro_new.asp?personid=10099">Gary Karr</a>, violinist <a href="http://www.naxosmusiclibrary.com/artist_pro_new.asp?personid=1049">Philippe Quint</a>, actor <a href="http://www.naxosmusiclibrary.com/artist_pro_new.asp?personid=37152">Simon Callow</a>, and the <a href="http://www.naxosmusiclibrary.com/artist_pro_new.asp?personid=35469">Bournemouth Symphony Orchestra</a> and <a href="http://www.naxosmusiclibrary.com/artist_pro_new.asp?personid=14892">Chorus</a>.</p>
<p><a title="SEREBRIER, J.: Symphony No. 1 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559648&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100922_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559648</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/09/podcast-jose-serebriers-symphony-no-1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100921.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>8.559648,Bournemouth Symphony Orchestra,Casi un Tango,Gary Karr,Jose Serebrier,Naxos American Classics,Nueve: Double Bass Concerto,Philippe Quint,Simon callow,Symphony No. 1,Tango en Azul,They Rode into the Sunset - Music for an Imaginary Film</itunes:keywords>
	<itunes:subtitle>Jose Serebrier was 16 years old when he wrote his Symphony No. 1, and although he is better known as a conductor, he has been an active composer for more than five decades. This podcast, and this CD, trace his musical journey through music he has compo...</itunes:subtitle>
		<itunes:summary>Jose Serebrier was 16 years old when he wrote his Symphony No. 1, and although he is better known as a conductor, he has been an active composer for more than five decades. This podcast, and this CD, trace his musical journey through music he has composed in four different decades. Included are the Symphony No. 1, composed in 1956, his Double Bass Concerto, composed in 1971, the Violin Concerto, composed in 1991, and three shorter works composed in the past decade. On this CD, Jose Serebrier serves as both composer and conductor, and is joined by a stellar group of musicians - double bass virtuoso Gary Karr, violinist Philippe Quint, actor Simon Callow, and the Bournemouth Symphony Orchestra and Chorus.

Album details...
Catalogue No.: Naxos 8.559648</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Music of the Spheres by Rued Langgaard</title>
		<link>http://blog.naxos.com/2010/08/podcast-music-of-the-spheres-by-rued-langgaard/</link>
		<comments>http://blog.naxos.com/2010/08/podcast-music-of-the-spheres-by-rued-langgaard/#comments</comments>
		<pubDate>Mon, 30 Aug 2010 16:00:39 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[6.220535]]></category>
		<category><![CDATA[Dacapo]]></category>
		<category><![CDATA[Music of the Spheres]]></category>
		<category><![CDATA[Rued Langgaard]]></category>
		<category><![CDATA[Thomas Dausgaard]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=5047</guid>
		<description><![CDATA[For most of his life, Danish composer Rued Langgaard had great difficulty getting his music performed, and for decades after his death in 1952, his work was all but forgotten. That is now changing, thanks to Langgaard&#8217;s amazing music, and &#8230; <a class="readmore" href="http://blog.naxos.com/2010/08/podcast-music-of-the-spheres-by-rued-langgaard/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="LANGGAARD, R., Music of the Spheres album details" href="http://www.naxos.com/catalogue/item.asp?item_code=6.220535&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100831_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="LANGGAARD Music of the Spheres" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/6.220535.gif" width="170" height="168" /></a>For most of his life, Danish composer Rued Langgaard had great difficulty getting his music performed, and for decades after his death in 1952, his work was all but forgotten. That is now changing, thanks to Langgaard&#8217;s amazing music, and thanks to the efforts of people like conductor Thomas Dausgaard, and the Danish National Symphony Orchestra, who have been reintroducing this music to modern audiences. As the three works on this disc show, Langgaard was a composer with a unique vision, and exceptional talent. Seen from today&#8217;s perspective, it&#8217;s hard to believe there was ever any doubt about Langgaard&#8217;s music.</p>
<p><a title="LANGGAARD, R., Music of the Spheres album details" href="http://www.naxos.com/catalogue/item.asp?item_code=6.220535&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100831_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Dacapo 6.220535</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/08/podcast-music-of-the-spheres-by-rued-langgaard/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100831.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>Danish 20th century music, Danish composers, Danish National Symphony and Chorus, From the Abyss, Music of the Spheres, Rued Langgaard, The Time of the End, Thomas Dausgaard</itunes:keywords>
	<itunes:subtitle>For most of his life, Danish composer Rued Langgaard had great difficulty getting his music performed, and for decades after his death in 1952, his work was all but forgotten. That is now changing, thanks to Langgaard&#039;s amazing music,</itunes:subtitle>
		<itunes:summary>For most of his life, Danish composer Rued Langgaard had great difficulty getting his music performed, and for decades after his death in 1952, his work was all but forgotten. That is now changing, thanks to Langgaard&#039;s amazing music, and thanks to the efforts of people like conductor Thomas Dausgaard, and the Danish National Symphony Orchestra, who have been reintroducing this music to modern audiences. As the three works on this disc show, Langgaard was a composer with a unique vision, and exceptional talent. Seen from today&#039;s perspective, it&#039;s hard to believe there was ever any doubt about Langgaard&#039;s music.

Album details...
Catalogue No.: Dacapo 6.220535</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: JoAnn Falletta and the music of Marcel Tyberg</title>
		<link>http://blog.naxos.com/2010/08/podcast-joann-falletta-and-the-music-of-marcel-tyberg/</link>
		<comments>http://blog.naxos.com/2010/08/podcast-joann-falletta-and-the-music-of-marcel-tyberg/#comments</comments>
		<pubDate>Tue, 24 Aug 2010 16:00:05 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572236]]></category>
		<category><![CDATA[Buffalo Philharmonic Orchestra]]></category>
		<category><![CDATA[JoAnn Falletta]]></category>
		<category><![CDATA[Marcel Tyberg]]></category>
		<category><![CDATA[Michael Ludwig]]></category>
		<category><![CDATA[Ya-Fei Chuang]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=5043</guid>
		<description><![CDATA[Were it not for Dr. Enrico Mihich, the music of Marcel Tyberg would almost certainly be lost forever. Tyberg entrusted all of his scores with Mihich, just before he was deported to Auschwitz. For more than six decades, Mihich carried &#8230; <a class="readmore" href="http://blog.naxos.com/2010/08/podcast-joann-falletta-and-the-music-of-marcel-tyberg/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="TYBERG, M., Symphony No. 3 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572236&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100825_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" alt="TYBERG Symphony No 3" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572236.gif" width="170" height="168" /></a>Were it not for Dr. Enrico Mihich, the music of <a href="http://www.naxos.com/person/Marcel_Tyberg/114468.htm">Marcel Tyberg</a> would almost certainly be lost forever. Tyberg entrusted all of his scores with Mihich, just before he was deported to Auschwitz. For more than six decades, Mihich carried the scores with him, trying to find a conductor who would pay attention to them. Finally, in 2005, Dr. Mihich met with <a href="http://www.naxos.com/person/JoAnn_Falletta/30435.htm">JoAnn Falletta</a>, Music Director of the <a href="http://www.naxos.com/person/Buffalo_Philharmonic_Orchestra/34866.htm">Buffalo Philharmonic</a>. Maestra Falletta saw what so many others had failed to see &#8211; that Tyberg&#8217;s music was original, beautiful and worth performing. This podcast, with it&#8217;s interview with <a href="http://www.naxos.com/person/JoAnn_Falletta/30435.htm">JoAnn Falletta</a>, traces the history of how she and the <a href="http://www.naxos.com/person/Buffalo_Philharmonic_Orchestra/34866.htm">Buffalo Philharmonic Orchestra</a> came to rescue the music of <a href="http://www.naxos.com/person/Marcel_Tyberg/114468.htm">Marcel Tyberg</a>.</p>
<p><a title="TYBERG, M., Symphony No. 3 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572236&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100825_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572236</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/08/podcast-joann-falletta-and-the-music-of-marcel-tyberg/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/08/cms24082010.mp3" length="16957709" type="audio/mpeg" />
			<itunes:keywords>8.572236,Buffalo Philharmonic Orchestra,JoAnn Falletta,Marcel Tyberg,Michael Ludwig,Ya-Fei Chuang</itunes:keywords>
	<itunes:subtitle>Were it not for Dr. Enrico Mihich, the music of Marcel Tyberg would almost certainly be lost forever. Tyberg entrusted all of his scores with Mihich, just before he was deported to Auschwitz. For more than six decades, Mihich carried the scores with him,</itunes:subtitle>
		<itunes:summary>Were it not for Dr. Enrico Mihich, the music of Marcel Tyberg would almost certainly be lost forever. Tyberg entrusted all of his scores with Mihich, just before he was deported to Auschwitz. For more than six decades, Mihich carried the scores with him, trying to find a conductor who would pay attention to them. Finally, in 2005, Dr. Mihich met with JoAnn Falletta, Music Director of the Buffalo Philharmonic. Maestra Falletta saw what so many others had failed to see - that Tyberg&#039;s music was original, beautiful and worth performing. This podcast, with it&#039;s interview with JoAnn Falletta, traces the history of how she and the Buffalo Philharmonic Orchestra came to rescue the music of Marcel Tyberg.

Album details...
Catalogue No.: Naxos 8.572236</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>Podcast: Clarinet Hive</title>
		<link>http://blog.naxos.com/2010/08/podcast-clarinet-hive/</link>
		<comments>http://blog.naxos.com/2010/08/podcast-clarinet-hive/#comments</comments>
		<pubDate>Mon, 16 Aug 2010 16:00:04 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572264]]></category>
		<category><![CDATA[Astor Piazolla]]></category>
		<category><![CDATA[Clarinet HIve]]></category>
		<category><![CDATA[Evan Ziporyn]]></category>
		<category><![CDATA[Gunther Schuller]]></category>
		<category><![CDATA[James Ognibene]]></category>
		<category><![CDATA[John Harbison]]></category>
		<category><![CDATA[Laura Ardan]]></category>
		<category><![CDATA[Ricarco Morales]]></category>
		<category><![CDATA[Theodore Schoen]]></category>
		<category><![CDATA[Thomas E. Barker]]></category>
		<category><![CDATA[Timothy Paradise]]></category>
		<category><![CDATA[Vincent Persichetti]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4997</guid>
		<description><![CDATA[Evan Ziporyn is a composer, bass clarinettist, and has worked as a beekeeper. These interests collide in his piece &#8220;Hive&#8221;, a wonderful piece for four clarinets based on the sounds and activities of a honey bee hive. With music by &#8230; <a class="readmore" href="http://blog.naxos.com/2010/08/podcast-clarinet-hive/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="CLARINET HIVE album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572264&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100817_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" alt="CLARINET HIVE" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572264.gif" width="170" height="168" /></a><a href="http://www.naxos.com/person/Evan_Ziporyn/57874.htm">Evan Ziporyn</a> is a composer, bass clarinettist, and has worked as a beekeeper. These interests collide in his piece &#8220;Hive&#8221;, a wonderful piece for four clarinets based on the sounds and activities of a honey bee hive. With music by <a href="http://www.naxos.com/person/Evan_Ziporyn/57874.htm">Ziporyn</a>, <a href="http://www.naxos.com/person/John_Harbison_18395/18395.htm">John Harbison</a>,<a href="http://www.naxos.com/person/Astor_Piazzolla/21177.htm"> Astor Piazzolla</a>, <a href="http://www.naxos.com/person/Gunther_Schuller_22794/22794.htm">Gunther Schuller</a>, <a href="http://www.naxos.com/person/Thomas_E__Barker/104045.htm">Thomas Barker</a> and <a href="http://www.naxos.com/person/Vincent_Persichetti/16088.htm">Vincent Persichetti</a>, this CD dives deep into the fascinating world of contemporary clarinet music. The performers on this CD include <a href="http://www.naxos.com/person/Evan_Ziporyn/57874.htm">Evan Ziporyn</a>, <a href="http://www.naxos.com/person/Theodore_Schoen/104027.htm">Theodore Schoen</a>, <a href="http://www.naxos.com/person/Laura_Ardan/2784.htm">Laura Ardan</a>, <a href="http://www.naxos.com/person/Ricardo_Morales/86943.htm">Ricardo Morales</a>, <a href="http://www.naxos.com/person/Timothy_Paradise/104041.htm">Timothy Paradise</a> and <a href="http://www.naxos.com/person/James_Ognibene/104028.htm">James Ognibene</a>.</p>
<p><a title="CLARINET HIVE album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572264&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100817_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572264</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/08/podcast-clarinet-hive/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100817.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>8.572264,Astor Piazolla,Clarinet HIve,Evan Ziporyn,Gunther Schuller,James Ognibene,John Harbison,Laura Ardan,Ricarco Morales,Theodore Schoen,Thomas E. Barker,Timothy Paradise</itunes:keywords>
	<itunes:subtitle>Evan Ziporyn is a composer, bass clarinettist, and has worked as a beekeeper. These interests collide in his piece &quot;Hive&quot;, a wonderful piece for four clarinets based on the sounds and activities of a honey bee hive. With music by Ziporyn, John Harbison,</itunes:subtitle>
		<itunes:summary>Evan Ziporyn is a composer, bass clarinettist, and has worked as a beekeeper. These interests collide in his piece &quot;Hive&quot;, a wonderful piece for four clarinets based on the sounds and activities of a honey bee hive. With music by Ziporyn, John Harbison, Astor Piazzolla, Gunther Schuller, Thomas Barker and Vincent Persichetti, this CD dives deep into the fascinating world of contemporary clarinet music. The performers on this CD include Evan Ziporyn, Theodore Schoen, Laura Ardan, Ricardo Morales, Timothy Paradise and James Ognibene.

Album details...
Catalogue No.: Naxos 8.572264</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: The Beethoven Project Trio</title>
		<link>http://blog.naxos.com/2010/08/the-beethoven-project-trio/</link>
		<comments>http://blog.naxos.com/2010/08/the-beethoven-project-trio/#comments</comments>
		<pubDate>Tue, 10 Aug 2010 00:00:25 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[CDR90000-118]]></category>
		<category><![CDATA[Cedille Records]]></category>
		<category><![CDATA[George Lepauw]]></category>
		<category><![CDATA[Ludwig van Beethoven]]></category>
		<category><![CDATA[Sang Mee Lee]]></category>
		<category><![CDATA[Wendy Warner]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4981</guid>
		<description><![CDATA[After almost 2 centuries, one would think that every piece by Ludwig van Beethoven has long since been performed and recorded &#8211; but it isn&#8217;t so. This podcast looks at the Beethoven Project Trio (pianist George Lepauw, violinist Sang Mee &#8230; <a class="readmore" href="http://blog.naxos.com/2010/08/the-beethoven-project-trio/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="BEETHOVEN, Ludwig, Trio Project album details" href="http://www.naxos.com/catalogue/item.asp?item_code=CDR90000-118&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100810_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" alt="The Beethoven Project Trio" src="http://www.naxos.com/SharedFiles/Images/cds/others/CDR90000-118.gif" width="170" height="168" /></a>After almost 2 centuries, one would think that every piece by <a href="http://www.naxos.com/person/Ludwig_van_Beethoven_25976/25976.htm">Ludwig van Beethoven</a> has long since been performed and recorded &#8211; but it isn&#8217;t so. This podcast looks at the Beethoven Project Trio (pianist George Lepauw, violinist Sang Mee Lee, and cellist <a href="http://www.naxos.com/person/Wendy_Warner/1172.htm">Wendy Warner</a>) and their adventures as they gave the first US performances of several trios by Beethoven, along with the world premiere recordings of these works.</p>
<p><a title="BEETHOVEN, Ludwig, Trio Project album details" href="http://www.naxos.com/catalogue/item.asp?item_code=CDR90000-118&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100810_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Cedille CDR 90000 118</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/08/the-beethoven-project-trio/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100810.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>Beethoven premiere, Cedille Records, George Lepauw, Ludwig van Beethoven, Piano Trio in D Major, Piano Trio in E-Flat Major, Sang Mee Lee, Trio in E flat Major, Wendy Warner, world premiere</itunes:keywords>
	<itunes:subtitle>After almost 2 centuries, one would think that every piece by Ludwig van Beethoven has long since been performed and recorded - but it isn&#039;t so. This podcast looks at the Beethoven Project Trio (pianist George Lepauw, violinist Sang Mee Lee,</itunes:subtitle>
		<itunes:summary>After almost 2 centuries, one would think that every piece by Ludwig van Beethoven has long since been performed and recorded - but it isn&#039;t so. This podcast looks at the Beethoven Project Trio (pianist George Lepauw, violinist Sang Mee Lee, and cellist Wendy Warner) and their adventures as they gave the first US performances of several trios by Beethoven, along with the world premiere recordings of these works.

Album details...
Catalogue No.: Cedille CDR 90000 118</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Antonio Salieri and his Requiem</title>
		<link>http://blog.naxos.com/2010/08/4951/</link>
		<comments>http://blog.naxos.com/2010/08/4951/#comments</comments>
		<pubDate>Wed, 04 Aug 2010 18:30:37 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Antonio Salieri]]></category>
		<category><![CDATA[Calm Sea and Prosperous Voyage]]></category>
		<category><![CDATA[F. Murray Abraham]]></category>
		<category><![CDATA[Franz Schubert]]></category>
		<category><![CDATA[Gulbenkian Chorus and Orchestra]]></category>
		<category><![CDATA[Intende Voci]]></category>
		<category><![CDATA[Lawrence Foster]]></category>
		<category><![CDATA[Ludwig van Beethoven]]></category>
		<category><![CDATA[PentaTone Classics]]></category>
		<category><![CDATA[PTC5186359]]></category>
		<category><![CDATA[Requiem in C minor]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4951</guid>
		<description><![CDATA[Antonio Salieri was a contemporary of Mozart&#8217;s and one of the most influential composers of his time. He remained a lesser known colleague of Mozart for almost 200 years, when the movie &#8220;Amadeus&#8221;, with F. Murray Abraham in the role &#8230; <a class="readmore" href="http://blog.naxos.com/2010/08/4951/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="SALIERI, A., Requiem album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=993470&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100804_cd&amp;utm_campaign=CMS" target="_blank"><img class="alignleft" style="border: 1px solid #cccccc;" alt="SALIERI Requiem" src="http://www.naxos.com/SharedFiles/Images/cds/others/PTC5186359.gif" width="170" height="168" /></a><a href="http://www.naxos.com/person/Antonio_Salieri/21143.htm">Antonio Salieri</a> was a contemporary of Mozart&#8217;s and one of the most influential composers of his time. He remained a lesser known colleague of Mozart for almost 200 years, when the movie &#8220;Amadeus&#8221;, with F. Murray Abraham in the role of Salieri made him a household name, and led to a renewed interest in his music. This podcast looks at this new recording of his Requiem in C minor, one of the only recorded versions of this piece. It features the <a href="http://www.naxos.com/person/Gulbenkian_Orchestra/46285.htm">Gulbenkian Chorus and Orchestra</a> of Lisbon, under the direction of <a href="http://www.naxos.com/person/Lawrence_Foster/62448.htm">Lawrence Foster</a>.</p>
<p><a title="SALIERI, A., Requiem album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=993470&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100804_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Pentatone PTC5186359</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/08/4951/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/08/cms20100803.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>Antonio Salieri, Calm Sea and Prosperous Voyage, F. Murray Abraham, Franz Schubert, Gulbenkian Chorus and Orchestra, Intende Voci, Lawrence Foster, Ludwig van Beethoven, PentaTone Classics, PTC 5186359, Requiem in C minor, Wolfgang Amadeus Mozart</itunes:keywords>
	<itunes:subtitle>Antonio Salieri was a contemporary of Mozart&#039;s and one of the most influential composers of his time. He remained a lesser known colleague of Mozart for almost 200 years, when the movie &quot;Amadeus&quot;, with F. Murray Abraham in the role of Salieri made him ...</itunes:subtitle>
		<itunes:summary>Antonio Salieri was a contemporary of Mozart&#039;s and one of the most influential composers of his time. He remained a lesser known colleague of Mozart for almost 200 years, when the movie &quot;Amadeus&quot;, with F. Murray Abraham in the role of Salieri made him a household name, and led to a renewed interest in his music. This podcast looks at this new recording of his Requiem in C minor, one of the only recorded versions of this piece. It features the Gulbenkian Chorus and Orchestra of Lisbon, under the direction of Lawrence Foster.

Album details...
Catalogue No.: Pentatone PTC5186359</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast:  The Symphonies of William Schuman</title>
		<link>http://blog.naxos.com/2010/07/podcast-the-symphonies-of-william-schuman/</link>
		<comments>http://blog.naxos.com/2010/07/podcast-the-symphonies-of-william-schuman/#comments</comments>
		<pubDate>Mon, 26 Jul 2010 00:00:31 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.505228]]></category>
		<category><![CDATA[Gerard Schwarz]]></category>
		<category><![CDATA[Joseph Polisi]]></category>
		<category><![CDATA[Seattle Symphony]]></category>
		<category><![CDATA[William Schuman]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4922</guid>
		<description><![CDATA[William Schuman was at various times President of the Juilliard School and President of Lincoln Centre. Despite being one of America&#8217;s finest arts administrators, Schuman also found time to be one of America&#8217;s most important composers of the 20th century. &#8230; <a class="readmore" href="http://blog.naxos.com/2010/07/podcast-the-symphonies-of-william-schuman/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="William Schuman, Complete Symphonies album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.505228&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100726_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="William Schuman The Symphonies" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.505228.gif" width="170" height="168" /></a><a href="http://www.naxos.com/person/William_Schuman_26345/26345.htm">William Schuman</a> was at various times President of the Juilliard School and President of Lincoln Centre. Despite being one of America&#8217;s finest arts administrators, <a href="http://www.naxos.com/person/William_Schuman_26345/26345.htm">Schuman</a> also found time to be one of America&#8217;s most important composers of the 20th century. In this podcast, Dr. Joseph Polisi, Schuman&#8217;s friend, author of &#8220;American Muse: The Life and Times of WIlliam Schuman&#8221;, and the current President of Juilliard, talks about Schuman&#8217;s Symphonies. The performances included in this box set at podcast feature the<a href="http://www.naxos.com/person/Seattle_Symphony_Orchestra/34878.htm"> Seattle Symphony Orchestra</a> conducted by <a href="http://www.naxos.com/person/Seattle_Symphony_Orchestra/34878.htm">Gerard Schwarz</a>.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.505228&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100726_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.505228</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/07/podcast-the-symphonies-of-william-schuman/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100726.mp3" length="27877460" type="audio/mpeg" />
			<itunes:keywords>American 20th century composers, American composers, American Muse, American symphonists, Gerard Schwarz, Joseph Polisi, Juilliard Presidents, Lincoln Centre, Seattle Symphony, William Schuman</itunes:keywords>
	<itunes:subtitle>William Schuman was at various times President of the Juilliard School and President of Lincoln Centre. Despite being one of America&#039;s finest arts administrators, Schuman also found time to be one of America&#039;s most important composers of the 20th centu...</itunes:subtitle>
		<itunes:summary>William Schuman was at various times President of the Juilliard School and President of Lincoln Centre. Despite being one of America&#039;s finest arts administrators, Schuman also found time to be one of America&#039;s most important composers of the 20th century. In this podcast, Dr. Joseph Polisi, Schuman&#039;s friend, author of &quot;American Muse: The Life and Times of WIlliam Schuman&quot;, and the current President of Juilliard, talks about Schuman&#039;s Symphonies. The performances included in this box set at podcast feature the Seattle Symphony Orchestra conducted by Gerard Schwarz.

Album details...
Catalogue No.: Naxos 8.505228</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>33:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: An introduction to Mozart Carmargo Guarnieri</title>
		<link>http://blog.naxos.com/2010/07/podcast-an-introduction-to-mozart-carmargo-guarnieri/</link>
		<comments>http://blog.naxos.com/2010/07/podcast-an-introduction-to-mozart-carmargo-guarnieri/#comments</comments>
		<pubDate>Tue, 20 Jul 2010 00:00:14 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.557667]]></category>
		<category><![CDATA[Max Barros]]></category>
		<category><![CDATA[Mozart Carmargo Guarnieri]]></category>
		<category><![CDATA[Thomas Conlin]]></category>
		<category><![CDATA[Warsaw Philharmonic Orchestra]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4909</guid>
		<description><![CDATA[Mozart Carmargo Guarnieri is one of the finest Brazilian composers of the 20th century. Unfortunately, except for Naxos recordings, he is all but unknown outside his native country, having been overshadowed by his flamboyant landsman Heitor Villa-Lobos. In this podcast, &#8230; <a class="readmore" href="http://blog.naxos.com/2010/07/podcast-an-introduction-to-mozart-carmargo-guarnieri/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="GUARNIERI, M., Piano Concertos 4 to 6 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.557667&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100720_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" alt="GUARNIERI Piano Concertos Nos 4, 5 and 6" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.557667.gif" width="170" height="168" /></a><a href="http://www.naxos.com/person/Camargo_Guarnieri/26087.htm">Mozart Carmargo Guarnieri</a> is one of the finest Brazilian composers of the 20th century. Unfortunately, except for Naxos recordings, he is all but unknown outside his native country, having been overshadowed by his flamboyant landsman <a href="http://www.naxos.com/person/Heitor_Villa_Lobos_22382/22382.htm">Heitor Villa-Lobos</a>. In this podcast, Latin American music scholar <a href="http://www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.557667&amp;catNum=557667&amp;filetype=About%20this%20Recording&amp;language=English#">James Melo</a> talks about Guarnieri&#8217;s place in Brazilian music, and about his <a href="http://www.naxos.com/catalogue/item.asp?item_code=8.557667">Piano Concertos 4 &#8211; 6</a>, which offer an introduction to his music. Musical excerpts feature pianist <a href="http://www.naxos.com/person/Max_Barros/7927.htm">Max Barros</a>, with the <a href="http://www.naxos.com/person/Warsaw_Philharmonic_Orchestra/34518.htm">Warsaw Philharmonic Orchestra</a>, conducted by <a href="http://www.naxos.com/person/Thomas_Conlin/31947.htm">Thomas Conlin</a>.</p>
<p><a title="GUARNIERI, M., Piano Concertos 4 to 6 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.557667&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100720_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.557667</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/07/podcast-an-introduction-to-mozart-carmargo-guarnieri/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100720.mp3" length="17314269" type="audio/mpeg" />
			<itunes:keywords>20th century Brazilian music, 8.557667, Brazilian composers, Brazilian Piano Concertos, Max Barros, Mozart Carmargo Guarnieri, Naxos Latin American Classics, Piano Concerto No. 4, Piano Concerto No. 5, Piano Concerto No. 6, Thomas Conlin,</itunes:keywords>
	<itunes:subtitle>Mozart Carmargo Guarnieri is one of the finest Brazilian composers of the 20th century. Unfortunately, except for Naxos recordings, he is all but unknown outside his native country, having been overshadowed by his flamboyant landsman Heitor Villa-Lobos.</itunes:subtitle>
		<itunes:summary>Mozart Carmargo Guarnieri is one of the finest Brazilian composers of the 20th century. Unfortunately, except for Naxos recordings, he is all but unknown outside his native country, having been overshadowed by his flamboyant landsman Heitor Villa-Lobos. In this podcast, Latin American music scholar James Melo talks about Guarnieri&#039;s place in Brazilian music, and about his Piano Concertos 4 - 6, which offer an introduction to his music. Musical excerpts feature pianist Max Barros, with the Warsaw Philharmonic Orchestra, conducted by Thomas Conlin.

Album details...
Catalogue No.: Naxos 8.557667</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:26</itunes:duration>
	</item>
		<item>
		<title>Podcast: Marin Alsop and the Symphonies of Antonin Dvorak</title>
		<link>http://blog.naxos.com/2010/07/podcast-marin-alsop-and-the-symphonies-of-antonin-dvorak/</link>
		<comments>http://blog.naxos.com/2010/07/podcast-marin-alsop-and-the-symphonies-of-antonin-dvorak/#comments</comments>
		<pubDate>Tue, 13 Jul 2010 00:00:56 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.570714]]></category>
		<category><![CDATA[8.572112]]></category>
		<category><![CDATA[Antonin Dvorak]]></category>
		<category><![CDATA[Baltimore Symphony Orchestra]]></category>
		<category><![CDATA[From the New World]]></category>
		<category><![CDATA[Marin Alsop]]></category>
		<category><![CDATA[symphony no 8]]></category>
		<category><![CDATA[Symphony No. 7]]></category>
		<category><![CDATA[Symphony No. 9]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4905</guid>
		<description><![CDATA[Czech composer Antonin Dvořák had, among his many talents, the gift of seemingly endless melody. His symphonies are filled with these marvelous tunes that seem to grow out of each other. This is one of the qualities that conductor Marin &#8230; <a class="readmore" href="http://blog.naxos.com/2010/07/podcast-marin-alsop-and-the-symphonies-of-antonin-dvorak/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="DVORAK, A., Symphony No. 9 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570714&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100713_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" alt="DVORAK Symphony No 9" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.570714.gif" width="170" height="168" /></a>Czech composer <a href="http://www.naxos.com/person/Antonin_Dvorak/26024.htm">Antonin Dvořák</a> had, among his many talents, the gift of seemingly endless melody. His symphonies are filled with these marvelous tunes that seem to grow out of each other. This is one of the qualities that conductor <a href="http://www.naxos.com/person/Marin_Alsop_30446/30446.htm">Marin Alsop</a> loves about his music, especially his symphonies. In this podcast, she talks about his <a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572112">Symphonies Nos. 7 and 8</a> and <a href="http://www.naxos.com/catalogue/item.asp?item_code=8.570714">Symphony No. 9</a>, and about recording them with the <a href="http://www.naxos.com/person/Baltimore_Symphony_Orchestra/45953.htm">Baltimore Symphony Orchestra</a>.</p>
<p>Album details&#8230;<br />
Catalogue No.: Naxos <a href="http://www.naxos.com/catalogue/item.asp?item_code=8.570714&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100713_txt&amp;utm_campaign=CMS">8.572112</a> and Naxos <a href="http://www.naxos.com/catalogue/item.asp?item_code=8.570714&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100713_txt&amp;utm_campaign=CMS" target="_blank">8.570714</a></p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/07/podcast-marin-alsop-and-the-symphonies-of-antonin-dvorak/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100713.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>8.570714, 8.572112, Antonin Dvorak, Baltimore Symphony Orchestra, Czech composers, From the New World, Marin Alsop, Romanic Symphonies, symphony no 8, Symphony No. 7, Symphony No. 9</itunes:keywords>
	<itunes:subtitle>Czech composer Antonin Dvořák had, among his many talents, the gift of seemingly endless melody. His symphonies are filled with these marvelous tunes that seem to grow out of each other. This is one of the qualities that conductor Marin Alsop loves abo...</itunes:subtitle>
		<itunes:summary>Czech composer Antonin Dvořák had, among his many talents, the gift of seemingly endless melody. His symphonies are filled with these marvelous tunes that seem to grow out of each other. This is one of the qualities that conductor Marin Alsop loves about his music, especially his symphonies. In this podcast, she talks about his Symphonies Nos. 7 and 8 and Symphony No. 9, and about recording them with the Baltimore Symphony Orchestra.

Album details...
Catalogue No.: Naxos 8.572112 and Naxos 8.570714</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Genia plays Gabriel Prokofiev&#8217;s Piano Book No. 1</title>
		<link>http://blog.naxos.com/2010/07/podcast-genia-plays-gabriel-prokofievs-piano-book-no-1/</link>
		<comments>http://blog.naxos.com/2010/07/podcast-genia-plays-gabriel-prokofievs-piano-book-no-1/#comments</comments>
		<pubDate>Tue, 06 Jul 2010 00:00:47 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[21st century piano music]]></category>
		<category><![CDATA[Gabriel Prokofiev]]></category>
		<category><![CDATA[genia]]></category>
		<category><![CDATA[Genia Music]]></category>
		<category><![CDATA[NonClassical]]></category>
		<category><![CDATA[nonclss006]]></category>
		<category><![CDATA[Piano Book No. 1]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4883</guid>
		<description><![CDATA[Gabriel Prokofiev is the founder of The NONCLASSICAL Club in London, England. It&#8217;s a place where musicians and composers explore music beyond the constraints of the term &#8220;classical&#8221;. Out of that club came the record label Nonclassical, and out f &#8230; <a class="readmore" href="http://blog.naxos.com/2010/07/podcast-genia-plays-gabriel-prokofievs-piano-book-no-1/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="PROKOFIEV, G., Piano Book No. 1 album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=960691&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100706_cd&amp;utm_c  ampaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="PROKOFIEV Piano Book No 1" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/nonclss006.gif" width="170" height="168" /></a>Gabriel Prokofiev is the founder of The NONCLASSICAL Club in London, England. It&#8217;s a place where musicians and composers explore music beyond the constraints of the term &#8220;classical&#8221;. Out of that club came the record label Nonclassical, and out f that label came this CD featuring <em>Gabriel Prokofiev&#8217;s Piano Book No. 1</em>. These pieces, beautifully played by pianist Genia, draw their inspiration from the &#8220;Piano Albums of the 19th and 20th centuries, when pianos, rather than televisions and computers, were the centre of the home.</p>
<p><a title="PROKOFIEV, G., Piano Book No. 1 album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=960691&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100706_txt&amp;utm_c  ampaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Nonclassical nonclss006</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/07/podcast-genia-plays-gabriel-prokofievs-piano-book-no-1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100706.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>21st century piano music, Gabriel Prokofiev, genia, Genia Music, NonClassical, nonclss006, Piano Book No. 1</itunes:keywords>
	<itunes:subtitle>Gabriel Prokofiev is the founder of The NONCLASSICAL Club in London, England. It&#039;s a place where musicians and composers explore music beyond the constraints of the term &quot;classical&quot;. Out of that club came the record label Nonclassical,</itunes:subtitle>
		<itunes:summary>Gabriel Prokofiev is the founder of The NONCLASSICAL Club in London, England. It&#039;s a place where musicians and composers explore music beyond the constraints of the term &quot;classical&quot;. Out of that club came the record label Nonclassical, and out f that label came this CD featuring Gabriel Prokofiev&#039;s Piano Book No. 1. These pieces, beautifully played by pianist Genia, draw their inspiration from the &quot;Piano Albums of the 19th and 20th centuries, when pianos, rather than televisions and computers, were the centre of the home.

Album details...
Catalogue No.: Nonclassical nonclss006</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Misha Keylin plays Vieuxtemps</title>
		<link>http://blog.naxos.com/2010/06/podcast-misha-keylin-plays-vieuxtemps/</link>
		<comments>http://blog.naxos.com/2010/06/podcast-misha-keylin-plays-vieuxtemps/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 00:00:19 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[19th century violin concertos]]></category>
		<category><![CDATA[8.570974]]></category>
		<category><![CDATA[Andrew Mogrelia]]></category>
		<category><![CDATA[Fantasie Caprice]]></category>
		<category><![CDATA[Greeting to America]]></category>
		<category><![CDATA[Henry Vieuxtemps]]></category>
		<category><![CDATA[Misha Keylin]]></category>
		<category><![CDATA[Slovak Radio Symphony Orchestra]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4875</guid>
		<description><![CDATA[Henry Vieuxtemps was one of the greatest violinist-composers of the 19th century, along with people like Paganini and Beriot. However, unlike many of his fellow violinists, Vieuxtemps wrote music that used the full romantic orchestral sound palette. In this podcast, &#8230; <a class="readmore" href="http://blog.naxos.com/2010/06/podcast-misha-keylin-plays-vieuxtemps/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="VIEUXTEMPS, H., Music for Violin and Orchestra album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570974&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100629_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="VIEUXTEMPS Music for Violin and Orchestra" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.570974.gif" width="170" height="168" /></a><a href="http://www.naxos.com/person/Henry_Vieuxtemps/22380.htm">Henry Vieuxtemps</a> was one of the greatest violinist-composers of the 19th century, along with people like Paganini and Beriot. However, unlike many of his fellow violinists, Vieuxtemps wrote music that used the full romantic orchestral sound palette. In this podcast, violinist <a href="http://www.naxos.com/person/Misha_Keylin/375.htm">Misha Keylin</a> talks about this music, it&#8217;s challenges, and why he hopes Vieuxtemps finds his way back onto the concert stage. On this CD, <a href="http://www.naxos.com/person/Misha_Keylin/375.htm">Misha Keylin</a> is accompanied by the <a href="http://www.naxos.com/person/Slovak_Radio_Symphony_Orchestra/46403.htm">Slovak Radio Symphony Orchestra</a> under the direction of <a href="http://www.naxos.com/person/Andrew_Mogrelia/31786.htm">Andrew Mogrelia</a>.</p>
<p><a title="VIEUXTEMPS, H., Music for Violin and Orchestra album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570974&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100629_cd&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.570974</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/06/podcast-misha-keylin-plays-vieuxtemps/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/06/cms20100629.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>19th century violin concertos, 8.570974, Andrew Mogrelia, Fantasie Caprice, Greeting to America, Henry Vieuxtemps, Misha Keylin, Slovak Radio Symphony Orchestra</itunes:keywords>
	<itunes:subtitle>Henry Vieuxtemps was one of the greatest violinist-composers of the 19th century, along with people like Paganini and Beriot. However, unlike many of his fellow violinists, Vieuxtemps wrote music that used the full romantic orchestral sound palette.</itunes:subtitle>
		<itunes:summary>Henry Vieuxtemps was one of the greatest violinist-composers of the 19th century, along with people like Paganini and Beriot. However, unlike many of his fellow violinists, Vieuxtemps wrote music that used the full romantic orchestral sound palette. In this podcast, violinist Misha Keylin talks about this music, it&#039;s challenges, and why he hopes Vieuxtemps finds his way back onto the concert stage. On this CD, Misha Keylin is accompanied by the Slovak Radio Symphony Orchestra under the direction of Andrew Mogrelia.

Album details...
Catalogue No.: Naxos 8.570974</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast:   Takako Nishizaki talks about studying with Shinichi Suzuki</title>
		<link>http://blog.naxos.com/2010/06/podcast-takako-nishizaki-talks-about-studying-with-shinichi-suzuki/</link>
		<comments>http://blog.naxos.com/2010/06/podcast-takako-nishizaki-talks-about-studying-with-shinichi-suzuki/#comments</comments>
		<pubDate>Tue, 22 Jun 2010 00:00:45 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572378]]></category>
		<category><![CDATA[blog.naxos.de]]></category>
		<category><![CDATA[Johann Sebastian Bach]]></category>
		<category><![CDATA[Shinichi Suzuki]]></category>
		<category><![CDATA[Suzuki Evergreens]]></category>
		<category><![CDATA[Suzuki Violin Method]]></category>
		<category><![CDATA[Takako Nishizaki]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4865</guid>
		<description><![CDATA[Although millions and millions of music students know the name Shinichi Suzuki, few of them have ever had the chance to me, let alone study with him. In this podcast, violinist Takako Nishizaki talks about being one of Suzuki&#8217;s first &#8230; <a class="readmore" href="http://blog.naxos.com/2010/06/podcast-takako-nishizaki-talks-about-studying-with-shinichi-suzuki/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="SUZUKI EVERGREENS album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572378&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100622_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="Takako Nishizaki plays Suzuki Evergreens Vol 1" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572378.gif" width="170" height="168" /></a>Although millions and millions of music students know the name Shinichi Suzuki, few of them have ever had the chance to me, let alone study with him. In this podcast, violinist Takako Nishizaki talks about being one of Suzuki&#8217;s first students, and how those experiences inform her own ideas as a teacher today. Musical highlights in the podcast feature her playing the pieces she would have first studied with Maestro Suzuki. She is accompanied by pianist Terence Dennis, and the Strings of the National Youth Orchestra of New Zealand, conducted by Peter Walls.</p>
<p><a title="SUZUKI EVERGREENS album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572378&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100622_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572378</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/06/podcast-takako-nishizaki-talks-about-studying-with-shinichi-suzuki/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100622.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>8.572378, Johann Sebastian Bach, Shinichi Suzuki, Suzuki Evergreens, Suzuki Violin Method, Takako Nishizaki</itunes:keywords>
	<itunes:subtitle>Although millions and millions of music students know the name Shinichi Suzuki, few of them have ever had the chance to me, let alone study with him. In this podcast, violinist Takako Nishizaki talks about being one of Suzuki&#039;s first students,</itunes:subtitle>
		<itunes:summary>Although millions and millions of music students know the name Shinichi Suzuki, few of them have ever had the chance to me, let alone study with him. In this podcast, violinist Takako Nishizaki talks about being one of Suzuki&#039;s first students, and how those experiences inform her own ideas as a teacher today. Musical highlights in the podcast feature her playing the pieces she would have first studied with Maestro Suzuki. She is accompanied by pianist Terence Dennis, and the Strings of the National Youth Orchestra of New Zealand, conducted by Peter Walls.

Album details...
Catalogue No.: Naxos 8.572378</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: The Elora Festival Singers sing Whitacre</title>
		<link>http://blog.naxos.com/2010/06/podcast-the-elora-festival-singers-sing-whitacre/</link>
		<comments>http://blog.naxos.com/2010/06/podcast-the-elora-festival-singers-sing-whitacre/#comments</comments>
		<pubDate>Wed, 16 Jun 2010 00:00:24 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559677]]></category>
		<category><![CDATA[American composers]]></category>
		<category><![CDATA[Carol Bauman]]></category>
		<category><![CDATA[choral composers]]></category>
		<category><![CDATA[e.e. cummings]]></category>
		<category><![CDATA[Elora Festival Singers]]></category>
		<category><![CDATA[Eric Whitacre]]></category>
		<category><![CDATA[I thank you God]]></category>
		<category><![CDATA[Leslie De'Ath]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Noel Edison]]></category>
		<category><![CDATA[Rumi]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4833</guid>
		<description><![CDATA[Eric Whitacre is now the unquestioned superstar of American choral composers. Whether he is setting the poetry of Octavio Paz, e.e. cummings, Rumi or the Bible, his marriage of poetry with beauty of sound creates a unique and enchanting sonic &#8230; <a class="readmore" href="http://blog.naxos.com/2010/06/podcast-the-elora-festival-singers-sing-whitacre/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="WHITACRE, E., Choral Music album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559677&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100616_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="WHITACRE Choral Music" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559677.gif" width="170" height="168" /></a><a href="http://www.naxos.com/person/Eric_Whitacre/40068.htm">Eric Whitacre</a> is now the unquestioned superstar of American choral composers. Whether he is setting the poetry of Octavio Paz, e.e. cummings, Rumi or the Bible, his marriage of poetry with beauty of sound creates a unique and enchanting sonic world. This sound world is beautifully captured on this CD by the <a href="http://www.naxos.com/person/Elora_Festival_Singers/15093.htm">Elora Festival Singers</a>, pianist <a href="http://www.naxos.com/person/Leslie_DeAth/50340.htm">Leslie De&#8217;Ath</a>, percussionist <a href="http://www.naxos.com/person/Carol_Bauman/113334.htm">Carol Bauman</a>, and conductor <a href="http://www.naxos.com/person/Noel_Edison_22783/22783.htm">Noel Edison</a>. In this podcast, <a href="http://www.naxos.com/person/Eric_Whitacre/40068.htm">Eric Whitacre</a> talks about choosing poetry for music, his love of e.e. cummings, his Youtube choir, and his brand new music theatre piece &#8220;Paradise Lost&#8221;.</p>
<p><a title="WHITACRE, E., Choral Music album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559677&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100616_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559677</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/06/podcast-the-elora-festival-singers-sing-whitacre/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/06/cms20100615.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>8.559677,American composers,Carol Bauman,choral composers,e.e. cummings,Elora Festival Singers,Eric Whitacre,I thank you God,Leslie De&#039;Ath,Naxos American Classics,Noel Edison,Rumi</itunes:keywords>
	<itunes:subtitle>Eric Whitacre is now the unquestioned superstar of American choral composers. Whether he is setting the poetry of Octavio Paz, e.e. cummings, Rumi or the Bible, his marriage of poetry with beauty of sound creates a unique and enchanting sonic world.</itunes:subtitle>
		<itunes:summary>Eric Whitacre is now the unquestioned superstar of American choral composers. Whether he is setting the poetry of Octavio Paz, e.e. cummings, Rumi or the Bible, his marriage of poetry with beauty of sound creates a unique and enchanting sonic world. This sound world is beautifully captured on this CD by the Elora Festival Singers, pianist Leslie De&#039;Ath, percussionist Carol Bauman, and conductor Noel Edison. In this podcast, Eric Whitacre talks about choosing poetry for music, his love of e.e. cummings, his Youtube choir, and his brand new music theatre piece &quot;Paradise Lost&quot;.

Album details...
Catalogue No.: Naxos 8.559677</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>Podcast:   JoAnn Falletta and the music of Dohnanyi</title>
		<link>http://blog.naxos.com/2010/06/podcast-joann-falletta-and-the-music-of-dohnanyi/</link>
		<comments>http://blog.naxos.com/2010/06/podcast-joann-falletta-and-the-music-of-dohnanyi/#comments</comments>
		<pubDate>Tue, 08 Jun 2010 00:00:45 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572303]]></category>
		<category><![CDATA[Buffalo Philharmonic Orchestra]]></category>
		<category><![CDATA[Eldar Nebolsin]]></category>
		<category><![CDATA[Erno von Dohnanyi]]></category>
		<category><![CDATA[Hungarian composers]]></category>
		<category><![CDATA[JoAnn Falletta]]></category>
		<category><![CDATA[Suite in F sharp minor]]></category>
		<category><![CDATA[Symphonic Minutes]]></category>
		<category><![CDATA[Variations on a Nursery Song]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4800</guid>
		<description><![CDATA[Ernő von Dohnányi was one of many European composers whose work was overtaken by 20th century history. Thanks to people like conductor JoAnn Falletta, pianist Eldar Nebolsin, and the Buffalo Philharmonic Orchestra, new generations of listeners can now re-discover his &#8230; <a class="readmore" href="http://blog.naxos.com/2010/06/podcast-joann-falletta-and-the-music-of-dohnanyi/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="DOHNANYI, E., Variations on a Nursery Song album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572303&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100608_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="DOHNANYI Variations on a Nursery Song" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572303.gif" width="170" height="168" /></a><a href="http://www.naxos.com/person/Erno_Dohnanyi_15904/15904.htm">Ernő von Dohnányi</a> was one of many European composers whose work was overtaken by 20th century history. Thanks to people like conductor <a href="http://www.naxos.com/person/JoAnn_Falletta/30435.htm">JoAnn Falletta</a>, pianist <a href="http://www.naxos.com/person/Eldar_Nebolsin/47312.htm">Eldar Nebolsin</a>, and the <a href="http://www.naxos.com/person/Buffalo_Philharmonic_Orchestra/34866.htm">Buffalo Philharmonic Orchestra</a>, new generations of listeners can now re-discover his music. This podcast features an interview with JoAnn Falletta in which she discusses the music of Dohnanyi, and the upcoming 75th anniversary of the <a href="http://www.naxos.com/person/Buffalo_Philharmonic_Orchestra/34866.htm">Buffalo Philharmonic</a>, an orchestra she has led for more than a decade.</p>
<p><a title="DOHNANYI, E., Variations on a Nursery Song album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572303&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100608_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572303</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/06/podcast-joann-falletta-and-the-music-of-dohnanyi/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/06/cms20100608.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>8.572303, Buffalo Philharmonic Orchestra, Eldar Nebolsin, Erno von Dohnanyi, Hungarian composers, JoAnn Falletta, Suite in F sharp minor, Symphonic Minutes, Variations on a Nursery Song</itunes:keywords>
	<itunes:subtitle>Ernő von Dohnányi was one of many European composers whose work was overtaken by 20th century history. Thanks to people like conductor JoAnn Falletta, pianist Eldar Nebolsin, and the Buffalo Philharmonic Orchestra,</itunes:subtitle>
		<itunes:summary>Ernő von Dohnányi was one of many European composers whose work was overtaken by 20th century history. Thanks to people like conductor JoAnn Falletta, pianist Eldar Nebolsin, and the Buffalo Philharmonic Orchestra, new generations of listeners can now re-discover his music. This podcast features an interview with JoAnn Falletta in which she discusses the music of Dohnanyi, and the upcoming 75th anniversary of the Buffalo Philharmonic, an orchestra she has led for more than a decade.

Album details...
Catalogue No.: Naxos 8.572303</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: One Morning, with Ronn McFarlane</title>
		<link>http://blog.naxos.com/2010/06/podcast-one-morning-with-ronn-mcfarlane/</link>
		<comments>http://blog.naxos.com/2010/06/podcast-one-morning-with-ronn-mcfarlane/#comments</comments>
		<pubDate>Tue, 01 Jun 2010 00:00:15 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Ayreheart]]></category>
		<category><![CDATA[Danny Mallon]]></category>
		<category><![CDATA[Dorian Sono Luminus]]></category>
		<category><![CDATA[DSL-92111]]></category>
		<category><![CDATA[Jeremiah Shaw]]></category>
		<category><![CDATA[Jessyka Luzzi]]></category>
		<category><![CDATA[Krzysztof Modliszewski]]></category>
		<category><![CDATA[Lute Music]]></category>
		<category><![CDATA[Mason Wright]]></category>
		<category><![CDATA[Matthew Puryear]]></category>
		<category><![CDATA[Mattias Rucht]]></category>
		<category><![CDATA[Mindy Rosenfeld]]></category>
		<category><![CDATA[One Morning]]></category>
		<category><![CDATA[Ronn McFarlane]]></category>
		<category><![CDATA[Willard Morris]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4779</guid>
		<description><![CDATA[When lute player Ronn McFarlane released &#8220;Indigo Road&#8221; his first CD of all original compositions, it was a smash hit &#8211; and was nominated for a Grammy Award. His new CD, &#8220;One Morning&#8221;, continues this same journey, but he is &#8230; <a class="readmore" href="http://blog.naxos.com/2010/06/podcast-one-morning-with-ronn-mcfarlane/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=DSL-92111&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100601_cd&amp;utm_campaign=CMS" rel="attachment wp-att-6713"><img class="alignleft size-full wp-image-6713" alt="Ronn McFarlane One Morning" src="http://blog.naxos.com/wp-content/uploads/2010/06/DSL-92111-e1359434041765.jpg" width="170" height="155" /></a>When lute player Ronn McFarlane released &#8220;Indigo Road&#8221; his first CD of all original compositions, it was a smash hit &#8211; and was nominated for a Grammy Award. His new CD, &#8220;One Morning&#8221;, continues this same journey, but he is now joined on his travels by his own folk/classical band Ayreheart. Ronn McFarlane &#8211; daring to go where no lute players have gone before!!</p>
<p><a title="McFARLANE, RONN, One Morning album details" href="http://www.naxos.com/catalogue/item.asp?item_code=DSL-92111&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100601_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Dorian Sono Luminus DSL-92111</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/06/podcast-one-morning-with-ronn-mcfarlane/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/05/cms20100601.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>Ayreheart, Danny Mallon, Dorian Sono Luminus, DSL-92111, Jeremiah Shaw, Jessyka Luzzi, Krzysztof Modliszewski, Lute Music, Mason Wright, Matthew Puryear, Mattias Rucht, Mindy Rosenfeld, One Morning, Ronn McFarlane, Willard Morris,</itunes:keywords>
	<itunes:subtitle>When lute player Ronn McFarlane released &quot;Indigo Road&quot; his first CD of all original compositions, it was a smash hit - and was nominated for a Grammy Award. His new CD, &quot;One Morning&quot;, continues this same journey,</itunes:subtitle>
		<itunes:summary>When lute player Ronn McFarlane released &quot;Indigo Road&quot; his first CD of all original compositions, it was a smash hit - and was nominated for a Grammy Award. His new CD, &quot;One Morning&quot;, continues this same journey, but he is now joined on his travels by his own folk/classical band Ayreheart. Ronn McFarlane - daring to go where no lute players have gone before!!

Album details...
Catalogue No.: Dorian Sono Luminus DSL-92111</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Rautavaara&#8217;s Before the Icons, A Tapestry of Life</title>
		<link>http://blog.naxos.com/2010/05/podcast-rautavaaras-before-the-icons-a-tapestry-of-life/</link>
		<comments>http://blog.naxos.com/2010/05/podcast-rautavaaras-before-the-icons-a-tapestry-of-life/#comments</comments>
		<pubDate>Tue, 25 May 2010 00:00:35 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[A Tapestry of Life]]></category>
		<category><![CDATA[Before the Icons]]></category>
		<category><![CDATA[Einojuhani Rautavaara]]></category>
		<category><![CDATA[Finnish composers]]></category>
		<category><![CDATA[Helsinki Philharmonic Orchestra]]></category>
		<category><![CDATA[Leif Segerstam]]></category>
		<category><![CDATA[ODE 1149-2]]></category>
		<category><![CDATA[Ondine]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4697</guid>
		<description><![CDATA[Einojuhani Rautavaara is one of Finland&#8217;s best composers, a musician whose work has transcended musical and national boundaries. This podcast looks at the world premiere recordings of two recent works by Rautavaara &#8211; Before the Icons, and A Tapestry of &#8230; <a class="readmore" href="http://blog.naxos.com/2010/05/podcast-rautavaaras-before-the-icons-a-tapestry-of-life/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="RAUTAVAARA, E., Before the Icons album details" href="http://www.naxos.com/catalogue/item.asp?item_code=ODE1149-2&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100525_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="RAUTAVAARA Before the Icons" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/ODE1149-2.gif" width="170" height="168" /></a>Einojuhani Rautavaara is one of Finland&#8217;s best composers, a musician whose work has transcended musical and national boundaries. This podcast looks at the world premiere recordings of two recent works by Rautavaara &#8211; Before the Icons, and A Tapestry of Life. This CD, on Finland&#8217;s Ondine label, features the <a href="http://www.naxos.com/person/Helsinki_Philharmonic_Orchestra/35759.htm">Helsinki Philharmonic Orchestra</a>, conducted by Leif Segerstam.</p>
<p><a title="RAUTAVAARA, E., Before the Icons album details" href="http://www.naxos.com/catalogue/item.asp?item_code=ODE1149-2&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100525_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Ondine ODE1149-2</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/05/podcast-rautavaaras-before-the-icons-a-tapestry-of-life/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/05/cms20100525.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>A Tapestry of Life, Before the Icons, Einojuhani Rautavaara, Finnish composers, Helsinki Philharmonic Orchestra, Leif Segerstam, ODE 1149-2, Ondine</itunes:keywords>
	<itunes:subtitle>Einojuhani Rautavaara is one of Finland&#039;s best composers, a musician whose work has transcended musical and national boundaries. This podcast looks at the world premiere recordings of two recent works by Rautavaara - Before the Icons,</itunes:subtitle>
		<itunes:summary>Einojuhani Rautavaara is one of Finland&#039;s best composers, a musician whose work has transcended musical and national boundaries. This podcast looks at the world premiere recordings of two recent works by Rautavaara - Before the Icons, and A Tapestry of Life. This CD, on Finland&#039;s Ondine label, features the Helsinki Philharmonic Orchestra, conducted by Leif Segerstam.

Album details...
Catalogue No.: Ondine ODE1149-2</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Rodion Shchedrin&#8217;s Concertos for Orchestra</title>
		<link>http://blog.naxos.com/2010/05/podcast-rodion-shchedrins-concertos-for-orchestra/</link>
		<comments>http://blog.naxos.com/2010/05/podcast-rodion-shchedrins-concertos-for-orchestra/#comments</comments>
		<pubDate>Tue, 18 May 2010 00:00:41 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572405]]></category>
		<category><![CDATA[Bournemouth Symphony Orchestra]]></category>
		<category><![CDATA[concertos for orchestra]]></category>
		<category><![CDATA[Four Russian Songs]]></category>
		<category><![CDATA[Kirill Karabits]]></category>
		<category><![CDATA[Kristallene Gusli]]></category>
		<category><![CDATA[Rodion Shchedrin]]></category>
		<category><![CDATA[Roundelays]]></category>
		<category><![CDATA[Russian composers]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4695</guid>
		<description><![CDATA[Russian composer Rodion Shchedrin spent some of his childhood in the small town of Aleksin, south of Moscow, where his uncle was an Orthodox priest. There, with no radio, television or recorded music, he listened to the townspeople make music &#8230; <a class="readmore" href="http://blog.naxos.com/2010/05/podcast-rodion-shchedrins-concertos-for-orchestra/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="SHCHEDRIN, R., Concertos for Orchestra 4 and 5 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572405&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100518_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="SHCHEDRIN Concertos for Orchestra 4 and 5" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572405.gif" width="170" height="168" /></a>Russian composer <a href="http://www.naxos.com/person/Rodion_Konstantinovich_Shchedrin/24333.htm">Rodion Shchedrin</a> spent some of his childhood in the small town of Aleksin, south of Moscow, where his uncle was an Orthodox priest. There, with no radio, television or recorded music, he listened to the townspeople make music as part of their daily lives. Choirs singing in town, shepherds singing in the fields, and the townsfolk playing the accordion and balilika. That experience profoundly affected the way he has approached music as a composer, especially in his Concertos for Orchestra. This podcast, and this CD present the <a href="http://www.naxos.com/person/Bournemouth_Symphony_Orchestra/35469.htm">Bournemouth Symphony Orchestra</a>, conducted by <a href="http://www.naxos.com/person/Kirill_Karabits/78914.htm">Kirill Karabits</a>, in world premiere recordings of Kristallene Gusli, and his Concertos for Orchestra 4 and 5.</p>
<p><a title="SHCHEDRIN, R., Concertos for Orchestra 4 and 5 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572405&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100518_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572405</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/05/podcast-rodion-shchedrins-concertos-for-orchestra/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/05/cms20100518.mp3" length="18637323" type="audio/mpeg" />
			<itunes:keywords>8.572405, Bournemouth Symphony Orchestra, concertos for orchestra, Four Russian Songs, Kirill Karabits, Kristallene Gusli, Rodion Shchedrin, Roundelays, Russian composers</itunes:keywords>
	<itunes:subtitle>Russian composer Rodion Shchedrin spent some of his childhood in the small town of Aleksin, south of Moscow, where his uncle was an Orthodox priest. There, with no radio, television or recorded music, he listened to the townspeople make music as part o...</itunes:subtitle>
		<itunes:summary>Russian composer Rodion Shchedrin spent some of his childhood in the small town of Aleksin, south of Moscow, where his uncle was an Orthodox priest. There, with no radio, television or recorded music, he listened to the townspeople make music as part of their daily lives. Choirs singing in town, shepherds singing in the fields, and the townsfolk playing the accordion and balilika. That experience profoundly affected the way he has approached music as a composer, especially in his Concertos for Orchestra. This podcast, and this CD present the Bournemouth Symphony Orchestra, conducted by Kirill Karabits, in world premiere recordings of Kristallene Gusli, and his Concertos for Orchestra 4 and 5.

Album details...
Catalogue No.: Naxos 8.572405</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Sondra Radvanovsky sings Verdi</title>
		<link>http://blog.naxos.com/2010/05/podcast-sondra-radvanovsky-sings-verdi/</link>
		<comments>http://blog.naxos.com/2010/05/podcast-sondra-radvanovsky-sings-verdi/#comments</comments>
		<pubDate>Tue, 11 May 2010 00:00:47 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Constantine Orbelian]]></category>
		<category><![CDATA[DE 3404]]></category>
		<category><![CDATA[Delos]]></category>
		<category><![CDATA[Giuseppe Verdi]]></category>
		<category><![CDATA[Philharmonia of Russia]]></category>
		<category><![CDATA[Sondra Radvanovsky]]></category>
		<category><![CDATA[Verdi Arias]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4658</guid>
		<description><![CDATA[Sondra Radvanovsky is one of the greatest Verdi singers of our time, at home on the stages of the Metropolitan Opera, Covent Garden, Vienna State Opera, and other of the world&#8217;s finest opera houses. The music of Giuseppe Verdi is &#8230; <a class="readmore" href="http://blog.naxos.com/2010/05/podcast-sondra-radvanovsky-sings-verdi/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="VERDI, G., Sondra Radvanovsky Verdi Arias album details" href="http://www.naxos.com/catalogue/item.asp?item_code=DE3404&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100511_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="Sondra Radvanovsky - Verdi Arias" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/DE3404.gif" width="170" height="168" /></a>Sondra Radvanovsky is one of the greatest Verdi singers of our time, at home on the stages of the Metropolitan Opera, Covent Garden, Vienna State Opera, and other of the world&#8217;s finest opera houses. The music of Giuseppe Verdi is particular dear to her &#8211; music that has also played a major role in her career and development as a singer. In this podcast she talks about that music, and about her brand new CD featuring her favourite arias from seven different Verdi operas.</p>
<p><a title="VERDI, G., Sondra Radvanovsky Verdi Arias album details" href="http://www.naxos.com/catalogue/item.asp?item_code=DE3404&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100511_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Delos DE3404</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/05/podcast-sondra-radvanovsky-sings-verdi/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/05/cms20100511.mp3" length="18637323" type="audio/mpeg" />
			<itunes:keywords>Constantine Orbelian, DE 3404, Delos, Giuseppe Verdi, Philharmonia of Russia, Sondra Radvanovsky, Verdi Arias</itunes:keywords>
	<itunes:subtitle>Sondra Radvanovsky is one of the greatest Verdi singers of our time, at home on the stages of the Metropolitan Opera, Covent Garden, Vienna State Opera, and other of the world&#039;s finest opera houses. The music of Giuseppe Verdi is particular dear to her...</itunes:subtitle>
		<itunes:summary>Sondra Radvanovsky is one of the greatest Verdi singers of our time, at home on the stages of the Metropolitan Opera, Covent Garden, Vienna State Opera, and other of the world&#039;s finest opera houses. The music of Giuseppe Verdi is particular dear to her - music that has also played a major role in her career and development as a singer. In this podcast she talks about that music, and about her brand new CD featuring her favourite arias from seven different Verdi operas.

Album details...
Catalogue No.: Delos DE3404</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Vasily Petrenko talks to Edward Seckerson about his Shostakovich recording of Symphony No 8</title>
		<link>http://blog.naxos.com/2010/05/podcast-vasily-petrenko-talks-to-edward-seckerson-about-his-latest-shostakovich-recording/</link>
		<comments>http://blog.naxos.com/2010/05/podcast-vasily-petrenko-talks-to-edward-seckerson-about-his-latest-shostakovich-recording/#comments</comments>
		<pubDate>Thu, 06 May 2010 00:12:15 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572392]]></category>
		<category><![CDATA[Dmitri Shostakovich]]></category>
		<category><![CDATA[Naxos]]></category>
		<category><![CDATA[Petrenko]]></category>
		<category><![CDATA[shostakovich]]></category>
		<category><![CDATA[shostakovich symphony no.8]]></category>
		<category><![CDATA[Vasily Petrenko]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4689</guid>
		<description><![CDATA[The charismatic St Petersburg-born Vasily Petrenko has really been turning things around at the Royal Liverpool Philharmonic Orchestra since he took over as Principal Conductor in 2005. With both standards and audiences on the up he has embarked upon his &#8230; <a class="readmore" href="http://blog.naxos.com/2010/05/podcast-vasily-petrenko-talks-to-edward-seckerson-about-his-latest-shostakovich-recording/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572392&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100506_cd&amp;utm_campaign=CMS"><img class="alignleft size-thumbnail wp-image-4688" alt="Shostakovich: Symphony No.8 (Petrenko, Liverpool Philharmonic Orchestra)" src="http://blog.naxos.com/wp-content/uploads/8572392-150x150.jpg" width="150" height="150" /></a></p>
<p>The charismatic St Petersburg-born Vasily Petrenko has really been turning things around at the Royal Liverpool Philharmonic Orchestra since he took over as Principal Conductor in 2005. With both standards and audiences on the up he has embarked upon his first major recording project – to record all 15 Shostakovich Symphonies for the Naxos label. The two previous releases have received tremendous notices and in this exclusive podcast he talks to Edward Seckerson about the project in general and the latest release &#8211; the war-torn 8th Symphony &#8211; in particular.</p>
<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.572392&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100506_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No. Naxos 8.572392</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/05/podcast-vasily-petrenko-talks-to-edward-seckerson-about-his-latest-shostakovich-recording/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/Shostakovich-8-podcast1.mp3" length="23572467" type="audio/mpeg" />
			<itunes:keywords>Petrenko, Shostakovich, Symphony No.8, Liverpool Philharmonic Orchestra</itunes:keywords>
	<itunes:subtitle>The charismatic St Petersburg-born Vasily Petrenko has really been turning things around at the Royal Liverpool Philharmonic Orchestra since he took over as Principal Conductor in 2005. With both standards and audiences on the up he has embarked upon h...</itunes:subtitle>
		<itunes:summary>The charismatic St Petersburg-born Vasily Petrenko has really been turning things around at the Royal Liverpool Philharmonic Orchestra since he took over as Principal Conductor in 2005. With both standards and audiences on the up he has embarked upon his first major recording project – to record all 15 Shostakovich Symphonies for the Naxos label. The two previous releases have received tremendous notices and in this exclusive podcast he talks to Edward Seckerson about the project in general and the latest release - the war-torn 8th Symphony - in particular.

Album details...
Catalogue No. Naxos 8.572392</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>16:22</itunes:duration>
	</item>
		<item>
		<title>Podcast:  Polly &#8211; an opera by Samuel Arnold</title>
		<link>http://blog.naxos.com/2010/05/podcast-polly-an-opera-by-samuel-arnold/</link>
		<comments>http://blog.naxos.com/2010/05/podcast-polly-an-opera-by-samuel-arnold/#comments</comments>
		<pubDate>Tue, 04 May 2010 00:00:36 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.660241]]></category>
		<category><![CDATA[Andrew Mahon]]></category>
		<category><![CDATA[Aradia Ensemble]]></category>
		<category><![CDATA[Baroque Opera]]></category>
		<category><![CDATA[Bud Roach]]></category>
		<category><![CDATA[Eve Rachel McLeod]]></category>
		<category><![CDATA[Gillian Grossman]]></category>
		<category><![CDATA[Jason Nedecky]]></category>
		<category><![CDATA[Kevin Mallon]]></category>
		<category><![CDATA[Laura Albino]]></category>
		<category><![CDATA[Lawrence Wiliford]]></category>
		<category><![CDATA[Loralie Kirkpatrick]]></category>
		<category><![CDATA[Marion Newman]]></category>
		<category><![CDATA[Matthew Grosfeld]]></category>
		<category><![CDATA[Polly]]></category>
		<category><![CDATA[Samuel Arnold]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4656</guid>
		<description><![CDATA[When Samuel Arnold wrote his opera Polly in 1777, he used John Gay&#8216;s libretto to The Beggar&#8217;s Opera as a starting point. Unlike the earlier piece, which never reached the stage due to government censorship, Polly was a huge success &#8230; <a class="readmore" href="http://blog.naxos.com/2010/05/podcast-polly-an-opera-by-samuel-arnold/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="ARNOLD, S., Polly album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.660241&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100504_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="ARNOLD Polly" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.660241.gif" width="170" height="168" /></a>When <a href="http://www.naxos.com/person/Samuel_Arnold/22155.htm">Samuel Arnold</a> wrote his opera Polly in 1777, he used <a href="http://www.naxos.com/person/John_Gay_15947/15947.htm">John Gay</a>&#8216;s libretto to The Beggar&#8217;s Opera as a starting point. Unlike the earlier piece, which never reached the stage due to government censorship, Polly was a huge success and established Samuel Arnold as London&#8217;s leading theatre composer of the time. Still, it has taken Naxos, and the <a href="http://www.naxos.com/person/Aradia_Ensemble/33870.htm">Aradia Ensemble</a> under <a href="http://www.naxos.com/person/Kevin_Mallon_31764/31764.htm">Kevin Mallon</a> to make the first ever recording of this charming and delightful piece.</p>
<p><a title="ARNOLD, S., Polly album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.660241&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100504_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.660241</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/04/cms20100504.mp3" length="16957250" type="audio/mpeg" />
			<itunes:keywords>Andrew Mahon, Aradia Ensemble, Baroque Opera, Bud Roach, Eve Rachel McLeod, Gillian Grossman, Jason Nedecky, Kevin Mallon, Laura Albino, Lawrence Wiliford, Loralie Kirkpatrick, Marion Newman, Matthew Grosfeld, Polly, Samuel Arnold</itunes:keywords>
	<itunes:subtitle>When Samuel Arnold wrote his opera Polly in 1777, he used John Gay&#039;s libretto to The Beggar&#039;s Opera as a starting point. Unlike the earlier piece, which never reached the stage due to government censorship,</itunes:subtitle>
		<itunes:summary>When Samuel Arnold wrote his opera Polly in 1777, he used John Gay&#039;s libretto to The Beggar&#039;s Opera as a starting point. Unlike the earlier piece, which never reached the stage due to government censorship, Polly was a huge success and established Samuel Arnold as London&#039;s leading theatre composer of the time. Still, it has taken Naxos, and the Aradia Ensemble under Kevin Mallon to make the first ever recording of this charming and delightful piece.

Album details...
Catalogue No.: Naxos 8.660241</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast:   Wolf Rounds &#8211; wind band music by Daugherty, Maslanka and Rouse</title>
		<link>http://blog.naxos.com/2010/04/podcast-wolf-rounds-wind-band-music-by-daugherty-maslanka-and-rouse/</link>
		<comments>http://blog.naxos.com/2010/04/podcast-wolf-rounds-wind-band-music-by-daugherty-maslanka-and-rouse/#comments</comments>
		<pubDate>Tue, 27 Apr 2010 00:00:15 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572439]]></category>
		<category><![CDATA[Christopher Rouse]]></category>
		<category><![CDATA[David Maslanka]]></category>
		<category><![CDATA[Frost Wind Ensemble]]></category>
		<category><![CDATA[Gary Green]]></category>
		<category><![CDATA[Glenn Basham]]></category>
		<category><![CDATA[Naxos Wind Band Classics]]></category>
		<category><![CDATA[Tim Connor]]></category>
		<category><![CDATA[University of Miami]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4653</guid>
		<description><![CDATA[Gary Green, Director of Bands at the University of Miami, talks about their new CD featuring new works by three of America&#8217;s finest contemporary composers: Michael Daugherty, David Maslanka, and Christopher Rouse. Joining Gary Green and the Frost Wind Ensemble &#8230; <a class="readmore" href="http://blog.naxos.com/2010/04/podcast-wolf-rounds-wind-band-music-by-daugherty-maslanka-and-rouse/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="WOLF ROUNDS, Daugherty, Maslanka, Rouse album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572439&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100427_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="WOLF ROUNDS - Daugherty, Maslanka, Rouse" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572439.gif" width="170" height="168" /></a>Gary Green, Director of Bands at the University of Miami, talks about their new CD featuring new works by three of America&#8217;s finest contemporary composers: Michael Daugherty, David Maslanka, and Christopher Rouse. Joining Gary Green and the Frost Wind Ensemble on this CD are soloists Glenn Basham, violin and Tim Connor, trombone.</p>
<p><a title="WOLF ROUNDS, Daugherty, Maslanka, Rouse album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572439&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100427_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572439</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/04/podcast-wolf-rounds-wind-band-music-by-daugherty-maslanka-and-rouse/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/04/cms20100427.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>8.572439,Christopher Rouse,David Maslanka,Frost Wind Ensemble,Gary Green,Glenn Basham,Naxos Wind Band Classics,Tim Connor,University of Miami</itunes:keywords>
	<itunes:subtitle>Gary Green, Director of Bands at the University of Miami, talks about their new CD featuring new works by three of America&#039;s finest contemporary composers: Michael Daugherty, David Maslanka, and Christopher Rouse.</itunes:subtitle>
		<itunes:summary>Gary Green, Director of Bands at the University of Miami, talks about their new CD featuring new works by three of America&#039;s finest contemporary composers: Michael Daugherty, David Maslanka, and Christopher Rouse. Joining Gary Green and the Frost Wind Ensemble on this CD are soloists Glenn Basham, violin and Tim Connor, trombone.

Album details...
Catalogue No.: Naxos 8.572439</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>Podcast: The Bach Cantata Pilgrimage</title>
		<link>http://blog.naxos.com/2010/04/podcast-the-bach-cantata-pilgrimage/</link>
		<comments>http://blog.naxos.com/2010/04/podcast-the-bach-cantata-pilgrimage/#comments</comments>
		<pubDate>Tue, 20 Apr 2010 00:00:48 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Daniel Gilchrist]]></category>
		<category><![CDATA[Daniel Taylor]]></category>
		<category><![CDATA[English Baroque Soloists]]></category>
		<category><![CDATA[Johann Sebastian Bach]]></category>
		<category><![CDATA[Monterverdi Choir]]></category>
		<category><![CDATA[SDG]]></category>
		<category><![CDATA[SDG165]]></category>
		<category><![CDATA[Sir John Eliot Gardiner]]></category>
		<category><![CDATA[Soli Deo Gloria]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4587</guid>
		<description><![CDATA[On Christmas Day, 1999, Sir John Eliot Gardiner, together with the Monterverdi Choir and the English Baroque Soloists, embarked on one of the largest performance/recording projects undertaken. The plan was to perform and record all 200+ cantatas by Johann Sebastian &#8230; <a class="readmore" href="http://blog.naxos.com/2010/04/podcast-the-bach-cantata-pilgrimage/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="BACH, J.S., Bach Cantata Pilgrimage album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=979527&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100420_cd&amp;utm_c  ampaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="JS BACH Cantata Pilgrimage" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/SDG165.gif" width="170" height="168" /></a>On Christmas Day, 1999, <a href="http://http://www.naxos.com/artistinfo/John_Eliot_Gardiner_32224/32224.htm">Sir John Eliot Gardiner</a>, together with the <a href="http://http://www.naxos.com/artistinfo/Monteverdi_Choir/15298.htm">Monterverdi Choir</a> and the <a href="http://http://www.naxos.com/artistinfo/English_Baroque_Soloists_33772/33772.htm">English Baroque Soloists</a>, embarked on one of the largest performance/recording projects undertaken. The plan was to perform and record all 200+ cantatas by <a href="http://http://www.naxos.com/composerinfo/Johann_Sebastian_Bach_17648/17648.htm">Johann Sebastian Bach</a> in one year, each on their proper day in the church calendar. This project gave some lucky audiences a chance to hear incredible live performances of these cantatas. It gave the rest of us incredible performances of every Bach cantata.</p>
<p><a title="BACH, J.S., Bach Cantata Pilgrimage album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=979527&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100420_txt&amp;utm_c  ampaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Soli Deo Gloria SDG165</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/04/podcast-the-bach-cantata-pilgrimage/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/04/cms20100420.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>Daniel Gilchrist, Daniel Taylor, English Baroque Soloists, Johann Sebastian Bach, Monterverdi Choir, SDG, Sir John Eliot Gardiner, Soli Deo Gloria</itunes:keywords>
	<itunes:subtitle>On Christmas Day, 1999, Sir John Eliot Gardiner, together with the Monterverdi Choir and the English Baroque Soloists, embarked on one of the largest performance/recording projects undertaken. The plan was to perform and record all 200+ cantatas by Joh...</itunes:subtitle>
		<itunes:summary>On Christmas Day, 1999, Sir John Eliot Gardiner, together with the Monterverdi Choir and the English Baroque Soloists, embarked on one of the largest performance/recording projects undertaken. The plan was to perform and record all 200+ cantatas by Johann Sebastian Bach in one year, each on their proper day in the church calendar. This project gave some lucky audiences a chance to hear incredible live performances of these cantatas. It gave the rest of us incredible performances of every Bach cantata.

Album details...
Catalogue No.: Soli Deo Gloria SDG165</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Pianist Philip Edward Fisher talks about recording Handel&#8217;s Great Suites for Keyboard</title>
		<link>http://blog.naxos.com/2010/04/podcast-pianist-philip-edward-fisher-talks-about-recording-handels-great-suites-for-keyboard/</link>
		<comments>http://blog.naxos.com/2010/04/podcast-pianist-philip-edward-fisher-talks-about-recording-handels-great-suites-for-keyboard/#comments</comments>
		<pubDate>Tue, 13 Apr 2010 00:00:18 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572197]]></category>
		<category><![CDATA[baroque keyboard music]]></category>
		<category><![CDATA[George Frederic Handel]]></category>
		<category><![CDATA[Handel Great Suites]]></category>
		<category><![CDATA[Philip Edward Fisher]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4567</guid>
		<description><![CDATA[Pianist Philip Edward Fisher talks about his new Naxos recording of the first four &#8220;Great Keyboard Suites&#8221; by George Frideric Handel. In this podcast, Fisher describes some of the challenges in preparing this music, about playing it on the piano &#8230; <a class="readmore" href="http://blog.naxos.com/2010/04/podcast-pianist-philip-edward-fisher-talks-about-recording-handels-great-suites-for-keyboard/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="HANDEL, G.F., Keyboard Suites 1 - 4 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572197&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100413_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="HANDEL Keyboard Suites Nos 1 to 4" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572197.gif" width="170" height="168" /></a>Pianist <a href="http://www.naxos.com/artistinfo/Philip_Edward_Fisher/85561.htm">Philip Edward Fisher</a> talks about his new Naxos recording of the first four &#8220;Great Keyboard Suites&#8221; by <a href="http://www.naxos.com/composerinfo/George_Frideric_Handel/24403.htm">George Frideric Handel</a>. In this podcast, Fisher describes some of the challenges in preparing this music, about playing it on the piano rather than the harpsichord for which it was likely composed, and about why the music of J.S. Bach has become such a regular part of the piano repertoire, while Handel&#8217;s music is often forgetten.</p>
<p><a title="HANDEL, G.F., Keyboard Suites 1 - 4 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572197&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100413_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572197</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/04/podcast-pianist-philip-edward-fisher-talks-about-recording-handels-great-suites-for-keyboard/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/04/cms20100413.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>8.572197, baroque keyboard music, George Frederic Handel, Handel Great Suites, Philip Edward Fisher</itunes:keywords>
	<itunes:subtitle>Pianist Philip Edward Fisher talks about his new Naxos recording of the first four &quot;Great Keyboard Suites&quot; by George Frideric Handel. In this podcast, Fisher describes some of the challenges in preparing this music,</itunes:subtitle>
		<itunes:summary>Pianist Philip Edward Fisher talks about his new Naxos recording of the first four &quot;Great Keyboard Suites&quot; by George Frideric Handel. In this podcast, Fisher describes some of the challenges in preparing this music, about playing it on the piano rather than the harpsichord for which it was likely composed, and about why the music of J.S. Bach has become such a regular part of the piano repertoire, while Handel&#039;s music is often forgetten.

Album details...
Catalogue No.: Naxos 8.572197</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Gil Shaham talks about his new CD of Mendelssohn and Haydn</title>
		<link>http://blog.naxos.com/2010/04/podcast-gil-shaham-talks-about-his-new-cd-of-mendlessohn-and-haydn/</link>
		<comments>http://blog.naxos.com/2010/04/podcast-gil-shaham-talks-about-his-new-cd-of-mendlessohn-and-haydn/#comments</comments>
		<pubDate>Mon, 05 Apr 2010 16:00:45 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Canary Classics]]></category>
		<category><![CDATA[CC08]]></category>
		<category><![CDATA[Felix Mendelssohn]]></category>
		<category><![CDATA[Franz Joseph Haydn]]></category>
		<category><![CDATA[Gil Shaham]]></category>
		<category><![CDATA[Haydn Violin Concerto No. 1]]></category>
		<category><![CDATA[Haydn Violin Concertos]]></category>
		<category><![CDATA[Haydn Violin Concertos No. 2]]></category>
		<category><![CDATA[Mendelssohn Octet]]></category>
		<category><![CDATA[Sejong Soloists]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4561</guid>
		<description><![CDATA[A feature interview with violinist Gil Shaham as he talks about his new recording of Joseph Haydn&#8216;s Violin Concertos 1 and 2, and Felix Mendelssohn&#8216;s famous Octet for strings. His fellow musicians on this CD are the Sejong Soloists, an &#8230; <a class="readmore" href="http://blog.naxos.com/2010/04/podcast-gil-shaham-talks-about-his-new-cd-of-mendlessohn-and-haydn/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="MENDELSSOHN, F., Octet plus Haydn Concertos album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=968633&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100406_cd&amp;utm_c  ampaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="MENDELSSOHN Octet plus Haydn Concertos" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/CC08.gif" width="170" height="168" /></a>A feature interview with violinist <a href="http://www.naxos.com/artistinfo/Gil_Shaham/4923.htm">Gil Shaham</a> as he talks about his new recording of<a href="http://www.naxos.com/composerinfo/Franz_Joseph_Haydn/24410.htm"> Joseph Haydn</a>&#8216;s Violin Concertos 1 and 2, and <a href="http://www.naxos.com/composerinfo/Felix_Mendelssohn/24619.htm">Felix Mendelssohn</a>&#8216;s famous Octet for strings. His fellow musicians on this CD are the <a href="http://www.naxos.com/artistinfo/Sejong/33431.htm">Sejong Soloists</a>, an ensemble with whom Shaham clearly loves to work.</p>
<p><a title="MENDELSSOHN, F., Octet plus Haydn Concertos album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=968633&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100406_txt&amp;utm_c  ampaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Canary Classics CC08</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/04/podcast-gil-shaham-talks-about-his-new-cd-of-mendlessohn-and-haydn/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/03/cms20100406.mp3" length="16954671" type="audio/mpeg" />
			<itunes:keywords>Canary Classics, Felix Mendelssohn, Franz Joseph Haydn, Gil Shaham, Haydn Violin Concerto No. 1, Haydn Violin Concertos, Haydn Violin Concertos No. 2, Mendelssohn Octet, Sejong Soloists</itunes:keywords>
	<itunes:subtitle>A feature interview with violinist Gil Shaham as he talks about his new recording of Joseph Haydn&#039;s Violin Concertos 1 and 2, and Felix Mendelssohn&#039;s famous Octet for strings. His fellow musicians on this CD are the Sejong Soloists,</itunes:subtitle>
		<itunes:summary>A feature interview with violinist Gil Shaham as he talks about his new recording of Joseph Haydn&#039;s Violin Concertos 1 and 2, and Felix Mendelssohn&#039;s famous Octet for strings. His fellow musicians on this CD are the Sejong Soloists, an ensemble with whom Shaham clearly loves to work.

Album details...
Catalogue No.: Canary Classics CC08

 </itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: The Choral Music of Julian Wachner</title>
		<link>http://blog.naxos.com/2010/03/podcast-the-choral-music-of-julian-wachner/</link>
		<comments>http://blog.naxos.com/2010/03/podcast-the-choral-music-of-julian-wachner/#comments</comments>
		<pubDate>Tue, 30 Mar 2010 00:00:08 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559607]]></category>
		<category><![CDATA[American composers]]></category>
		<category><![CDATA[choral music]]></category>
		<category><![CDATA[Elora Festival Singers]]></category>
		<category><![CDATA[Julian Wachner]]></category>
		<category><![CDATA[Michael Bloss]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Noel Edison]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4558</guid>
		<description><![CDATA[A feature interview with American choral composer Julian Wachner, to go with the release of the first Naxos CD of his choral music, part of the Naxos American Classics series. Besides his work as a composer, he is also Music &#8230; <a class="readmore" href="http://blog.naxos.com/2010/03/podcast-the-choral-music-of-julian-wachner/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="WACHNER, J., Complete Choral Music 1 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559607&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100330_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="WACHNER Complete Choral Music Vol 1" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559607.gif" width="170" height="168" /></a>A feature interview with American choral composer <a href="http://www.naxos.com/composerinfo/Julian_Wachner/102506.htm">Julian Wachner</a>, to go with the release of the first Naxos CD of his choral music, part of the <a href="http://www.naxos.com/series/american_classics.htm">Naxos American Classics</a> series. Besides his work as a composer, he is also Music Director of the Washington Chorus, and a Professor of Music at McGill University in Montreal. The featured artists on this CD, and in this podcast, are the <a href="http://www.naxos.com/choirinfo/Elora_Festival_Singers/15093.htm">Elora Festival Singers</a>, organist <a href="http://www.naxos.com/artistinfo/Michael_Bloss/75.htm">Michael Bloss</a>, conducted by <a href="http://www.naxos.com/conductorinfo/Noel_Edison_22783/22783.htm">Noel Edison</a>.</p>
<p>&nbsp;</p>
<p><a title="WACHNER, J., Complete Choral Music 1 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559607&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100330_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559607</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/03/podcast-the-choral-music-of-julian-wachner/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/03/cms20100330.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>8.559607, American composers, choral music, Elora Festival Singers, Julian Wachner, Michael Bloss, Naxos American Classics, Noel Edison</itunes:keywords>
	<itunes:subtitle>A feature interview with American choral composer Julian Wachner, to go with the release of the first Naxos CD of his choral music, part of the Naxos American Classics series. Besides his work as a composer,</itunes:subtitle>
		<itunes:summary>A feature interview with American choral composer Julian Wachner, to go with the release of the first Naxos CD of his choral music, part of the Naxos American Classics series. Besides his work as a composer, he is also Music Director of the Washington Chorus, and a Professor of Music at McGill University in Montreal. The featured artists on this CD, and in this podcast, are the Elora Festival Singers, organist Michael Bloss, conducted by Noel Edison.

 

Album details...
Catalogue No.: Naxos 8.559607</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: The Piano Music of Paul Kletzki</title>
		<link>http://blog.naxos.com/2010/03/podcast-the-piano-music-of-paul-kletzki/</link>
		<comments>http://blog.naxos.com/2010/03/podcast-the-piano-music-of-paul-kletzki/#comments</comments>
		<pubDate>Mon, 22 Mar 2010 16:00:46 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572190]]></category>
		<category><![CDATA[Joseph Banowetz]]></category>
		<category><![CDATA[Paul Kletzki]]></category>
		<category><![CDATA[Polish composers]]></category>
		<category><![CDATA[romantic piano music]]></category>
		<category><![CDATA[Russian National Orchestra]]></category>
		<category><![CDATA[Thomas Sanderling]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4546</guid>
		<description><![CDATA[Polish-born Paul Kletzki started out as one of the most promising composers of the early 20th century &#8211; both Arturo Toscanini and Wilhelm Furtwangler were big supporters, and ended up as one of its more important conductors. In between those &#8230; <a class="readmore" href="http://blog.naxos.com/2010/03/podcast-the-piano-music-of-paul-kletzki/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="KLETZKI, P., Piano Concerto album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572190&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100323_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="KLETZKI Piano Concerto" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572190.gif" width="170" height="168" /></a>Polish-born <a href="http://www.naxos.com/composerinfo/Paul_Kletzki_26103/26103.htm">Paul Kletzki</a> started out as one of the most promising composers of the early 20th century &#8211; both <a href="http://www.naxos.com/artistinfo/Arturo_Toscanini_26518/26518.htm">Arturo Toscanini</a> and <a href="http://www.naxos.com/artistinfo/Wilhelm_Furtwangler_32218/32218.htm">Wilhelm Furtwangler</a> were big supporters, and ended up as one of its more important conductors. In between those two, he was displaced by three dictators: Hitler, Mussolini and Stalin and survived the Holocaust, but lost his family. This podcast looks at his Piano Concerto, and solo piano pieces, in performances with <a href="http://www.naxos.com/artistinfo/Joseph_Banowetz/41.htm">Joseph Banowetz</a> and the <a href="http://www.naxos.com/artistinfo/Russian_Philharmonic_Orchestra/46594.htm">Russian Philharmonic Orchestra</a>, conducted by <a href="http://www.naxos.com/artistinfo/Thomas_Sanderling/31407.htm">Thomas Sanderling</a> &#8211; music that provides an intriguing look at what he might have become, had he not stopped composing during the 1940&#8242;s.</p>
<p><a title="KLETZKI, P., Piano Concerto album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572190&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100323_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572190</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/03/podcast-the-piano-music-of-paul-kletzki/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100323.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>Joseph Banowetz, Paul Kletzki, Polish composers, romantic piano music, Russian National Orchestra, Thomas Sanderling</itunes:keywords>
	<itunes:subtitle>Polish-born Paul Kletzki started out as one of the most promising composers of the early 20th century - both Arturo Toscanini and Wilhelm Furtwangler were big supporters, and ended up as one of its more important conductors. In between those two,</itunes:subtitle>
		<itunes:summary>Polish-born Paul Kletzki started out as one of the most promising composers of the early 20th century - both Arturo Toscanini and Wilhelm Furtwangler were big supporters, and ended up as one of its more important conductors. In between those two, he was displaced by three dictators: Hitler, Mussolini and Stalin and survived the Holocaust, but lost his family. This podcast looks at his Piano Concerto, and solo piano pieces, in performances with Joseph Banowetz and the Russian Philharmonic Orchestra, conducted by Thomas Sanderling - music that provides an intriguing look at what he might have become, had he not stopped composing during the 1940&#039;s.

Album details...
Catalogue No.: Naxos 8.572190</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Sonia Rubinsky and the Piano Music of Villa-Lobos</title>
		<link>http://blog.naxos.com/2010/03/podcast-sonia-rubinsky-and-the-piano-music-of-villa-lobos/</link>
		<comments>http://blog.naxos.com/2010/03/podcast-sonia-rubinsky-and-the-piano-music-of-villa-lobos/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 16:00:55 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.508013]]></category>
		<category><![CDATA[Brazilian composers]]></category>
		<category><![CDATA[Brazilian piano music]]></category>
		<category><![CDATA[Heitor Villa-Lobos]]></category>
		<category><![CDATA[Latin Grammy Winners]]></category>
		<category><![CDATA[Sonia Rubsinky]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4538</guid>
		<description><![CDATA[Heitor Villa-Lobos was one of the most prolific composers in Brazilian history &#8230; in fact, one of the most prolific composers period. His music, with its influences of Johann Sebastian Bach, Brazilian folk music, and the urban music he heard &#8230; <a class="readmore" href="http://blog.naxos.com/2010/03/podcast-sonia-rubinsky-and-the-piano-music-of-villa-lobos/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="VILLA-LOBOS, H., The Piano Music album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.508013&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100316_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.508013.gif" width="170" height="168" /></a><a href="http://www.naxos.com/composerinfo/Heitor_Villa_Lobos_22382/22382.htm">Heitor Villa-Lobos</a> was one of the most prolific composers in Brazilian history &#8230; in fact, one of the most prolific composers period. His music, with its influences of Johann Sebastian Bach, Brazilian folk music, and the urban music he heard in Brazil&#8217;s cities, came to influence an entire generation of pop musicians in Brazil. In this podcast, pianist <a href="http://www.naxos.com/artistinfo/Sonia_Rubinsky/654.htm">Sonia Rubinsky</a> talks about her project to record eight CDs of his piano music, including many pieces that have never before been recorded.</p>
<p><a title="VILLA-LOBOS, H., The Piano Music album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.508013&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100316_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.508013</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/03/podcast-sonia-rubinsky-and-the-piano-music-of-villa-lobos/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/03/cms20100316.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>8.508013, Brazilian composers, Brazilian piano music, Heitor Villa-Lobos, Latin Grammy Winners, Sonia Rubsinky</itunes:keywords>
	<itunes:subtitle>Heitor Villa-Lobos was one of the most prolific composers in Brazilian history ... in fact, one of the most prolific composers period. His music, with its influences of Johann Sebastian Bach, Brazilian folk music,</itunes:subtitle>
		<itunes:summary>Heitor Villa-Lobos was one of the most prolific composers in Brazilian history ... in fact, one of the most prolific composers period. His music, with its influences of Johann Sebastian Bach, Brazilian folk music, and the urban music he heard in Brazil&#039;s cities, came to influence an entire generation of pop musicians in Brazil. In this podcast, pianist Sonia Rubinsky talks about her project to record eight CDs of his piano music, including many pieces that have never before been recorded.

Album details...
Catalogue No.: Naxos 8.508013</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Gerald Finley sings Great Opera Arias</title>
		<link>http://blog.naxos.com/2010/03/podcast-gerald-finley-sings-great-opera-arias/</link>
		<comments>http://blog.naxos.com/2010/03/podcast-gerald-finley-sings-great-opera-arias/#comments</comments>
		<pubDate>Mon, 08 Mar 2010 16:00:24 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Carl Maria von Weber]]></category>
		<category><![CDATA[Chandos CHAN 3167]]></category>
		<category><![CDATA[Chandos Opera in English]]></category>
		<category><![CDATA[Dr. Atomic]]></category>
		<category><![CDATA[Edward Gardner]]></category>
		<category><![CDATA[Gerald Finley]]></category>
		<category><![CDATA[Giocomo Puccini]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[London Philharmonic Orchestra]]></category>
		<category><![CDATA[Lucy Crowe]]></category>
		<category><![CDATA[Mark Anthony Turnage]]></category>
		<category><![CDATA[Peter Ilyich Tchaikowsky]]></category>
		<category><![CDATA[Richard Rogers]]></category>
		<category><![CDATA[Richard Wagner]]></category>
		<category><![CDATA[Some Enchanted Evening]]></category>
		<category><![CDATA[The Silver Tassie]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4511</guid>
		<description><![CDATA[An interview with baritone Gerald Finley about his new Chandos CD titled Great Opera Arias. This CD includes arias from two roles he helped create as the first person to sing the lead roles: Robert Oppenheimer in John Adams&#8216; Dr. &#8230; <a class="readmore" href="http://blog.naxos.com/2010/03/podcast-gerald-finley-sings-great-opera-arias/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="GREAT OPERA ARIAS with Gerald Finley album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=952431&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100309_cd&amp;utm_c  ampaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="GREAT OPERA ARIAS with Gerald Finley" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/CHAN3167.gif" width="170" height="168" /></a>An interview with baritone <a href="http://www.naxos.com/artistinfo/Gerald_Finley_62315/62315.htm">Gerald Finley</a> about his new Chandos CD titled <em>Great Opera Arias</em>. This CD includes arias from two roles he helped create as the first person to sing the lead roles: Robert Oppenheimer in <a href="http://www.naxos.com/composerinfo/John_Adams_18185/18185.htm">John Adams</a>&#8216; <em>Dr. Atomic</em>, and Harry in <a href="http://www.naxos.com/composerinfo/Mark_Anthony_Turnage/17346.htm">Mark Anthony Turnage</a>&#8216;s <em>The Silver Tassie</em>. Other composers featured on this disc include <a href="http://www.naxos.com/composerinfo/Pyotr_Ilyich_Tchaikovsky/23876.htm">Tchaikowsky</a>, <a href="http://www.naxos.com/composerinfo/Carl_Maria_von_Weber/22404.htm">Weber</a>, <a href="http://www.naxos.com/composerinfo/Giuseppe_Verdi/21135.htm">Verdi</a>, <a href="http://www.naxos.com/composerinfo/Georges_Bizet/25998.htm">Bizet</a>, Puccini, <a href="http://www.naxos.com/composerinfo/Gaetano_Donizetti/26004.htm">Donezetti</a>, <a href="http://www.naxos.com/composerinfo/Richard_Wagner_22392/22392.htm">Wagner</a> and <a href="http://www.naxos.com/composerinfo/Wolfgang_Amadeus_Mozart/15934.htm">Mozart</a>. In this recording, Gerald Finley is accompanied by the <a href="http://www.naxos.com/artistinfo/London_Philharmonic_Orchestra/45636.htm">London Philharmonic Orchestra</a>, conducted by Edward Gardner.</p>
<p><a title="GREAT OPERA ARIAS with Gerald Finley album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=952431&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100309_txt&amp;utm_c  ampaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Chandos CHAN 3167</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/03/podcast-gerald-finley-sings-great-opera-arias/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/03/cms20100309.mp3" length="18637323" type="audio/mpeg" />
			<itunes:keywords>Carl Maria von Weber, Chandos CHAN 3167, Chandos Opera in English, Dr. Atomic, Edward Gardner, Gerald Finley, Giocomo Puccini, John Adams, London Philharmonic Orchestra, Lucy Crowe, Mark Anthony Turnage, Peter Ilyich Tchaikowsky, Richard Rogers</itunes:keywords>
	<itunes:subtitle>An interview with baritone Gerald Finley about his new Chandos CD titled Great Opera Arias. This CD includes arias from two roles he helped create as the first person to sing the lead roles: Robert Oppenheimer in John Adams&#039; Dr. Atomic,</itunes:subtitle>
		<itunes:summary>An interview with baritone Gerald Finley about his new Chandos CD titled Great Opera Arias. This CD includes arias from two roles he helped create as the first person to sing the lead roles: Robert Oppenheimer in John Adams&#039; Dr. Atomic, and Harry in Mark Anthony Turnage&#039;s The Silver Tassie. Other composers featured on this disc include Tchaikowsky, Weber, Verdi, Bizet, Puccini, Donezetti, Wagner and Mozart. In this recording, Gerald Finley is accompanied by the London Philharmonic Orchestra, conducted by Edward Gardner.

Album details...
Catalogue No.: Chandos CHAN 3167</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>22:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: The Vienna Philharmonic plays Haydn</title>
		<link>http://blog.naxos.com/2010/03/podcast-the-vienna-philharmonic-plays-haydn/</link>
		<comments>http://blog.naxos.com/2010/03/podcast-the-vienna-philharmonic-plays-haydn/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 16:00:11 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Christoph von Dohnanyi]]></category>
		<category><![CDATA[Franz Welser-Most]]></category>
		<category><![CDATA[Haydn London Symphonies]]></category>
		<category><![CDATA[Joseph Haydn]]></category>
		<category><![CDATA[Nicolaus Harnoncourt]]></category>
		<category><![CDATA[Pierre Boulez]]></category>
		<category><![CDATA[Vienna Philharmonic]]></category>
		<category><![CDATA[Vienna Philharmonic Records]]></category>
		<category><![CDATA[WPH-L-H-2009]]></category>
		<category><![CDATA[Zubin Mehta]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4484</guid>
		<description><![CDATA[The Vienna Philharmonic was founded in 1842, only 33 years after the death of Franz Joseph Haydn. Since that time, they have given more than 7,000 concerts, surely a record among orchestras. In this special box set on the Vienna &#8230; <a class="readmore" href="http://blog.naxos.com/2010/03/podcast-the-vienna-philharmonic-plays-haydn/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=WPH-L-H-2009&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100302_cd&amp;utm_campaign=CMS"><img class="size-thumbnail wp-image-4504 alignleft" title="Haydn Symphonies" alt="" src="http://blog.naxos.com/wp-content/uploads/7300996002241-150x150.jpg" width="150" height="150" /></a>The <a href="http://www.naxos.com/artistinfo/Vienna_Philharmonic_Orchestra/34564.htm">Vienna Philharmonic</a> was founded in 1842, only 33 years after the death of <a href="http://www.naxos.com/composerinfo/Franz_Joseph_Haydn/24410.htm">Franz Joseph Haydn</a>. Since that time, they have given more than 7,000 concerts, surely a record among orchestras. In this special box set on the Vienna Philharmonic&#8217;s own CD label, they present seven Haydn Symphonies, conducted by five of the world&#8217;s greatest conductors: <a href="http://www.naxos.com/artistinfo/Christoph_von_Dohnanyi/31355.htm">Christoph von Dohnanyi</a>, <a href="http://www.naxos.com/artistinfo/Nikolaus_Harnoncourt_30361/30361.htm">Nikolaus Harnoncourt</a>, <a href="http://www.naxos.com/artistinfo/Franz_Welser_Most/32237.htm">Franz Welser-Most</a>, <a href="http://www.naxos.com/artistinfo/Zubin_Mehta/30356.htm">Zubin Mehta</a> and <a href="http://www.naxos.com/artistinfo/Pierre_Boulez_27094/27094.htm">Pierre Boulez</a>.</p>
<p><a title="HAYDN, J., Symphonies with Vienna Philharmonic album details" href="http://www.naxos.com/catalogue/item.asp?item_code=WPH-L-H-2009&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100302_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Vienna Philharmonic WPH-L-H-2009</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/03/podcast-the-vienna-philharmonic-plays-haydn/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100302.mp3" length="18890631" type="audio/mpeg" />
			<itunes:keywords>Christoph von Dohnanyi, Franz Welser-Most, Haydn London Symphonies, Joseph Haydn, Nicolaus Harnoncourt, Pierre Boulez, Vienna Philharmonic, Vienna Philharmonic Records, Zubin Mehta</itunes:keywords>
	<itunes:subtitle>The Vienna Philharmonic was founded in 1842, only 33 years after the death of Franz Joseph Haydn. Since that time, they have given more than 7,000 concerts, surely a record among orchestras. In this special box set on the Vienna Philharmonic&#039;s own CD l...</itunes:subtitle>
		<itunes:summary>The Vienna Philharmonic was founded in 1842, only 33 years after the death of Franz Joseph Haydn. Since that time, they have given more than 7,000 concerts, surely a record among orchestras. In this special box set on the Vienna Philharmonic&#039;s own CD label, they present seven Haydn Symphonies, conducted by five of the world&#039;s greatest conductors: Christoph von Dohnanyi, Nikolaus Harnoncourt, Franz Welser-Most, Zubin Mehta and Pierre Boulez.

Album details...
Catalogue No.: Vienna Philharmonic WPH-L-H-2009</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>22:18</itunes:duration>
	</item>
		<item>
		<title>Podcast: An interview with pianist Jenny Lin</title>
		<link>http://blog.naxos.com/2010/02/podcast-an-interview-with-pianist-jenny-lin/</link>
		<comments>http://blog.naxos.com/2010/02/podcast-an-interview-with-pianist-jenny-lin/#comments</comments>
		<pubDate>Thu, 25 Feb 2010 16:00:14 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[CD98.229]]></category>
		<category><![CDATA[contemporary music]]></category>
		<category><![CDATA[Ernst Bloch]]></category>
		<category><![CDATA[Jenny Lin]]></category>
		<category><![CDATA[Jenny Lin plays Shostakovich]]></category>
		<category><![CDATA[pianist Jenny Lin]]></category>
		<category><![CDATA[Valentin Silvestrov]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4466</guid>
		<description><![CDATA[When Jenny Lin launched her CD &#8220;Preludes to a Revolution&#8221;, the New York Times wrote &#8220;No one who has heard the latest recording by the pianist Jenny Lin &#8211; &#8220;Preludes to a Revolution,&#8221; a series of predominantly lyrical effusions from &#8230; <a class="readmore" href="http://blog.naxos.com/2010/02/podcast-an-interview-with-pianist-jenny-lin/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="SILVESTROV, V.: Piano Works album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=472522&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100226_cd&amp;utm_c  ampaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="SILVESTROV Piano Works" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/CD98.229.gif" width="170" height="168" /></a>When <a href="http://www.naxos.com/artistinfo/Jenny_Lin/6477.htm">Jenny Lin</a> launched her CD &#8220;Preludes to a Revolution&#8221;, the New York Times wrote &#8220;No one who has heard the latest recording by the pianist Jenny Lin &#8211; &#8220;Preludes to a Revolution,&#8221; a series of predominantly lyrical effusions from the pre-Soviet and early Soviet era, on Hänssler Classic &#8211; will need to be told that Ms. Lin has a gift for melodic flow&#8230;&#8221;. That, along with her formidable technique and dedication to contemporary music have made her one of the most interesting and compelling pianists of our time. In this feature interview, she talks about the joys of working with living composers.</p>
<p><a title="SILVESTROV, V.: Piano Works album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=472522&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100226_txt&amp;utm_c  ampaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Hanssler Classic CD98.229</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/02/podcast-an-interview-with-pianist-jenny-lin/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/02/cms20100226.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>contemporary music, Ernst Bloch, Jenny Lin, Jenny Lin plays Shostakovich, pianist Jenny Lin, Valentin Silvestrov</itunes:keywords>
	<itunes:subtitle>When Jenny Lin launched her CD &quot;Preludes to a Revolution&quot;, the New York Times wrote &quot;No one who has heard the latest recording by the pianist Jenny Lin - &quot;Preludes to a Revolution,&quot; a series of predominantly lyrical effusions from the pre-Soviet and ea...</itunes:subtitle>
		<itunes:summary>When Jenny Lin launched her CD &quot;Preludes to a Revolution&quot;, the New York Times wrote &quot;No one who has heard the latest recording by the pianist Jenny Lin - &quot;Preludes to a Revolution,&quot; a series of predominantly lyrical effusions from the pre-Soviet and early Soviet era, on Hänssler Classic - will need to be told that Ms. Lin has a gift for melodic flow...&quot;. That, along with her formidable technique and dedication to contemporary music have made her one of the most interesting and compelling pianists of our time. In this feature interview, she talks about the joys of working with living composers.

Album details...
Catalogue No.: Hanssler Classic CD98.229</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast:  Magnus Lindberg&#8217;s Graffiti</title>
		<link>http://blog.naxos.com/2010/02/podcast-magnus-lindbergs-graffifi/</link>
		<comments>http://blog.naxos.com/2010/02/podcast-magnus-lindbergs-graffifi/#comments</comments>
		<pubDate>Mon, 22 Feb 2010 16:00:42 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[contemporary composers]]></category>
		<category><![CDATA[Finnish composers]]></category>
		<category><![CDATA[Finnish Radio Symphony Orchestra]]></category>
		<category><![CDATA[Graffiti]]></category>
		<category><![CDATA[Helsinki Chamber Choir]]></category>
		<category><![CDATA[Magnus Lindberg]]></category>
		<category><![CDATA[New York Philharmonic composer-in-residence]]></category>
		<category><![CDATA[ODE1157-2]]></category>
		<category><![CDATA[Ondine]]></category>
		<category><![CDATA[Sakari Oramo]]></category>
		<category><![CDATA[Seht die Sonne]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4462</guid>
		<description><![CDATA[Finnish composer Magnus Lindberg is one of the most dynamic composers working today. As the music in this podcast shows, he is also a master of orchestral colour. This podcast looks at a CD of two recent large-scale works: Graffiti &#8230; <a class="readmore" href="http://blog.naxos.com/2010/02/podcast-magnus-lindbergs-graffifi/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="LINDBERG, M.: Graffiti album details" href="http://www.naxos.com/catalogue/item.asp?item_code=ODE1157-2&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100223_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="LINDBERG Graffiti" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/ODE1157-2.gif" width="170" height="168" /></a>Finnish composer <a href="http://www.naxos.com/composerinfo/Magnus_Lindberg/18827.htm">Magnus Lindberg</a> is one of the most dynamic composers working today. As the music in this podcast shows, he is also a master of orchestral colour. This podcast looks at a CD of two recent large-scale works: Graffiti for orchestra and choir, and Seht die Sonne for orchestra. This CD, on Finland&#8217;s renowned Ondine label, features the <a href="http://www.naxos.com/artistinfo/Finnish_Radio_Symphony_Orchestra/46155.htm">Finnish Radio Symphony Orchestra</a>, and the Helsinki Chamber Choir conducted by <a href="http://www.naxos.com/artistinfo/Sakari_Oramo_31214/31214.htm">Sakari Oramo</a>.</p>
<p>&nbsp;</p>
<p><a title="LINDBERG, M.: Graffiti album details" href="http://www.naxos.com/catalogue/item.asp?item_code=ODE1157-2&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100223_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Ondine ODE1157-2</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/02/podcast-magnus-lindbergs-graffifi/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/02/cms20100223.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>contemporary composers, Finnish composers, Finnish Radio Symphony Orchestra, Graffiti, Helsinki Chamber Choir, Magnus Lindberg, New York Philharmonic composer-in-residence, Ondine, Sakari Oramo, Seht die Sonne</itunes:keywords>
	<itunes:subtitle>Finnish composer Magnus Lindberg is one of the most dynamic composers working today. As the music in this podcast shows, he is also a master of orchestral colour. This podcast looks at a CD of two recent large-scale works: Graffiti for orchestra and ch...</itunes:subtitle>
		<itunes:summary>Finnish composer Magnus Lindberg is one of the most dynamic composers working today. As the music in this podcast shows, he is also a master of orchestral colour. This podcast looks at a CD of two recent large-scale works: Graffiti for orchestra and choir, and Seht die Sonne for orchestra. This CD, on Finland&#039;s renowned Ondine label, features the Finnish Radio Symphony Orchestra, and the Helsinki Chamber Choir conducted by Sakari Oramo.

 

Album details...
Catalogue No.: Ondine ODE1157-2</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Luminosity &#8211; an interview with James Whitbourn</title>
		<link>http://blog.naxos.com/2010/02/podcast-luminosity-an-interview-with-james-whitbourn/</link>
		<comments>http://blog.naxos.com/2010/02/podcast-luminosity-an-interview-with-james-whitbourn/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 16:00:36 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572103]]></category>
		<category><![CDATA[Andrew Ker]]></category>
		<category><![CDATA[British Choral Music]]></category>
		<category><![CDATA[British composers]]></category>
		<category><![CDATA[Christopher Gillett]]></category>
		<category><![CDATA[Commotio]]></category>
		<category><![CDATA[Desmond Tutu]]></category>
		<category><![CDATA[Henry Parkes]]></category>
		<category><![CDATA[James Whitbourn]]></category>
		<category><![CDATA[Levine Andrade]]></category>
		<category><![CDATA[Luminosity]]></category>
		<category><![CDATA[Matthew Berry]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Steffan Jones]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4449</guid>
		<description><![CDATA[An interview with British composer James Whitbourn about a new Naxos CD of his choral music with Commotio choir, soloists Christopher Gillett, Levine Andrade, Steffan Jones, Andrew Ker, Henry Parkes and special narrator Desmond Tutu, all conducted by Matthew Berry. &#8230; <a class="readmore" href="http://blog.naxos.com/2010/02/podcast-luminosity-an-interview-with-james-whitbourn/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="WHITBOURN, J., Luminosity album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572103&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100216_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="WHITBOURN Luminosity" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572103.gif" width="170" height="168" /></a>An interview with British composer<a href="http://www.naxos.com/composerinfo/James_Whitbourn/97375.htm"> James Whitbourn </a>about a new Naxos CD of his choral music with <a href="http://www.naxos.com/choirinfo/Commotio/112035.htm">Commotio</a> choir, soloists <a href="http://www.naxos.com/artistinfo/Christopher_Gillett/2919.htm">Christopher Gillett</a>, <a href="http://www.naxos.com/artistinfo/Levine_Andrade/95807.htm">Levine Andrade</a>, <a href="http://www.naxos.com/artistinfo/Steffan_Jones/112033.htm">Steffan Jones</a>, <a href="http://www.naxos.com/artistinfo/Andrew_Ker/112032.htm">Andrew Ker</a>, <a href="http://www.naxos.com/artistinfo/Henry_Parkes/112031.htm">Henry Parkes</a> and special narrator Desmond Tutu, all conducted by <a href="http://www.naxos.com/conductorinfo/Matthew_Berry/112034.htm">Matthew Berry</a>. The texts used in Whitbourn&#8217;s music are as varied as the performers as he draws on The Bible, Issac of Nineveh, Julian of Norwich, Buddhist mystic Ryonen and Desmond Tutu.</p>
<p>&nbsp;</p>
<p><a title="WHITBOURN, J., Luminosity album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572103&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100216_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572103</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/02/podcast-luminosity-an-interview-with-james-whitbourn/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/02/cms20100216.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>8.572103, Andrew Ker, British Choral Music, British composers, Christopher Gillett, Commotio, Desmond Tutu, Henry Parkes, James Whitbourn, Levine Andrade, Luminosity, Matthew Berry, Naxos Classical Music Spotlight, Steffan Jones</itunes:keywords>
	<itunes:subtitle>An interview with British composer James Whitbourn about a new Naxos CD of his choral music with Commotio choir, soloists Christopher Gillett, Levine Andrade, Steffan Jones, Andrew Ker, Henry Parkes and special narrator Desmond Tutu,</itunes:subtitle>
		<itunes:summary>An interview with British composer James Whitbourn about a new Naxos CD of his choral music with Commotio choir, soloists Christopher Gillett, Levine Andrade, Steffan Jones, Andrew Ker, Henry Parkes and special narrator Desmond Tutu, all conducted by Matthew Berry. The texts used in Whitbourn&#039;s music are as varied as the performers as he draws on The Bible, Issac of Nineveh, Julian of Norwich, Buddhist mystic Ryonen and Desmond Tutu.

 

Album details...
Catalogue No.: Naxos 8.572103</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Joseph Polisi talks about composer William Schuman</title>
		<link>http://blog.naxos.com/2010/02/podcast-joseph-polisi-talks-about-composer-william-schuman/</link>
		<comments>http://blog.naxos.com/2010/02/podcast-joseph-polisi-talks-about-composer-william-schuman/#comments</comments>
		<pubDate>Mon, 08 Feb 2010 16:00:35 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559651]]></category>
		<category><![CDATA[Gerard Schwarz]]></category>
		<category><![CDATA[Joseph Polisi]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Night Journey]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Seattle Symphony]]></category>
		<category><![CDATA[symphony no 8]]></category>
		<category><![CDATA[Variations on America]]></category>
		<category><![CDATA[William Schuman]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4424</guid>
		<description><![CDATA[American composer William Schuman, born 100 years ago, was one of the best-known composers of his day. He was also an arts administrator of great skill who was at various times President of The Julliard School and President of Lincoln &#8230; <a class="readmore" href="http://blog.naxos.com/2010/02/podcast-joseph-polisi-talks-about-composer-william-schuman/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="SCHUMAN, W., Symphony No. 8 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559651&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100209_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="SCHUMAN Symphony No 8" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559651.gif" width="170" height="168" /></a>American composer <a href="http://www.naxos.com/composerinfo/William_Schuman_26345/26345.htm">William Schuman</a>, born 100 years ago, was one of the best-known composers of his day. He was also an arts administrator of great skill who was at various times President of The Julliard School and President of Lincoln Centre. In this podcast, Dr. Joseph Polisi, current President of Julliard and Schuman&#8217;s friend and biographer, talks about <a href="http://www.naxos.com/composerinfo/William_Schuman_26345/26345.htm">Schuman</a> and his music. The music featured in this podcast comes from a new CD on the <a href="http://www.naxos.com/series/american_classics.htm">Naxos American Classics</a> series featuring the <a href="http://www.naxos.com/orchestrainfo/Seattle_Symphony_Orchestra/34878.htm">Seattle Symphony</a> conducted by <a href="http://www.naxos.com/conductorinfo/Gerard_Schwarz/32307.htm">Gerard Schwarz</a> playing <a href="http://www.naxos.com/composerinfo/William_Schuman_26345/26345.htm">Schuman</a>&#8216;s Symphony No. 8, Night Music, and Schuman&#8217;s arrangement of <a href="http://www.naxos.com/composerinfo/Charles_Ives_24786/24786.htm">Charles Ives</a>&#8216; &#8220;Variations on America&#8221;.</p>
<p><a title="VSCHUMAN, W., Symphony No. 8 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559651&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100209_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559651</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/02/podcast-joseph-polisi-talks-about-composer-william-schuman/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/02/cms20100209.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>8.559651, Gerard Schwarz, Joseph Polisi, Naxos American Classics, Naxos Classical Music Spotlight, Night Journey, Raymond Bisha, Seattle Symphony, symphony no 8, Variations on America, William Schuman</itunes:keywords>
	<itunes:subtitle>American composer William Schuman, born 100 years ago, was one of the best-known composers of his day. He was also an arts administrator of great skill who was at various times President of The Julliard School and President of Lincoln Centre.</itunes:subtitle>
		<itunes:summary>American composer William Schuman, born 100 years ago, was one of the best-known composers of his day. He was also an arts administrator of great skill who was at various times President of The Julliard School and President of Lincoln Centre. In this podcast, Dr. Joseph Polisi, current President of Julliard and Schuman&#039;s friend and biographer, talks about Schuman and his music. The music featured in this podcast comes from a new CD on the Naxos American Classics series featuring the Seattle Symphony conducted by Gerard Schwarz playing Schuman&#039;s Symphony No. 8, Night Music, and Schuman&#039;s arrangement of Charles Ives&#039; &quot;Variations on America&quot;.

Album details...
Catalogue No.: Naxos 8.559651</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Leonard Slatkin talks about Rachmaninov Symphony No. 2</title>
		<link>http://blog.naxos.com/2010/02/podcast-leonard-slatkin-talks-about-rachmaninov-symphony-no-2/</link>
		<comments>http://blog.naxos.com/2010/02/podcast-leonard-slatkin-talks-about-rachmaninov-symphony-no-2/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 00:00:48 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572458]]></category>
		<category><![CDATA[Detroit Symphony Orchestra]]></category>
		<category><![CDATA[Leonard Slatkin]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Rachmaninov Symphony No. 2]]></category>
		<category><![CDATA[Rachmanknov Vocalise No. 14]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Russian composers]]></category>
		<category><![CDATA[Russian orchestral music]]></category>
		<category><![CDATA[Sergei Rachmaninoff]]></category>
		<category><![CDATA[Sergei Rachmaninov]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4401</guid>
		<description><![CDATA[Maestro Leonard Slatkin talks about Sergei Rachmaninov&#8216;s music, his Symphony No. 2 in E minor, and his new recording of this piece with the Detroit Symphony Orchestra, where he is now Music Director. In this podcast, Leonard Slatkin talks about &#8230; <a class="readmore" href="http://blog.naxos.com/2010/02/podcast-leonard-slatkin-talks-about-rachmaninov-symphony-no-2/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="RACHMANINOV, S., Symphony No. 2 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572458&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100202_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="RACHMANINOV Symphony No 2" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572458.gif" width="170" height="168" /></a><a href="http://www.naxos.com/conductorinfo/Leonard_Slatkin/32041.htm">Maestro Leonard Slatkin</a> talks about <a href="http://www.naxos.com/composerinfo/Sergei_Rachmaninov_21001/21001.htm">Sergei Rachmaninov</a>&#8216;s music, his Symphony No. 2 in E minor, and his new recording of this piece with the<a href="http://www.naxos.com/orchestrainfo/Detroit_Symphony_Orchestra/35172.htm"> Detroit Symphony Orchestra</a>, where he is now Music Director. In this podcast, <a href="http://www.naxos.com/conductorinfo/Leonard_Slatkin/32041.htm">Leonard Slatkin</a> talks about what <a href="http://www.naxos.com/composerinfo/Sergei_Rachmaninov_21001/21001.htm">Rachmaninov</a> does that allows this hour-long symphony hold together, and what challenges it presents to the performing orchestra.</p>
<p><a title="RACHMANINOV, S., Symphony No. 2 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572458&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100202_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572458</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/02/podcast-leonard-slatkin-talks-about-rachmaninov-symphony-no-2/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2010/02/cms20100202.mp3" length="16957250" type="audio/mpeg" />
			<itunes:keywords>8.572458, Detroit Symphony Orchestra, Leonard Slatkin, Naxos Classical Music Spotlight, Rachmaninov Symphony No. 2, Rachmanknov Vocalise No. 14, Raymond Bisha, Russian composers, Russian orchestral music, Sergei Rachmaninoff, Sergei Rachmaninov</itunes:keywords>
	<itunes:subtitle>Maestro Leonard Slatkin talks about Sergei Rachmaninov&#039;s music, his Symphony No. 2 in E minor, and his new recording of this piece with the Detroit Symphony Orchestra, where he is now Music Director. In this podcast,</itunes:subtitle>
		<itunes:summary>Maestro Leonard Slatkin talks about Sergei Rachmaninov&#039;s music, his Symphony No. 2 in E minor, and his new recording of this piece with the Detroit Symphony Orchestra, where he is now Music Director. In this podcast, Leonard Slatkin talks about what Rachmaninov does that allows this hour-long symphony hold together, and what challenges it presents to the performing orchestra.

Album details...
Catalogue No.: Naxos 8.572458</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Marin Alsop talks about Roy Harris Symphonies 5 and 6</title>
		<link>http://blog.naxos.com/2010/01/podcast-marin-alsop-talks-about-roy-harris-symphonies-5-and-6/</link>
		<comments>http://blog.naxos.com/2010/01/podcast-marin-alsop-talks-about-roy-harris-symphonies-5-and-6/#comments</comments>
		<pubDate>Mon, 25 Jan 2010 16:00:43 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559609]]></category>
		<category><![CDATA[American Symphonic music]]></category>
		<category><![CDATA[Bournemouth Symphony Orchestra]]></category>
		<category><![CDATA[Marin Alsop]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Roy Harris Symphony No. 5]]></category>
		<category><![CDATA[Roy Harris Symphony No. 6]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4392</guid>
		<description><![CDATA[Roy Harris, along with colleagues such as Aaron Copland and Roger Sessions, were among the leading American symphonists in the first half of the 20th century. Collectively, they helped to create an &#8220;American&#8221; symphonic sound. In this podcast, conductor Marin &#8230; <a class="readmore" href="http://blog.naxos.com/2010/01/podcast-marin-alsop-talks-about-roy-harris-symphonies-5-and-6/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="HARRIS, R., Symphonies 5 and 6 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559609&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100126_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="HARRIS Symphonies Nos 5 and 6" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559609.gif" width="170" height="168" /></a><a href="http://www.naxos.com/composerinfo/Roy_Harris/20718.htm">Roy Harris</a>, along with colleagues such as Aaron Copland and Roger Sessions, were among the leading American symphonists in the first half of the 20th century. Collectively, they helped to create an &#8220;American&#8221; symphonic sound. In this podcast, conductor <a href="http://www.naxos.com/conductorinfo/Marin_Alsop_30446/30446.htm">Marin Alsop</a> talks about the music of Roy Harris, and his Symphonies 5 and 6 which are featured on this new recording with the <a href="http://www.naxos.com/orchestrainfo/Bournemouth_Symphony_Orchestra/35469.htm">Bournemouth Symphony Orchestra</a>.</p>
<p>&nbsp;</p>
<p><a title="HARRIS, R., Symphonies 5 and 6 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559609&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100126_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559609</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/01/podcast-marin-alsop-talks-about-roy-harris-symphonies-5-and-6/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100126.mp3" length="16957590" type="audio/mpeg" />
			<itunes:keywords>American Symphonic music, Bournemouth Symphony Orchestra, Marin Alsop, Naxos American Classics, Naxos Classical Music Spotlight, Roy Harris Symphony No. 5, Roy Harris Symphony No. 6</itunes:keywords>
	<itunes:subtitle>Roy Harris, along with colleagues such as Aaron Copland and Roger Sessions, were among the leading American symphonists in the first half of the 20th century. Collectively, they helped to create an &quot;American&quot; symphonic sound. In this podcast,</itunes:subtitle>
		<itunes:summary>Roy Harris, along with colleagues such as Aaron Copland and Roger Sessions, were among the leading American symphonists in the first half of the 20th century. Collectively, they helped to create an &quot;American&quot; symphonic sound. In this podcast, conductor Marin Alsop talks about the music of Roy Harris, and his Symphonies 5 and 6 which are featured on this new recording with the Bournemouth Symphony Orchestra.

 

Album details...
Catalogue No.: Naxos 8.559609</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Eternal Fire &#8211; the Choruses of J.S. Bach</title>
		<link>http://blog.naxos.com/2010/01/podcast-eternal-fire-the-choruses-of-j-s-bach/</link>
		<comments>http://blog.naxos.com/2010/01/podcast-eternal-fire-the-choruses-of-j-s-bach/#comments</comments>
		<pubDate>Mon, 18 Jan 2010 16:00:18 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Bach Cantata Pilgrimage]]></category>
		<category><![CDATA[Bach Cantatas]]></category>
		<category><![CDATA[English Baroque Soloists]]></category>
		<category><![CDATA[Eternal Fire]]></category>
		<category><![CDATA[Johann Sebastian Bach]]></category>
		<category><![CDATA[John Eliot Gardiner]]></category>
		<category><![CDATA[Monteverdi Choir]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[SDG]]></category>
		<category><![CDATA[SDG 177]]></category>
		<category><![CDATA[Soli Deo Gloria]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4347</guid>
		<description><![CDATA[On Christmas Day 1999, Sir John Eliot Gardiner, together with the Monteverdi Choir and the English Baroque Soloists, embarked on one of the most remarkable musical projects ever undertaken. The began their &#8220;Bach Cantata Pilgrimage&#8221; in which they performed all &#8230; <a class="readmore" href="http://blog.naxos.com/2010/01/podcast-eternal-fire-the-choruses-of-j-s-bach/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="BACH, J.S., Eternal Fire album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=941297&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100119_cd&amp;utm_c  ampaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="JS BACH Eternal Fire" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/SDG177.gif" width="170" height="168" /></a>On Christmas Day 1999, <a href="http://www.naxos.com/artistinfo/John_Eliot_Gardiner_32224/32224.htm">Sir John Eliot Gardiner</a>, together with the <a href="http://www.naxos.com/artistinfo/Monteverdi_Choir/15298.htm">Monteverdi Choir</a> and the <a href="http://www.naxos.com/artistinfo/English_Baroque_Soloists_33772/33772.htm">English Baroque Soloists</a>, embarked on one of the most remarkable musical projects ever undertaken. The began their &#8220;<a href="http://www.naxos.com/composerinfo/Johann_Sebastian_Bach_17648/17648.htm">Bach</a> Cantata Pilgrimage&#8221; in which they performed all 200 <a href="http://www.naxos.com/composerinfo/Johann_Sebastian_Bach_17648/17648.htm">Bach</a> Cantatas, each on the feast day for which they were composed, in one year. Out of that project came recordings of every cantata, and a new record label, SDG, to release them. This podcast looks at the project, and Eternal Fire, a collection of choruses from the cantata project.</p>
<p><a title="BACH, J.S., Eternal Fire album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=941297&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100119_txt&amp;utm_c  ampaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Soli Deo Gloria SDG177</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/01/podcast-eternal-fire-the-choruses-of-j-s-bach/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100119.mp3" length="16957231" type="audio/mpeg" />
			<itunes:keywords>Bach Cantata Pilgrimage, Bach Cantatas, English Baroque Soloists, Eternal Fire, Johann Sebastian Bach, John Eliot Gardiner, Monteverdi Choir, Naxos Classical Music Spotlight, SDG, SDG 177, Soli Deo Gloria</itunes:keywords>
	<itunes:subtitle>On Christmas Day 1999, Sir John Eliot Gardiner, together with the Monteverdi Choir and the English Baroque Soloists, embarked on one of the most remarkable musical projects ever undertaken. The began their &quot;Bach Cantata Pilgrimage&quot; in which they perfor...</itunes:subtitle>
		<itunes:summary>On Christmas Day 1999, Sir John Eliot Gardiner, together with the Monteverdi Choir and the English Baroque Soloists, embarked on one of the most remarkable musical projects ever undertaken. The began their &quot;Bach Cantata Pilgrimage&quot; in which they performed all 200 Bach Cantatas, each on the feast day for which they were composed, in one year. Out of that project came recordings of every cantata, and a new record label, SDG, to release them. This podcast looks at the project, and Eternal Fire, a collection of choruses from the cantata project.

Album details...
Catalogue No.: Soli Deo Gloria SDG177</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Mahler Symphony No. 2</title>
		<link>http://blog.naxos.com/2010/01/podcast-mahler-symphony-no-2/</link>
		<comments>http://blog.naxos.com/2010/01/podcast-mahler-symphony-no-2/#comments</comments>
		<pubDate>Mon, 11 Jan 2010 16:00:45 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Bernard Haitink]]></category>
		<category><![CDATA[Chicago Symphony Orchestra]]></category>
		<category><![CDATA[CSO Resound]]></category>
		<category><![CDATA[CSOR901914]]></category>
		<category><![CDATA[Mahler Symphony No. 2]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4330</guid>
		<description><![CDATA[Our first podcast featuring a release on CSO-Resound, the record label of the world-renowned Chicago Symphony Orchestra. All CDs on this label come from live performances by the Chicago Symphony, and feature the orchestra with some of the world&#8217;s finest &#8230; <a class="readmore" href="http://blog.naxos.com/2010/01/podcast-mahler-symphony-no-2/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.classicsonline.com/catalogue/product.aspx?pid=917200&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100112_cd&amp;utm_c  ampaign=CMS"><img class="size-medium wp-image-4375 alignleft" title="Mahler Symphony No 2" alt="" src="http://blog.naxos.com/wp-content/uploads/8104490191492-300x300.jpg" width="180" height="180" /></a>Our first podcast featuring a release on CSO-Resound, the record label of the world-renowned Chicago Symphony Orchestra. All CDs on this label come from live performances by the Chicago Symphony, and feature the orchestra with some of the world&#8217;s finest conductors, including Bernard Haitink, conductor of this performance.</p>
<p><a title="MAHLER, G.:  Symphony No. 2 album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=917200&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100112_txt&amp;utm_c  ampaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: CSO-Resound 901916</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/01/podcast-mahler-symphony-no-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100112.mp3" length="28542484" type="audio/mpeg" />
			<itunes:keywords>Bernard Haitink, Chicago Symphony Orchestra, CSO Resound, Mahler Symphony No. 2</itunes:keywords>
	<itunes:subtitle>Our first podcast featuring a release on CSO-Resound, the record label of the world-renowned Chicago Symphony Orchestra. All CDs on this label come from live performances by the Chicago Symphony, and feature the orchestra with some of the world&#039;s fines...</itunes:subtitle>
		<itunes:summary>Our first podcast featuring a release on CSO-Resound, the record label of the world-renowned Chicago Symphony Orchestra. All CDs on this label come from live performances by the Chicago Symphony, and feature the orchestra with some of the world&#039;s finest conductors, including Bernard Haitink, conductor of this performance.

Album details...
Catalogue No.: CSO-Resound 901916</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Avner Dorman Concertos</title>
		<link>http://blog.naxos.com/2010/01/podcast-avner-dorman-concertos/</link>
		<comments>http://blog.naxos.com/2010/01/podcast-avner-dorman-concertos/#comments</comments>
		<pubDate>Mon, 04 Jan 2010 16:00:55 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559620]]></category>
		<category><![CDATA[Andrew Cyn]]></category>
		<category><![CDATA[Arnaud Sussmann]]></category>
		<category><![CDATA[Avi Avital]]></category>
		<category><![CDATA[Avner Dorman]]></category>
		<category><![CDATA[Aya Hamada]]></category>
		<category><![CDATA[Eliran Avni]]></category>
		<category><![CDATA[Eric Nowlin]]></category>
		<category><![CDATA[Lily Francis]]></category>
		<category><![CDATA[Mandolin Concertos]]></category>
		<category><![CDATA[Metropolis Ensemble]]></category>
		<category><![CDATA[Michal Korman]]></category>
		<category><![CDATA[Mindy Kaufman]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Piccolo Concertos]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4323</guid>
		<description><![CDATA[American composer Avner Dorman, a protégé of John Corigliano and Zubin Mehta, is emerging as one of the leading composers of his generation. The diverse concertos presented here combine the excitement and spontaneity associated with jazz, baroque, rock and ethnic &#8230; <a class="readmore" href="http://blog.naxos.com/2010/01/podcast-avner-dorman-concertos/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="DORMAN, A.:  Concertos album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559620&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100105_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="DORMAN Concertos" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559620.gif" width="170" height="168" /></a>American composer <a href="http://www.naxos.com/composerinfo/Avner_Dorman/19344.htm">Avner Dorman</a>, a protégé of John Corigliano and Zubin Mehta, is emerging as one of the leading composers of his generation. The diverse concertos presented here combine the excitement and spontaneity associated with jazz, baroque, rock and ethnic music. Dorman writes in the liner notes: ‘I have always loved baroque music…the clear rhythms, the strong reliance on the bass, and the extreme contrasts.’ This podcast and CD feature the <a href="http://www.naxos.com/ensembleinfo/Metropolis_Ensemble/106626.htm">Metropolis Ensemble</a> and soloists <a href="http://www.naxos.com/artistinfo/Avi_Avital/106624.htm">Avi Avital</a>, <a href="http://www.naxos.com/artistinfo/Mindy_Kaufman/106625.htm">Mindy Kaufman</a>, <a href="http://www.naxos.com/artistinfo/Eliran_Avni/12871.htm">Avni Eliran</a>, <a href="http://www.naxos.com/artistinfo/Lily_Francis/106632.htm">Lily Francis</a>, <a href="http://www.naxos.com/artistinfo/Aya_Hamada/106637.htm">Aya Hamada</a>, <a href="http://www.naxos.com/artistinfo/Michal_Korman/106636.htm">Michal Korman</a>, <a href="http://www.naxos.com/artistinfo/Eric_Nowlin/106635.htm">Eric Nowlin</a> and <a href="http://www.naxos.com/artistinfo/Arnaud_Sussman/97845.htm">Arnaud Sussmann</a>, all conducted by <a href="http://www.naxos.com/conductorinfo/Andrew_Cyr/106627.htm">Andrew Cyr</a>.</p>
<p><a title="DORMAN, A.:  Concertos album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559620&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20100105_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559620</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2010/01/podcast-avner-dorman-concertos/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20100105.mp3" length="29277214" type="audio/mpeg" />
			<itunes:keywords>8.559620, Andrew Cyn, Arnaud Sussmann, Avi Avital, Avner Dorman, Aya Hamada, Eliran Avni, Eric Nowlin, Lily Francis, Mandolin Concertos, Metropolis Ensemble, Michal Korman, Mindy Kaufman, Naxos American Classics, Naxos Classical Music Spotlight</itunes:keywords>
	<itunes:subtitle>American composer Avner Dorman, a protégé of John Corigliano and Zubin Mehta, is emerging as one of the leading composers of his generation. The diverse concertos presented here combine the excitement and spontaneity associated with jazz, baroque,</itunes:subtitle>
		<itunes:summary>American composer Avner Dorman, a protégé of John Corigliano and Zubin Mehta, is emerging as one of the leading composers of his generation. The diverse concertos presented here combine the excitement and spontaneity associated with jazz, baroque, rock and ethnic music. Dorman writes in the liner notes: ‘I have always loved baroque music…the clear rhythms, the strong reliance on the bass, and the extreme contrasts.’ This podcast and CD feature the Metropolis Ensemble and soloists Avi Avital, Mindy Kaufman, Avni Eliran, Lily Francis, Aya Hamada, Michal Korman, Eric Nowlin and Arnaud Sussmann, all conducted by Andrew Cyr.

Album details...
Catalogue No.: Naxos 8.559620</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>34:36</itunes:duration>
	</item>
		<item>
		<title>Podcast: Christmas 2009 &#8211; a special podcast</title>
		<link>http://blog.naxos.com/2009/12/podcast-christmas-2009-a-special-podcast/</link>
		<comments>http://blog.naxos.com/2009/12/podcast-christmas-2009-a-special-podcast/#comments</comments>
		<pubDate>Sun, 20 Dec 2009 16:00:38 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.554179]]></category>
		<category><![CDATA[A Chatman Christmas]]></category>
		<category><![CDATA[Atma ACD2 2619]]></category>
		<category><![CDATA[Bruce Pullan]]></category>
		<category><![CDATA[Centrediscs]]></category>
		<category><![CDATA[Le Premiere Noel]]></category>
		<category><![CDATA[Marc Hervieux]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Stephen Chatman]]></category>
		<category><![CDATA[The Elora Festival Singers]]></category>
		<category><![CDATA[The Mystery of Christmas]]></category>
		<category><![CDATA[The University of British Columbia Singers]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4274</guid>
		<description><![CDATA[Join Raymond in a special Christmas podcast as he features three of his favourite Christmas CDs &#8211; two new CDs, plus an old favourite. The new CDs featured are A Stephen Chatman Christmas, and Marc Hervieux&#8217;s &#8220;Le Premiere Noel&#8221; while &#8230; <a class="readmore" href="http://blog.naxos.com/2009/12/podcast-christmas-2009-a-special-podcast/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=8.554179&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091221_cd&amp;utm_campaign=CMS" rel="attachment wp-att-6788"><img class="alignleft size-full wp-image-6788" alt="8.554179" src="http://blog.naxos.com/wp-content/uploads/2009/12/8.554179-e1359442568699.jpg" width="170" height="170" /></a>Join Raymond in a special Christmas podcast as he features three of his favourite Christmas CDs &#8211; two new CDs, plus an old favourite. The new CDs featured are A Stephen Chatman Christmas, and Marc Hervieux&#8217;s &#8220;Le Premiere Noel&#8221; while the old favourite is The Mystery of Christmas with the Elora Festival Singers.</p>
<p><a title="The Mystery of Christmas album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.554179&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091221_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.554179</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/12/podcast-christmas-2009-a-special-podcast/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091221.mp3" length="16868217" type="audio/mpeg" />
			<itunes:keywords>8.554179, A Chatman Christmas, Atma ACD2 2619, Bruce Pullan, Centrediscs, Le Premiere Noel, Marc Hervieux, Naxos Classical Music Spotlight, Raymond Bisha, Stephen Chatman, The Elora Festival Singers, The Mystery of Christmas,</itunes:keywords>
	<itunes:subtitle>Join Raymond in a special Christmas podcast as he features three of his favourite Christmas CDs - two new CDs, plus an old favourite. The new CDs featured are A Stephen Chatman Christmas, and Marc Hervieux&#039;s &quot;Le Premiere Noel&quot; while the old favourite i...</itunes:subtitle>
		<itunes:summary>Join Raymond in a special Christmas podcast as he features three of his favourite Christmas CDs - two new CDs, plus an old favourite. The new CDs featured are A Stephen Chatman Christmas, and Marc Hervieux&#039;s &quot;Le Premiere Noel&quot; while the old favourite is The Mystery of Christmas with the Elora Festival Singers.

Album details...
Catalogue No.: Naxos 8.554179

 </itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>19:56</itunes:duration>
	</item>
		<item>
		<title>Podcast: Dear Mrs. Parks</title>
		<link>http://blog.naxos.com/2009/12/podcast-dear-mrs-parks/</link>
		<comments>http://blog.naxos.com/2009/12/podcast-dear-mrs-parks/#comments</comments>
		<pubDate>Wed, 16 Dec 2009 16:00:01 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559668]]></category>
		<category><![CDATA[blog.naxos.de]]></category>
		<category><![CDATA[Brazeal Dennard Chorale]]></category>
		<category><![CDATA[Dear Mrs. Parks]]></category>
		<category><![CDATA[Detroit Symphony Orchestra]]></category>
		<category><![CDATA[Hannibal Lokumbe]]></category>
		<category><![CDATA[Janice Chandler-Eteme]]></category>
		<category><![CDATA[Jevetta Steele]]></category>
		<category><![CDATA[Kevin Deas]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Rackham Symphony Choir]]></category>
		<category><![CDATA[Taylor Gardner]]></category>
		<category><![CDATA[Thomas Wilkins]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4211</guid>
		<description><![CDATA[Composer Hannibal Lokumbe wrote his piece Dear Mrs. Parks as a series of imaginary letters to civil rights activist Rosa Parks &#8211; all set for orchestra, chorus and soloists. In this podcast interview, he talks about the piece, and his &#8230; <a class="readmore" href="http://blog.naxos.com/2009/12/podcast-dear-mrs-parks/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="LOKUMBE, HANNIBAL:  Dear Mrs. Parks album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559668&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091217_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="Lokumbe Dear Mrs Parks" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559668.gif" width="170" height="168" /></a>Composer Hannibal Lokumbe wrote his piece Dear Mrs. Parks as a series of imaginary letters to civil rights activist Rosa Parks &#8211; all set for orchestra, chorus and soloists. In this podcast interview, he talks about the piece, and his hopes for the message it carries to the world. The music in this podcast comes from the world premiere recording of Dear Mrs. Parks, taken from live performances in March 2009 featuring the Detroit Symphony Orchestra, the Rackham Symphony Choir, the Brazeal Dennard Chorale, plus soloists Janice Chandler-Eteme, Jevetta Steele, Kevin Deas and Taylor Gardner, all conducted by Thomas Wilkins.</p>
<p><a title="LOKUMBE, HANNIBAL:  Dear Mrs. Parks album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559668&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091217_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559668</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/12/podcast-dear-mrs-parks/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091217.mp3" length="19388354" type="audio/mpeg" />
			<itunes:keywords>8.559668, Brazeal Dennard Chorale, Dear Mrs. Parks, Detroit Symphony Orchestra, Hannibal Lokumbe, Janice Chandler-Eteme, Jevetta Steele, Kevin Deas, Naxos American Classics, Naxos Classical Music Spotlight, Rackham Symphony Choir, Taylor Gardner,</itunes:keywords>
	<itunes:subtitle>Composer Hannibal Lokumbe wrote his piece Dear Mrs. Parks as a series of imaginary letters to civil rights activist Rosa Parks - all set for orchestra, chorus and soloists. In this podcast interview, he talks about the piece,</itunes:subtitle>
		<itunes:summary>Composer Hannibal Lokumbe wrote his piece Dear Mrs. Parks as a series of imaginary letters to civil rights activist Rosa Parks - all set for orchestra, chorus and soloists. In this podcast interview, he talks about the piece, and his hopes for the message it carries to the world. The music in this podcast comes from the world premiere recording of Dear Mrs. Parks, taken from live performances in March 2009 featuring the Detroit Symphony Orchestra, the Rackham Symphony Choir, the Brazeal Dennard Chorale, plus soloists Janice Chandler-Eteme, Jevetta Steele, Kevin Deas and Taylor Gardner, all conducted by Thomas Wilkins.

Album details...
Catalogue No.: Naxos 8.559668</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>23:02</itunes:duration>
	</item>
		<item>
		<title>Podcast: Southern Harmony</title>
		<link>http://blog.naxos.com/2009/12/podcast-southern-harmony/</link>
		<comments>http://blog.naxos.com/2009/12/podcast-southern-harmony/#comments</comments>
		<pubDate>Tue, 15 Dec 2009 16:00:39 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572342]]></category>
		<category><![CDATA[Aaron Copland]]></category>
		<category><![CDATA[Colas Breugnon]]></category>
		<category><![CDATA[Dmitry Kabalevsky]]></category>
		<category><![CDATA[Donald Grantham]]></category>
		<category><![CDATA[El Salon Mexico]]></category>
		<category><![CDATA[John Stevens]]></category>
		<category><![CDATA[Morgen Lauridsen]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Naxos Wind Band Classics]]></category>
		<category><![CDATA[O Magnum Mysterium]]></category>
		<category><![CDATA[Ohio State University Wind Symphony]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Richard Blatti]]></category>
		<category><![CDATA[Russel Mikkelson]]></category>
		<category><![CDATA[Southern Harmony]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4181</guid>
		<description><![CDATA[In 1835 WIlliam Walker published his songbook Southern Harmony. The title page describes it as a collection of &#8220;tunes, hymns, psalms, odes and anthems&#8221;. It sold an astonishing 600,000 copies before the US Civil War, and became the inspiration for &#8230; <a class="readmore" href="http://blog.naxos.com/2009/12/podcast-southern-harmony/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="SOUTHERN HARMONY album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572342&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091216_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="SOUTHERN HARMONY" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572342.gif" width="170" height="168" /></a>In 1835 WIlliam Walker published his songbook Southern Harmony. The title page describes it as a collection of &#8220;tunes, hymns, psalms, odes and anthems&#8221;. It sold an astonishing 600,000 copies before the US Civil War, and became the inspiration for <a href="http://www.naxos.com/composerinfo/Donald_Gratham/104053.htm">Donald Grantham</a>&#8216;s band piece of the same name. Also included on this <a href="http://www.naxos.com/series/wind_band_classics.htm">Naxos Wind Band Classics</a> CD with <a href="http://www.naxos.com/orchestrainfo/Ohio_State_University_Wind_Symphony/45335.htm">The Ohio State University Wind Symphony</a>, is music by <a href="http://www.naxos.com/composerinfo/Aaron_Copland_27127/27127.htm">Aaron Copland</a>, <a href="http://www.naxos.com/composerinfo/Dmitry_Borisovich_Kabalevsky/24544.htm">Dmitry Kabalevsky</a>, <a href="http://www.naxos.com/composerinfo/John_Stevens_28745/28745.htm">John Stevens</a> and <a href="http://www.naxos.com/composerinfo/Morten_Lauridsen/25186.htm">Morten Lauridsen</a>. Conducted by Professor <a href="http://www.naxos.com/conductorinfo/Russel_C._Mikkelson_39848/39848.htm">Russel Mikkelson</a> and <a href="http://www.naxos.com/conductorinfo/Richard_L__Blatti/104052.htm">Richard Blatti</a>.</p>
<p><a title="SOUTHERN HARMONY" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572342&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091216_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572342</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/12/podcast-southern-harmony/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091216.mp3" length="16868217" type="audio/mpeg" />
			<itunes:keywords>8.572342, Aaron Copland, Colas Breugnon, Dmitry Kabalevsky, Donald Grantham, El Salon Mexico, John Stevens, Morgen Lauridsen, Naxos Classical Music Spotlight, Naxos Wind Band Classics, O Magnum Mysterium, Ohio State University Wind Symphony,</itunes:keywords>
	<itunes:subtitle>In 1835 WIlliam Walker published his songbook Southern Harmony. The title page describes it as a collection of &quot;tunes, hymns, psalms, odes and anthems&quot;. It sold an astonishing 600,000 copies before the US Civil War,</itunes:subtitle>
		<itunes:summary>In 1835 WIlliam Walker published his songbook Southern Harmony. The title page describes it as a collection of &quot;tunes, hymns, psalms, odes and anthems&quot;. It sold an astonishing 600,000 copies before the US Civil War, and became the inspiration for Donald Grantham&#039;s band piece of the same name. Also included on this Naxos Wind Band Classics CD with The Ohio State University Wind Symphony, is music by Aaron Copland, Dmitry Kabalevsky, John Stevens and Morten Lauridsen. Conducted by Professor Russel Mikkelson and Richard Blatti.

Album details...
Catalogue No.: Naxos 8.572342</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: In Terra Pax &#8211; A Christmas Anthology</title>
		<link>http://blog.naxos.com/2009/12/podcast-in-terra-pax-a-christmas-anthology/</link>
		<comments>http://blog.naxos.com/2009/12/podcast-in-terra-pax-a-christmas-anthology/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 16:00:39 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572102]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Christmas Carols]]></category>
		<category><![CDATA[English Christmas Carols]]></category>
		<category><![CDATA[Gerald Finzi]]></category>
		<category><![CDATA[Gustav Holst]]></category>
		<category><![CDATA[Herbert Howells]]></category>
		<category><![CDATA[Howard Leighton]]></category>
		<category><![CDATA[In Terra Pax]]></category>
		<category><![CDATA[John Gardner]]></category>
		<category><![CDATA[John Rutter]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[O Spotless Rose]]></category>
		<category><![CDATA[Peter Warlock]]></category>
		<category><![CDATA[Ralph Vaughan Williams]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Tomorrow Shall be my Dancing Day]]></category>
		<category><![CDATA[WIlliam Mathias]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4084</guid>
		<description><![CDATA[Listening to this CD of lush English Christmas carols, it&#8217;s hard to believe that in the mid-1600&#8242;s, Christmas Day had been outlawed by an act of Parliament, and Christmas carols were forbidden. This was during the time of Oliver Cromwell, &#8230; <a class="readmore" href="http://blog.naxos.com/2009/12/podcast-in-terra-pax-a-christmas-anthology/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="IN TERRA PAX, A Christmas Anthology album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572102&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091215_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="IN TERRA PAX - A Christmas Anthology" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572102.gif" width="170" height="168" /></a>Listening to this CD of lush English Christmas carols, it&#8217;s hard to believe that in the mid-1600&#8242;s, Christmas Day had been outlawed by an act of Parliament, and Christmas carols were forbidden. This was during the time of Oliver Cromwell, when anything that remotely suggested enjoyment was frowned upon. It wasn&#8217;t until Victorian times that Christmas carols regained some popularity, and by the 20th century, England was producing some of the finest. This podcast, and this CD look at the English carol tradition, and music written by composers such as <a href="http://www.naxos.com/composerinfo/Gustav_Holst_24507/24507.htm">Gustav Holst</a>, <a href="http://www.naxos.com/composerinfo/Ralph_Vaughan_Williams_21130/21130.htm">Ralph Vaughan Williams</a>, <a href="http://www.naxos.com/composerinfo/John_Rutter_21138/21138.htm">John Rutter</a> and <a href="http://www.naxos.com/composerinfo/John_Gardner/24824.htm">John Gardner</a>. Performers on this outstanding CD include <a href="http://www.naxos.com/artistinfo/City_Chamber_Choir_of_London/44291.htm">City of London Choir</a>, <a href="http://www.naxos.com/artistinfo/Bournemouth_Symphony_Orchestra/35469.htm">Bournemouth Symphony Orchestra</a>, and conductor <a href="http://www.naxos.com/artistinfo/Hilary_Davan_Wetton/54775.htm">Hilary Davan Wetton</a>.</p>
<p><a title="N TERRA PAX, A Christmas Anthology album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572102&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091215_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572102</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/12/podcast-in-terra-pax-a-christmas-anthology/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091215.mp3" length="16868821" type="audio/mpeg" />
			<itunes:keywords>8.572102, blog.naxos.com, Christmas Carols, English Christmas Carols, Gerald Finzi, Gustav Holst, Herbert Howells, Howard Leighton, In Terra Pax, John Gardner, John Rutter, Naxos Classical Music Spotlight, O Spotless Rose, Peter Warlock,</itunes:keywords>
	<itunes:subtitle>Listening to this CD of lush English Christmas carols, it&#039;s hard to believe that in the mid-1600&#039;s, Christmas Day had been outlawed by an act of Parliament, and Christmas carols were forbidden. This was during the time of Oliver Cromwell,</itunes:subtitle>
		<itunes:summary>Listening to this CD of lush English Christmas carols, it&#039;s hard to believe that in the mid-1600&#039;s, Christmas Day had been outlawed by an act of Parliament, and Christmas carols were forbidden. This was during the time of Oliver Cromwell, when anything that remotely suggested enjoyment was frowned upon. It wasn&#039;t until Victorian times that Christmas carols regained some popularity, and by the 20th century, England was producing some of the finest. This podcast, and this CD look at the English carol tradition, and music written by composers such as Gustav Holst, Ralph Vaughan Williams, John Rutter and John Gardner. Performers on this outstanding CD include City of London Choir, Bournemouth Symphony Orchestra, and conductor Hilary Davan Wetton.

Album details...
Catalogue No.: Naxos 8.572102</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Robert Aitken plays Stamitz Flute Concertos</title>
		<link>http://blog.naxos.com/2009/12/podcast-robert-aitken-plays-stamitz-flute-concertos/</link>
		<comments>http://blog.naxos.com/2009/12/podcast-robert-aitken-plays-stamitz-flute-concertos/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 07:00:41 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[18th century flute concertos]]></category>
		<category><![CDATA[8.570150]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Donatas Katkus]]></category>
		<category><![CDATA[Flute Concertos]]></category>
		<category><![CDATA[Johann Stamitz]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Robert Aitken]]></category>
		<category><![CDATA[St. Catherine's Concert Hall]]></category>
		<category><![CDATA[St. Christopher Chamber Orchestra]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4078</guid>
		<description><![CDATA[In 1742, Johann Stamitz got the job offer he wanted &#8211; he was invited to become a member of the Mannheim Court Orchestra. A couple of years later, he became Concertmaster, and then Director of Instrumental Music. That meant he &#8230; <a class="readmore" href="http://blog.naxos.com/2009/12/podcast-robert-aitken-plays-stamitz-flute-concertos/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="STAMITZ, J.: Flute Concertos album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570150&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091211_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="STAMITZ Flute Concertos" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.570150.gif" width="170" height="168" /></a>In 1742, <a href="http://www.naxos.com/composerinfo/Johann_Stamitz/24870.htm">Johann Stamitz </a>got the job offer he wanted &#8211; he was invited to become a member of the Mannheim Court Orchestra. A couple of years later, he became Concertmaster, and then Director of Instrumental Music. That meant he had to compose as well as play. Because his patron loved the flute, and he had a really good player in his orchestra, he wrote a number of flute concertos. Four of them are presented on this disc and podcast, with Canadian flutist <a href="http://www.naxos.com/artistinfo/Robert_Aitken_16709/16709.htm">Robert Aitken</a>, and the <a href="http://www.naxos.com/artistinfo/St._Christopher_Chamber_Orchestra/35803.htm">St. Christopher Chamber Orchestra</a> conducted by <a href="http://www.naxos.com/artistinfo/Donatas_Katkus/31428.htm">Donatas Katkus</a>.</p>
<p><a title="STAMITZ, J.: Flute Concertos album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570150&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091211_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.570150</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/12/podcast-robert-aitken-plays-stamitz-flute-concertos/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091208.mp3" length="16868673" type="audio/mpeg" />
			<itunes:keywords>18th century flute concertos,8.570150,blog.naxos.com,Donatas Katkus,Flute Concertos,Johann Stamitz,Naxos Classical Music Spotlight,Raymond Bisha,Robert Aitken,St. Catherine&#039;s Concert Hall,St. Christopher Chamber Orchestra</itunes:keywords>
	<itunes:subtitle>In 1742, Johann Stamitz got the job offer he wanted - he was invited to become a member of the Mannheim Court Orchestra. A couple of years later, he became Concertmaster, and then Director of Instrumental Music.</itunes:subtitle>
		<itunes:summary>In 1742, Johann Stamitz got the job offer he wanted - he was invited to become a member of the Mannheim Court Orchestra. A couple of years later, he became Concertmaster, and then Director of Instrumental Music. That meant he had to compose as well as play. Because his patron loved the flute, and he had a really good player in his orchestra, he wrote a number of flute concertos. Four of them are presented on this disc and podcast, with Canadian flutist Robert Aitken, and the St. Christopher Chamber Orchestra conducted by Donatas Katkus.

Album details...
Catalogue No.: Naxos 8.570150</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>Podcast: Vivaldi ! with Marie Nicole Lemieux</title>
		<link>http://blog.naxos.com/2009/12/podcast-vivaldi-with-marie-nicole-lemieux/</link>
		<comments>http://blog.naxos.com/2009/12/podcast-vivaldi-with-marie-nicole-lemieux/#comments</comments>
		<pubDate>Wed, 09 Dec 2009 16:00:56 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Antonio Vivaldi]]></category>
		<category><![CDATA[Baroque Opera]]></category>
		<category><![CDATA[Ensemble Matheus]]></category>
		<category><![CDATA[Griselda]]></category>
		<category><![CDATA[Jean-Christophe Spinosi]]></category>
		<category><![CDATA[La find ninfa]]></category>
		<category><![CDATA[Marie-Nicole Lemieux]]></category>
		<category><![CDATA[Naive V5212]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Orlando Furioso]]></category>
		<category><![CDATA[Raymond Bisha]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4190</guid>
		<description><![CDATA[Canadian contralto Marie-Nicole Lemieux burst onto the international scene with her performances of Vivaldi operas. This CD is the perfect introduction to those operas, and her glorious voice. Accompanied by Ensemble Matheus conducted by Jean-Christophe Spinosi, Marie-Nicole presents some of &#8230; <a class="readmore" href="http://blog.naxos.com/2009/12/podcast-vivaldi-with-marie-nicole-lemieux/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxosdirect.com/VIVALDI-ANTONIO---MARIE-NICOLE-LEMIEUX-MY-VIVAL/title/V5212/" rel="attachment wp-att-6805"><img class="alignleft size-thumbnail wp-image-6805" alt="MARIE-NICOLE LEMIEUX: VIVALDI" src="http://blog.naxos.com/wp-content/uploads/2009/12/V5212-150x150.jpg" width="150" height="150" /></a>Canadian contralto Marie-Nicole Lemieux burst onto the international scene with her performances of Vivaldi operas. This CD is the perfect introduction to those operas, and her glorious voice. Accompanied by Ensemble Matheus conducted by Jean-Christophe Spinosi, Marie-Nicole presents some of her favourite arias from Orlando Furioso, Griselda and La fida ninta.</p>
<p>&nbsp;</p>
<p><a href="http://www.naxosdirect.com/VIVALDI-ANTONIO---MARIE-NICOLE-LEMIEUX-MY-VIVAL/title/V5212/" target="_blank">Album details&#8230;<br />
</a>Catalogue No.: Naive V5212</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/12/podcast-vivaldi-with-marie-nicole-lemieux/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091203.mp3" length="16868217" type="audio/mpeg" />
			<itunes:keywords>Antonio Vivaldi, Baroque Opera, Ensemble Matheus, Griselda, Jean-Christophe Spinosi, La find ninfa, Marie-Nicole Lemieux, Naive V5212, Naxos Classical Music Spotlight, Orlando Furioso, Raymond Bisha</itunes:keywords>
	<itunes:subtitle>Canadian contralto Marie-Nicole Lemieux burst onto the international scene with her performances of Vivaldi operas. This CD is the perfect introduction to those operas, and her glorious voice. Accompanied by Ensemble Matheus conducted by Jean-Christoph...</itunes:subtitle>
		<itunes:summary>Canadian contralto Marie-Nicole Lemieux burst onto the international scene with her performances of Vivaldi operas. This CD is the perfect introduction to those operas, and her glorious voice. Accompanied by Ensemble Matheus conducted by Jean-Christophe Spinosi, Marie-Nicole presents some of her favourite arias from Orlando Furioso, Griselda and La fida ninta.

 

Album details...
Catalogue No.: Naive V5212</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Vasily Petrenko talks to The Independent&#8217;s Edward Seckerson about the Shostakovich project at the Royal Liverpool Philharmonic Orchestra</title>
		<link>http://blog.naxos.com/2009/12/vasily-petrenkos-shostakovich-project-at-the-royal-liverpool-philharmonic-orchestra/</link>
		<comments>http://blog.naxos.com/2009/12/vasily-petrenkos-shostakovich-project-at-the-royal-liverpool-philharmonic-orchestra/#comments</comments>
		<pubDate>Wed, 02 Dec 2009 01:32:46 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572082]]></category>
		<category><![CDATA[8.572167]]></category>
		<category><![CDATA[Dmitri Shostakovich]]></category>
		<category><![CDATA[NaxosDirectUK]]></category>
		<category><![CDATA[Shostakovich 11]]></category>
		<category><![CDATA[Vasily Petrenko]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4150</guid>
		<description><![CDATA[&#8220;The charismatic St. Petersburg-born Vasily Petrenko has really been turning things around at the Royal Liverpool Philharmonic Orchestra since he took over as Principal Conductor in 2005. With both standards and audiences on the up he has embarked upon his &#8230; <a class="readmore" href="http://blog.naxos.com/2009/12/vasily-petrenkos-shostakovich-project-at-the-royal-liverpool-philharmonic-orchestra/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://blog.naxos.com/2009/12/02/vasily-petrenkos-shostakovich-project-at-the-royal-liverpool-philharmonic-orchestra/572082-slip-shostakovich-eu/" rel="attachment wp-att-4152"><img class="alignleft size-medium wp-image-4152" alt="8572082 slip Shostakovich EU" src="http://blog.naxos.com/wp-content/uploads/8572082-300x253.jpg" width="215" height="183" /></a></p>
<p>&#8220;The charismatic St. Petersburg-born Vasily Petrenko has really been turning things around at the Royal Liverpool Philharmonic Orchestra since he took over as Principal Conductor in 2005.</p>
<p>With both standards and audiences on the up he has embarked upon his first major recording project – to record all 15 Shostakovich Symphonies for the Naxos label.</p>
<p>Two releases (<a href="http://www.naxosdirect.co.uk//title/8572082/" target="_blank">8.572082</a>, <a href="http://www.naxosdirect.co.uk//title/8572167/" target="_blank">8.572167</a>) are now available and in this exclusive podcast he talks to Edward Seckerson about the project in general and the symphonies in particular. The 11th “The Year 1905” makes extensive use of revolutionary songs and graphically portrays the bloody massacre of over 200 peaceful demonstrators outside the Winter Palace on the 9th January that year. This now notorious passage which pitches a wall of percussion (five players) against shrill demented unisons is one of the most powerful depictions of unprovoked violence in 20th century music.</p>
<p>The other release couples Shostakovich’s most performed symphony, the 5th, a work of profound ambivalences written when the composer was under intense scrutiny from the Soviet authorities, and the 9th, a deceptively jaunty neo-classical piece which both confused and infuriated those who had been led to expect an epic in memory of Lenin. Shostakovich did so love to confound expectations.&#8221; The Independent 23/11/2009</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/12/vasily-petrenkos-shostakovich-project-at-the-royal-liverpool-philharmonic-orchestra/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/Shostakovich-59-and-11-podcast1.mp3" length="43232641" type="audio/mpeg" />
			<itunes:keywords>Vasily Petrenko, Shostakovich project, 8.572082, 8.572167</itunes:keywords>
	<itunes:subtitle>&quot;The charismatic St. Petersburg-born Vasily Petrenko has really been turning things around at the Royal Liverpool Philharmonic Orchestra since he took over as Principal Conductor in 2005. - With both standards and audiences on the up he has embarked u...</itunes:subtitle>
		<itunes:summary>&quot;The charismatic St. Petersburg-born Vasily Petrenko has really been turning things around at the Royal Liverpool Philharmonic Orchestra since he took over as Principal Conductor in 2005.

With both standards and audiences on the up he has embarked upon his first major recording project – to record all 15 Shostakovich Symphonies for the Naxos label.

Two releases (8.572082, 8.572167) are now available and in this exclusive podcast he talks to Edward Seckerson about the project in general and the symphonies in particular. The 11th “The Year 1905” makes extensive use of revolutionary songs and graphically portrays the bloody massacre of over 200 peaceful demonstrators outside the Winter Palace on the 9th January that year. This now notorious passage which pitches a wall of percussion (five players) against shrill demented unisons is one of the most powerful depictions of unprovoked violence in 20th century music.

The other release couples Shostakovich’s most performed symphony, the 5th, a work of profound ambivalences written when the composer was under intense scrutiny from the Soviet authorities, and the 9th, a deceptively jaunty neo-classical piece which both confused and infuriated those who had been led to expect an epic in memory of Lenin. Shostakovich did so love to confound expectations.&quot; The Independent 23/11/2009</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>30:01</itunes:duration>
	</item>
		<item>
		<title>Podcast:  Elgar&#8217;s Crown of India</title>
		<link>http://blog.naxos.com/2009/12/podcast-elgars-crown-of-india/</link>
		<comments>http://blog.naxos.com/2009/12/podcast-elgars-crown-of-india/#comments</comments>
		<pubDate>Mon, 30 Nov 2009 16:00:02 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Barbara Marten]]></category>
		<category><![CDATA[BBC Philharmonic]]></category>
		<category><![CDATA[CHAN 10570]]></category>
		<category><![CDATA[Chandos]]></category>
		<category><![CDATA[Clare Shearer]]></category>
		<category><![CDATA[Crown of India]]></category>
		<category><![CDATA[Deborah McAndrew]]></category>
		<category><![CDATA[Gerald Finley]]></category>
		<category><![CDATA[Henry Hamilton]]></category>
		<category><![CDATA[Joanne Mitchell]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Sheffield Philharmonic Chorus]]></category>
		<category><![CDATA[Sir Andrew Davis]]></category>
		<category><![CDATA[Sir Edward Elgar]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4142</guid>
		<description><![CDATA[Sir Edward Elgar wrote his Crown of India for a 1912 musical event in London celebrating the coronation of King George V and Queen Mary as Emperor and Empress of India. Although such an event is an historical anachronism today, &#8230; <a class="readmore" href="http://blog.naxos.com/2009/12/podcast-elgars-crown-of-india/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.classicsonline.com/catalogue/product.aspx?pid=915523&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091201_cd&amp;utm_campaign=CMS" rel="attachment wp-att-6811"><img class="alignleft size-thumbnail wp-image-6811" alt="CHAN10570" src="http://blog.naxos.com/wp-content/uploads/2009/12/CHAN10570-150x150.jpg" width="150" height="150" /></a><a href="http://www.naxos.com/composerinfo/Edward_Elgar_26026/26026.htm">Sir Edward Elgar</a> wrote his Crown of India for a 1912 musical event in London celebrating the coronation of King George V and Queen Mary as Emperor and Empress of India. Although such an event is an historical anachronism today, the music Sir Edward was not. The orchestral suite from this work is one of his most performed pieces. This podcast looks at a new recording of both versions &#8211; the full version with narration, and the orchestral suite &#8211; with the <a href="http://www.naxos.com/artistinfo/BBC_Philharmonic_Orchestra/35463.htm">BBC Philharmonic</a>, Sheffield Philharmonic Chorus, and singers Clare Shearer and <a href="http://www.naxos.com/artistinfo/Gerald_Finley_62315/62315.htm">Gerald Finley</a>, all conducted by <a href="http://www.naxos.com/artistinfo/Andrew_Davis/31440.htm">Sir Andrew Davis</a>.</p>
<p><a href="http://www.classicsonline.com/catalogue/product.aspx?pid=915523&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091201_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Chandos CHAN 10570</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/12/podcast-elgars-crown-of-india/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091201.mp3" length="16868217" type="audio/mpeg" />
			<itunes:keywords>Barbara Marten, BBC Philharmonic, CHAN 10570, Chandos, Clare Shearer, Crown of India, Deborah McAndrew, Gerald Finley, Henry Hamilton, Joanne Mitchell, Naxos Classical Music Spotlight, Raymond Bisha, Sheffield Philharmonic Chorus, Sir Andrew Davis</itunes:keywords>
	<itunes:subtitle>Sir Edward Elgar wrote his Crown of India for a 1912 musical event in London celebrating the coronation of King George V and Queen Mary as Emperor and Empress of India. Although such an event is an historical anachronism today,</itunes:subtitle>
		<itunes:summary>Sir Edward Elgar wrote his Crown of India for a 1912 musical event in London celebrating the coronation of King George V and Queen Mary as Emperor and Empress of India. Although such an event is an historical anachronism today, the music Sir Edward was not. The orchestral suite from this work is one of his most performed pieces. This podcast looks at a new recording of both versions - the full version with narration, and the orchestral suite - with the BBC Philharmonic, Sheffield Philharmonic Chorus, and singers Clare Shearer and Gerald Finley, all conducted by Sir Andrew Davis.

Album details...
Catalogue No.: Chandos CHAN 10570</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>19:59</itunes:duration>
	</item>
		<item>
		<title>Podcast: Synergy &#8211; with the Columbus State University Wind Ensemble</title>
		<link>http://blog.naxos.com/2009/11/podcast-synergy-with-the-columbus-state-university-wind-ensemble/</link>
		<comments>http://blog.naxos.com/2009/11/podcast-synergy-with-the-columbus-state-university-wind-ensemble/#comments</comments>
		<pubDate>Wed, 25 Nov 2009 16:00:02 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572319]]></category>
		<category><![CDATA[Black Dog for Solo Clarinet and Wind Ensemble]]></category>
		<category><![CDATA[Brooklyn Bridge for Solo Clarinet and Symphonic Band]]></category>
		<category><![CDATA[Columbus State University Wind Band]]></category>
		<category><![CDATA[David Gillingham]]></category>
		<category><![CDATA[Fantasy Etudes Book 2]]></category>
		<category><![CDATA[Jim M David]]></category>
		<category><![CDATA[John Yeh]]></category>
		<category><![CDATA[Michael Burritt]]></category>
		<category><![CDATA[Michael Daugherty]]></category>
		<category><![CDATA[Molly Yeh]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Naxos Wind Band Classics]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Robert Rumbelow]]></category>
		<category><![CDATA[Scott McAllister]]></category>
		<category><![CDATA[Synergy]]></category>
		<category><![CDATA[Teresa Reilly]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4127</guid>
		<description><![CDATA[A spotlight look at the new Columbus State University Wind Ensemble&#8216;s new CD &#8211; a CD that brings together an outstanding band, conductor Robert Rumbelow, and three great soloists: Clarinettists John Yeh and Teresa Reilly, and percussionist Molly Yeh. This &#8230; <a class="readmore" href="http://blog.naxos.com/2009/11/podcast-synergy-with-the-columbus-state-university-wind-ensemble/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="SYNERGY, Music for Wind Band album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572319&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091126_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="SYNERGY - Music for Wind Band" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572319.gif" width="170" height="168" /></a>A spotlight look at the new <a href="http://www.naxos.com/ensembleinfo/Columbus_State_University_Wind_Ensemble/105024.htm">Columbus State University Wind Ensemble</a>&#8216;s new CD &#8211; a CD that brings together an outstanding band, conductor <a href="http://www.naxos.com/conductorinfo/Robert_W__Rumbelow/105028.htm">Robert Rumbelow</a>, and three great soloists: Clarinettists <a href="http://www.naxos.com/artistinfo/John_Bruce_Yeh/13119.htm">John Yeh</a> and <a href="http://www.naxos.com/artistinfo/Teresa_Reilly/105056.htm">Teresa Reilly</a>, and percussionist <a href="http://www.naxos.com/artistinfo/Molly_Yeh/105052.htm">Molly Yeh</a>. This podcast features musical excerpts by <a href="http://www.naxos.com/composerinfo/Michael_Daugherty/19985.htm">Michael Daugherty</a>, <a href="http://www.naxos.com/composerinfo/Michael_Burritt/66621.htm">Michael Burritt</a>, <a href="http://www.naxos.com/composerinfo/David_Gillingham/39141.htm">David Gillingham</a>, <a href="http://www.naxos.com/composerinfo/J_M__David/105045.htm">Jim David</a> and <a href="http://www.naxos.com/composerinfo/Scott_McAllister/103913.htm">Scott McAllister</a>, plus extended interviews with both <a href="http://www.naxos.com/artistinfo/John_Bruce_Yeh/13119.htm">John Yeh</a> and <a href="http://www.naxos.com/conductorinfo/Robert_W__Rumbelow/105028.htm">Robert Rumbelow</a>.</p>
<p>&nbsp;</p>
<p><a title="SYNERGY, Music for Wind Band album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572319&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091126_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572319</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/11/podcast-synergy-with-the-columbus-state-university-wind-ensemble/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091126.mp3" length="19388354" type="audio/mpeg" />
			<itunes:keywords>8.572319, Black Dog for Solo Clarinet and Wind Ensemble, Brooklyn Bridge for Solo Clarinet and Symphonic Band, Columbus State University Wind Band, David Gillingham, Fantasy Etudes Book 2, Jim M David, John Yeh, Michael Burritt, Michael Daugherty</itunes:keywords>
	<itunes:subtitle>A spotlight look at the new Columbus State University Wind Ensemble&#039;s new CD - a CD that brings together an outstanding band, conductor Robert Rumbelow, and three great soloists: Clarinettists John Yeh and Teresa Reilly, and percussionist Molly Yeh.</itunes:subtitle>
		<itunes:summary>A spotlight look at the new Columbus State University Wind Ensemble&#039;s new CD - a CD that brings together an outstanding band, conductor Robert Rumbelow, and three great soloists: Clarinettists John Yeh and Teresa Reilly, and percussionist Molly Yeh. This podcast features musical excerpts by Michael Daugherty, Michael Burritt, David Gillingham, Jim David and Scott McAllister, plus extended interviews with both John Yeh and Robert Rumbelow.

 

Album details...
Catalogue No.: Naxos 8.572319</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>22:58</itunes:duration>
	</item>
		<item>
		<title>Podcast: Mark Adamo&#8217;s Late Victorians</title>
		<link>http://blog.naxos.com/2009/11/podcast-mark-adamos-late-victorians/</link>
		<comments>http://blog.naxos.com/2009/11/podcast-mark-adamos-late-victorians/#comments</comments>
		<pubDate>Wed, 25 Nov 2009 16:00:01 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559258]]></category>
		<category><![CDATA[Alcott Music]]></category>
		<category><![CDATA[American composers]]></category>
		<category><![CDATA[Andrew Sullivan]]></category>
		<category><![CDATA[Dotian Levalier]]></category>
		<category><![CDATA[Eclipse Chamber Orchestra]]></category>
		<category><![CDATA[Emily Pulley]]></category>
		<category><![CDATA[Late Victorians]]></category>
		<category><![CDATA[Mark Adamo]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Overture to Lysistrata]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Regian Coeli]]></category>
		<category><![CDATA[Sylvia Alimena]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4123</guid>
		<description><![CDATA[A podcast feature about Late Victorians, a new Naxos CD featuring the world premiere recordings of four works by American composer Mark Adamo, who is also the interview guest in this podcast. This CD features Alcott Music, a suite from &#8230; <a class="readmore" href="http://blog.naxos.com/2009/11/podcast-mark-adamos-late-victorians/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="ADAMO, M., Late Victorians album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559258&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091126_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="ADAMO Late Victorians" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559258.gif" width="170" height="168" /></a>A podcast feature about <a href="http://www.naxos.com/catalogue/item.asp?item_code=8.559258">Late Victorians</a>, a new Naxos CD featuring the world premiere recordings of four works by American composer <a href="http://www.naxos.com/composerinfo/Mark_Adamo/58044.htm">Mark Adamo</a>, who is also the interview guest in this podcast. This CD features Alcott Music, a suite from his opera Little Women, Regina Coeli, Overture to Lysistrata, and Late Victorians. This final piece uses words by Richard Rodriguez and Emily Dickenson, and is dedicated to those who have died of, and those who have survived AIDS. Performers on this CD include <a href="http://www.naxos.com/artistinfo/Emily_Pulley/6006.htm">Emily Pulley</a>, <a href="http://www.naxos.com/artistinfo/Andrew_Sullivan/103249.htm">Andrew Sullivan</a>, <a href="http://www.naxos.com/artistinfo/Dotian_Levalier/4301.htm">Dotian Levalier</a>, the <a href="http://www.naxos.com/ensembleinfo/Eclipse_Chamber_Orchestra/64865.htm">Eclipse Chamber Orchestra</a> and conductor <a href="http://www.naxos.com/conductorinfo/Sylvia_Alimena/64864.htm">Sylvia Alimena</a>.</p>
<p><a title="ADAMO, M., Late Victorians album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559258&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091126_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559258</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/11/podcast-mark-adamos-late-victorians/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091125.mp3" length="16867120" type="audio/mpeg" />
			<itunes:keywords>8.559258, Alcott Music, American composers, Andrew Sullivan, Dotian Levalier, Eclipse Chamber Orchestra, Emily Pulley, Late Victorians, Mark Adamo, Naxos American Classics, Naxos Classical Music Spotlight, Overture to Lysistrata, Raymond Bisha,</itunes:keywords>
	<itunes:subtitle>A podcast feature about Late Victorians, a new Naxos CD featuring the world premiere recordings of four works by American composer Mark Adamo, who is also the interview guest in this podcast. This CD features Alcott Music,</itunes:subtitle>
		<itunes:summary>A podcast feature about Late Victorians, a new Naxos CD featuring the world premiere recordings of four works by American composer Mark Adamo, who is also the interview guest in this podcast. This CD features Alcott Music, a suite from his opera Little Women, Regina Coeli, Overture to Lysistrata, and Late Victorians. This final piece uses words by Richard Rodriguez and Emily Dickenson, and is dedicated to those who have died of, and those who have survived AIDS. Performers on this CD include Emily Pulley, Andrew Sullivan, Dotian Levalier, the Eclipse Chamber Orchestra and conductor Sylvia Alimena.

Album details...
Catalogue No.: Naxos 8.559258</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: William Schuman &#8211; Prayer in a Time of War</title>
		<link>http://blog.naxos.com/2009/11/podcast-william-schuman-prayer-in-a-time-of-war/</link>
		<comments>http://blog.naxos.com/2009/11/podcast-william-schuman-prayer-in-a-time-of-war/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 16:00:41 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[American 20th century composers]]></category>
		<category><![CDATA[American composers]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Gerard Schwarz]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[New England Tryptich]]></category>
		<category><![CDATA[Prayer in a Time of War]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Seattle Symphony]]></category>
		<category><![CDATA[Symphony No. 6]]></category>
		<category><![CDATA[William Schuman]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4069</guid>
		<description><![CDATA[When he graduated from high school, William Schuman enrolled in New York University with every intention of doing a commerce degree. Then his sister took him to a New York Philharmonic concert conducted by Arturo Toscanini. That very night, he &#8230; <a class="readmore" href="http://blog.naxos.com/2009/11/podcast-william-schuman-prayer-in-a-time-of-war/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="SCHUMAN, W.: Symphony No. 6 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559625&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091117_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="SCHUMAN Symphony No 6" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559625.gif" width="170" height="168" /></a>When he graduated from high school, <a href="http://www.naxos.com/composerinfo/William_Schuman_26345/26345.htm">William Schuman</a> enrolled in New York University with every intention of doing a commerce degree. Then his sister took him to a New York Philharmonic concert conducted by Arturo Toscanini. That very night, he decided to become a composer. Schuman went on to become one of the most important American composers and composition teachers of the 20th century. He was president of Julliard School, President of Lincoln Centre in New York, and the composer of eight major symphonies. This podcast looks at a new recording of his Symphony No. 6, Prayer in a Time of War, and New England Tryptich, with the <a href="http://www.naxos.com/artistinfo/Seattle_Symphony_Orchestra/34878.htm">Seattle Symphony</a> conducted by <a href="http://www.naxos.com/artistinfo/Gerard_Schwarz/32307.htm">Gerard Schwarz</a>.</p>
<p><a title="SCHUMAN, W.: Symphony No. 6 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559625&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091117_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559625</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/11/podcast-william-schuman-prayer-in-a-time-of-war/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091117.mp3" length="16868217" type="audio/mpeg" />
			<itunes:keywords>American 20th century composers, American composers, Gerard Schwarz, Naxos American Classics, Naxos Classical Music Spotlight, New England Tryptich, Prayer in a Time of War, Raymond Bisha, Seattle Symphony, Symphony No. 6, William Schuman</itunes:keywords>
	<itunes:subtitle>When he graduated from high school, William Schuman enrolled in New York University with every intention of doing a commerce degree. Then his sister took him to a New York Philharmonic concert conducted by Arturo Toscanini. That very night,</itunes:subtitle>
		<itunes:summary>When he graduated from high school, William Schuman enrolled in New York University with every intention of doing a commerce degree. Then his sister took him to a New York Philharmonic concert conducted by Arturo Toscanini. That very night, he decided to become a composer. Schuman went on to become one of the most important American composers and composition teachers of the 20th century. He was president of Julliard School, President of Lincoln Centre in New York, and the composer of eight major symphonies. This podcast looks at a new recording of his Symphony No. 6, Prayer in a Time of War, and New England Tryptich, with the Seattle Symphony conducted by Gerard Schwarz.

Album details...
Catalogue No.: Naxos 8.559625</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Bohuslav Martinu&#8217;s Piano Concertos</title>
		<link>http://blog.naxos.com/2009/11/podcast-bohuslav-martinus-piano-concertos/</link>
		<comments>http://blog.naxos.com/2009/11/podcast-bohuslav-martinus-piano-concertos/#comments</comments>
		<pubDate>Tue, 10 Nov 2009 16:00:47 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[20th century composers]]></category>
		<category><![CDATA[20th century piano concertos]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Bohuslav Martinu]]></category>
		<category><![CDATA[Czech composers]]></category>
		<category><![CDATA[Les Fresques de Piero della Francesca]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[ODE1158-2]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Robert Kolinsky]]></category>
		<category><![CDATA[Sinfonieorchester Basel]]></category>
		<category><![CDATA[Vladimir Ashkenazy]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4058</guid>
		<description><![CDATA[Czech-born composer Bohuslav Martinu was born in a church tower in Policka, Bohemia in 1890. He became a student in the Prague Conservatory, and played with the Czech Philharmonic before moving to Paris to study composition. When World War Two &#8230; <a class="readmore" href="http://blog.naxos.com/2009/11/podcast-bohuslav-martinus-piano-concertos/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="MARTINU, B.: Piano Concertos 2 and 4 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=ODE1158-2&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091111_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="MARTINU Piano Concertos 2 and 4" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/ODE1158-2.gif" width="170" height="168" /></a>Czech-born composer Bohuslav Martinu was born in a church tower in Policka, Bohemia in 1890. He became a student in the Prague Conservatory, and played with the Czech Philharmonic before moving to Paris to study composition. When World War Two broke out, he fled Europe and moved to the United States where he taught at the Mannes School of Music in New York. All the while, he composed incessantly &#8211; including the two piano concertos on this disc. Performers include pianist <a href="http://www.naxos.com/artistinfo/Robert_Kolinsky/106862.htm">Robert Kolinsky</a>, conductor Vladimir Ashkenazy, and Sinfonieorchester Basel.</p>
<p><a title="MARTINU, B.: Piano Concertos 2 and 4 album details" href="http://www.naxos.com/catalogue/item.asp?item_code=ODE1158-2&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091111_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Ondine ODE 1158-2</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/11/podcast-bohuslav-martinus-piano-concertos/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091111.mp3" length="16868217" type="audio/mpeg" />
			<itunes:keywords>20th century composers, 20th century piano concertos, Bohuslav Martinu, Czech composers, Les Fresques de Piero della Francesca, Naxos Classical Music Spotlight, Raymond Bisha, Robert Kolinsky, Sinfonieorchester Basel, Vladimir Ashkenazy</itunes:keywords>
	<itunes:subtitle>Czech-born composer Bohuslav Martinu was born in a church tower in Policka, Bohemia in 1890. He became a student in the Prague Conservatory, and played with the Czech Philharmonic before moving to Paris to study composition. When World War Two broke out,</itunes:subtitle>
		<itunes:summary>Czech-born composer Bohuslav Martinu was born in a church tower in Policka, Bohemia in 1890. He became a student in the Prague Conservatory, and played with the Czech Philharmonic before moving to Paris to study composition. When World War Two broke out, he fled Europe and moved to the United States where he taught at the Mannes School of Music in New York. All the while, he composed incessantly - including the two piano concertos on this disc. Performers include pianist Robert Kolinsky, conductor Vladimir Ashkenazy, and Sinfonieorchester Basel.

Album details...
Catalogue No.: Ondine ODE 1158-2</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Le Voyage Dans La Lune</title>
		<link>http://blog.naxos.com/2009/11/podcast-le-voyage-dans-la-lune/</link>
		<comments>http://blog.naxos.com/2009/11/podcast-le-voyage-dans-la-lune/#comments</comments>
		<pubDate>Tue, 10 Nov 2009 00:00:10 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Don Myers]]></category>
		<category><![CDATA[ERM Media]]></category>
		<category><![CDATA[ERM5997]]></category>
		<category><![CDATA[Film history]]></category>
		<category><![CDATA[Georges Melies]]></category>
		<category><![CDATA[James Guymon]]></category>
		<category><![CDATA[Journey to the Moon]]></category>
		<category><![CDATA[Jules Verne]]></category>
		<category><![CDATA[Le Voyage Dans La Lune]]></category>
		<category><![CDATA[Louie Hurwitz]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Robert Ian Winsten]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=4044</guid>
		<description><![CDATA[Between 1902 and 1904, French film director Georges Melies made Le Voyage Dans La Lune, the world&#8217;s first science fiction film. In this CD + DVD project, composer/conductor Robert Ian Winstin has asked four different composers including himself, &#8220;Professor Louie &#8230; <a class="readmore" href="http://blog.naxos.com/2009/11/podcast-le-voyage-dans-la-lune/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.classicsonline.com/catalogue/product.aspx?pid=910356&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091110_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="Le Voyage Dans La Lune" alt="" src="http://i157.photobucket.com/albums/t68/holeypeacoat/607221599728.jpg" width="169" height="215" /></a>Between 1902 and 1904, French film director Georges Melies made Le Voyage Dans La Lune, the world&#8217;s first science fiction film. In this CD + DVD project, composer/conductor <a href="http://www.naxos.com/artistinfo/Robert_Ian_Winstin_52251/52251.htm">Robert Ian Winstin</a> has asked four different composers including himself, &#8220;Professor Louie Hurwitz, James Guymon and Don Myers to each write their own original soundtracks for this film. The result is four soundtracks that couldn&#8217;t be more different &#8211; and more effective.</p>
<p><a title="WINSTIN, R. I.: Le Voyage Dans La Lune album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=910356&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091110_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: ERM Media Film ERM-5997</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/11/podcast-le-voyage-dans-la-lune/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2009/11/cms20091104.mp3" length="25250001" type="audio/mpeg" />
			<itunes:keywords>Don Myers, ERM Media, Film history, Georges Melies, James Guymon, Journey to the Moon, Jules Verne, Le Voyage Dans La Lune, Louie Hurwitz, Naxos Classical Music Spotlight, Raymond Bisha, Robert Ian Winsten</itunes:keywords>
	<itunes:subtitle>Between 1902 and 1904, French film director Georges Melies made Le Voyage Dans La Lune, the world&#039;s first science fiction film. In this CD + DVD project, composer/conductor Robert Ian Winstin has asked four different composers including himself,</itunes:subtitle>
		<itunes:summary>Between 1902 and 1904, French film director Georges Melies made Le Voyage Dans La Lune, the world&#039;s first science fiction film. In this CD + DVD project, composer/conductor Robert Ian Winstin has asked four different composers including himself, &quot;Professor Louie Hurwitz, James Guymon and Don Myers to each write their own original soundtracks for this film. The result is four soundtracks that couldn&#039;t be more different - and more effective.

Album details...
Catalogue No.: ERM Media Film ERM-5997

 </itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>30:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: To The Four Corners with Huang Ruo</title>
		<link>http://blog.naxos.com/2009/11/podcast-to-the-four-corners-with-huang-ruo/</link>
		<comments>http://blog.naxos.com/2009/11/podcast-to-the-four-corners-with-huang-ruo/#comments</comments>
		<pubDate>Wed, 04 Nov 2009 07:00:33 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Aaron Boyd]]></category>
		<category><![CDATA[Alexander Lipowski]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Charles Tyler]]></category>
		<category><![CDATA[David Stevens]]></category>
		<category><![CDATA[Drama Theater No. 2]]></category>
		<category><![CDATA[Elizabeth Weisser]]></category>
		<category><![CDATA[Erit Wight]]></category>
		<category><![CDATA[Future in REverse Fire)]]></category>
		<category><![CDATA[Huang Ruo]]></category>
		<category><![CDATA[Judy Kang]]></category>
		<category><![CDATA[Kelli Kathman]]></category>
		<category><![CDATA[Min Xiao-Fen]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Stephen Buck]]></category>
		<category><![CDATA[Stephen Miahky]]></category>
		<category><![CDATA[String Quartet No. 1 The Three Tenses]]></category>
		<category><![CDATA[To The Four Corners]]></category>
		<category><![CDATA[Vasko Kukovski]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3999</guid>
		<description><![CDATA[Huang Ruo was born in Hainan Island, China the same year the Cultural Revolution ended. This allowed him to get a unique kind of musical education as &#8220;western&#8221; music was again allowed back into China. This experience, along with his &#8230; <a class="readmore" href="http://blog.naxos.com/2009/11/podcast-to-the-four-corners-with-huang-ruo/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="HUANG RUO, To The Four Corners album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559653&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091104_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="HUANG RUO To The Four Corners" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559653.gif" width="170" height="168" /></a><a href="http://www.naxos.com/composerinfo/Ruo_Huang/29098.htm">Huang Ruo</a> was born in Hainan Island, China the same year the Cultural Revolution ended. This allowed him to get a unique kind of musical education as &#8220;western&#8221; music was again allowed back into China. This experience, along with his subsequent study in the United States, has helped him develop a unique compositional voice. In this podcast, he talks about his musical youth, and about his new CD with <a href="http://www.naxos.com/ensembleinfo/Fire_in_Reverse/98653.htm">Future in REverse (FIRE)</a> ensemble.</p>
<p><a title="HUANG RUO, To The Four Corners album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559653&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091104_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559653</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/11/podcast-to-the-four-corners-with-huang-ruo/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091022.mp3" length="28869222" type="audio/mpeg" />
			<itunes:keywords>Aaron Boyd, Alexander Lipowski, Charles Tyler, David Stevens, Drama Theater No. 2, Elizabeth Weisser, Erit Wight, Future in REverse Fire), Huang Ruo, Judy Kang, Kelli Kathman, Min Xiao-Fen, Naxos American Classics, Stephen Buck, Stephen Miahky</itunes:keywords>
	<itunes:subtitle>Huang Ruo was born in Hainan Island, China the same year the Cultural Revolution ended. This allowed him to get a unique kind of musical education as &quot;western&quot; music was again allowed back into China. This experience,</itunes:subtitle>
		<itunes:summary>Huang Ruo was born in Hainan Island, China the same year the Cultural Revolution ended. This allowed him to get a unique kind of musical education as &quot;western&quot; music was again allowed back into China. This experience, along with his subsequent study in the United States, has helped him develop a unique compositional voice. In this podcast, he talks about his musical youth, and about his new CD with Future in REverse (FIRE) ensemble.

Album details...
Catalogue No.: Naxos 8.559653</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Don Giovanni &#8230; for string quartet</title>
		<link>http://blog.naxos.com/2009/11/podcast-don-giovanni-for-string-quartet/</link>
		<comments>http://blog.naxos.com/2009/11/podcast-don-giovanni-for-string-quartet/#comments</comments>
		<pubDate>Mon, 02 Nov 2009 16:00:44 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[ACD2 2599]]></category>
		<category><![CDATA[ATMA]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Don Giovanni]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Quatour Franz Joseph]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Simrock Publishers]]></category>
		<category><![CDATA[String Quartet]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3919</guid>
		<description><![CDATA[Since the first performance of Mozart&#8217;s opera Don Giovanni, there has been a steady stream of arrangements of the piece. By the end of the 19th century, there were already more than 600 published arrangements. Some were note very good, &#8230; <a class="readmore" href="http://blog.naxos.com/2009/11/podcast-don-giovanni-for-string-quartet/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="MOZART, W. A.,:  Don Giovanni  album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=889235&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091103_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="MOZART Don Giovanni" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/ACD22559.gif" width="170" height="168" /></a>Since the first performance of <a title="Mozart" href="http://www.naxos.com/composerinfo/Wolfgang_Amadeus_Mozart/15934.htm?utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=cmse20091103.mp3&amp;utm_campaign=CMS" target="_blank">Mozart&#8217;s</a> opera Don Giovanni, there has been a steady stream of arrangements of the piece. By the end of the 19th century, there were already more than 600 published arrangements. Some were note very good, but others, such as the music featured in this podcast, were excellent. On this CD, Quatour Franz Joseph performs an arrangement of Don Giovanni for string quartet, made sometime around 1800.</p>
<p>&nbsp;</p>
<p><a title="MOZART, W. A.,:  Don Giovanni album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=889235&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091103_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: ATMA ACD22559</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/11/podcast-don-giovanni-for-string-quartet/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2009/11/cms20091103.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>ACD2  2599, ATMA, Don Giovanni, Naxos Classical Music Spotlight, Quatour Franz Joseph, Raymond Bisha, Simrock Publishers, String Quartet, Wolfgang Amadeus Mozart</itunes:keywords>
	<itunes:subtitle>Since the first performance of Mozart&#039;s opera Don Giovanni, there has been a steady stream of arrangements of the piece. By the end of the 19th century, there were already more than 600 published arrangements. Some were note very good, but others,</itunes:subtitle>
		<itunes:summary>Since the first performance of Mozart&#039;s opera Don Giovanni, there has been a steady stream of arrangements of the piece. By the end of the 19th century, there were already more than 600 published arrangements. Some were note very good, but others, such as the music featured in this podcast, were excellent. On this CD, Quatour Franz Joseph performs an arrangement of Don Giovanni for string quartet, made sometime around 1800.

 

Album details...
Catalogue No.: ATMA ACD22559</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>19:55</itunes:duration>
	</item>
		<item>
		<title>Podcast: Carlo Gesualdo, composer, murderer</title>
		<link>http://blog.naxos.com/2009/10/podcast-carlo-gesualdo-composer-murderer/</link>
		<comments>http://blog.naxos.com/2009/10/podcast-carlo-gesualdo-composer-murderer/#comments</comments>
		<pubDate>Wed, 28 Oct 2009 00:00:23 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Carlo Gesualdo]]></category>
		<category><![CDATA[Italian Madrigals]]></category>
		<category><![CDATA[Luzzasco Luzzaschi]]></category>
		<category><![CDATA[Madrigali]]></category>
		<category><![CDATA[naïve]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[O Dolorosa Gioia]]></category>
		<category><![CDATA[OP30486]]></category>
		<category><![CDATA[Pomponio Nenna]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[Rinaldo Alessandrini]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3917</guid>
		<description><![CDATA[Carlo Gesualdo, Prince of Venosa, was one of the more colorful characters among Italian Renaissance composers. He wrote unusual and highly emotional music, and he was a murderer. This podcast looks at both his personal life (sometimes gruesome) as well &#8230; <a class="readmore" href="http://blog.naxos.com/2009/10/podcast-carlo-gesualdo-composer-murderer/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="GESUALDO, C.: O dolorosa gioia, Madrigals album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=1013931&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091028_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="GESUALDO O dolorosa gioia, Madrigals" alt="" src="http://i157.photobucket.com/albums/t68/holeypeacoat/709861304868.jpg" width="168" height="148" /></a><a href="http://www.naxos.com/composerinfo/Carlo_Gesualdo/27205.htm">Carlo Gesualdo</a>, Prince of Venosa, was one of the more colorful characters among Italian Renaissance composers. He wrote unusual and highly emotional music, and he was a murderer. This podcast looks at both his personal life (sometimes gruesome) as well as his music. Music by Gesualdo&#8217;s fellow composers Pomponio Nenna and <a href="http://www.naxos.com/composerinfo/Luzzasco_Luzzaschi/21735.htm">Luzzasco Luzzaschi</a> is also included. The featured artists in this podcast, and on the CD are Concerto Italiano conducted by Rinaldo Alessandrini.</p>
<p><a title="GESUALDO, C.: O dolorosa gioia, Madrigals album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=1013931&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091028_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naive OP30486</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/10/podcast-carlo-gesualdo-composer-murderer/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091028.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>Carlo Gesualdo, Italian Madrigals, Luzzasco Luzzaschi, Madrigali, naïve, Naxos Classical Music Spotlight, O Dolorosa Gioia, OP30486, Pomponio Nenna, Raymond Bisha, Rinaldo Alessandrini</itunes:keywords>
	<itunes:subtitle>Carlo Gesualdo, Prince of Venosa, was one of the more colorful characters among Italian Renaissance composers. He wrote unusual and highly emotional music, and he was a murderer. This podcast looks at both his personal life (sometimes gruesome) as well...</itunes:subtitle>
		<itunes:summary>Carlo Gesualdo, Prince of Venosa, was one of the more colorful characters among Italian Renaissance composers. He wrote unusual and highly emotional music, and he was a murderer. This podcast looks at both his personal life (sometimes gruesome) as well as his music. Music by Gesualdo&#039;s fellow composers Pomponio Nenna and Luzzasco Luzzaschi is also included. The featured artists in this podcast, and on the CD are Concerto Italiano conducted by Rinaldo Alessandrini.

Album details...
Catalogue No.: Naive OP30486</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Morten Lauridsen&#8217;s Choral Music</title>
		<link>http://blog.naxos.com/2009/10/podcast-morten-lauridsens-choral-music/</link>
		<comments>http://blog.naxos.com/2009/10/podcast-morten-lauridsens-choral-music/#comments</comments>
		<pubDate>Mon, 26 Oct 2009 17:00:47 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559304]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Contemporary Choral Music]]></category>
		<category><![CDATA[Elora Festival Singers]]></category>
		<category><![CDATA[Leslie De'Ath]]></category>
		<category><![CDATA[Madrigali]]></category>
		<category><![CDATA[Mid-Winter Songs]]></category>
		<category><![CDATA[Morten Lauridsen]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Noel Edison]]></category>
		<category><![CDATA[O Magnum Mysterium]]></category>
		<category><![CDATA[O nata lux]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3915</guid>
		<description><![CDATA[Morten Lauridsen is America&#8217;s pre-eminent composer of choral music. His music, with long, arching, expressive lines is enjoyed by performers and audiences alike. In the CD featured in this podcast, the Elora Festival Singers under conductor Noel Edison present five &#8230; <a class="readmore" href="http://blog.naxos.com/2009/10/podcast-morten-lauridsens-choral-music/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="LAURIDSEN, M.: Choral Music album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559304&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091027_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="LAURIDSEN Choral Music" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559304.gif" width="170" height="168" /></a>Morten Lauridsen is America&#8217;s pre-eminent composer of choral music. His music, with long, arching, expressive lines is enjoyed by performers and audiences alike. In the CD featured in this podcast, the <a href="http://www.naxos.com/artistinfo/Elora_Festival_Singers/15093.htm">Elora Festival Singers</a> under conductor <a href="http://www.naxos.com/artistinfo/Noel_Edison_22783/22783.htm">Noel Edison</a> present five of his pieces &#8211; O nata lux and O Magnum Mysterium, two of his most famous sacred works, plus collections of songs based on Italian Renaissance poetry, as well as poems by Robert Graves and Rainer Marie Rilke.</p>
<p><a title="LAURIDSEN, M.: Choral Music album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559304&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091027_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559304</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/10/podcast-morten-lauridsens-choral-music/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091027.mp3" length="28864481" type="audio/mpeg" />
			<itunes:keywords>8.559304,blog.naxos.com,Contemporary Choral Music,Elora Festival Singers,Leslie De&#039;Ath,Madrigali,Mid-Winter Songs,Morten Lauridsen,Naxos American Classics,Noel Edison,O Magnum Mysterium,O nata lux</itunes:keywords>
	<itunes:subtitle>Morten Lauridsen is America&#039;s pre-eminent composer of choral music. His music, with long, arching, expressive lines is enjoyed by performers and audiences alike. In the CD featured in this podcast, the Elora Festival Singers under conductor Noel Edison...</itunes:subtitle>
		<itunes:summary>Morten Lauridsen is America&#039;s pre-eminent composer of choral music. His music, with long, arching, expressive lines is enjoyed by performers and audiences alike. In the CD featured in this podcast, the Elora Festival Singers under conductor Noel Edison present five of his pieces - O nata lux and O Magnum Mysterium, two of his most famous sacred works, plus collections of songs based on Italian Renaissance poetry, as well as poems by Robert Graves and Rainer Marie Rilke.

Album details...
Catalogue No.: Naxos 8.559304</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>Podcast: Eliesha Nelson plays Quincy Porter</title>
		<link>http://blog.naxos.com/2009/10/podcast-eliesha-nelson-plays-quincy-porter/</link>
		<comments>http://blog.naxos.com/2009/10/podcast-eliesha-nelson-plays-quincy-porter/#comments</comments>
		<pubDate>Mon, 19 Oct 2009 16:00:32 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Blues Lontains]]></category>
		<category><![CDATA[Douglas Rioth]]></category>
		<category><![CDATA[DSL-90911]]></category>
		<category><![CDATA[Eliesha Nelson]]></category>
		<category><![CDATA[John McLaughlin Williams]]></category>
		<category><![CDATA[Northwest Sinfonia]]></category>
		<category><![CDATA[Quincy Porter]]></category>
		<category><![CDATA[Speed Edude]]></category>
		<category><![CDATA[viola]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3944</guid>
		<description><![CDATA[Although Quincy Porter is better known as a teacher, he was also a fine composer, violist and conductor. A rediscovery of his music is overdue, and what better place to start than with this CD of his complete viola music, &#8230; <a class="readmore" href="http://blog.naxos.com/2009/10/podcast-eliesha-nelson-plays-quincy-porter/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="PORTER, Q.: Complete Viola Music album details" href="http://www.naxos.com/catalogue/item.asp?item_code=DSL-90911&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091020_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="PORTER Complete Viola Music" alt="" src="http://i157.photobucket.com/albums/t68/holeypeacoat/ElieshaNelson.jpg" width="200" height="201" /></a>Although Quincy Porter is better known as a teacher, he was also a fine composer, violist and conductor. A rediscovery of his music is overdue, and what better place to start than with this CD of his complete viola music, with Eliesha Nelson, recording artist and member of the Cleveland Orchestra. This CD also features <a href="http://http://www.naxos.com/search/kwsresults.asp?q=john+mclauglin+williams&amp;as_q=more%3Aalbums&amp;x=0&amp;y=0&amp;cx=014671119000192421307%3Afutskzv9xio&amp;cof=FORID%3A9&amp;ie=ISO-8859-15&amp;safe=off">John McLaughlin Williams</a> as conductor, pianist and violinist, harpist Douglas Rioth, and the Northwest Sinfonia.</p>
<p><a title="PORTER, Q.: Complete Viola Music album details" href="http://www.naxos.com/catalogue/item.asp?item_code=DSL-90911&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091020_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Dorian Sono Luminus DSL-90911</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/10/podcast-eliesha-nelson-plays-quincy-porter/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2009/10/cms20091020.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>blog.naxos.com, Blues Lontains, Douglas Rioth, Eliesha Nelson, John McLaughlin Williams, Northwest Sinfonia, Quincy Porter, Speed Edude, viola</itunes:keywords>
	<itunes:subtitle>Although Quincy Porter is better known as a teacher, he was also a fine composer, violist and conductor. A rediscovery of his music is overdue, and what better place to start than with this CD of his complete viola music, with Eliesha Nelson,</itunes:subtitle>
		<itunes:summary>Although Quincy Porter is better known as a teacher, he was also a fine composer, violist and conductor. A rediscovery of his music is overdue, and what better place to start than with this CD of his complete viola music, with Eliesha Nelson, recording artist and member of the Cleveland Orchestra. This CD also features John McLaughlin Williams as conductor, pianist and violinist, harpist Douglas Rioth, and the Northwest Sinfonia.

Album details...
Catalogue No.: Dorian Sono Luminus DSL-90911</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: The Masses of Joseph Haydn</title>
		<link>http://blog.naxos.com/2009/10/podcast-the-masses-of-joseph-haydn/</link>
		<comments>http://blog.naxos.com/2009/10/podcast-the-masses-of-joseph-haydn/#comments</comments>
		<pubDate>Tue, 13 Oct 2009 00:00:44 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.508009]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Cacilienmesse]]></category>
		<category><![CDATA[Franz Joseph Haydn]]></category>
		<category><![CDATA[Grosse Orgelsolomesse]]></category>
		<category><![CDATA[J. Owen Burdick]]></category>
		<category><![CDATA[Jane Glover]]></category>
		<category><![CDATA[Lord Nelson Mass]]></category>
		<category><![CDATA[Masses]]></category>
		<category><![CDATA[Missa Cellensis]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Raymond Bisha]]></category>
		<category><![CDATA[REBEL Baroque Orchestra]]></category>
		<category><![CDATA[Trinity Choir]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3913</guid>
		<description><![CDATA[Over the course of his 73 years, Franz Joseph Haydn wrote a huge amount of music, including more than a dozen Masses. This podcast looks at those masses, and a new recording by Trinity Church Choir, REBEL Baroque Orchestra, J.Owen &#8230; <a class="readmore" href="http://blog.naxos.com/2009/10/podcast-the-masses-of-joseph-haydn/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="HAYDN, J.:  The Complete Masses album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.508009&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091013_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="HAYDN The Complete Masses" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.508009.gif" width="170" height="168" /></a>Over the course of his 73 years, <a href="http://www.naxos.com/composerinfo/Franz_Joseph_Haydn/24410.htm">Franz Joseph Haydn</a> wrote a huge amount of music, including more than a dozen Masses. This podcast looks at those masses, and a new recording by <a href="http://www.naxos.com/artistinfo/Trinity_Church_Choir,_New_York/14965.htm">Trinity Church Choir</a>, <a href="http://www.naxos.com/artistinfo/REBEL_Baroque_Orchestra/34629.htm">REBEL Baroque Orchestra</a>, <a href="http://www.naxos.com/artistinfo/Owen_Burdick_31566/31566.htm">J.Owen Burdick</a> and<a href="http://www.naxos.com/artistinfo/Jane_Glover/101660.htm"> Jane Glover</a>.</p>
<p><a title="HAYDN, J.:  The Complete Masses album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.508009&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091013_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.508009</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/10/podcast-the-masses-of-joseph-haydn/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091013.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>8.508009, Cacilienmesse, Franz Joseph Haydn, Grosse Orgelsolomesse, J. Owen Burdick, Jane Glover, Lord Nelson Mass, Masses, Missa Cellensis, Naxos Classical Music Spotlight, Raymond Bisha, REBEL Baroque Orchestra, Trinity Choir</itunes:keywords>
	<itunes:subtitle>Over the course of his 73 years, Franz Joseph Haydn wrote a huge amount of music, including more than a dozen Masses. This podcast looks at those masses, and a new recording by Trinity Church Choir, REBEL Baroque Orchestra, J.</itunes:subtitle>
		<itunes:summary>Over the course of his 73 years, Franz Joseph Haydn wrote a huge amount of music, including more than a dozen Masses. This podcast looks at those masses, and a new recording by Trinity Church Choir, REBEL Baroque Orchestra, J.Owen Burdick and Jane Glover.

Album details...
Catalogue No.: Naxos 8.508009

 </itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>19:50</itunes:duration>
	</item>
		<item>
		<title>Podcast: David Aaron Carpenter plays Elgar and Schnittke</title>
		<link>http://blog.naxos.com/2009/10/podcast-david-aaron-carpenter-plays-elgar-and-schnittke/</link>
		<comments>http://blog.naxos.com/2009/10/podcast-david-aaron-carpenter-plays-elgar-and-schnittke/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 00:00:41 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Alfred Schnittke]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Christoph Eschenbach]]></category>
		<category><![CDATA[David Aaron Carpenter]]></category>
		<category><![CDATA[Edward Elgar]]></category>
		<category><![CDATA[Elgar Cello Concerto]]></category>
		<category><![CDATA[Lionel Tertis]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[ODE 1153-2]]></category>
		<category><![CDATA[Ondine]]></category>
		<category><![CDATA[Philharmonia Orchestra]]></category>
		<category><![CDATA[viola]]></category>
		<category><![CDATA[Viola Concertos]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3908</guid>
		<description><![CDATA[With his CD of Elgar&#8217;s Cello Concerto, and Alfred Schnittke&#8216;s Viola Concerto, New York-based violist David Aaron Carpenter puts himself onstage as one of the leading violists of the new generation. His performance of Edward Elgar&#8216;s Cello Concerto also makes &#8230; <a class="readmore" href="http://blog.naxos.com/2009/10/podcast-david-aaron-carpenter-plays-elgar-and-schnittke/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="ELGAR and SCHNITTKE: Viola Concertos album details" href="http://www.naxos.com/catalogue/item.asp?item_code=ODE1153-2&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091006_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="ELGAR and SCHNITTKE Viola Concertos" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/ODE1153-2.gif" width="170" height="168" /></a>With his CD of Elgar&#8217;s Cello Concerto, and <a href="http://www.naxos.com/composerinfo/Alfred_Schnittke_21168/21168.htm">Alfred Schnittke</a>&#8216;s Viola Concerto, New York-based violist <a href="http://www.naxos.com/artistinfo/David_Aaron_Carpenter/101451.htm">David Aaron Carpenter</a> puts himself onstage as one of the leading violists of the new generation. His performance of <a href="http://www.naxos.com/composerinfo/Edward_Elgar_26026/26026.htm">Edward Elgar</a>&#8216;s Cello Concerto also makes a compelling case for performing the piece more often on viola. In this CD, Carpenter is accompanied by the <a href="http://www.naxos.com/artistinfo/Philharmonia_Orchestra/46330.htm">Philharmonia Orchestra</a>, conducted by <a href="http://www.naxos.com/artistinfo/Christoph_Eschenbach/45171.htm">Christoph Eschenbach</a>.</p>
<p>&nbsp;</p>
<p><a title="ELGAR, SCHNITTKE Viola Concertos album details" href="http://www.naxos.com/catalogue/item.asp?item_code=ODE1153-2&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20091006_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Ondine ODE 1153-2</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/10/podcast-david-aaron-carpenter-plays-elgar-and-schnittke/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20091006.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>Alfred Schnittke, Christoph Eschenbach, David Aaron Carpenter, Edward Elgar, Elgar Cello Concerto, Lionel Tertis, Naxos Classical Music Spotlight, ODE 1153-2, Ondine, Philharmonia Orchestra, viola, Viola Concertos</itunes:keywords>
	<itunes:subtitle>With his CD of Elgar&#039;s Cello Concerto, and Alfred Schnittke&#039;s Viola Concerto, New York-based violist David Aaron Carpenter puts himself onstage as one of the leading violists of the new generation. His performance of Edward Elgar&#039;s Cello Concerto also ...</itunes:subtitle>
		<itunes:summary>With his CD of Elgar&#039;s Cello Concerto, and Alfred Schnittke&#039;s Viola Concerto, New York-based violist David Aaron Carpenter puts himself onstage as one of the leading violists of the new generation. His performance of Edward Elgar&#039;s Cello Concerto also makes a compelling case for performing the piece more often on viola. In this CD, Carpenter is accompanied by the Philharmonia Orchestra, conducted by Christoph Eschenbach.

 

Album details...
Catalogue No.: Ondine ODE 1153-2</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>19:40</itunes:duration>
	</item>
		<item>
		<title>Podcast: Orjan Sandred&#8217;s Cracks and Corrosion</title>
		<link>http://blog.naxos.com/2009/09/podcast-orjan-sandreds-cracks-and-corrosion/</link>
		<comments>http://blog.naxos.com/2009/09/podcast-orjan-sandreds-cracks-and-corrosion/#comments</comments>
		<pubDate>Tue, 29 Sep 2009 16:00:02 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[avona]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[computer]]></category>
		<category><![CDATA[electro-acoustic]]></category>
		<category><![CDATA[electronic works]]></category>
		<category><![CDATA[NV5814]]></category>
		<category><![CDATA[Orjan Sandred]]></category>
		<category><![CDATA[Swedish]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3794</guid>
		<description><![CDATA[Orjan Sandred is a Swedish electro-acoustic composer who spends his summers in Europe, and his winters teaching at the University of Manitoba in Winnipeg, Canada. In this podcast, he describes his approach to sound and composition as he creates music &#8230; <a class="readmore" href="http://blog.naxos.com/2009/09/podcast-orjan-sandreds-cracks-and-corrosion/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="ORJAN SANDRED, Cracks and Corrosion album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=839599&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090930_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="ORJAN SANDRED Cracks and Corrosion" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/NV5814.gif" width="170" height="168" /></a>Orjan Sandred is a Swedish electro-acoustic composer who spends his summers in Europe, and his winters teaching at the University of Manitoba in Winnipeg, Canada. In this podcast, he describes his approach to sound and composition as he creates music that combines live performers with computer generated or altered sounds.</p>
<p><a title="ORJAN SANDRED:  Cracks and Corrosion album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=839599&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090930_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Navona NV5814</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/09/podcast-orjan-sandreds-cracks-and-corrosion/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090909.mp3" length="28868889" type="audio/mpeg" />
			<itunes:keywords>Orjan Sandred, Navona, Swedish, electro-acoustic, electronic works, computer, NV5814</itunes:keywords>
	<itunes:subtitle>Orjan Sandred is a Swedish electro-acoustic composer who spends his summers in Europe, and his winters teaching at the University of Manitoba in Winnipeg, Canada. In this podcast, he describes his approach to sound and composition as he creates music t...</itunes:subtitle>
		<itunes:summary>Orjan Sandred is a Swedish electro-acoustic composer who spends his summers in Europe, and his winters teaching at the University of Manitoba in Winnipeg, Canada. In this podcast, he describes his approach to sound and composition as he creates music that combines live performers with computer generated or altered sounds.

Album details...
Catalogue No.: Navona NV5814

 </itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Johan Svendsen&#8217;s Norwegian Rhapsodies</title>
		<link>http://blog.naxos.com/2009/09/podcast-johan-svendsens-norwegian-rhapsodies/</link>
		<comments>http://blog.naxos.com/2009/09/podcast-johan-svendsens-norwegian-rhapsodies/#comments</comments>
		<pubDate>Mon, 28 Sep 2009 16:01:47 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.570322]]></category>
		<category><![CDATA[Bjarte Engeset]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Johan Svendsen]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Norwegian music]]></category>
		<category><![CDATA[Romeo and Juliet]]></category>
		<category><![CDATA[Romeo og Julie]]></category>
		<category><![CDATA[South Jutland Symphony Orchestra]]></category>
		<category><![CDATA[Zorahayda]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3827</guid>
		<description><![CDATA[Johan Svendsen was the one of the leading figures in Norwegian music during the romantic era, both as a composer and a conductor. This podcast introduces you to his Norwegian Rhapsodies, as well as the music he wrote for Romeo &#8230; <a class="readmore" href="http://blog.naxos.com/2009/09/podcast-johan-svendsens-norwegian-rhapsodies/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="SVENDSEN, J,: Norwegian Rhapsodies album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570322&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090929_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="SVENDSEN Norwegian Rhapsodies" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.570322.gif" width="170" height="168" /></a><a href="http://www.naxos.com/composerinfo/Johann_Svendsen/23858.htm">Johan Svendsen</a> was the one of the leading figures in Norwegian music during the romantic era, both as a composer and a conductor. This podcast introduces you to his Norwegian Rhapsodies, as well as the music he wrote for Romeo and Juliet, and his piece Zorahayda, based on the story Rose of Alhambra by the American author Washington Irving (who also wrote The Legend of Sleepy Hollow). The performers are the <a href="http://www.naxos.com/artistinfo/South_Jutland_Symphony_Orchestra/35386.htm">South Jutland Symphony Orchestra</a>, and conductor <a href="http://www.naxos.com/artistinfo/Bjarte_Engeset/31574.htm">Bjarte Engeset</a>.</p>
<p><a title="SVENDSEN, J,: Norwegian Rhapsodies album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570322&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090929_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.570322</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/09/podcast-johan-svendsens-norwegian-rhapsodies/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090929.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>8.570322, Bjarte Engeset, Johan Svendsen, Naxos Classical Music Spotlight, Norwegian music, Romeo and Juliet, Romeo og Julie, South Jutland Symphony Orchestra, Zorahayda</itunes:keywords>
	<itunes:subtitle>Johan Svendsen was the one of the leading figures in Norwegian music during the romantic era, both as a composer and a conductor. This podcast introduces you to his Norwegian Rhapsodies, as well as the music he wrote for Romeo and Juliet,</itunes:subtitle>
		<itunes:summary>Johan Svendsen was the one of the leading figures in Norwegian music during the romantic era, both as a composer and a conductor. This podcast introduces you to his Norwegian Rhapsodies, as well as the music he wrote for Romeo and Juliet, and his piece Zorahayda, based on the story Rose of Alhambra by the American author Washington Irving (who also wrote The Legend of Sleepy Hollow). The performers are the South Jutland Symphony Orchestra, and conductor Bjarte Engeset.

Album details...
Catalogue No.: Naxos 8.570322</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>17:50</itunes:duration>
	</item>
		<item>
		<title>Podcast: Michael Daugherty&#8217;s Metropolis Symphony</title>
		<link>http://blog.naxos.com/2009/09/podcast-michael-daughertys-metropolis-symphony/</link>
		<comments>http://blog.naxos.com/2009/09/podcast-michael-daughertys-metropolis-symphony/#comments</comments>
		<pubDate>Sun, 27 Sep 2009 16:00:14 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559635]]></category>
		<category><![CDATA[American Composer]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Deus ex Machina]]></category>
		<category><![CDATA[Giancarlo Guerrero]]></category>
		<category><![CDATA[Metropolis Symphony]]></category>
		<category><![CDATA[Michael Daugherty]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Terrence Wilson]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3877</guid>
		<description><![CDATA[The inspiration for Michael Daugherty&#8216;s Metropolis Symphony can be traced all the way back to his youth, as he watched on television as the caped superhero rescued humanity &#8211; as especially Lois Lane &#8211; from all kinds of deadly situations. &#8230; <a class="readmore" href="http://blog.naxos.com/2009/09/podcast-michael-daughertys-metropolis-symphony/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="DAUGHERTY, M.: Metropolis Symphony album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559635&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090928_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="DAUGHERTY Metropolis Symphony" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559635.gif" width="170" height="168" /></a>The inspiration for <a href="http://www.naxos.com/composerinfo/Michael_Daugherty/19985.htm">Michael Daugherty</a>&#8216;s Metropolis Symphony can be traced all the way back to his youth, as he watched on television as the caped superhero rescued humanity &#8211; as especially Lois Lane &#8211; from all kinds of deadly situations. Daugherty&#8217;s ability to allow the visual world to inspire the musical is evident in many of his works such as Deux Ex Machina, included on this CD, and <a href="http://www.naxos.com/catalogue/item.asp?item_code=8.559372">Fire and Blood</a> that was inspired by murals by Diego Rivera. The performers on this present CD include the<a href="http://www.naxos.com/artistinfo/Nashville_Symphony_Orchestra/35217.htm"> Nashville Symphony Orchestra</a>, pianist <a href="http://www.naxos.com/artistinfo/Wilson_Terrence/97185.htm">Terrence Wilson</a>, and conductor <a href="http://www.naxos.com/conductorinfo/Giancarlo_Guerrero/97170.htm">Giancarlo Guerrero</a>.</p>
<p><a title="DAUGHERTY, M.: Metropolis Symphony album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559635&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090928_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos American Classics 8.559635</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/09/podcast-michael-daughertys-metropolis-symphony/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090925.mp3" length="28869312" type="audio/mpeg" />
			<itunes:keywords>8.559635, American Composer, Deus ex Machina, Giancarlo Guerrero, Metropolis Symphony, Michael Daugherty, Naxos American Classics, Naxos Classical Music Spotlight, Terrence Wilson</itunes:keywords>
	<itunes:subtitle>The inspiration for Michael Daugherty&#039;s Metropolis Symphony can be traced all the way back to his youth, as he watched on television as the caped superhero rescued humanity - as especially Lois Lane - from all kinds of deadly situations.</itunes:subtitle>
		<itunes:summary>The inspiration for Michael Daugherty&#039;s Metropolis Symphony can be traced all the way back to his youth, as he watched on television as the caped superhero rescued humanity - as especially Lois Lane - from all kinds of deadly situations. Daugherty&#039;s ability to allow the visual world to inspire the musical is evident in many of his works such as Deux Ex Machina, included on this CD, and Fire and Blood that was inspired by murals by Diego Rivera. The performers on this present CD include the Nashville Symphony Orchestra, pianist Terrence Wilson, and conductor Giancarlo Guerrero.

Album details...
Catalogue No.: Naxos American Classics 8.559635</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Rautavaara&#8217;s 12 Concertos</title>
		<link>http://blog.naxos.com/2009/09/podcast-rautavaaras-12-concertos/</link>
		<comments>http://blog.naxos.com/2009/09/podcast-rautavaaras-12-concertos/#comments</comments>
		<pubDate>Wed, 23 Sep 2009 00:00:52 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Einojuhani Rautavaara]]></category>
		<category><![CDATA[Elmar Oliveira]]></category>
		<category><![CDATA[Finnish composer]]></category>
		<category><![CDATA[Kari Jussila]]></category>
		<category><![CDATA[Marielle Nordman]]></category>
		<category><![CDATA[Marko Ylonen]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[ODE 1156-2Q]]></category>
		<category><![CDATA[Ondine]]></category>
		<category><![CDATA[Richard Stolzman]]></category>
		<category><![CDATA[Vladimir Ashkenazy]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3824</guid>
		<description><![CDATA[Einojuhani Rautavaara is Finland&#8217;s best known composer, especially internationally. Rautavaara&#8217;s music has been described as a mixture of modernism and mystic romanticism &#8211; an attempt to define a compositional style that is unique, personal, and very hard to define. Among &#8230; <a class="readmore" href="http://blog.naxos.com/2009/09/podcast-rautavaaras-12-concertos/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="RAUTAVAARA, E.:  12 Concertos album details" href="http://www.naxos.com/catalogue/item.asp?item_code=ODE1156-2Q&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090923_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="RAUTAVAARA 12 Concertos" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/ODE1156-2Q.gif" width="170" height="168" /></a><a href="http://www.naxos.com/composerinfo/Einojuhani_Rautavaara_24313/24313.htm">Einojuhani Rautavaara</a> is Finland&#8217;s best known composer, especially internationally. Rautavaara&#8217;s music has been described as a mixture of modernism and mystic romanticism &#8211; an attempt to define a compositional style that is unique, personal, and very hard to define. Among his finest works are 12 concertos, composed over the past four decades, and collected together in this 4-CD box on the Ondine label. Performers include violinist Elmar Oliveira, cellist <a href="http://www.naxos.com/artistinfo/Marko_Ylonen/6679.htm">Marko Ylonen</a>, harpist <a href="http://www.naxos.com/artistinfo/Marielle_Nordmann/44251.htm">Marielle Nordmann</a>, organ player <a href="http://www.naxos.com/artistinfo/Kari_Jussila/57380.htm">Kari Jussila</a>, clarinetist <a href="http://www.naxos.com/artistinfo/Richard_Stoltzman_4260/4260.htm">Richard Stoltzman</a>, and pianists <a href="http://www.naxos.com/artistinfo/Ralf_Gothoni_4732/4732.htm">Ralf Gothoni</a> and <a href="http://www.naxos.com/artistinfo/Vladimir_Ashkenazy/9390.htm">Vladimir Ashkenazy</a>.</p>
<p><a title="RAUTAVAARA, E.:  12 Concertos album details" href="http://www.naxos.com/catalogue/item.asp?item_code=ODE1156-2Q&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090923_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Ondine ODE1156-2Q</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/09/podcast-rautavaaras-12-concertos/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090923.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>Einojuhani Rautavaara, Elmar Oliveira, Finnish composer, Kari Jussila, Marielle Nordman, Marko Ylonen, Naxos Classical Music Spotlight, ODE 1156-2Q, Ondine, Richard Stolzman, Vladimir Ashkenazy</itunes:keywords>
	<itunes:subtitle>Einojuhani Rautavaara is Finland&#039;s best known composer, especially internationally. Rautavaara&#039;s music has been described as a mixture of modernism and mystic romanticism - an attempt to define a compositional style that is unique, personal,</itunes:subtitle>
		<itunes:summary>Einojuhani Rautavaara is Finland&#039;s best known composer, especially internationally. Rautavaara&#039;s music has been described as a mixture of modernism and mystic romanticism - an attempt to define a compositional style that is unique, personal, and very hard to define. Among his finest works are 12 concertos, composed over the past four decades, and collected together in this 4-CD box on the Ondine label. Performers include violinist Elmar Oliveira, cellist Marko Ylonen, harpist Marielle Nordmann, organ player Kari Jussila, clarinetist Richard Stoltzman, and pianists Ralf Gothoni and Vladimir Ashkenazy.

Album details...
Catalogue No.: Ondine ODE1156-2Q</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Fanfares and Overtures with Rutgers Wind Ensemble</title>
		<link>http://blog.naxos.com/2009/09/podcast-fanfares-and-overtures-with-rutgers-wind-ensemble/</link>
		<comments>http://blog.naxos.com/2009/09/podcast-fanfares-and-overtures-with-rutgers-wind-ensemble/#comments</comments>
		<pubDate>Tue, 22 Sep 2009 00:00:01 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572230]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[George Washington Bridge]]></category>
		<category><![CDATA[Herbert Owen Reed]]></category>
		<category><![CDATA[Karel Husa]]></category>
		<category><![CDATA[Music for Prague]]></category>
		<category><![CDATA[Naxos Wind Band Classics]]></category>
		<category><![CDATA[Rutgers Wind Ensemble]]></category>
		<category><![CDATA[Smetana Fanfare]]></category>
		<category><![CDATA[Vaclav Nelhybel]]></category>
		<category><![CDATA[William Berz]]></category>
		<category><![CDATA[William Schuman]]></category>
		<category><![CDATA[wind band music]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3821</guid>
		<description><![CDATA[Fanfares and Overtures, the first CD by the esteemed Rutgers Wind Ensemble on Naxos Wind Band Classics, presents a dizzying range of music that include either fanfares or overtures. The CD includes music by Herbert Owen Reed, Vaclav Nelhybel, WIlliam &#8230; <a class="readmore" href="http://blog.naxos.com/2009/09/podcast-fanfares-and-overtures-with-rutgers-wind-ensemble/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="REED, O., HUSA, K., NELHYBEL, V., SCHUMAN, W: Fanfares and Overtures album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572230&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090922_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="Fanfares and Overtures" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572230.gif" width="170" height="168" /></a>Fanfares and Overtures, the first CD by the esteemed Rutgers Wind Ensemble on Naxos Wind Band Classics, presents a dizzying range of music that include either fanfares or overtures. The CD includes music by <a href="http://www.naxos.com/composerinfo/Herbert_Owen_Reed_20095/20095.htm">Herbert Owen Reed</a>, <a href="http://www.naxos.com/composerinfo/Vaclav_Nelhybel/40104.htm">Vaclav Nelhybel</a>, <a href="http://www.naxos.com/composerinfo/William_Schuman_26345/26345.htm">WIlliam Schuman</a> and <a href="http://www.naxos.com/composerinfo/Karel_Husa_24519/24519.htm">Karel Husa</a> whose &#8220;Music for Prague&#8221; may be one of the finest pieces of musical protest music ever written.</p>
<p><a title="REED, O., HUSA, K., NELHYBEL, V., SCHUMAN, W: Fanfares and Overtures album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572230&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090922_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572230</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/09/podcast-fanfares-and-overtures-with-rutgers-wind-ensemble/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090922.mp3" length="27429419" type="audio/mpeg" />
			<itunes:keywords>8.572230, George Washington Bridge, Herbert Owen Reed, Karel Husa, Music for Prague, Naxos Wind Band Classics, Rutgers Wind Ensemble, Smetana Fanfare, Vaclav Nelhybel, William Berz, William Schuman, wind band music</itunes:keywords>
	<itunes:subtitle>Fanfares and Overtures, the first CD by the esteemed Rutgers Wind Ensemble on Naxos Wind Band Classics, presents a dizzying range of music that include either fanfares or overtures. The CD includes music by Herbert Owen Reed, Vaclav Nelhybel,</itunes:subtitle>
		<itunes:summary>Fanfares and Overtures, the first CD by the esteemed Rutgers Wind Ensemble on Naxos Wind Band Classics, presents a dizzying range of music that include either fanfares or overtures. The CD includes music by Herbert Owen Reed, Vaclav Nelhybel, WIlliam Schuman and Karel Husa whose &quot;Music for Prague&quot; may be one of the finest pieces of musical protest music ever written.

Album details...
Catalogue No.: Naxos 8.572230</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>19:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Richard Strauss&#8217; Orchestral Suites</title>
		<link>http://blog.naxos.com/2009/09/podcast-richard-strauss-orchestral-suites/</link>
		<comments>http://blog.naxos.com/2009/09/podcast-richard-strauss-orchestral-suites/#comments</comments>
		<pubDate>Tue, 15 Sep 2009 18:00:27 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572041]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Buffalo Philharmonic Orchestra]]></category>
		<category><![CDATA[Der Rosenkavalier]]></category>
		<category><![CDATA[Die Frau Ohne Shatten]]></category>
		<category><![CDATA[German Opera]]></category>
		<category><![CDATA[JoAnn Falletta]]></category>
		<category><![CDATA[Josephs-Legends]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Richard Strauss]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3801</guid>
		<description><![CDATA[Richard Strauss wrote some of the finest operas of the 20th century. Pieces like Elektra, Salome and Der Rosenkavalier helped push the limits of the operatic artform, and also established Strauss as one of the truly great composers for the &#8230; <a class="readmore" href="http://blog.naxos.com/2009/09/podcast-richard-strauss-orchestral-suites/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="STRAUSS, R.: The Orchestral Suites album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572041&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090916_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="STRAUSS The Orchestral Suites" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572041.gif" width="170" height="168" /></a><a href="http://www.naxos.com/composerinfo/Richard_Strauss_26296/26296.htm">Richard Strauss</a> wrote some of the finest operas of the 20th century. Pieces like Elektra, Salome and Der Rosenkavalier helped push the limits of the operatic artform, and also established Strauss as one of the truly great composers for the media. In a few cases, he created orchestral suites from these stage works, and it&#8217;s this music that is featured in this podcast, including his suites for Der Rosenkavalier, Die Frau Ohne Shatten and Josephs-Legende. <a href="http://www.naxos.com/artistinfo/JoAnn_Falletta/30435.htm"> JoAnn Falletta</a> conducts the <a href="http://www.naxos.com/artistinfo/Buffalo_Philharmonic_Orchestra/34866.htm">Buffalo Philharmonic Orchestra</a> in in this new Naxos CD.</p>
<p><a title="STRAUSS, R.: The Orchestral Suites album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572041&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090916_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572041</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/09/podcast-richard-strauss-orchestral-suites/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090916.mp3" length="28868889" type="audio/mpeg" />
			<itunes:keywords>8.572041, Buffalo Philharmonic Orchestra, Der Rosenkavalier, Die Frau Ohne Shatten, German Opera, JoAnn Falletta, Josephs-Legends, Naxos Classical Music Spotlight, Richard Strauss</itunes:keywords>
	<itunes:subtitle>Richard Strauss wrote some of the finest operas of the 20th century. Pieces like Elektra, Salome and Der Rosenkavalier helped push the limits of the operatic artform, and also established Strauss as one of the truly great composers for the media.</itunes:subtitle>
		<itunes:summary>Richard Strauss wrote some of the finest operas of the 20th century. Pieces like Elektra, Salome and Der Rosenkavalier helped push the limits of the operatic artform, and also established Strauss as one of the truly great composers for the media. In a few cases, he created orchestral suites from these stage works, and it&#039;s this music that is featured in this podcast, including his suites for Der Rosenkavalier, Die Frau Ohne Shatten and Josephs-Legende.  JoAnn Falletta conducts the Buffalo Philharmonic Orchestra in in this new Naxos CD.

Album details...
Catalogue No.: Naxos 8.572041</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>19:50</itunes:duration>
	</item>
		<item>
		<title>Podcast: Heinrich Biber&#8217;s Missa Salisburgensis</title>
		<link>http://blog.naxos.com/2009/09/podcast-heinrich-bibers-missa-salisburgensis/</link>
		<comments>http://blog.naxos.com/2009/09/podcast-heinrich-bibers-missa-salisburgensis/#comments</comments>
		<pubDate>Mon, 14 Sep 2009 16:00:08 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Baroque music]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Heinrich Ignaz Franz von Biber]]></category>
		<category><![CDATA[La Stagione Armonica]]></category>
		<category><![CDATA[Missa Salisburgensis]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[NCA60192-215]]></category>
		<category><![CDATA[Sergio Balestracci]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3795</guid>
		<description><![CDATA[Missa Salisburgensis is a mass Heinrich Ignaz von Biber wrote for 53 individual voices and instruments, composed to celebrate the 11-hundreth anniversary of the founding of the archdiocese of Salzburg. I was composed to be performed in the Salzburg Cathedral &#8230; <a class="readmore" href="http://blog.naxos.com/2009/09/podcast-heinrich-bibers-missa-salisburgensis/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="BIBER, H.: Missa Salisburgensis album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=847221&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090915_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="BIBER Missa Salisburgensis" alt="" src="http://i157.photobucket.com/albums/t68/holeypeacoat/Biber.jpg" width="170" height="168" /></a>Missa Salisburgensis is a mass <a href="http://www.naxos.com/composerinfo/Heinrich_Ignaz_Franz_von_Biber/24291.htm">Heinrich Ignaz von Biber </a>wrote for 53 individual voices and instruments, composed to celebrate the 11-hundreth anniversary of the founding of the archdiocese of Salzburg. I was composed to be performed in the Salzburg Cathedral &#8211; 444 feet long, with a ceiling more than 100 feet high. For this piece, Biber placed the audience in the middle, with the musicians divided into 8 groups all around them. You might call it the original Surround Sound.</p>
<p>&nbsp;</p>
<p><a title="BIBER, H.: Missa Salisburgensis album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=847221&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090915_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: NCA 60192</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/09/podcast-heinrich-bibers-missa-salisburgensis/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090915.mp3" length="28868889" type="audio/mpeg" />
			<itunes:keywords>Baroque music, Heinrich Ignaz Franz von Biber, La Stagione Armonica, Missa Salisburgensis, Naxos Classical Music Spotlight, Sergio Balestracci</itunes:keywords>
	<itunes:subtitle>Missa Salisburgensis is a mass Heinrich Ignaz von Biber wrote for 53 individual voices and instruments, composed to celebrate the 11-hundreth anniversary of the founding of the archdiocese of Salzburg. I was composed to be performed in the Salzburg Cat...</itunes:subtitle>
		<itunes:summary>Missa Salisburgensis is a mass Heinrich Ignaz von Biber wrote for 53 individual voices and instruments, composed to celebrate the 11-hundreth anniversary of the founding of the archdiocese of Salzburg. I was composed to be performed in the Salzburg Cathedral - 444 feet long, with a ceiling more than 100 feet high. For this piece, Biber placed the audience in the middle, with the musicians divided into 8 groups all around them. You might call it the original Surround Sound.

 

Album details...
Catalogue No.: NCA 60192</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>19:50</itunes:duration>
	</item>
		<item>
		<title>Podcast: Romantic Violin Concertos</title>
		<link>http://blog.naxos.com/2009/09/podcast-romantic-violin-concertos/</link>
		<comments>http://blog.naxos.com/2009/09/podcast-romantic-violin-concertos/#comments</comments>
		<pubDate>Mon, 07 Sep 2009 16:00:43 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[6.220562]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Christina Astrand]]></category>
		<category><![CDATA[Dacapo]]></category>
		<category><![CDATA[Danish music]]></category>
		<category><![CDATA[John Storgards]]></category>
		<category><![CDATA[Naxos podcast]]></category>
		<category><![CDATA[Niels Gade]]></category>
		<category><![CDATA[Peter Erasmus Lange-Muller]]></category>
		<category><![CDATA[Rued Langgaard]]></category>
		<category><![CDATA[Tampere Philharmonic Orchestra]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3774</guid>
		<description><![CDATA[Danish music may be one of the finest under-discovered realms in all classical music. This is particularly true of music from the Romantic era, as this podcast and CD show. These violin concertos by Niels Gade, Peter Erasmus Lange-Muller and &#8230; <a class="readmore" href="http://blog.naxos.com/2009/09/podcast-romantic-violin-concertos/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="RUED LANGAARD, NIELS GADE, PETER ERASMUS LANGE-MULLER: Romantic Violin Concertos album details" href="http://www.naxos.com/catalogue/item.asp?item_code=6.220562&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090908_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="Romantic Violin Concertos" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/6.220562.gif" width="170" height="168" /></a>Danish music may be one of the finest under-discovered realms in all classical music. This is particularly true of music from the Romantic era, as this podcast and CD show. These violin concertos by <a href="http://www.naxos.com/composerinfo/Niels_W__Gade/27192.htm">Niels Gade</a>, <a href="http://www.naxos.com/composerinfo/Peter_Erasmus_Lange_Muller/21850.htm">Peter Erasmus Lange-Muller</a> and <a href="http://www.naxos.com/composerinfo/Rued_Langgaard/21851.htm">Rued Langgaard</a> &#8211; hardly household names &#8211; deserve to be heard more widely on CD, and much more often in concert. These performances were recorded in 2009 with violin soloist <a href="http://www.naxos.com/artistinfo/Christina_Astrand/9195.htm">Christina Astrand</a> and the <a href="http://www.naxos.com/orchestrainfo/Tampere_Philharmonic_Orchestra/35875.htm">Tampere Philharmonic Orchestra</a> conducted by <a href="http://www.naxos.com/conductorinfo/John_Storgards_31204/31204.htm">John Storgards</a>.</p>
<p><a title="RUED LANGAARD, NIELS GADE, PETER ERASMUS LANGE-MULLER: Romantic Violin Concertos album details" href="http://www.naxos.com/catalogue/item.asp?item_code=6.220562&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090908_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Dacapo 6.220562</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/09/podcast-romantic-violin-concertos/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090908.mp3" length="28869114" type="audio/mpeg" />
			<itunes:keywords>6.220562, Christina Astrand, Dacapo, Danish music, John Storgards, Naxos podcast, Niels Gade, Peter Erasmus Lange-Muller, Rued Langgaard, Tampere Philharmonic Orchestra</itunes:keywords>
	<itunes:subtitle>Danish music may be one of the finest under-discovered realms in all classical music. This is particularly true of music from the Romantic era, as this podcast and CD show. These violin concertos by Niels Gade,</itunes:subtitle>
		<itunes:summary>Danish music may be one of the finest under-discovered realms in all classical music. This is particularly true of music from the Romantic era, as this podcast and CD show. These violin concertos by Niels Gade, Peter Erasmus Lange-Muller and Rued Langgaard - hardly household names - deserve to be heard more widely on CD, and much more often in concert. These performances were recorded in 2009 with violin soloist Christina Astrand and the Tampere Philharmonic Orchestra conducted by John Storgards.

Album details...
Catalogue No.: Dacapo 6.220562</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: The World&#8217;s Most Beautiful Horn Concertos</title>
		<link>http://blog.naxos.com/2009/09/podcast-the-worlds-most-beautiful-horn-concertos/</link>
		<comments>http://blog.naxos.com/2009/09/podcast-the-worlds-most-beautiful-horn-concertos/#comments</comments>
		<pubDate>Mon, 31 Aug 2009 16:00:01 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Die Schoensten Hornkonzerte]]></category>
		<category><![CDATA[Erich Penzel]]></category>
		<category><![CDATA[Georg Philipp Telemann]]></category>
		<category><![CDATA[George Frederic Handel]]></category>
		<category><![CDATA[Hermann Baumann]]></category>
		<category><![CDATA[Peter Damm]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<category><![CDATA[Robert Schumann]]></category>
		<category><![CDATA[Wilhelm Bruns]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3476</guid>
		<description><![CDATA[Former horn player Raymond Bisha takes you on a personal tour of this new CD set from Profil celebrating the French Horn, and some of it&#8217;s finest players including Wilhelm Bruns, Hermann Baumann, Peter Damm and the legendary Erich Penzel &#8230; <a class="readmore" href="http://blog.naxos.com/2009/09/podcast-the-worlds-most-beautiful-horn-concertos/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="MOZART, HANDEL, TELEMANN, SCHUMANN: Die Schoensten Hornkonzerte album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=869347&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090901_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="Horn Concertos" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/PH08075.gif" width="170" height="168" /></a>Former horn player Raymond Bisha takes you on a personal tour of this new CD set from Profil celebrating the French Horn, and some of it&#8217;s finest players including Wilhelm Bruns, Hermann Baumann, Peter Damm and the legendary Erich Penzel play music by <a href="http://www.naxos.com/composerinfo/George_Frideric_Handel/24403.htm">Handel</a>, <a href="http://www.naxos.com/composerinfo/Georg_Philipp_Telemann/23879.htm">Telemann</a>, <a href="http://www.naxos.com/composerinfo/Wolfgang_Amadeus_Mozart/15934.htm">Mozart</a>, <a href="http://www.naxos.com/composerinfo/Robert_Schumann_24837/24837.htm">Schumann</a> and <a href="http://www.naxos.com/composerinfo/Richard_Strauss_26296/26296.htm">Strauss</a>.</p>
<p><a title="MOZART, HANDEL, TELEMANN, SCHUMANN: Die Schoensten Hornkonzerte album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=869347&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090901_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Profil PH08075</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/09/podcast-the-worlds-most-beautiful-horn-concertos/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090901.mp3" length="31749027" type="audio/mpeg" />
			<itunes:keywords>Die Schoensten Hornkonzerte, Erich Penzel, Georg Philipp Telemann, George Frederic Handel, Hermann Baumann, Peter Damm, Richard Strauss, Robert Schumann, Wilhelm Bruns, Wolfgang Amadeus Mozart</itunes:keywords>
	<itunes:subtitle>Former horn player Raymond Bisha takes you on a personal tour of this new CD set from Profil celebrating the French Horn, and some of it&#039;s finest players including Wilhelm Bruns, Hermann Baumann, Peter Damm and the legendary Erich Penzel play music by ...</itunes:subtitle>
		<itunes:summary>Former horn player Raymond Bisha takes you on a personal tour of this new CD set from Profil celebrating the French Horn, and some of it&#039;s finest players including Wilhelm Bruns, Hermann Baumann, Peter Damm and the legendary Erich Penzel play music by Handel, Telemann, Mozart, Schumann and Strauss.

Album details...
Catalogue No.: Profil PH08075

 </itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>22:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Open Crossings, the Music of Andy Teirstein</title>
		<link>http://blog.naxos.com/2009/08/podcast-open-crossings-the-music-of-andy-teirstein/</link>
		<comments>http://blog.naxos.com/2009/08/podcast-open-crossings-the-music-of-andy-teirstein/#comments</comments>
		<pubDate>Tue, 25 Aug 2009 16:00:54 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[3 Movements for String Quartet and Folk Musician]]></category>
		<category><![CDATA[8.559617]]></category>
		<category><![CDATA[Alaria Trio]]></category>
		<category><![CDATA[Andy Teirstein]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Cassatt Quartet]]></category>
		<category><![CDATA[Cygnus Ensemble]]></category>
		<category><![CDATA[Invention]]></category>
		<category><![CDATA[Kiev Philharmonic Orchestra]]></category>
		<category><![CDATA[Kopanitza]]></category>
		<category><![CDATA[Muramures]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Open Crossings]]></category>
		<category><![CDATA[Robert Ian Winsten]]></category>
		<category><![CDATA[Suite]]></category>
		<category><![CDATA[The Shooting of Dan McGrew]]></category>
		<category><![CDATA[Turn Me Loose]]></category>
		<category><![CDATA[What is Left of Us]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3714</guid>
		<description><![CDATA[Andy Teirstein is a composer and multi-instrumentalist based in New York. His strong roots in classical music, folk music and dance have helped him create a musical language that crosses all boundaries. Most of the pieces on this CD are &#8230; <a class="readmore" href="http://blog.naxos.com/2009/08/podcast-open-crossings-the-music-of-andy-teirstein/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="TIERSTEIN, A.: Open Crossings, album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559617&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090826_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="TIERSTEIN Open Crossings" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559617.gif" width="170" height="168" /></a>Andy Teirstein is a composer and multi-instrumentalist based in New York. His strong roots in classical music, folk music and dance have helped him create a musical language that crosses all boundaries. Most of the pieces on this CD are chamber pieces, ranging from &#8220;3 Movements for String Quartet and Folk Musician&#8221; to the chamber melodrama &#8220;The Shooting of Dan McGrew&#8221;. In this interview, Teirstein talks about composing music for theater, working in a Mexican circus, the poetry of Mahmoud Darwish, and his dream of writing a companion piece to &#8220;What is Left of Us&#8221;.</p>
<p><a title="TIERSTEIN, A.: Open Crossings album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559617&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090826_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559617</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/08/podcast-open-crossings-the-music-of-andy-teirstein/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090902.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>3 Movements for String Quartet and Folk Musician, 8.559617, Alaria Trio, Andy Teirstein, Cassatt Quartet, Cygnus Ensemble, Invention, Kiev Philharmonic Orchestra, Kopanitza, Muramures, Naxos American Classics, Open Crossings, Robert Ian Winsten, Suite</itunes:keywords>
	<itunes:subtitle>Andy Teirstein is a composer and multi-instrumentalist based in New York. His strong roots in classical music, folk music and dance have helped him create a musical language that crosses all boundaries. Most of the pieces on this CD are chamber pieces,</itunes:subtitle>
		<itunes:summary>Andy Teirstein is a composer and multi-instrumentalist based in New York. His strong roots in classical music, folk music and dance have helped him create a musical language that crosses all boundaries. Most of the pieces on this CD are chamber pieces, ranging from &quot;3 Movements for String Quartet and Folk Musician&quot; to the chamber melodrama &quot;The Shooting of Dan McGrew&quot;. In this interview, Teirstein talks about composing music for theater, working in a Mexican circus, the poetry of Mahmoud Darwish, and his dream of writing a companion piece to &quot;What is Left of Us&quot;.

Album details...
Catalogue No.: Naxos 8.559617</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>19:55</itunes:duration>
	</item>
		<item>
		<title>Podcast: Leonard Bernstein&#8217;s Mass, with Marin Alsop and the Baltimore Symphony Orchestra</title>
		<link>http://blog.naxos.com/2009/08/podcast-leonard-bernsteins-mass-with-marin-alsop-and-the-baltimore-symphony-orchestra/</link>
		<comments>http://blog.naxos.com/2009/08/podcast-leonard-bernsteins-mass-with-marin-alsop-and-the-baltimore-symphony-orchestra/#comments</comments>
		<pubDate>Mon, 24 Aug 2009 16:00:13 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559622-23]]></category>
		<category><![CDATA[Baltimore Symphony Orchestra]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Jacqueline Onassis]]></category>
		<category><![CDATA[JFK]]></category>
		<category><![CDATA[Jubilant Sykes]]></category>
		<category><![CDATA[Kennedy Centre for the Performing Arts]]></category>
		<category><![CDATA[Leonard Bernstein]]></category>
		<category><![CDATA[Marin Alsop]]></category>
		<category><![CDATA[Mass]]></category>
		<category><![CDATA[Morgan State University Choir]]></category>
		<category><![CDATA[Peabody Children's Chorus]]></category>
		<category><![CDATA[Washington DC]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3693</guid>
		<description><![CDATA[Leonard Bernstein wrote his Mass at the request of Jacqueline Onassis, for the opening of the John F. Kennedy Centre for the Performing Arts in Washington. It is a huge work, almost an hour and three-quarters long, that with bewildering &#8230; <a class="readmore" href="http://blog.naxos.com/2009/08/podcast-leonard-bernsteins-mass-with-marin-alsop-and-the-baltimore-symphony-orchestra/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="BERNSTEIN. L.: Mass album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559622-23&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090825_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="BERNSTEIN Mass" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559622-23.gif" width="170" height="168" /></a><a href="http://www.naxos.com/composerinfo/Leonard_Bernstein_21045/21045.htm">Leonard Bernstein</a> wrote his Mass at the request of Jacqueline Onassis, for the opening of the John F. Kennedy Centre for the Performing Arts in Washington. It is a huge work, almost an hour and three-quarters long, that with bewildering range of musical styles. In this recording, Bernstein&#8217;s protege <a href="http://www.naxos.com/artistinfo/Marin_Alsop_30446/30446.htm">Marin Alsop</a>, music director of the <a href="http://www.naxos.com/artistinfo/Baltimore_Symphony_Orchestra/45953.htm">Baltimore Symphony Orchestra</a>, shows convincingly that she may be the best interpreter of his music alive today. This recording also features <a href="http://www.naxos.com/artistinfo/Jubilant_Sykes/97095.htm">Jubilant Sykes</a>, the Morgan State University Choir and the <a href="http://www.naxos.com/artistinfo/Peabody_Children_s_Chorus/97083.htm">Peabody Children&#8217;s Chorus</a>.</p>
<p><a title="BERNSTEIN, L.: Mass album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559622-23&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090825_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559622-23</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/08/podcast-leonard-bernsteins-mass-with-marin-alsop-and-the-baltimore-symphony-orchestra/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090825.mp3" length="28868889" type="audio/mpeg" />
			<itunes:keywords>8.559622-23,Baltimore Symphony Orchestra,blog.naxos.com,Jacqueline Onassis,JFK,Jubilant Sykes,Kennedy Centre for the Performing Arts,Leonard Bernstein,Marin Alsop,Mass,Morgan State University Choir,Peabody Children&#039;s Chorus</itunes:keywords>
	<itunes:subtitle>Leonard Bernstein wrote his Mass at the request of Jacqueline Onassis, for the opening of the John F. Kennedy Centre for the Performing Arts in Washington. It is a huge work, almost an hour and three-quarters long,</itunes:subtitle>
		<itunes:summary>Leonard Bernstein wrote his Mass at the request of Jacqueline Onassis, for the opening of the John F. Kennedy Centre for the Performing Arts in Washington. It is a huge work, almost an hour and three-quarters long, that with bewildering range of musical styles. In this recording, Bernstein&#039;s protege Marin Alsop, music director of the Baltimore Symphony Orchestra, shows convincingly that she may be the best interpreter of his music alive today. This recording also features Jubilant Sykes, the Morgan State University Choir and the Peabody Children&#039;s Chorus.

Album details...
Catalogue No.: Naxos 8.559622-23</itunes:summary>
		<itunes:author>The Naxos Blog</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>Podcast: Michael Daugherty&#8217;s Fire and Blood</title>
		<link>http://blog.naxos.com/2009/08/podcast-michael-daughertys-fire-and-blood/</link>
		<comments>http://blog.naxos.com/2009/08/podcast-michael-daughertys-fire-and-blood/#comments</comments>
		<pubDate>Tue, 18 Aug 2009 16:00:21 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.559372]]></category>
		<category><![CDATA[American composers]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Brian Jones]]></category>
		<category><![CDATA[Detroit Symphony Orchestra]]></category>
		<category><![CDATA[Fire and Blood]]></category>
		<category><![CDATA[Ida Kavafian]]></category>
		<category><![CDATA[Michael Daugherty]]></category>
		<category><![CDATA[MotorCity Triptych]]></category>
		<category><![CDATA[Naxos American Classics]]></category>
		<category><![CDATA[Neeme Jarvi]]></category>
		<category><![CDATA[Raise the Roof]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3705</guid>
		<description><![CDATA[Composer Michael Daugherty was the composer-in-residence for four years at the Detroit Symphony, and composed all of the music on this CD for that orchestra. The title work was inspired by the giant murals at the Detroit Institute of Arts &#8230; <a class="readmore" href="http://blog.naxos.com/2009/08/podcast-michael-daughertys-fire-and-blood/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="DAUGHERTY, M.: Fire and Blood album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559372&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090819_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="DAUGHERTY Fire and Blood" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.559372.gif" width="170" height="168" /></a>Composer <a href="http://www.naxos.com/composerinfo/Michael_Daugherty/19985.htm">Michael Daugherty </a>was the composer-in-residence for four years at the <a href="http://www.naxos.com/artistinfo/Detroit_Symphony_Orchestra/35172.htm">Detroit Symphony</a>, and composed all of the music on this CD for that orchestra. The title work was inspired by the giant murals at the Detroit Institute of Arts by Diego Rivera. Rivera was commissioned by Edsel Ford to create a mural celelbrating the Detroit automobile industry. This CD features the Detoit Symphony, conducted by Neeme Jarvi, with soloists <a href="http://www.naxos.com/artistinfo/Ida_Kavafian/36326.htm">Ida Kavafian </a>on violin, and <a href="http://www.naxos.com/artistinfo/Brian_Jones/92412.htm">Brian Jones</a> on Timpani.</p>
<p><a title="DAUGHERTY, M.: Fire and Blood album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.559372&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090819_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.559372</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/08/podcast-michael-daughertys-fire-and-blood/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090819.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>8.559372, American composers, Brian Jones, Detroit Symphony Orchestra, Fire and Blood, Ida Kavafian, Michael Daugherty, MotorCity Triptych, Naxos American Classics, Neeme Jarvi, Raise the Roof</itunes:keywords>
	<itunes:subtitle>Composer Michael Daugherty was the composer-in-residence for four years at the Detroit Symphony, and composed all of the music on this CD for that orchestra. The title work was inspired by the giant murals at the Detroit Institute of Arts by Diego Rive...</itunes:subtitle>
		<itunes:summary>Composer Michael Daugherty was the composer-in-residence for four years at the Detroit Symphony, and composed all of the music on this CD for that orchestra. The title work was inspired by the giant murals at the Detroit Institute of Arts by Diego Rivera. Rivera was commissioned by Edsel Ford to create a mural celelbrating the Detroit automobile industry. This CD features the Detoit Symphony, conducted by Neeme Jarvi, with soloists Ida Kavafian on violin, and Brian Jones on Timpani.

Album details...
Catalogue No.: Naxos 8.559372</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Music for Kings and Queens &#8211; the Choral Music of Hubert Parry</title>
		<link>http://blog.naxos.com/2009/08/podcast-music-for-kings-and-queens-the-choral-music-of-hubert-parry/</link>
		<comments>http://blog.naxos.com/2009/08/podcast-music-for-kings-and-queens-the-choral-music-of-hubert-parry/#comments</comments>
		<pubDate>Mon, 17 Aug 2009 16:00:48 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.572104]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Christopher Stokes]]></category>
		<category><![CDATA[English choral music]]></category>
		<category><![CDATA[English composers]]></category>
		<category><![CDATA[Jeffrey Makinson]]></category>
		<category><![CDATA[Manchester Cathedral Choir]]></category>
		<category><![CDATA[Sir Charles Hubert Hastings Parry]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3466</guid>
		<description><![CDATA[Sir Charles Hubert Hastings Parry had his first serious music training as a student at Eton College, that icon of British education. He went on to be Principal of the Royal College of Music, a Professor at Oxford, wrote music &#8230; <a class="readmore" href="http://blog.naxos.com/2009/08/podcast-music-for-kings-and-queens-the-choral-music-of-hubert-parry/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="PARRY, H.: Choral Masterpieces album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572104&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090818_cd&amp;utm_campaign=CMS" target="_blank"><img class="alignleft" style="border: 1px solid #cccccc;" title="PARRY Choral Masterpieces" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572104.gif" width="170" height="168" /></a><a href="http://www.naxos.com/composerinfo/Hubert_Parry_25628/25628.htm">Sir Charles Hubert Hastings Parry</a> had his first serious music training as a student at Eton College, that icon of British education. He went on to be Principal of the Royal College of Music, a Professor at Oxford, wrote music for Royal Coronations, and was knighted for his efforts. This podcast looks at some of his finest choral compositions &#8211; music fit for a king in performances by the <a href="http://www.naxos.com/artistinfo/Manchester_Cathedral_Choir/15042.htm">Manchester Cathedral Choir</a>.</p>
<p>&nbsp;</p>
<p><a title="PARRY, H.: Choral Masterpieces album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572104&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090818_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572104</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/08/podcast-music-for-kings-and-queens-the-choral-music-of-hubert-parry/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090818.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>Christopher Stokes, English choral music, English composers, Jeffrey Makinson, Manchester Cathedral Choir, Sir Charles Hubert Hastings Parry</itunes:keywords>
	<itunes:subtitle>Sir Charles Hubert Hastings Parry had his first serious music training as a student at Eton College, that icon of British education. He went on to be Principal of the Royal College of Music, a Professor at Oxford, wrote music for Royal Coronations,</itunes:subtitle>
		<itunes:summary>Sir Charles Hubert Hastings Parry had his first serious music training as a student at Eton College, that icon of British education. He went on to be Principal of the Royal College of Music, a Professor at Oxford, wrote music for Royal Coronations, and was knighted for his efforts. This podcast looks at some of his finest choral compositions - music fit for a king in performances by the Manchester Cathedral Choir.

 

Album details...
Catalogue No.: Naxos 8.572104</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Trendsetters &#8211; Music for Wind Band by Hindemith, Holst, Grainger and Schwanter</title>
		<link>http://blog.naxos.com/2009/08/podcast-trendsetters-music-for-wind-band-by-hindemith-holst-grainger-and-schwanter/</link>
		<comments>http://blog.naxos.com/2009/08/podcast-trendsetters-music-for-wind-band-by-hindemith-holst-grainger-and-schwanter/#comments</comments>
		<pubDate>Mon, 10 Aug 2009 16:00:30 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[...and the mountains rising nowhere]]></category>
		<category><![CDATA[8.572242]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[First Suite in E flat for Military Band]]></category>
		<category><![CDATA[Gustav Holst]]></category>
		<category><![CDATA[Harlan D Parker]]></category>
		<category><![CDATA[Joseph Schwantner]]></category>
		<category><![CDATA[Lincolnshire Posy]]></category>
		<category><![CDATA[Naxos Wind Band Classics]]></category>
		<category><![CDATA[Paul Hindemith]]></category>
		<category><![CDATA[Percy Grainger]]></category>
		<category><![CDATA[The Peabody Conservatory Wind Ensemble]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3685</guid>
		<description><![CDATA[Trendsetters may be the perfect introduction to 20th-century wind band music. It introduces four different composers, each with their own unique style. Percy Grainger&#8216;s Lincolnshire Posy, Gustav Holst&#8216;s First Suite in E flat for Military Band, Paul Hindemith&#8216;s Symphony in &#8230; <a class="readmore" href="http://blog.naxos.com/2009/08/podcast-trendsetters-music-for-wind-band-by-hindemith-holst-grainger-and-schwanter/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="WIND BAND CLASSICS: Trendsetters album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572242&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090811_cd&amp;utm_campaign=CMS"><img class="alignleft" style="border: 1px solid #cccccc;" title="Trendsetters - Music for Windband" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.572242.gif" width="170" height="168" /></a>Trendsetters may be the perfect introduction to 20th-century wind band music. It introduces four different composers, each with their own unique style. <a href="http://www.naxos.com/composerinfo/Percy_Grainger_26076/26076.htm">Percy Grainger</a>&#8216;s <em>Lincolnshire Posy</em>, <a href="http://www.naxos.com/composerinfo/Gustav_Holst_24507/24507.htm">Gustav Holst</a>&#8216;s <em>First Suite in E flat for Military Band</em>, <a href="http://www.naxos.com/composerinfo/Paul_Hindemith_23323/23323.htm">Paul Hindemith</a>&#8216;s <em>Symphony in B flat</em>, and <a href="http://www.naxos.com/composerinfo/Joseph_Schwantner/16317.htm">Joseph Schwantner</a>&#8216;s <em>&#8230; and the mountains rising nowhere</em> each offer a unique take on what the wind band can be.</p>
<p><a title="WIND BAND CLASSICS: Trendsetters album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.572242&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090811_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.572242</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/08/podcast-trendsetters-music-for-wind-band-by-hindemith-holst-grainger-and-schwanter/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090811.mp3" length="28868889" type="audio/mpeg" />
			<itunes:keywords>...and the mountains rising nowhere, 8.572242, First Suite in E flat for Military Band, Gustav Holst, Harlan D Parker, Joseph Schwantner, Lincolnshire Posy, Naxos Wind Band Classics, Paul Hindemith, Percy Grainger, The Peabody Conservatory Wind Ensemble</itunes:keywords>
	<itunes:subtitle>Trendsetters may be the perfect introduction to 20th-century wind band music. It introduces four different composers, each with their own unique style. Percy Grainger&#039;s Lincolnshire Posy, Gustav Holst&#039;s First Suite in E flat for Military Band,</itunes:subtitle>
		<itunes:summary>Trendsetters may be the perfect introduction to 20th-century wind band music. It introduces four different composers, each with their own unique style. Percy Grainger&#039;s Lincolnshire Posy, Gustav Holst&#039;s First Suite in E flat for Military Band, Paul Hindemith&#039;s Symphony in B flat, and Joseph Schwantner&#039;s ... and the mountains rising nowhere each offer a unique take on what the wind band can be.

Album details...
Catalogue No.: Naxos 8.572242</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:06</itunes:duration>
	</item>
		<item>
		<title>Podcast: Richard Strauss&#8217;s Alpine Symphony</title>
		<link>http://blog.naxos.com/2009/08/podcast-richard-strausss-alpine-symphony/</link>
		<comments>http://blog.naxos.com/2009/08/podcast-richard-strausss-alpine-symphony/#comments</comments>
		<pubDate>Mon, 03 Aug 2009 17:30:01 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Alpine Symphony]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Marek Janowski]]></category>
		<category><![CDATA[PentaTone Classics]]></category>
		<category><![CDATA[Pittsburgh Symphony Orchestra]]></category>
		<category><![CDATA[PTC5186229]]></category>
		<category><![CDATA[Richard Strauss]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3389</guid>
		<description><![CDATA[Richard Strauss wrote his Alpine Symphony in 1915, inspired by the death of his friend Gustav Mahler. This is a huge work, requiring an orchestra of 125 people, and is monumentally difficult as well. This podcast looks at a new &#8230; <a class="readmore" href="http://blog.naxos.com/2009/08/podcast-richard-strausss-alpine-symphony/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="STRAUSS, R: Alpine Symphony album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=884703&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090804_cd&amp;utm_campaign=CMS" target="_blank"><img class="alignleft" style="border: 1px solid #cccccc;" title="STRAUSS Alpine Symphony" alt="" src="http://i157.photobucket.com/albums/t68/holeypeacoat/827949033964.jpg" width="170" height="168" /></a><a href="http://www.naxos.com/composerinfo/Richard_Strauss_26296/26296.htm">Richard Strauss</a> wrote his Alpine Symphony in 1915, inspired by the death of his friend <a href="http://www.naxos.com/composerinfo/Gustav_Mahler_22622/22622.htm">Gustav Mahler</a>. This is a huge work, requiring an orchestra of 125 people, and is monumentally difficult as well. This podcast looks at a new recording of the piece with the <a title="Pittsburgh Symphony Orchestra" href="http://www.naxosdirect.com/orchestra/7636/" target="_blank">Pittsburgh Symphony Orchestra</a> conducted by <a title="Marek_Janowski" href="http://www.naxos.com/conductorinfo/Marek_Janowski/43291.htm" target="_blank">Marek Janowski</a>.</p>
<p><a title="STRAUSS, R.: Alpine Symphony album details" href="http://www.classicsonline.com/catalogue/product.aspx?pid=884703&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090804_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Pentatone PTC5186339</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/08/podcast-richard-strausss-alpine-symphony/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090804.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>Alpine Symphony, Marek Janowski, PentaTone Classics, Pittsburgh Symphony Orchestra, PTC5186229, Richard Strauss</itunes:keywords>
	<itunes:subtitle>Richard Strauss wrote his Alpine Symphony in 1915, inspired by the death of his friend Gustav Mahler. This is a huge work, requiring an orchestra of 125 people, and is monumentally difficult as well. This podcast looks at a new recording of the piece w...</itunes:subtitle>
		<itunes:summary>Richard Strauss wrote his Alpine Symphony in 1915, inspired by the death of his friend Gustav Mahler. This is a huge work, requiring an orchestra of 125 people, and is monumentally difficult as well. This podcast looks at a new recording of the piece with the Pittsburgh Symphony Orchestra conducted by Marek Janowski.

Album details...
Catalogue No.: Pentatone PTC5186339

 </itunes:summary>
		<itunes:author>Raymond Bisha</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: An American Operatic Masterpiece &#8211; Deems Taylor&#8217;s Peter Ibbetson</title>
		<link>http://blog.naxos.com/2009/07/podcast-an-american-operatic-masterpiece-deems-taylors-peter-ibbetson/</link>
		<comments>http://blog.naxos.com/2009/07/podcast-an-american-operatic-masterpiece-deems-taylors-peter-ibbetson/#comments</comments>
		<pubDate>Mon, 27 Jul 2009 21:00:48 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.669016-17]]></category>
		<category><![CDATA[American Composer]]></category>
		<category><![CDATA[American opera]]></category>
		<category><![CDATA[Anthony Dean Griffey]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Charles Robert Austin]]></category>
		<category><![CDATA[Deems Taylor]]></category>
		<category><![CDATA[Gerard Schwarz]]></category>
		<category><![CDATA[Lauren Flanigan]]></category>
		<category><![CDATA[Lori Summers]]></category>
		<category><![CDATA[Naxos American Opera Classics]]></category>
		<category><![CDATA[Peter Ibbetson]]></category>
		<category><![CDATA[Richard Zeller]]></category>
		<category><![CDATA[Seattle Symphony and Chorus]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3391</guid>
		<description><![CDATA[Deems Taylor was a music critic, composer, broadcaster, and an important person in the development of classical music in the first half of the 20th century. This podcast looks at his opera Peter Ibbetson, composed for the Metropolitan Opera in &#8230; <a class="readmore" href="http://blog.naxos.com/2009/07/podcast-an-american-operatic-masterpiece-deems-taylors-peter-ibbetson/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="TAYLOR, D.: Peter Ibbetson album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.669016-17&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090728_cd&amp;utm_campaign=CMS" target="_blank"><img class="alignleft" style="border: 1px solid #cccccc;" title="TAYLOR Peter Ibbetson" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.669016-17.gif" width="170" height="168" /></a><a href="http://www.naxos.com/composerinfo/Deems_Taylor/67811.htm">Deems Taylor</a> was a music critic, composer, broadcaster, and an important person in the development of classical music in the first half of the 20th century. This podcast looks at his opera <a href="http://www.naxos.com/catalogue/item.asp?item_code=8.669016-17">Peter Ibbetson</a>, composed for the Metropolitan Opera in New York. This performance features the Seattle Symphony and Chorus, conducted by Gerard Schwarz, plus soloists <a href="http://www.naxos.com/artistinfo/Charles_Robert_Austin/12465.htm">Charles Robert Austin</a>, <a href="http://www.naxos.com/artistinfo/Anthony_Dean_Griffey/57261.htm">Anthony Dean Griffey</a>, <a href="http://www.naxos.com/artistinfo/Lauren_Flanigan/41307.htm">Lauren Flanigan</a>, <a href="http://www.naxos.com/artistinfo/Richard_Zeller/41308.htm">Richard Zeller</a>, and <a href="http://www.naxos.com/artistinfo/Lori_Summers/81950.htm">Lori Summers</a>.</p>
<p>&nbsp;</p>
<p><a title="TAYLOR, D.: Peter Ibbetson album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.669016-17&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090728_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.669016-17</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/07/podcast-an-american-operatic-masterpiece-deems-taylors-peter-ibbetson/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090728.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>8.669016-17, American Composer, American opera, Anthony Dean Griffey, Charles Robert Austin, Deems Taylor, Gerard Schwarz, Lauren Flanigan, Lori Summers, Naxos American Opera Classics, Peter Ibbetson, Richard Zeller, Seattle Symphony and Chorus</itunes:keywords>
	<itunes:subtitle>Deems Taylor was a music critic, composer, broadcaster, and an important person in the development of classical music in the first half of the 20th century. This podcast looks at his opera Peter Ibbetson, composed for the Metropolitan Opera in New York.</itunes:subtitle>
		<itunes:summary>Deems Taylor was a music critic, composer, broadcaster, and an important person in the development of classical music in the first half of the 20th century. This podcast looks at his opera Peter Ibbetson, composed for the Metropolitan Opera in New York. This performance features the Seattle Symphony and Chorus, conducted by Gerard Schwarz, plus soloists Charles Robert Austin, Anthony Dean Griffey, Lauren Flanigan, Richard Zeller, and Lori Summers.

 

Album details...
Catalogue No.: Naxos 8.669016-17</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: KZ Musik &#8211; Encyclopedia of Music Composed in Concentration Camps</title>
		<link>http://blog.naxos.com/2009/07/podcast-kz-musik-encyclopedia-of-music-composed-in-concentration-camps/</link>
		<comments>http://blog.naxos.com/2009/07/podcast-kz-musik-encyclopedia-of-music-composed-in-concentration-camps/#comments</comments>
		<pubDate>Mon, 20 Jul 2009 16:00:34 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Angelo De Leonardis]]></category>
		<category><![CDATA[Auschwitz]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Concentration Camp music]]></category>
		<category><![CDATA[David Grunfeld]]></category>
		<category><![CDATA[Erwin Schulhoff]]></category>
		<category><![CDATA[Francesco Lotoro]]></category>
		<category><![CDATA[Gideon Klein]]></category>
		<category><![CDATA[Hugo Lowenthal]]></category>
		<category><![CDATA[Ilse Weber]]></category>
		<category><![CDATA[KZ Musik]]></category>
		<category><![CDATA[Laura Aprile]]></category>
		<category><![CDATA[Mario Muccitto]]></category>
		<category><![CDATA[Robert Dauber]]></category>
		<category><![CDATA[Rosa Sorice]]></category>
		<category><![CDATA[Rudolf Karel]]></category>
		<category><![CDATA[Sachsenhausen]]></category>
		<category><![CDATA[Teresienstadt]]></category>
		<category><![CDATA[Victor Ulmann]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3480</guid>
		<description><![CDATA[An introduction to KZ Musik: Encyclopedia of Music Composed in Concentration Camps 1933-1945. When completed, this 24 CD project will be the most comprehensive collection ever made of music composed in World War II concentration camps. Music by Gideon Klein, &#8230; <a class="readmore" href="http://blog.naxos.com/2009/07/podcast-kz-musik-encyclopedia-of-music-composed-in-concentration-camps/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxosdirect.com/BERMANN-ULLMANN-KROPINSKI-S---V-1-ENCYCLOPEDIA-OF-MUSIC-COM/title/231694/"><img class="alignleft" style="border: 1px solid #cccccc;" title="Encyclopedia of Music Composed in Concentration Camps" alt="" src="http://i157.photobucket.com/albums/t68/holeypeacoat/885150316948.jpg" width="170" height="168" /></a>An introduction to KZ Musik: Encyclopedia of Music Composed in Concentration Camps 1933-1945. When completed, this 24 CD project will be the most comprehensive collection ever made of music composed in World War II concentration camps. Music by Gideon Klein, Robert Dauber, Rudolf Karel, <a href="http://www.naxos.com/composerinfo/Erwin_Schulhoff/26143.htm">Erwin Schulhoff</a>, Ilse Weber, <a href="http://www.naxos.com/composerinfo/Viktor_Ullmann/76987.htm">Viktor Ullmann</a>, Hugo Lowenthal, David Grunfeld.</p>
<p>Album details&#8230;<br />
Catalogue No.: <a href="http://www.naxosdirect.com/BERMANN-ULLMANN-KROPINSKI-S---V-1-ENCYCLOPEDIA-OF-MUSIC-COM/title/231694/" target="_blank">KZ Musik 231694</a>, <a href="http://www.naxosdirect.com/ULLMANN-TAUBE-KLEIN-WEBER---V-2-ENCYCLOPEDIA-OF-MUSIC-COM/title/231785/" target="_blank">KZ Musik 231785-89</a></p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/07/podcast-kz-musik-encyclopedia-of-music-composed-in-concentration-camps/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090721.mp3" length="34629183" type="audio/mpeg" />
			<itunes:keywords>Angelo De Leonardis, Auschwitz, Concentration Camp music, David Grunfeld, Erwin Schulhoff, Francesco Lotoro, Gideon Klein, Hugo Lowenthal, Ilse Weber, KZ Musik, Laura Aprile, Mario Muccitto, Robert Dauber, Rosa Sorice, Rudolf Karel, Sachsenhausen</itunes:keywords>
	<itunes:subtitle>An introduction to KZ Musik: Encyclopedia of Music Composed in Concentration Camps 1933-1945. When completed, this 24 CD project will be the most comprehensive collection ever made of music composed in World War II concentration camps.</itunes:subtitle>
		<itunes:summary>An introduction to KZ Musik: Encyclopedia of Music Composed in Concentration Camps 1933-1945. When completed, this 24 CD project will be the most comprehensive collection ever made of music composed in World War II concentration camps. Music by Gideon Klein, Robert Dauber, Rudolf Karel, Erwin Schulhoff, Ilse Weber, Viktor Ullmann, Hugo Lowenthal, David Grunfeld.

Album details...
Catalogue No.: KZ Musik 231694, KZ Musik 231785-89</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>23:59</itunes:duration>
	</item>
		<item>
		<title>Podcast: Voice from Argentina: Alberto Ginastera and his String Quartets</title>
		<link>http://blog.naxos.com/2009/07/podcast-voice-from-argentina-alberto-ginastera-and-his-string-quartets/</link>
		<comments>http://blog.naxos.com/2009/07/podcast-voice-from-argentina-alberto-ginastera-and-his-string-quartets/#comments</comments>
		<pubDate>Tue, 14 Jul 2009 16:00:35 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.570780]]></category>
		<category><![CDATA[Alberto Ginastera]]></category>
		<category><![CDATA[Argentinean composers]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Enso Quartet]]></category>
		<category><![CDATA[Latin American music]]></category>
		<category><![CDATA[Lucy Shelton]]></category>
		<category><![CDATA[string quartets]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3365</guid>
		<description><![CDATA[A podcast introduction to the string quartets of Argentinean composer Alberto Ginastera, and a new recording with the Enso Quartet and soprano Lucy Shelton. Album details&#8230; Catalogue No.: Naxos 8.570780]]></description>
				<content:encoded><![CDATA[<p><a title="GINASTERA, A.: String Quartets album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570780&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090715_cd&amp;utm_campaign=CMS" target="_blank"><img class="alignleft" style="border: 1px solid #cccccc;" title="GINASTERA String Quartets" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.570780.gif" width="170" height="168" /></a>A podcast introduction to the string quartets of Argentinean composer <a href="http://www.naxos.com/composerinfo/Alberto_Ginastera/26054.htm">Alberto Ginaster</a>a, and a new recording with the <a href="http://www.naxos.com/ensembleinfo/Enso_Quartet/33114.htm">Enso Quartet</a> and soprano <a href="http://www.naxos.com/artistinfo/Lucy_Shelton/689.htm">Lucy Shelton</a>.</p>
<p><a title="GINASTERA, A.: String Quartets album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570780&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090715_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.570780</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/07/podcast-voice-from-argentina-alberto-ginastera-and-his-string-quartets/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090715.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>8.570780, Alberto Ginastera, Argentinean composers, Enso Quartet, Latin American music, Lucy Shelton, string quartets</itunes:keywords>
	<itunes:subtitle>A podcast introduction to the string quartets of Argentinean composer Alberto Ginastera, and a new recording with the Enso Quartet and soprano Lucy Shelton. - Album details... Catalogue No.: Naxos 8.570780</itunes:subtitle>
		<itunes:summary>A podcast introduction to the string quartets of Argentinean composer Alberto Ginastera, and a new recording with the Enso Quartet and soprano Lucy Shelton.

Album details...
Catalogue No.: Naxos 8.570780</itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Heartbeat of Brazil &#8211; The String Quartets of Villa Lobos</title>
		<link>http://blog.naxos.com/2009/07/podcast-heartbeat-of-brazil-the-string-quartets-of-villa-lobos/</link>
		<comments>http://blog.naxos.com/2009/07/podcast-heartbeat-of-brazil-the-string-quartets-of-villa-lobos/#comments</comments>
		<pubDate>Mon, 13 Jul 2009 16:00:58 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[box set]]></category>
		<category><![CDATA[complete string quartets]]></category>
		<category><![CDATA[Cuarteto Latinoamericano]]></category>
		<category><![CDATA[Dorian Sono Luminus]]></category>
		<category><![CDATA[DSL-90904]]></category>
		<category><![CDATA[Heitor Villa-Lobos]]></category>
		<category><![CDATA[Naxos]]></category>
		<category><![CDATA[NaxosDirect]]></category>
		<category><![CDATA[string quartets]]></category>
		<category><![CDATA[Villa Lobos]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3384</guid>
		<description><![CDATA[Heitor Villa-Lobos was one of the most prolific composers of all time. Along the way he wrote 17 string quartets. This podcast is an introduction to these quartets, and to a Dorian box set featuring the complete string quartets with &#8230; <a class="readmore" href="http://blog.naxos.com/2009/07/podcast-heartbeat-of-brazil-the-string-quartets-of-villa-lobos/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.naxos.com/catalogue/item.asp?item_code=DSL-90904&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090714_cd&amp;utm_campaign=CMS" rel="attachment wp-att-6916"><img class="alignleft size-thumbnail wp-image-6916" alt="Villa-Lobos The Complete String Quartets" src="http://blog.naxos.com/wp-content/uploads/2009/07/DSL-90904-150x150.jpg" width="150" height="150" /></a><a href="http://www.naxos.com/composerinfo/Heitor_Villa_Lobos_22382/22382.htm">Heitor Villa-Lobos</a> was one of the most prolific composers of all time. Along the way he wrote 17 string quartets. This podcast is an introduction to these quartets, and to a Dorian box set featuring the complete string quartets with Cuarteto Latinoamericano.</p>
<p><a title="VILLA-LOBOS H.: String Quartets album details" href="http://www.naxos.com/catalogue/item.asp?item_code=DSL-90904&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090714_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Dorian Sono Luminus DSL-90904</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/07/podcast-heartbeat-of-brazil-the-string-quartets-of-villa-lobos/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/1-29-cms20090714.mp3" length="28868870" type="audio/mpeg" />
			<itunes:keywords>box set, complete string quartets, Cuarteto Latinoamericano, Dorian Sono Luminus, Heitor Villa-Lobos, Naxos, NaxosDirect, string quartets, Villa Lobos</itunes:keywords>
	<itunes:subtitle>Heitor Villa-Lobos was one of the most prolific composers of all time. Along the way he wrote 17 string quartets. This podcast is an introduction to these quartets, and to a Dorian box set featuring the complete string quartets with Cuarteto Latinoamer...</itunes:subtitle>
		<itunes:summary>Heitor Villa-Lobos was one of the most prolific composers of all time. Along the way he wrote 17 string quartets. This podcast is an introduction to these quartets, and to a Dorian box set featuring the complete string quartets with Cuarteto Latinoamericano.

Album details...
Catalogue No.: Dorian Sono Luminus DSL-90904

 </itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Wild Grass &#8211; the Music of Zhou Long and Chen Yi</title>
		<link>http://blog.naxos.com/2009/07/podcast-wild-grass-the-music-of-zhou-long-and-chen-yi/</link>
		<comments>http://blog.naxos.com/2009/07/podcast-wild-grass-the-music-of-zhou-long-and-chen-yi/#comments</comments>
		<pubDate>Tue, 07 Jul 2009 16:00:59 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.570604]]></category>
		<category><![CDATA[Beijing New Music Ensemble]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[chamber]]></category>
		<category><![CDATA[Chen Yi]]></category>
		<category><![CDATA[Naxos Chinese Classics]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[Wild Grass]]></category>
		<category><![CDATA[Zhou Long]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3329</guid>
		<description><![CDATA[Zhou Long and Chen Yi studied together at the Beijing Conservatory of Music, and at Columbia University in New York. They are now both on the composition faculty at University of Missouri, Kansas City. This podcast looks at a new &#8230; <a class="readmore" href="http://blog.naxos.com/2009/07/podcast-wild-grass-the-music-of-zhou-long-and-chen-yi/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="ZHOU, L:  Wild Grass album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570604&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090708_cd&amp;utm_campaign=CMS" target="_blank"><img class="alignleft" style="border: 1px solid #cccccc;" title="Zhou Long Wild Grass" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.570604.gif" width="170" height="168" /></a><a href="http://www.naxos.com/composerinfo/Long_Zhou/27296.htm">Zhou Long</a> and <a href="http://www.naxos.com/composerinfo/Yi_Chen/25896.htm">Chen Yi</a> studied together at the Beijing Conservatory of Music, and at Columbia University in New York. They are now both on the composition faculty at University of Missouri, Kansas City. This podcast looks at a new CD of their chamber music with the <a href="http://www.naxos.com/ensembleinfo/Beijing_New_Music_Ensemble/79990.htm">Beijing New Music Ensemble</a></p>
<p><a title="ZHOU LONG:  Wild Grass album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570604&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090708_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.570604</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/07/podcast-wild-grass-the-music-of-zhou-long-and-chen-yi/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/2-28-cms20090708.mp3" length="27429438" type="audio/mpeg" />
			<itunes:keywords>Zhou Long,Chen Yi,Beijing New Music Ensemble,Wild Grass,8.570604,Naxos Classical Music Spotlight</itunes:keywords>
	<itunes:subtitle>Zhou Long and Chen Yi studied together at the Beijing Conservatory of Music, and at Columbia University in New York. They are now both on the composition faculty at University of Missouri, Kansas City. This podcast looks at a new CD of their chamber mu...</itunes:subtitle>
		<itunes:summary>Zhou Long and Chen Yi studied together at the Beijing Conservatory of Music, and at Columbia University in New York. They are now both on the composition faculty at University of Missouri, Kansas City. This podcast looks at a new CD of their chamber music with the Beijing New Music Ensemble

Album details...
Catalogue No.: Naxos 8.570604

 </itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>19:00</itunes:duration>
	</item>
		<item>
		<title>Podcast: Ge Gan-ru’s String Quartets &#8211; Fu, Angel Suite &amp; Fall of Baghdad</title>
		<link>http://blog.naxos.com/2009/07/podcast-ge-gan-rus-string-quartets-fu-angel-suite-fall-of-baghdad/</link>
		<comments>http://blog.naxos.com/2009/07/podcast-ge-gan-rus-string-quartets-fu-angel-suite-fall-of-baghdad/#comments</comments>
		<pubDate>Mon, 06 Jul 2009 16:00:50 +0000</pubDate>
		<dc:creator>Naxos</dc:creator>
				<category><![CDATA[Naxos Podcast]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[8.570603]]></category>
		<category><![CDATA[blog.naxos.com]]></category>
		<category><![CDATA[Chinese American composers]]></category>
		<category><![CDATA[Fall of Baghdad]]></category>
		<category><![CDATA[Ge Gan-ru]]></category>
		<category><![CDATA[modern music]]></category>
		<category><![CDATA[ModernWorks]]></category>
		<category><![CDATA[Naxos Classical Music Spotlight]]></category>
		<category><![CDATA[string quartets]]></category>

		<guid isPermaLink="false">http://blog.naxos.com/?p=3293</guid>
		<description><![CDATA[Ge Gan-ru was the first avant garde composer in China, and now lives in the United States. In this podcast, he discusses his journey &#8211; from China to America, and from traditional Chinese music to being at the forefront of &#8230; <a class="readmore" href="http://blog.naxos.com/2009/07/podcast-ge-gan-rus-string-quartets-fu-angel-suite-fall-of-baghdad/">Read More &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p><a title="GE GAN-RU: Fall of Baghdad album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570603&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090707_cd&amp;utm_campaign=CMS" target="_blank"><img class="alignleft" style="border: 1px solid #cccccc;" title="Ge Gan-Ru Fall of Baghdad" alt="" src="http://www.naxos.com/SharedFiles/Images/cds/others/8.570603.gif" width="170" height="168" /></a><a href="http:///www.naxos.com/composerinfo/Gan_Ru_Ge/26209.htm">Ge Gan-ru</a> was the first avant garde composer in China, and now lives in the United States. In this podcast, he discusses his journey &#8211; from China to America, and from traditional Chinese music to being at the forefront of modern music while talking about the new recording of his String Quartets with <a href="http://www.naxos.com/ensembleinfo/ModernWorks/81289.htm">ModernWorks.</a></p>
<p><a title="GE GAN-RU.: Fall of Baghdad album details" href="http://www.naxos.com/catalogue/item.asp?item_code=8.570603&amp;utm_source=blog&amp;utm_medium=Podcast&amp;utm_content=20090707_txt&amp;utm_campaign=CMS" target="_blank">Album details&#8230;</a><br />
Catalogue No.: Naxos 8.570603</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://blog.naxos.com/2009/07/podcast-ge-gan-rus-string-quartets-fu-angel-suite-fall-of-baghdad/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://blog.naxos.com/wp-content/uploads/cms20090707.mp3" length="46081879" type="audio/mpeg" />
			<itunes:keywords>Ge Gan-Ru, ModernWorks, Fall of Baghdad, Angel Suite, Fu, Chinese-American composers</itunes:keywords>
	<itunes:subtitle>Ge Gan-ru was the first avant garde composer in China, and now lives in the United States. In this podcast, he discusses his journey - from China to America, and from traditional Chinese music to being at the forefront of modern music while talking abo...</itunes:subtitle>
		<itunes:summary>Ge Gan-ru was the first avant garde composer in China, and now lives in the United States. In this podcast, he discusses his journey - from China to America, and from traditional Chinese music to being at the forefront of modern music while talking about the new recording of his String Quartets with ModernWorks.

Album details...
Catalogue No.: Naxos 8.570603

 </itunes:summary>
		<itunes:author>Naxos</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>32:00</itunes:duration>
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